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The Global ETD Search service is a free service for researchers
to find electronic theses and dissertations. This service is
provided by the
Networked Digital Library of Theses and Dissertations.
Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
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Showing 21 to 27 of 27 (0.044 seconds)Spelling suggestions: "subject:"[een] 1970´S"" "subject:"[enn] 1970´S""
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Perspective vol. 5 no. 4 (Aug 1971)Carvill, Robert Lee, Van Til, Karen 20 August 1971 (has links)
No description available.
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Perspective vol. 6 no. 1 (Jan 1972) / Perspective: Newsletter of the Association for the Advancement of Christian ScholarshipCarvill, Robert Lee, Baumgartner, Mary, McNally, Don, Zylstra, Bernard 26 March 2013 (has links)
No description available.
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Perspective vol. 5 no. 5 (Nov 1971) / Perspective: Newsletter of the Association for the Advancement of Christian ScholarshipCarvill, Robert Lee, Baumgartner, Mary, Bruinsma, R. W., Otter, Andy den 26 March 2013 (has links)
No description available.
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Perspective vol. 5 no. 4 (Aug 1971) / Perspective: Newsletter of the Association for the Advancement of Christian ScholarshipCarvill, Robert Lee, Van Til, Karen 26 March 2013 (has links)
No description available.
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Housing an illegitimate aristocracy : an urban profile of a coloured community in Greenwood Park from the 1950's to the 1970'sFrancis, Lynette Crysta-Lee 01 1900 (has links)
There is no historiography on Durban coloureds . This work is an attempt to change that . This dissertation is an urban study of a small coloured community in Greenwood Park (GWP) during the apartheid era - a study in which housing is used as a vehicle to examine this community's response to their changing economic and socio-political status from the 1950's to the 1970's. Because of the absence of historical data , this study relies heavily on the contributions of other social sciences . It also uses oral data to fill the many gaps in the story of this marginal group . Chapter 4 and 5 explores housing as a complex physical and social phenomenon. Chapter 6 explores the GWP community's response to their housing environment . In this chapter, the association between housing and
socio-economic status is explored . From 1950 to the l 970's, housing became the single most defining entity which kept coloureds trapped in the vortex of privilege and oppression . / History / M. A. (History)
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Konstruktioner av det nationella : En utställningsanalys av Finsk bild på Liljevalchs konsthall 1977–1978 / Constructions of the national : An analysis of the art exhibition Finsk bild (Finnish picture), Liljevalchs art gallery 1977-1978Immonen, Paulina January 2021 (has links)
By examining the art exhibition Finsk bild (Finnish picture) that was held at Liljevalchs art gallery in Stockholm 1977-78, the aim of the essay is to investigate and highlight the discrepancy between the intention of the exhibition and how it was perceived by the critics. In the aftermath of the exhibition there were discussions about why the critics were so harsh, and also the way the critics described the art and artists in terms of the national has been questioned in recent years. The method that is being used is Mieke Bals semiotic exhibition analysis model, where the art exhibition is analyzed through the narratives that are constructed in the discourse of the practice of the exhibition. The results show that the framing of the exhibition was done according to a model of a national culture exchange, within far going traditions in the Nordic countries. Therefore, the art exhibited was received as “classic Finnish art”, but the art itself was of modern international character. The framing of the exhibition placed the art in the category of artefacts, which were starting to be an outdated way of perceiving art in the 1970´s. / Uppsatsen undersöker och synliggör konflikten mellan intentionen och mottagandet av konstutställningen Finsk bild som visades på Liljevalchs 1977–1978. Mottagandet av den här utställningen har uppmärksammats i efterhand, men någon djupare vetenskaplig analys har inte gjorts. Metoden som använts till undersökningen är en utställningsanalys enligt Mieke Bals semiotiska modell, där utställningspraktiken undersöks genom diskurser som var förhärskande på det finska och svenska konstfältet. Resultatet visar att en representationsutställning som Finsk bild, var diskursivt inramad i nationella termer av finskhet, vilket därmed ställde förväntningar på konsten som visades. Konsten som visades var dock inte ”nationell finsk konst” i klassisk mening, utan konst som till sitt uttryck följde en allmän konstutveckling i spåren av västerländsk modernitet. Traditionell politisk praktik av konstutbyte hade satt ramarna för utställningen, men konstbegreppet och konsttolkningen hade delvis ersatts av nya. Konst som bärare av det nationella, förutsätter att konstverk ses som artefakter snarare än konstverk.
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"Lepší Rudý než mrtvý!": Boj Amerických Indiánů za právo na svrchovanost v 60. a 70. letech 20. století / "Better Red than Dead": American Indians' Struggle for Sovereignty Rights in the 1960s and 1970sStaňková, Olga January 2014 (has links)
In my thesis, I argue that the Native American activism of the 1960s and 1970s does not fall into the category of Civil Rights Movement because of its significantly different goals, and that the fundamentally different character of sovereignty rights also keeps the Indian struggle invisible in American understandings of U.S. political and social history. According to my analysis, the terms tribal sovereignty, self-determination, and treaty rights describe the ultimate goals of the Native American activists in the 1960s and 1970s the best. The decade between 1964 and 1974 witnessed the rise of radical Indian activism, which succeeded in reminding the general public and politicians that Indians are still present in the United States. Furthermore, it influenced a whole generation of Native Americans who found new pride in being Indian. However, this current of American activism is not known so well by the general U.S. public. This thesis will describe this state as "selective visibility" deriving from U.S. selective historical memory, only noticing and remembering those events and images concerning Native Americans that can be simply understood, somehow relate to the U.S. set of values, and fit in the national historical narrative.
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