Global ETD Search

1	Jag ser vad du säger : En undersökning av det narrativa draget i Denise Grünsteins fotografier Liljedahl, Sofi January 2016 (has links) I den här uppsatsen undersöker jag hur den fotobaserade konstnären Denise Grünstein använder sig av det fotografiska mediets möjligheter och begränsningar. Syftet med uppsatsen är att undersöka det narrativa draget i Denise Grünsteins iscensatta fotografier. Hur det narrativa draget gestaltas och varför Grünstein använder sig av ett narrativt drag. Begreppet narrativitet utreds och används för att tolka fem av Grünsteins fotografiska verk. Genom att förstå narrativitet öppnas även dörrar för en djupare förståelse för hur bild kommuniceras. Därav uppsatsen titel ”Jag ser vad du säger”. Uppsatsen har sin teoretiska utgångspunkt i Mieke Bals teori om hur narrativitet i form av information skapas och förmedlas i bild. Bal definierar fem narrativa karaktäriseringsbegrepp: ”utmärkande gestalter”, en ”fiktiv talesperson”, ”identifierbara platser och miljöer”, ett ”hypotetiskt förhållande till tid och rum”, samt en ”förändringsprocess där en händelse övergår till en annan händelse”. De narrativa karaktäriseringsbegreppen, inom ett specifikt medium, blir pusselbitar som bidrar till att föra fram bildens dolda berättelse. Utifrån dessa karaktäriseringsbegrepp analyseras fem utvalda verk av Grünstein. Vidare har även konstnären själv, via mailkorrespondens, delgett sin bild av hur hon ser på narrativitet i förhållande till sina verk. I uppsatsens slutdiskussion fastslår jag att Micke Bals narrativa karaktäriseringsbegrepp kan användas för att analysera det narrativa draget i Grünsteins iscensatta fotografier. Uppsatsen drar slutsatsen att Denise Grünstein använder sig av ett narrativt drag i sina fotografier för att ge liv åt komplexa, reflekterande och gränsöverskridande berättelser som säger någonting nytt om världen. Denise Grünstein Mieke Bal narrativitet iscensatta fotografier Susan Sontag
2	Berättelsens tid tenderar mot noll : Hur tid, plats och miljö framställs i Kristina Lugns Idlaflickorna Palmström, Sofia January 2016 (has links) This essay examines through narratology how time and space are conveyed to the reader in the play Idlaflickorna by author Kristina Lugn. I seek answers in the text that has no stage directions and no description of characters or the space where the action takes place. The information given about time and space in the dialogue is contradictory. By using Mieke Bals Narratology – Introduction to the Theory of Narrative with focus on the chapters on time and space in story and fabula. I suggest that time is not only a tool to construct the text but the main theme that ties the story together. The contradictory information about where the characters are, create a new space in-between or parallel to the story being told. I have also used Gérard Genettes definition of narrative anachronism to further describe the construction of the story and what effects narrative anachrony has on the fabula. Kristina Lugn Idlaflickorna Narratology Mieke Bal Space Time Kristina Lugn Idlaflickorna Narratologi. Mieke Bal plats Miljö Tid
3	En Strid För Lättnad : En narratologisk läsning av Edith Södergrans ”Undret” med diskussion ur feministteologisk synvinkel Aspersand, Anna-Karin January 2020 (has links) This thesis is a narratological analysis of the poem “The Miracle” by Edith Södergran. The thesis uses narratological tools from Mieke Bal in order to investigate different themes mainly connected to Christological sacrificial mythology. The thesis furtermore offers a discussion that highlights the poem from a feminist theological point of view, mainly with the help of ideas developed by Catherine Keller and Anne-Sofie Eriksson. ”The Miracle” is a dialogue between a girl and a nun about a troublesome dream that the girl has. It is a dream, which the girl finds strange and it concerns the need for revenge to reach relief. The dialogue also shows the risk of a kind of oppressive forgiveness by covering unfairness, and how the girl finds her way with help from the nun. With the altar in the poem as a kind of stage, “The Miracle” offers a challenge for the church and the whole world about attitudes, and about how to be constructive and liberating. This includes questions about the need to be careful and realistic when it comes to danger as well. How can you aim for fairness and at the same time handle unfairness, at several levels? Both the girl and the nun keep progressing in their different situations, from a horizon including escatological expressions. It is not easy, but they are not tied to oppressive traditions in their way of thinking either. What makes “The Miracle” such an interesting poem is the way it directs the reader to pose several constructive questions, without offering preformed answers. epos dialogue focalization Mieke Bal Catherine Keller epos dialog fokalisering Mieke Bal Catherine Keller General Literature Studies Litteraturvetenskap
4	Diskursiv och kulturell kontextualisering i narratologi och postkolonialism. En interdisciplinär studie med utgångspunkt i Mieke Bal och Homi K. Bhabha / Diskursiv och kulturell kontextualisering i narratologi och postkolonialism : En interdisciplinär studie med utgångspunkt i Mieke Bal och Homi K. Bhabha Nyman, Anna January 2009 (has links) No description available. Diskursiv kulturell kontextualisering narratologi postkolonialism interdisciplinär studie Mieke Bal Homi K. Bhabha Literature Litteraturvetenskap
5	Diskursiv och kulturell kontextualisering i narratologi och postkolonialism. En interdisciplinär studie med utgångspunkt i Mieke Bal och Homi K. Bhabha / Diskursiv och kulturell kontextualisering i narratologi och postkolonialism : En interdisciplinär studie med utgångspunkt i Mieke Bal och Homi K. Bhabha Nyman, Anna January 2009 (has links) No description available. Diskursiv kulturell kontextualisering narratologi postkolonialism interdisciplinär studie Mieke Bal Homi K. Bhabha Literature Litteraturvetenskap
6	Så var fallet löst : En narratologisk analys av Freuds fallstudie "Fröken Elisabeth von R." Lundgren von Euler-Chelpin, Julia January 2011 (has links) The main purpose of this paper has been to use narratological theory for uncovering the narrative structure in Freud‟s cases, such as anachronisms and focalizing. My aim was to investigate the narrative and through these viewpoints discover what impact Freud‟s writing‟s had on the look of hysterical women. I choose one of the earliest cases,"Fräulein Elisabeth von R." which is published in Studien über Hysterie (I‟ve used the text translated to Swedish and published in Tidiga skrifter och historik. Freud, Sigmund, 1997). I‟ve consulted both Iréne Matthis and Jurgen Reeder to get a broader perspective on the psychoanalytic theory. Another author whom been invaluable is Karin Johannisson, her essays on the aesthetics that characterize hysteria has been very useful. By using the narratological theories of Mieke Bal and Gérard Genette I‟ve been able to uncover the structure of my narrative. The main concepts have been "text", "story" and "fabula" which symbolize three layers of the narrative, for the investigation of these three aspects I‟ve looked closer into anachronisms, retroversions and anticipations (internal and external), focalizor, narrator, actors and agents. The conclusion I‟ve reached is that Freud, by separating himself into the –less knowing and the –analyst and use this –less knowing version of himself as an assistant in the hunt of the answer to hysteria, he writes off Elisabeth as a character. He excludes her from her own anamnesis and fills the hole with himself and uses it as a part of his theory. Left again is the woman, without having been really listened to. narratology; psychoanalysis
7	Loss. meaning and absence in personal collections / Verlies, betekenis en afwesigheid in persoonlike versamelings / Ilahleko , intsingiselo nokungabikho kokuthile kwiingqokelela Van Zyl, Adelle 08 1900 (has links) To view the Shelves Catalogue in the correct format: 1. Click "view"; 2. Click "page display"; 3. Click "Two Page View"; 4. Click "Show Cover Page in Two Page View" / This study explores how a narrative view of collecting can be expanded and applied to Ilya and Emilia Kabakov’s installations, as well as to my own artworks. It focuses on personal and intimate collections of everyday objects that serve to edify their owner’s sense of being. The project is undertaken in order to arrive at new interpretations of the themes of loss, meaning and absence through Mieke Bal’s (2006) narrative theory, Susan Pearce (1994) and Mikhail Epstein’s (1995) methods of collecting and Jean Baudrillard’s (1996) notions of the collector. These theories are applied to selected installations from the Kabakovs’ series Ten Characters. My own exhibition, S(h)elves, is an exploration of collections, underpinned by conceptually relevant theories. Conclusions are reached by means of literary analysis and comparison of selected theorists and artworks. A reflexive approach to art-making means that theories inform art-making processes while practical developments facilitate re-evaluated perceptions which lead to new insights. / Art History, Visual Arts and Musicology Collecting Furniture Hoarding Ilya and Emilia Kabakov Installation Jean Baudrillard Mieke Bal Mikhail Epstein Object Thing
8	Man ville vara modern : En analys av modernistiska strömningar i svenska stumfilmsaffischer / They wanted to be modern : An analysis of modernistic tendencies in the Swedish silent film posters Peterson, Caroline January 2011 (has links) Purpose of this essay is to conduct a style analysis of Swedish silent film posters with visual storytelling and cultural memory as a theoretical basis. Concepts such as design, color and technique are studied to highlight the historical context of Swedish silent film posters. Style analysis Swedish silent film poster movie poster silent film style color prints posters graphic design modernism Mieke Bal visual storytelling cultural memory Stilanalys svensk stumfilmsaffisch filmaffisch stumfilm stil form färg modernism Mieke Bal visuellt berättande kulturellt minne Art Konstvetenskap
9	Náboženské motivy skupiny Die Pilger / Religious Motifs in the Works of the Art Group "Die Pilger" Ficková, Barbora January 2019 (has links) Religious motifs in the works of the Art Group "Die Pilger" Abstract: The topic of this Thesis is the German-Czech art group called Die Pilger which was active mainly in Prague between 1920-1923. Its main specific feature was a strong focus on religious motifs among which Bible themes prevailed. However, religious motifs were not portrayed in a historical manner but the group often used unusual modern means of expression. However, the religious focus of the group was not proclaimed anywhere, nor did it correspond to all the work produced by the members of the group. The thesis focuses on the religiously motivated creation of the group and analyses what specific themes the artists have chosen. The aim, however, is not to list the depictions and their frequency, but to interpret individual ways of processing the given motif and through it to define the relationship of the group to these motifs and the reasons for their use. Semiotics seems to be the most appropriate examination method to apply in this case which allows you to move away from the historical burden of works and focus only on their content. The second part of the thesis analyses the narrative that is associated with the group and which significantly influences the way we perceive the work of the group. In addition to the interpretation of...
10	Narrative Perspective in a Wordless Graphic Novel: Shaun Tan's The Arrival Johnson, Hanna January 2018 (has links) In a narrative the narrator tells the story, and the focalizer is a character through whose eyes the story is seen. The narrator is thus the one who speaks, whilst the focalizer is silent. The identification of these two narratological features is made with the help of verbal cues such as personal pronouns for instance. Determining the narrator and the focalizer can sometimes be challenging due to ambiguous cues in the analyzed text, as well as narratological aspects which at times can be difficult to distinguish from each other. Determining the narrator and the focalizer in graphic narratives (comics) with no narrative voice, or which completely lack words, must be done with the help of pictorial cues instead. In this thesis, Shaun Tan’s wordless graphic narrative The Arrival is used in order to show how the narrator and the focalizer can be determined by combining pictorial cues with the reader’s general knowledge of storytelling as well as his or her experiences from real life scenarios. To analyze narratological features in The Arrival, I employ terminology from comics studies, literary and film narratology. My analysis shows that determining the narrator and the focalizer in narratives lacking explicit narrative voice is possible by using only pictorial cues. Narrator Focalizer Graphic Novel Mieke Bal Gérard Genette Scott McCloud Shaun Tan The Arrival Specific Languages Studier av enskilda språk

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