This thesis focuses on the aesthetics of shared memories, specifically on how additional insights and infor-mation might trigger and alter our perception of a shared incident and experience. Delving deeper into the aesthetics of human recollections might help us gain a better understan-ding and appreciation for ourselves as well as for one another.Even though memory itself is somet-hing individual, most of it is shared (or at the very least linked) with others and is therefore dependent on exter-nal influences and how we interpret them. Our recollection fully relies on what we consciously and unconsci-ously choose to pay attention and at-tach value to. Even if we have shared the same moment, our memories may differ in terms of the facts we recall and how we interpret that information. To explore this topic further, I decided to focus on the aesthetics and mea-ning of shared memories and their ability to alter our perceptions. It was critical for me to maintain a poetic and experimental approach throug-hout the process to grasp the subject on a more abstract level and not lose sight of the aesthetics of memories and their interplay.My project is envisioned as an immer-sive experience that emphasises and includes embodied interaction in or-der to create an environment condu-cive to exploratory engagement and conversation by discussing shared memories. Through this approach, I intend to encourage the users to en-gage in more self-reflection and the-refore build stronger bonds between one another. At this point I would like to emphasise that, for the time being, the context is purely centred on recol-lecting and establishing an intimate moment between the users. Following the completion of my thesis, I intend to reflect on this project in order to determine how it might be expanded to further operate on a societal level in the future.

With our project, we are focusing on the Rohingya refugee issue. In 2017 thousands of people had to cross the borders of Myanmar due to mass genocide triggered by ethnic cleansing and around 800,000 of them flee to Bangladesh as refugees. Whereas, Bangladesh has 2 million informal settlers of its own known as internally displaced people (IDPs) who have been displaced due to extreme climatic conditions. So, we are dealing with the issue of how refugees can coexist in a country where there are already thousands homeless.  Currently, the government has built a settlement for 100,000 people on a newly emerged island, Bhashan Char in the Bay of Bengal. Thousands of Rohingya refugees are already being relocated there. However, with the predicted sea-level rise not only the island but the majority of the coastal area of Bangladesh might go underwater. Our project is an attempt to imagine a resilient community, where both refugees and Bangladeshi people will be able to coexist in Bhashan Char, build empathy for each other, and be connected with the surroundings. Simultaneously, be able to co-develop preparedness for future changes connected to sea-level rise using local potential.  Hence, the aim of our project is to establish conditions of co-existence for the refugees and IDPs of Bangladesh where they can co-create resilient communities in connection with the local context and the changing environment.

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Despite recent scholarship, critics have yet to offer a sustained, interdisciplinary interpretation of John Milton's engagement with millennial ideas that takes into equal account the historical context of seventeenth-century religious and political controversy, the ways in which the pending apocalypse transformed how people imagined and experienced time, and how we see evidence of this cultural shift in Milton's poetry. This dissertation opens new possibilities of understanding Milton's relation to apocalyptic belief in the Revolutionary and Restoration era through an investigation of how millennial thinking cut across a variety of discourses including theology, politics, and science. At its most basic level, my dissertation argues the seventeenth-century anticipation of the apocalypse fundamentally altered the way people imagined time; this new way of conceptualizing temporality changed early modern religious beliefs, conceptions of history, the scientific imagination, and practices of reading philosophy, politics, and literature. My project proposes that the poetry of Milton helps us better understand these extensive cultural transformations. I explore this new understanding of time that is both reflective of discursive changes in the seventeenth century as well as characteristic of Milton's aesthetics, by offering an understanding of Milton's relationship with millennial ideas and their constitutive temporal structure. I argue that, in response to the inevitable and immanent "end of time" suggested by seventeenth-century apocalyptic temporality, Milton's poetry creates an alternative temporality, opening up an experience of time that is not necessarily unidirectional, closed, and speeding towards its end. I suggest that this different experience of time can best be understood through the framework of a temporality explored by contemporary philosophers Walter Benjamin, Jacques Derrida, and Giorgio Agamben--messianic time. Put in its most basic terms, messianic time is a way of thinking about temporality differently, of calling into question our narratives of how time and history function. The messianic invites us to interrogate the notions of closure, certainty, and inevitability that are implicit in our linear, apocalyptic notion of time. Milton's texts continually constitute the possibility of a messianic temporality that can be read as a response to changing conceptions of time in the seventeenth century, millennial anticipation, and the belief that the apocalypse was close at hand. Entering a recent critical conversation regarding Milton's engagement with millennial and apocalyptic thinking, I suggest that we can understand this involvement through the alternative temporality his poetry creates. Each chapter of this dissertation fuses a formalist close reading of the temporality and uncertainties opened up by generic revisions, literary allusions, and rhetorical devices in Milton's poetry with a reading of how ideologically-conflicting interpretations of millennial time are articulated in the text and are reflective of contemporary discourse. I demonstrate how messianic time functions in each text and I prove the importance of this experience as it relates to historical and ideological questions about the millennium. This dissertation contributes to an ongoing conversation regarding how political, religious, scientific, and aesthetic texts are interconnected, and explores the plurality of Milton's ideological positions as they emerge out of the ambivalence and tension in the language of his poetry. In my reading, Milton's texts articulate a way of being in the world--both structural (created through language) and historical (tied to seventeenth-century millennial thinking)--that suggests uncertainty is the condition of knowledge and truth. / English

This dissertation explores how language has evolved as metastatic breast cancer (MBC) has shifted from an imminent death sentence to a potentially chronic disease. War rhetoric, of which the survivor trope is a part, has been the primary mechanism by which healthcare defines the cancer experience. Using Celeste Condit's framework of rhetorical formations, I question if a new rhetoric of breast cancer is indeed emerging as new developments in medicine allow women with terminal disease to live longer. My data reveals that this new rhetorical formation, of which metavivor rhetoric is the anchor point, contains its own key metaphors and rhetorical appeals. In metavivor rhetoric, the focus becomes living with cancer, in which simply existing through a sense of homeostasis develops as the central part of the rhetoric. In this homeostasis as the key part of metavivor rhetoric, a cure is not the focus, as it is in survivor rhetoric. I explore how this emerging rhetoric supersedes the war rhetoric that is deeply entrenched in medical discourse--especially breast cancer--for decades, and how metavivor rhetoric builds upon and repudiates the war rhetoric. Through my qualitative rhetorical analysis of a popular breast cancer message board for patients with metastatic disease, I coded 589 posts to see how women use language to discuss living with MBC, and Condit's concept of rhetorical formations allows me to argue more specifically for the changes I see in patient discourse. My analysis revealed that women living with MBC argue against war/survivor rhetoric and prefer metavivor rhetoric and its ancillary terms, allowing them to transition to an acceptance of their own mortality. I conclude that a new rhetorical formation has taken shape within MBC patient discourse, with implications for women's mortality as they live with a chronic disease, and as I look to the future of this research, my goal is to promote rhetorical changes that will help to enfranchise women with MBC into the broader breast cancer discourse in the United States. / Doctor of Philosophy / Metastatic breast cancer has become a disease that some women can live with for many years, as treatments have advanced for this specific type of cancer. As this disease has become a chronic condition for many women, the language that women use to discuss living with chronic cancer has also shifted. Using the framework of Celeste Condit's rhetorical formations, which encompasses uses of metaphors, topics, and values, among other rhetorical features, I examine how language has shifted from one of war and survivor rhetoric to that of metavivor rhetoric. In metavivor rhetoric, the focus becomes living with cancer, through a sense of homeostasis and of simply existing with cancer. Within homeostasis as the key part of metavivor rhetoric, a cure is not the focus, as it is in survivor rhetoric. By examining how women talk about living with cancer on a popular online breast cancer support group, I analyze the shifts that take place in their language and argue that women have moved from the dominant war and survivor rhetorical formation to one that is grounded in metavivor rhetoric and the idea of homeostasis. Within this evolution comes a transition to their own mortality as they come to better understand what it means to live with a chronic, yet ultimately, terminal, illness and an acknowledgment of the impact that their lives' perceived time has on these language choices.

"My wound is geography. It is also my anchorage, my port of call." -Pat Conroy "Existential contents have their source in the landscape." -Willy Hellpach The preceding statements each reflect the significance of the landscape to one's existential being. The first embodies the veracity of the latter in its specificity of place, the tidal marshes and sea islands of the Carolinas. How do we come to know a place? What is the significance of one's participatory perception of the qualitative experience of the natural world? How can that awareness of the specificity of the surrounding physical environment be imparted through architecture? / Master of Architecture

Yes / This article investigates the process of moving on from redundancy in the Welsh steel industry among individuals seeking new careers. It identifies a spectrum of career change experience, ranging from those who had actively planned their career change, prior to the redundancies, to those ‘at a career crossroads’, for whom there were tensions between future projects, present contingencies and past identities. It suggests that the process of moving on from redundancy can be better understood if we are able to identify, not just structural and cultural enablers and constraints but also the temporal dimensions of agency that facilitate or limit transformative action in the context of critical life events. Where individuals are located on the spectrum of career change experience will depend on the balance of enabling and constraining factors across the four aspects considered, namely temporal dimensions of agency, individuals’ biographical experience, structural and cultural contexts.

FundaÃÃo Cearense de Apoio ao Desenvolvimento Cientifico e TecnolÃgico / Esta pesquisa intenta perceber como os coronÃis, os padres, os bispos, os memorialistas, os poetas e outros personagens idealizaram o passado e o futuro da cidade de Limoeiro do Norte. Na primeira parte, intitulada TEMPOS, analiso as idealizaÃÃes do tempo ao longo do sÃculo XX, percebendo como se constroem espaÃos de experiÃncia e os horizontes de expectativa. Na segunda parte, MEMÃRIAS, estudei parte dos livros dos memorialistas e observei como eles construÃram representaÃÃes a partir das suas prÃprias famÃlias e de outras instituiÃÃes, como as escolas e a Igreja CatÃlica. Na terceira parte, IMAGENS, analisei como os textos escritos sÃo imagÃticos e como as imagens sÃo textuais. A intenÃÃo era perceber como as produÃÃes audiovisuais ajudam a criar esse imaginÃrio social limoeirense, produzindo a ilusÃo de uma identidade ou de um norte para Limoeiro do Norte. / This research attempts to understand in which way did the colonels, priests, bishops, memoir writers, poets and other characters have done idealizations for the past and the future of Limoeiro do Norte-CE. In the first part, titled TIMES, we analyze the time idealizations throughout the twentieth century, trying to comprehend how was builded the notions of space of experience and horizons of expectation. In the second part, MEMORIES, I studied some books of memoirs trying to observe how the writers of these books have done, in their writings, representations of their own families and other institutions such as schools and Catholic Church. In the third part, IMAGES, I analyzed texts and images. I was trying to understand how imagetic the written texts are and how textual the images are. The intention was to see how the audio-visual productions helps to create this social imaginary of Limoeiro, producing the illusion of an identity or a North to Limoeiro.