The main purpose of the study is to understand how Vestiaire Collective’s campaign film #saynotofastfashion from 2022 visually communicates two different messages. One intentional message about an activistic positioning in the issue of textile waste as well as one unintentional message about white supremacy.   The material is investigated through a qualitative content analysis based on theories about activism in media and documentary narration, the white man’s guilt and postcolonial stereotypes in film. By splitting the material and analyzing text and image separately, markers for both messages are found. In a summarizing analysis the text and images separate communication are put in relation to each other in order to draw conclusions about the two part’s common message and function.   The study concludes that the meaning of the text as well as text and image together is to show Vestiaire Collective as a wholesome, conscious and charitable company. However the images also send the message that westerners are needed in order to solve problems in non-western countries. Vestiaire Collective’s film represents the dark skinned Ghanaians in a diminishing and colonially stereotyped way and themselves as heroes in line with the white-savior-stereotype.  Markers for activism are interpreted to be the way Vestiaire Collective are positioning themselves in the issue of textile waste as well as their suggestions and prompts for solutions. Another marker for activism is under which circumstances the film was published; in connection with Black Friday 2022 on social media.  The media production included below is a documentation of the process of making a short advertising film about a cancer story from a relative’s perspective.

Företag inom slow fashion arbetar mer med hållbarhet, både för konsumenterna och deras anställda. Det är stort fokus på att miljön ska bevaras medan företagen konkurrerar med fast fashionkedjor som massproducerar kläder och säljer till låga priser. Det stora problemet inom industrins produktion handlar om hur man ska försöka minska utsläpp och påverkan på miljön samt hantera överkonsumtionen genom hållbar marknadsföring. Studiens syfte är att utvärdera vilka karaktärsdrag slow fashion företag har gentemot fast fashion företag och hur slow fashion företag inom klädindustrin marknadsför sitt hållbarhetsarbete till konsumenterna. Studien undersöker även hur företagen arbetar med marknadsföring för att nå ut till sina nuvarande och framtida konsumenter. Studien har en kvalitativ ansats och det empiriska materialet samlas in genom semistrukturerade intervjuer med fyra slow fashion företag. Vi har även samlat in empiriskt material genom undersökningar av företagens offentliga material så som hemsidor och sociala medier för att komplettera intervjuerna. Resultatet analyseras med hjälp av tidigare forskning och begreppen slow- jämfört med fast fashion och marknadsföring. Vidare analyseras företagens ansvar med hjälp av begrepp och modeller inom triple bottom line, corporate social responsibility, certifieringar och legitimitet. Det sista inom studien som analyseras är konsumentens ansvar i form av politisk konsumtion samt aktiviteterna bojkott och buycott. Resultaten visar att alla fyra företagen är positiva till att arbeta med hållbarhet för att förbättra miljön och deras arbete kommer inte avta men att företagen vill nå ut till fler konsumenter och minska konsumtionen genom att påverka konsumenterna till att göra färre onödiga inköp. / Slow fashion companies work more with sustainability, both for consumers and their employees. There is a strong focus on preserving the environment while companies compete with fast fashion chains that mass-produce clothes and sell at low prices. The big problem in industrial production is about how to try to reduce emissions and impact on the environment and manage overconsumption through sustainable marketing. The purpose of the study is to evaluate the characteristics of slow fashion companies in relation to fast fashion companies and how slow fashion companies in the clothing industry market their sustainability work to consumers. The study also examines how companies work with marketing to reach their current and future consumers. The study has a qualitative approach, and the empirical material is collected through semistructured interviews with four slow fashion companies. We have also collected empirical material through studies of the companies' public material such as websites and social media to supplement the interviews. The results are analyzed with the help of previous research and the concepts of slow- vs. fast fashion and marketing. Furthermore, corporate responsibility is analyzed with the help of concepts and models within triple results, corporate social responsibility, certifications, and legitimacy. The last thing in the study that is analyzed is the consumer's responsibility in the form of political consumption and the activities boycott and buycott. Results show that all four companies are positive about working with sustainability because the environment and their work will decline, but that the companies want to reach more consumers and choose consumption by influencing consumers to make fewer unnecessary purchases.

The main objective of this thesis is an evaluation of activities in multinational companies which lead to sustainable development. Furthermore, an analysis which aims to find out if these activities contribute to the 17 Sustainable Development Goals (SDGs) drawn up and approved by all member states of the United Nations in 2015. The theoretical part of the thesis introduces history starting with the industrial revolution and present situation in a globalized world. It explains specifics of apparel industry and sport apparel industry. It also presents individual SDGs, their meaning and the importance of all subjects being involved in their achieving, including private companies. The thesis evaluates how the three biggest multinational companies from sports apparel industry perceive the topic of sustainable development. These are adidas AG, NIKE, Inc. and Puma SE. In the analytical part, it evaluates their current and planned practices contributing to sustainable development, it compares them with the topics of SDGs and proposes measures that would help to successfully achieve them. The analysis shows that these three companies have already been engaging in the topic of sustainability. They take the SDGs into account but do not fully implement them in their business models yet. The company which has the most activities connected to sustainable development is adidas. Most of the activities these companies have are connected to the following goals: Responsible consumption and production, Clean water and sanitation and Partnership for the goals. There are several specific areas in the sports apparel industry that could be greatly improved. They are presented at the end of the thesis.

The diploma thesis concerns with the specifics of fashion industry and marketing of fashion brands, with a closer focus and attention on a Spanish clothing brand Zara.The purpose of this work is to offer the reader an overview of marketing methods and tools used by fashion brands to reach, get and keep customers and to specify the actual forms of marketing communication used by the renowned Zara. The goal of the thesis is to find out the awareness of these marketing tools among Czech customers, what they think of the brand itself and then provide suggestions to improve its existing image. The first part gives an overview of available theory on fashion industry and marketing, and it describes and characterises the marketing communication of Zara. The second part is based on own marketing research with the purpose of defining the activity of the brand in Czech environment and unveiling the marketing goals of Zara in the Czech Republic. The aim is to find out the impact of the brand on Czech consumers and whether its idea of own positioning corresponds with the outcome of the consumer reasearch.

The Dissertation is providing concise insight into the history of fashion industry, its global evolution and remarkable thresholds leading us into the way we can see it nowadays. Consequent focus is around today's trend of fast fashion being seen as the synonym for affordable and low-cost apparel. Vigorous supply chain analysis delivers valid arguments about negative social and environmental impact on our society as a result of recent fashion trends. Considering all above highlighted issues along with increasingly important sustainability, the theses is trying to outline a future prospect of the industry.

Bakgrund och problem: Fenomenet fast fashion erbjuder inte minst mode med låg prisbild för den stora massan samt nyheter varje vecka, utan bidrar även till massproduktion och masskonsumtion. Miljömässig skada sker under alla steg av en mode- och textil försörjningskedja, där expansionen av både produktion och konsumtion bidrar till ökad miljöpåverkan. I linje med den miljömässiga problematiken går det även att ifrågasätta det sociala ansvaret i form av billig produktion i utvecklingsländer. Hållbarhetsarbetet hos företag grundas alltsomoftast i en CSR-strategi med utgångspunkt i Triple Bottom Line där sociala-, ekonomiska- och miljömässiga aspekter agerar som grundpelare. Dubbla budskap uppstår när ett fast fashion-företag påstår sig vara ett hållbart företag eller arbeta med hållbarhetsfrågor när de samtidigt bidrar och uppmanar konsumenter till att konsumera mer. I och med den rådande “klimat-eran” har CSR i många fall omvandlats till ett marknadsföringsverktyg som syftar till att förbättra företagets varumärkesbild istället för att användas till dess faktiska syfte. Grön marknadsföring används för att differentiera sig på marknaden, och då “grönt” säljer, skapas utrymme för företagen att så kallat “tvätta sina produkter gröna”, även kallat greenwashing. Syfte: Studiens syfte är att jämföra hållbarhetsrapportering och hållbarhetsarbete hos fyra svenska fast fashion-företag, samt undersöka i vilken utsträckning eventuell greenwashing kan förekomma i samband med CSR-arbetet. Avsikten är att öka förståelsen för fast fashion som princip i relation till hållbarhetsarbetet samt bidra med ett nytänkande perspektiv och uppmana till ett mer kritiskt förhållningssätt gällande hållbarhetsarbete och klädkonsumtion. Metod: Studien bygger på en kvalitativ innehållsanalys där hållbarhetsrapporter har studerats hos fyra svenska fast fashion-företag rörande åren 2012, 2015 och 2018. Datainsamlingen har utgått ifrån teman och frågeställningar som har sin förankring i den teoretiska referensramen. Resultat och slutsats: Samtliga av de studerade företagen hållbarhetsrapporterar på olika vis och i olika utsträckning men innehållet är likartat. Samtidigt appliceras de tre grundpelarna i olika grad och tar olika stor plats i respektive företag. Utifrån studiens resultat kan det konstateras att greenwashing förekommer i hållbarhetsrapporteringen, däremot går det inte att säkerställa huruvida företagen i sin helhet kan klassas som greenwashing-företag. Vidare krävs det att fast fashion-företag har ett mer kritiskt förhållningssätt till hur affärsmodellen som sådan uppmanar till massproduktion, och vidare masskonsumtion, oavsett om klädesplagget är märkt med en grön etikett. / Background: The phenomena of fast fashion provides, not least, cheap fashion for everyone with news every week, but contributes to mass production as well as mass consumption. Every step of the fashion- and textile supply chain causes damage to the environment, where the expansion of both production and consumption contributes to increased impact on the environment. In accordance with environmental problems one can question the social responsibility in terms of cheap production in developing countries. The work of sustainability is oftentimes based on a CSR strategy with focus on the Triple Bottom Line, where social-, economical- and environmental aspects act as keystones. It occurs a double message when a fast fashion company claims to be a sustainable company or work with sustainability questions, when they at the same time contributes and urges consumers to consume even more. Due to the current “climate era”, CSR has in many cases turned into a marketing tool aimed to enhance the brand image of the company, instead of being used for its actual purpose. Green marketing is being used in order for the company to differentiate itself on the market, since “green” sells it creates an opportunity for companies to “wash their products green”, also known as greenwashing. Aim: The aim of the study is to compare the reporting and work of sustainability among four Swedish fast fashion companies, and investigate to what extent greenwashing may occur in connection with CSR. The intention is to increase the understanding for the principle of fast fashion in relation to sustainability as well as contribute with a critical rethinking perspective regarding the work of sustainability and consumption of fashion. Methodology: The study is based on a qualitative content analysis where sustainability reports from four Swedish fast fashion companies have been studied, regarding the years of 2012, 2015 and 2018. The data collection derives from themes and questions which are anchored from the theoretical framework. The following essay is written in Swedish. Findings and conclusion: All of the studied companies report their sustainability in different ways and extent but with similar content. The three keystones are at the same time applied in varied degrees and takes place in a varied extent among the companies. The result shows that greenwashing occurs in the reports, however it can’t be stated whether the companies can be classified as greenwashing-firms or not. Furthermore, fast fashion companies need to have a more critical approach towards the business model as such, which urges to mass production and mass consumption regardless if the garment is marked with a green label.

Instagram es una de las redes sociales más influyentes a nivel mundial, ante ello, las marcas de moda se han visto obligadas a comunicarse con su público a través de esta plataforma. Sin embargo, uno de los retos para estas marcas es mantener la interacción y atención de sus consumidores. Por esa razón, es importante que se publique contenido relevante y creativo para generar mejores relaciones entre las marcas y el consumidor, pues estos factores influyen en la creación de la imagen de marca. En este estudio se encontraron diversas líneas de investigación sobre moda, red social Instagram e imagen de marca. No obstante, para esta investigación se plantea una nueva línea que abarque estas categorías en conjunto. Este análisis se enfoca en conocer la percepción de los estudiantes universitarios de pregrado sobre las publicaciones de Forever 21 Perú en la red social Instagram. Los participantes para esta investigación son estudiantes universitarios de pregrado de 17 a 25 años que usan la red social Instagram en Lima Metropolitana. Para recolectar la información se emplea entrevistas a profundidad con el fin de profundizar el tema a tratar y el enfoque del estudio es cualitativo. / Instagram is one of the most influential social networks worldwide, given that, fashion brands have been forced to communicate with their public through this platform. However, one of the challenges for these brands is to maintain the interaction and attention of their consumers. For this reason, it is important that relevant and creative content is published to generate better relationships between brands and the consumer, as these factors influence the creation of the brand image. In this study, various lines of research on fashion, Instagram social network and brand image were found. However, for this research a new line is proposed that covers these categories. This analysis is focused on knowing the perception of undergraduate university students about the publications of Forever 21 Peru on the social network Instagram. The participants for this research are undergraduate university students from 17 to 25 years old who use the social network Instagram in Lima Metropolitan. To collect the information, in-depth interviews are used to deepen the topic to be discussed and the focus of the study is qualitative. / Trabajo de investigación

Textilindustrin en av nutidens smutsigaste industrier och inte minst fast fashion-industrin haren väldigt stor negativ påverkan på miljön. Trots det framhäver marknadsföringen hos många av de största fast fashion-företagen idag hållbara produkter. Till följd av den rådandeklimatkrisen har detta uppmärksammats och bidragit till en hållbar utveckling av samhället. Hållbar utveckling är en utveckling som tillgodoser dagens behov utan att äventyra kommandegenerationers möjlighet att tillgodose sina behov. När då fast fashion-industrin revolutionerade textilindustrin på bekostnad av miljön, är det rimligt att ifrågasätta denna påstådda hållbarhethos deras produkter. Tidigare forskning har visat att hållbarhet har en positiv påverkan på konsumenters köpintention och även till viss mån specifika attribut som bidrar till detta samband. Därmed undersöks detta samband vidare med förhoppningen att det blir tydligare vilka attribut som har en inverkan på konsumenten vid önskan om att vilja köpa fast fashionplaggmed hållbara egenskaper. Genom en kvantitativ undersökning i form av en enkätundersökning samt hypotesprövningar undersöker denna uppsats fast fashionkonsumenters inställning till följande attribut: återvunna material, biologisk nedbrytbarhet, återanvändbarhet/återvinningsbarhet, miljömärkningar, socialt hållbara märkningar, ekologiska material och närliggande produktion. Resultaten visades genom flertal regressionsanalyser som samtliga påvisade ett negativt samband mellan hållbarhetsattributen och köpintention. Varavfyra av dessa var signifikanta: återvunna material, biologisk nedbrytbarhet, miljömärkningar och ekologiska material. Detta betyder att en ökning av konsumentens köpintention mot fastfashion-plagg leder till att inställningen gentemot plagg med hållbarhetsattribut minskar. Slutsatsen som dras utifrån detta är att de konsumenter som har en låg intention att konsumerafast fashion-produkter värderar hållbarhet högt. / The textile industry is one of the present day’s dirtiest industries and not least the fast fashion industry has a very large negative impact on the environment. Despite this, the marketing of many of the largest fast fashion companies today highlights sustainable products. This has been observed as a result of the current climate crisis and contributed to the sustainable development of today’s society. Sustainable development is a development that meets today's needs without compromising the ability of future generations to meet their needs. So, when the fast fashion industry revolutionized the textile industry at the expense of the environment, it is reasonable to question this alleged sustainability of their products. Previous research has shown that sustainability has a positive impact on consumers' purchase intention, and further, to some extent, specific attributes that contribute to this relationship. Thus, this connection is further studied with the hope that it will become clearer which attributes have an impact on the consumer's desire to buy fast fashion garments with sustainable characteristics. By using a quantitative study in the form of a survey, and implementation of hypothesis tests this essay examines fast fashion consumers' attitudes towards the following attributes: recycled materials, biodegradability, reusability/recyclability, eco-labels, socially sustainable labels, organic materials, and production nearby. The results were shown through several regression analyzes, all of which showed a negative relationship between the sustainability attributes and purchase intention. Four of which were significant: recycled materials, biodegradability, eco-label, and organic material. This means that an increase in the consumer's purchase intention towards fast fashion-products leads to a reduction in attitudes towards garments with sustainable attributes. The conclusion drawn from this is that consumers who have a low intention to consume fast fashion products value sustainability highly. The thesis is written in Swedish.

The focus of this diploma thesis is on the consumers' motives for purchasing upcycled clothing. Based on the research of available resources, this thesis firstly describes the most expanded model of clothing production, fast fashion, with special focus on the negative environmental impacts it has during different stages of a product life cycle. It later moves on to describe the traditional and more environmentally friendly model, slow fashion, and puts both these concepts (fast fashion and slow fashion) in connection with the hierarchy of waste management and the concept of circular economy. This theoretical base helps to fully understand the concept of upcycled fashion, which is thoroughly described in a separate chapter that also includes various examples of designers who focus on fashion upcycling. The last section of the theoretical part deals with motivation and motives for purchasing clothes. The empirical part of this diploma thesis focuses on how consumers perceive upcycled fashion in order to answer the main research question: What are the consumers' motives for purchasing upcycled clothes? To answer the question, qualitative research was used, specifically semi- structured interviews. The interviews were conducted with a total of twelve shoppers who have had previous personal experience...

Det är ingen hemlighet att textilindustrin står för en stor del av världens koldioxidutsläpp. Majoriteten av företagen i dagens modeindustri arbetar efter linjära affärsmodeller som bygger på en slit-och-släng-mentalitet där en stor del av textilier hamnar till deponi. Ett segment inom mode som har blivit kritiserat för sitt bidrag till ökad konsumtion, en ökad slit-och-släng-mentalitet och stora mängder av textilavfall är fast fashion. För att en förändring ska ske krävs arbete som omfattar hållbarhet och cirkularitet. Ett sätt för modeföretagen att arbeta med detta och gå mot en cirkulär ekonomi är genom att påverka arbetssättet i produktlivscykelns olika steg. Den här studien syftar till att att undersöka i vilken utsträckning cirkulär ekonomi förekommer i ett fast fashion-företags affärsmodell samt undersöka vilka möjligheter och utmaningar som kan uppstå i arbetet med cirkulär ekonomi. Detta besvarades med hjälp av datainsamling från semistrukturerade intervjuer och dokument i form av hållbarhetsredovisningar där ett utvalt svenskt fast fashion-företag undersöktes. I studien har verktyget Close The Loop och Circular Business Model Canvas använts för att kategorisera arbetssätt, möjligheter och utmaningar som framkommit i datainsamlingen. Resultatet visar vilka arbetssätt, möjligheter och utmaningar som finns inom specifika steg i produktlivscykeln. Det finns stora möjligheter för företaget och segmentet fast-fashion att integrera cirkulär ekonomi i sin affärsmodell samtidigt som det finns utmaningar. De delar i företagets affärsmodell som främjar en cirkulär ekonomi är värdeerbjudanden, kundrelationer, intäktströmmar, nyckelresurser, nyckelaktiviteter, nyckelpartners och kostnadsstruktur. De utmaningar som företaget främst upplever är kopplade till kundsegment och införningsfaktorer i form av externa aktörer. Studien bidrar vidare med kunskap och förståelse för vilka möjligheter och utmaningar som finns inom det specifika branschsegmentet fast fashion och funderar som underlag för företag att få inspiration om cirkulära arbetssätt. / There is no secret that the textile industry accounts for a large part of the world's carbon dioxide emissions. The majority of today's fashion industry works according to linear business models based on a wear-and-tear mentality where a large part of textiles ends up in landfill. A segment in fashion that has been criticized for its contribution to increased consumption, an increased wear-and-tear mentality and large amounts of textile waste is fast fashion. For a change to take place, work that includes sustainability and circularity is required. One way for fashion companies to work with this and move towards a circular economy is by influencing the working method in the various stages of the product life cycle. This study aims to investigate the extent to which circular economy occurs in a fast fashion company’s business model and to examine the opportunities and challenges that may arise in the work with circular economy. This was answered with the help of data collection from semi-structured interviews and documents in the form of sustainability reports where a selected Swedish fast fashion company was examined. In the study, Close The Loop and Circular Business Model Canvas were used to categorize working methods, opportunities and challenges that emerged in the data collection. The result shows the working methods, opportunities and challenges that exist within specific steps in the product life cycle. There are great opportunities for the company and the fast-fashion segment to integrate a circular economy into their business model while there also are some challenges. The parts of the company's business model that promote a circular economy are value propositions, customer relationships, revenue streams, key resources, key activities, key partners and cost structure. The challenges that the company mainly experiences are linked to customer segment and implementation factors in terms of external factors. The study further contributes with knowledge and understanding of the opportunities and challenges that exist in the specific industry segment fast fashion and considers as a basis for companies to get inspiration about circular working methods. The thesis is written in Swedish.