Made available in DSpace on 2016-04-29T14:27:25Z (GMT). No. of bitstreams: 1 Rogerio Lemos.pdf: 467585 bytes, checksum: 9ff6a82daf76a290889594c8d0962b3f (MD5) Previous issue date: 2014-08-28 / This dissertation in systematic theology, whose theme is the real priesthood: foundation for an active and fruitful liturgical participation from the laity faithful intended by a theological reflection demonstrate the value of the participation of the faithful, through the real priesthood in the liturgical action of the Church and the Christian life. There is until today a misinterpretation by ordained ministers and some theologians about the place and role of the laity and participation in the Church´s life, not being aware of their importance to the ecclesial action. Liturgical Theology has much to offer through a scathing reflection on the amounts deposited by Vatican II to all sectors of the Church. The Universal Church Documents and CELAM indicate theology task that the Church has today to the conscience of its clear members about discipleship and missionary in an active, conscious and fruitful participation in the Church and in the world. It´s possible to overcome the understanding that many people have about the liturgical reflection. The study demonstrates the role of liturgical science is not merely ritualistic, but causes implications to the diocesan and parochial Church´s life, and in the very essence of the Christian person contributing to a better reality for themselves and others. This task must be done and the liturgical theology has the assignment to elucidate it to everyone, so there is a correct understanding of it / A presente dissertação de mestrado em teologia sistemática, cujo tema é o sacerdócio real: fundamento para uma participação litúrgica ativa e frutuosa dos fiéis leigos (as), pretende por meio de uma reflexão teológica, demonstrar o valor da participação dos fiéis na ação litúrgica da Igreja e na vida cristã, efetivada pelo sacerdócio real. Encontra-se ainda hoje, uma deficiente interpretação por boa parte dos ministros ordenados e de alguns teólogos sobre o papel e lugar do leigo (a) e de sua participação na vida da Igreja, não tendo consciência da sua importância para a ação eclesial. A Teologia litúrgica tem muito a oferecer por meio de uma reflexão contundente acerca dos valores depositados pelo Concílio Vaticano II a todos os setores da Igreja. Os Documentos da Igreja Universal e do CELAM apontam a tarefa que a teologia possui hoje na Igreja de clarear a consciência dos seus membros acerca do discipulado e da missionariedade numa participação ativa, consciente e frutuosa na Igreja e no mundo. É possível superar este entendimento que muitos possuem acerca da reflexão litúrgica. O estudo demonstra que o papel da ciência litúrgica não é meramente ritualístico, mas provoca implicações na vida da Igreja diocesana e paroquial, e no próprio ser da pessoa cristã contribuindo para uma realidade melhor para si e para os outros. É uma tarefa que a teologia litúrgica se impõe e tem como dever clareá-la a todos, para que haja uma correta compreensão da mesma

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2016-08-08T12:08:02Z No. of bitstreams: 1 Waldir Pereira da Silva.pdf: 2301983 bytes, checksum: e13d2f0f4afc295a806a3212d15baf88 (MD5) / Made available in DSpace on 2016-08-08T12:08:02Z (GMT). No. of bitstreams: 1 Waldir Pereira da Silva.pdf: 2301983 bytes, checksum: e13d2f0f4afc295a806a3212d15baf88 (MD5) Previous issue date: 2016-03-16 / Fundação de Amparo à Pesquisa do Estado de Minas Gerais / The present work investigates aspects related to the use of sacred music in the liturgy of the cults of historic Baptist and Presbyterian churches in the city of Montes Claros - MG. The specific objective is to check the current reality of musical activities in these churches, identifying the conceptions and practices that underpin their cultic musical activities. This is an emerging theme that needs of more systematic studies that allow understand the musical activities in the referred churches, from the action of pastors, and "praise ministries" and where are founded their cultic musical practices. It is relevant cast a critical eye on the reality of musical activities of these churches, and that allows knowing the reality of other historic churches in the field of cultic music. It is understood that this proposed of study suits the prospects of scientific production at present and covers problems and specific situations of socio-cultural and political contexts of the studied churches. The working hypothesis was: the process of musical Pentecostalization disliturgied the sacred music used in cults of the historical Protestant churches by influence of gospel musical market. The research universe consists of two historic Baptist churches and two Presbyterian churches, and the research was divided into two phases: on the first, it was held an initial survey of how many Baptist and Presbyterian historic churches exist in Montes Claros, and made up the choose of four of them to carry out the fieldwork research. In the second phase, priority was given to the particular reality of each church selected, with respect to their musical activities. The work was developed from bibliographical research, documentary research, semi-structured interviews, questionnaires, participant observation, photographic records and in audio and video of the cultic musical activities in each one of the four selected churches. The obtained results point to a supremacy of using of the called gospel music in relation to official hymnody of each denomination, the print media being replaced by electronic media and significant changes in cultic liturgy of each church / O presente trabalho se propõe a investigar aspectos relacionados à utilização da música sacra na liturgia dos cultos das igrejas batistas e presbiterianas históricas na cidade de Montes Claros – MG. O objetivo específico é verificar a atual realidade das atividades musicais nessas igrejas, identificando as concepções e as práticas que alicerçam suas atividades musicais cúlticas. Esse é um tema emergente que carece de mais estudos sistemáticos, os quais possibilitem compreendê-lo para se discutir as perspectivas acerca das atividades musicais nas referidas igrejas, a partir da atuação dos pastores, e dos “ministérios de louvor” para se entender em qual ponto se alicerça e se constitui na base de suas práticas musicais cúlticas. Compreende-se que será de grande relevância, nesse sentido, lançar um olhar crítico sobre a realidade das atividades musicais dessas igrejas, o que também possibilitará se conhecer a realidade das atividades musicais das demais igrejas históricas. Assim, entende-se que esta proposta de estudo adéqua-se às perspectivas da produção científica na atualidade, sendo capaz de abranger problemas e situações específicas dos contextos sociocultural e político nos quais se está inserido. Nesse contexto, a hipótese levantada foi: o processo de pentecostalização musical des-liturgizou a música sacra utilizada nos cultos das igrejas históricas em função do mercado musical gospel. O universo da pesquisa é constituído de duas igrejas batistas históricas e de duas igrejas presbiterianas históricas, e a pesquisa será dividida em duas fases: Na primeira, o trabalho constará de um levantamento inicial de quantas igrejas batistas e presbiterianas históricas existem em Montes Claros, com a escolha de quatro igrejas para a realização da pesquisa de campo. Na segunda fase, dar-se-á enfoque qualitativo à realidade particular de cada igreja, no que diz respeito às suas atividades musicais, selecionando uma amostragem que, delimitada quantitativamente, contemple igrejas centrais e de diferentes bairros, apontados a partir do levantamento inicial. O trabalho será desenvolvido a partir da pesquisa bibliográfica, pesquisa documental, entrevistas semiestruturadas, aplicação de questionários, observação participante, registros fotográficos e em áudio e vídeo das atividades musicais cúlticas em cada igreja. Os resultados obtidos apontam para uma supremacia da utilização da música gospel em relação a hinódia oficial de cada denominação, a mídia impressa sendo substituída pela mídia eletrônica e modificações significativas na liturgia cúltica de cada igreja, entre a tradição e a inovação

Le Liber de ordinatione et officio totius anni in ecclesia Metensi, ordinairement désigné sous le nom de Cérémonial de la cathédrale est un manuscrit liturgique médiéval, aujourd’hui disparu, conservé en dernier lieu à la Bibliothèque Municipale de Metz (ms. 82). Ce manuscrit vraisemblablement daté du XIIe siècle, perçu très vite comme une copie du XIIIe siècle, a toujours intrigué les chercheurs et suscité des débats à propos de son classement typologique. Ordinaire canoniale, ce texte décrit avec précision les particularismes liturgiques de la cathédrale de Metz et détaille l’ordonnance de chaque célébration, établissant ainsi le lien entre les différents acteurs et les différents espaces liturgiques. Jamais étudié pour lui-même, ce texte n’a été utilisé que pour décrire la cathédrale ottonienne, dans laquelle il a été conçu, parallèlement à certaines découvertes archéologiques de la fin du XIXe et du début du XXe siècle. Le principal intérêt de ce travail est d’analyser un texte médiéval fondamental de la liturgie messine. Le document présente la cathédrale construite par Thierry Ier et consacré le 27 juin 1040 par Thierry II, flanquée du baptistère Saint-Jean sur son parvis et d’un cloître sur son flanc sud, espace auquel a succédé en 1754 l’actuelle place d’Armes. Il nomme les cinq églises qui y étaient attenantes : Saint-Pierre-le-Majeur, Sainte-Marie, Saint-Paul, Saint-Pierre-le-Vieux et Saint-Gall. Ce groupe cathédral est un héritage du claustrum tel qu’il fut pensé par l’évêque Chrodegang au VIIIe siècle, dans le cadre de la grande réforme liturgique. Premier texte liturgique connu pour la cathédrale de Metz, l’étude du Cérémonial permet donc de comprendre l’organisation du groupe canonial par le déploiement de la liturgie dans cet ensemble architectural. Les espaces sont organisés, hiérarchisés et unifiés par ce qui fait la particularité de la liturgie messine : son caractère stationnal, à l’image de la liturgie romaine rapportée de Rome par Chrodegang. Cette spécialisation des sanctuaires participe au « marquage » spatial de la liturgie et permet une meilleure compréhension des pratiques liturgiques. L’approche fonctionnaliste de l’espace devient de ce fait une approche très symbolique, dans laquelle le quartier canonial est pensé comme un tout, comme un espace organisé où chaque lieu ecclésial est nécessaire à l’unité du groupe. Les renseignements contenus dans ce texte liturgique touchent également la topographie de la ville elle-même. D’autres manuscrits messins viennent compléter les informations contenues dans notre texte. Les pratiques cultuelles du groupe cathédral de Metz au XIIe siècle ne sont pas aussi singulières qu’on pourrait le croire. Nous connaissons pour le XIIIe siècle de nombreux ordinaires attachés à des communautés de chanoines cathédraux. / The Liber de ordinatione et officio totius anni in ecclesia Metensi, usually designed under the name Cérémonial, is a lost medieval liturgy manuscript which was last kept at Metz municipal library (ms. 82). Nowadays, the full text is fortunately known thanks to the scientific edition led by Bishop Pelt. This text was likely dated from the XIIth century but the manuscript was quickly perceived as a copy from the XIIIth century. It has always intrigued researchers and gave rise to numerous debates due to its typological classification. As a canonical ordinary, this text describes with precision the liturgical particularisms of Metz cathedral, and details the ordinance of each celebrations, thus linking the various players with the various spaces. It has never been studied for itself and was only used to describe the Ottonian cathedral in which it was written, in parallel to some archaeological discoveries at the end of the XIXth century and beginning of the XXth century. The main interesting feature of this work is its analysis of a fundamental medieval text about the liturgy at Metz. The document also details the architecture of the cathedral built by Thierry Ist, and consecrated by Thierry IInd on June 27th, 1040, flanked by the Saint-Jean baptistry on its forecourt, and by a cloister on its southern flank, with the latter becoming the current Place d’Armes in 1754. It also names the five adjacent churches: Saint-Pierre-le-Majeur, Sainte-Marie, Saint-Paul, Saint-Pierre-le-vieux and Saint-Gall. This cathedral group is a legacy of the claustrum devised by Bishop Chrodegang in the VIIIth century, during the great liturgical reform. Hence, the study of the Ceremonial enables the understanding of the canonical group’s organisation by the deployment of the liturgy in that architectural environment. Spaces are organised, hierarchised, and unified by what makes the particularity of Metz’ liturgy: its stational feature, similar to the Roman liturgy brought from Rome by Chrodegang during the VIIIth century. This specialisation of sanctuaries plays a part in the spatial ‘marking’ of liturgy and allows a better understanding of it. The functionalist approach of space thus becomes a highly symbolic approach, in which the canonical district is considered both as a whole, and as an organised space where each ecclesial is necessary for the group’s unity. The information also includes the city’s topography, and other manuscripts from Metz complete the data contained in our text. The worship’s practices of Metz cathedral group during the XIIth century are not as singular as one might believe. We know of numerous of the XIIIth century ordinairies that were attached to canon cathedral communities.

La thèse étudie les sources de la pensée de dom Guéranger, le célèbre abbé de Solesmes, sa formation initiale et ses motivations quand il restaure le monachisme bénédictin en France au début du XIXe siècle. Les travaux sur la liturgie qui l’ont rendu célèbre font partie d’un ensemble : le jeune Prosper Guéranger appartient à cette génération de clercs dits « ultramontains » qui entre en résistance contre l’État français qui entend annexer l’Église gallicane. Membre actif du cercle mennaisien avec ses amis Montalembert et Lacordaire, Guéranger propose le monachisme bénédictin comme moyen de renouveau spirituel de l’Église : la fondation de l’abbaye de Solesmes est un projet politique qui doit permettre la régénération de l’Église et même de la société tout entière. Ce courant a des ramifications en Europe et spécialement en Angleterre avec le mouvement d’Oxford : Newman et Guéranger puisent aux mêmes sources dans les mêmes années pour relever des défis similaires. Le projet monastique de Guéranger s’apparente par certains aspects aux utopies d’inspiration romantique qui fleurissent à la même époque mais c’est surtout le centralisme romain revendiqué et la dimension eschatologique de la vie monastique, manifestée dans la liturgie, qui en fait un moyen de résistance spirituelle. Guéranger appartient à un mouvement général qui explore les sources de l’Antiquité chrétienne afin de permettre à l’Église de retrouver son identité fondamentale et les moyens de sa mission. / The thesis investigates the sources of the thinking of the famous abbot of Solesmes, analyzing his initial training and motivation when he restores Benedictine monasticism in France in the early nineteenth century. His liturgical work that made him famous is part of a whole: the young Prosper Guéranger belongs to that generation of clerics called "ultramontane" who resists the French State attempt to annex the Gallican Church. As an active member of the Mennaisian circle with his friends Montalembert and Lacordaire, Guéranger presents Benedictine monasticism as a means of spiritual renewal for the Church: the foundation of Solesmes abbey is a political project which should enable the regeneration of the Church and even of society as a whole. This current has branches in Europe and especially in England with the Oxford Movement: Newman and Guéranger draw on the same sources in the same years for similar challenges. Guéranger’s monastic project is similar in some respects to some utopias of romantic inspiration that bloom at the same time but it’s especially the Roman centralism and claimed eschatological dimension of monastic life, manifested in the liturgy, which makes Solesmes a means of spiritual resistance. Guéranger belongs to a general movement that explores the sources of Christian antiquity in order to allow the Church to regain its fundamental identity and the means of its mission.

En 1534, le Parlement vota l’Acte de Suprématie qui achevait la rupture de l’Angleterre avec Rome et consacrait le roi comme chef de l’Église d’Angleterre. Si la reformes religieuses du roi et leur réception par les Anglais ont fait l’objet de multiples travaux, les conséquences du schisme et de la suprématie royale sur la prière publique n’ont pas été étudiées. Pourtant, le régime exigea aussitôt que toute référence aux titres et à l’autorité du pape soit supprimée de la liturgie et la prière publique fut activement employée pour promouvoir la suprématie royale. L’analyse des livres liturgiques en usage pendant la période permet de mesurer le degré de soumission du clergé anglais et révèle, en outre, que de nombreux prêtres se sont appliqués à adapter les textes liturgiques aux réformes henriciennes. Ainsi la suprématie royale, loin de n’être qu’un concept politique ou une solution institutionnelle apparaît comme une véritable doctrine religieuse. Mettre l’accent sur la liturgie permet de se situer au cœur d’une problématique essentielle du siècle de la Réforme : que faut-il faire pour être sauvé ? Les confessions de foi publiées à partir de 1536 avancent de nouvelles perspectives sur le sens des sacramentaux : leur dimension perfomative est niée au profit d’une interprétation symbolique. La mise en doute de l’efficacité de la parole liturgique s’étend aux sacrements qui deviennent le sujet de vifs débats au sein du clergé et du peuple. Les expérimentations liturgiques conduites dans les paroisses et la contestation du statut de la liturgie comme dépôt de la foi et moyen d’accès au salut contribuent à expliquer comment la Réforme s’implanta en Angleterre. / By passing the Act of Supremacy in 1534, Parliament enshrined the break with Rome and theroyal supremacy into the law of the land. The religious reforms which ensued and their impact on the English have already been examined, but the liturgical consequences of the schism and the king’s headship of the Church have not. Yet, the regime immediately required that the liturgy be rid of all mention of the pope and his authority while harnessing public prayer to promote the royal supremacy. Studying the liturgical books in use in the period affords the historian unprecedented access to the religious practices and beliefs in English parishes. Many priests had adapted the liturgy to the royal supremacy which this thesis argues had become a functional dogma of the Henrician church. The European Reformation movement of the mid-16th century is itself deeply concerned with the place of liturgical rituals in Christian life. Under Henry, the meaning and efficacy of the sacramentals was challenged. The liturgy of these ceremonies was no longer considered as a trustworthy deposit of the faith, and sacramental practice, which was no longer thought of as an essential means of s! alvation, became a battle ground between evangelicals and conservatives. The numerous liturgical experiments, both statebacked and initiated locally, in conjunction with the challenge to the traditionnal understanding of the liturgy, contribute to our understanding of how England gradually became a Protestant nation.

The thesis examines Czech translations from the Roman Breviary created in the period between 1800 and the liturgical reform of the Second Vatican Council. Catalogue of such translations has been prepared. Based on the catalogue, the most important text families are identified and described in detail. It turns out that most of the translations were created for purposes of publicly celebrated Vespers, chanted in the vernacular. Based on historical experience with this pre-conciliar paraliturgical form, a few final suggestions are made for public celebration of the Liturgy of the Hours today.

The purpose of this research was to discover what meaning adult candidates for Anglican confirmation gave to their confirmation, how they experienced the ritual and what place confirmation had in their continuing faith journey. The research report retells the stories of eight adults. The stories of four are presented as case studies. The baptism/ confirmation stories of all research participants are presented as metaphors, a form of 'systematic thematic analysis' (Plummer 1983). For the study I adopted a life history, case study approach (Jones 1983; Plummer 1983; Minichiello et al. 1995) drawing on the insights of ritual theory (Turner 1969, 1972, 1976) and the concept of transitional phenomena proposed by Winnicott (1965, 1971). Two sets of contextual factors formed the background to the study: the Church's tradition and its debates about confirmation and the attitudes of lay people about their faith and about the Church. The research method involved a grounded theory approach. The principal data creation techniques were in-depth interview and the Faith Autobiography pro forma. Following the initial interviews, each research participant was sent a summary of the research findings (Summary of themes). The Summary gave the metaphors which emerged from the interviews, together with brief notes on the concepts used to interpret the data. Responses from the research participants were incorporated into the final form of the metaphors: Belonging to myself, Returning/ Starting over, Growing up, Joining the family and Making a commitment. Most research participants did not regard baptism/confirmation as joining the Church: rather they saw themselves as belonging to the Church already; neither were they concerned with becoming Anglicans. For the majority, the transition they made in baptism/confirmation paralleled another life transition which was taking place or was expected to take place. Taking part in the research helped form the participants� ideas about baptism/confirmation. While the catechumenal process is able to provide a holding environment in which candidates for baptism/confirmation can explore the transitions in which they are involved, the initiation liturgy should reflect the �return� motif which emphasises incorporation as well as the traditional Exodus motif which emphasises separation.

Thesis (D.W.S.)--Institute for Worship Studies, 2005. / Abstract. Includes bibliographical references (leaves 168-184).

In the past, pastoral-therapeutic support was mainly approached only from the functioning of the left hemisphere of the brain. This implies that pastoral therapists mainly interacted with people in therapy at an intellectual-analytical level under modernistic influence. Since man's destitution and need changes along with time, it is essential for pastoral therapists/counsellors to supplement and adapt their modus operandi and strategies if they wish to remain relevant regarding their pastoral dealings with people. In this study the researcher attempted to formulate from the Scriptures a basis theory regarding the role of music as a whole-brain strategy in inner change. For the sake of a more holistic approach, a meta-theoretical investigation was also undertaken. To confirm the basis and meta-theoretical information, researcher entered the living reality of seven individuals during which a qualitative research was done. The results of the study, according to which the basis and meta-theoretical perspectives were placed in hermeneutical relation to one another, led to practice-theoretical guidelines within the subject domain of Practical Theology regarding the role of music as a whole-brain strategy in inner change. / Thesis (Ph.D. (Pastoral))--North-West University, Potchefstroom Campus, 2008.

Thesis (M.A.)--Catholic Theological Union at Chicago, 1999. / Vita. Includes bibliographical references (leaves 109-119).