PhD (Xitsonga) / M. E. R. Mathivha Centre for African Languages, Arts And Culture

Magister Artium - MA / This mini-thesis makes an argument for the significance of a female-dominated hidden tradition of experimental ethnographic writing in British social anthropology. It argues that the women anthropologists who experimented with creative forms of ethnography were doubly marginalised: first as women in an androcentric male canon in British social anthropology and American cultural anthropology, and second as creative writers whose work has been consistently undervalued in sombre scholarly circles. The study proposes that Hilda Beemer Kuper (1911-1995) and Edith Turner (1921-2016) should be regarded as significant in a still unexcavated literary tradition or subgenre with Anglo-American anthropology.

I focus on four operas premiered in Europe and the United States between 2009 and 2016 in which elements of the medieval, ritual, ancient, religious, and mystic emerge through their source material: _Adam and Eve: A Divine Comedy_ (2015, Norway), by Cecilie Ore and Bibbi Moslet; _Kalîla wa Dimna_ (2016, France), by Moneim Adwan and Fady Jomar; _Lilith_ (2009, USA) by Anthony Davis and Allan Havis, and _Paradise Reloaded (Lilith)_ (2013, Austria), by Peter Eötvös and Albert Ostermaier. This dissertation argues that these operas, rather than seeking a renaissance or rebirth of the mythic, draw inspiration and narratives from what I am calling “distant pasts,” reimagining universal or “timeless” narratives of humanity through a specific contemporary lens in an explicit and deliberate interrogation of the political present. Mapping out different modes of staging these distant pasts in response to cultural and political change in the twenty-first century, I suggest new modes of conceiving adaptable operatic “networks of comprehension” that encompass the multiple subject positions and geographical and cultural contexts that shape opera today. Each opera is presented as a case study in a single chapter, balancing musical analyses with political, historical, and cultural critique. Interviews with “stakeholders” (composers, librettists, singers, directors), many of which I conducted, form an integral part of this process. My analyses explore these four operas’ unconventional attitudes towards time, narrative, and drama, and in probing each opera’s idiosyncratic relationship with its distant pasts, I chart the complex manifestations of recent political discourse in Europe and the United States, especially concerning the intersection of feminism, race, religion, and secularism.

The Strong Interest Inventory (SII; Donnay, Morris, Schaubhut, & Thompson, 2005) has a broad research base commonly comprised of vocationally-relevant constructs such as career satisfaction (Hees, 2010), self-efficacy (Betz & Borgen, 2000), and educational aspirations (Rottinghaus, Lindley, Green, & Borgen, 2002). The present study aimed to expand the research base on the SII by linking the fields of vocational and positive psychology by examining the relationships between vocational interests, personal styles, and subjective well-being. This study focused specifically on the General Occupational Themes (GOTs) and Personal Style Scales (PSSs) of the SII by exploring the relationship between these scales and subjective well-being across a sample of 4945 working adults in eight occupations, including administrative assistant, a STEM (science, technology, engineering, mathematics) fields composite, realtor, elementary school teacher, sales manager, graphic designer, attorney, and automobile mechanic. Regression analyses demonstrated that the GOTs and PSSs individually explain a significant portion of variance in subjective well-being, as well as that the PSSs explain a significant amount of variance in subjective well-being above and beyond the GOTs. Occupation-specific hypotheses for GOTs and PSSs were also supported for 4 of the 8 occupations. This study provides further validation for the 2005 SII, specifically the newest PSS, Team Orientation. Future research, theory, and practice implications are discussed herein.

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It is the purpose of this study to examine Moltmann's theology of the cross and its consequences for a doctrine of God. That is, it will serve to follow Moltmann in his attempt to develop an understanding of God that is founded upon the event of Christ's crucifixion. Under the general concept of a doctrine of God, three principal themes emerge from the theology of the cross: the dialectical revelation of God, the suffering of God and the doctrine of the Trinity. This study is a restructuring of Moltmann's argument that attempts to examine each of these themes in light of the theology of the cross and one that strives to demonstrate their logical interconnectedness in Moltmann's thought. In other words, it aims to establish that, for Moltmann, a thoroughgoing theology of the cross recognizes the revelation of God as revelation in the dialectic of the cross, acknowledges the suffering of God in the dialectic of the cross, and perceives that the suffering of the cross reveals God as Trinity. In summary statement, God is revealed as Trinity in the dialectic of suffering of the cross. In addition, the development of these three themes is supplemented by an examination of three contrary themes of which Moltmann is critical: dialectical revelation and the analogical understanding of God, the suffering of God and the impassibility of God, and the doctrine of the Trinity and monotheism. / Thesis / Master of Arts (MA)

The purpose of this study is to identify the existential themes present in the movie Where the crawdads sing (2022) by using the method thematic content analysis. The method is used when the aim is to identify themes or patterns within the data. In the movie the main character, Kya, faces challenges in life that raise existential thoughts and questions that together point to the existential themes being identified. Furthermore, the study examined how the main character deals with these existential challenges by applying Pargament’s religious coping theory. The theory explains how people use religious or spiritual beliefs to cope with stress and adversity. The research questions for this study are:  What existential themes challenge Kya? How does Kya relate and deal with these existential challenges? The result of the study showed that the movie explores themes of social context, to be exposed to threats and thoughts of life and death. When researching how Kya copes with her challenges, it was discovered that nature and social relationships are significant for Kya throughout the movie. However, she uses a reconstructive coping mechanism in order to conserve her significance. Kya does this by getting rid of obstacles in her way.

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Sexual depictions were analyzed in $&, episodes of seven drama serials on British mainstream television over a four-week period in November– December %##). Scenes that depicted sexual behavior and talk about sexual matters were counted separately. Further distinctions were made on the basis of the levels of intimacy and the graphic nature of portrayals. A total of (#) sexual scenes were found that occurred at the rate of ).( per hour across the seven soaps, but this figure was inflated by one late-night serial that averaged $).# scenes per hourly episode. Nearly two-thirds of these scenes were restricted to talk about sexual matters, while the others contained overt depictions of sexual behavior. Sexual intercourse was relatively rare and restricted in terms of overt depictions to the late-night serial. Passionate kissing was far more prevalent throughout these programs regardless of the time of day the program was transmitted. When sexual intercourse was featured, this was generally in the context of loss of virginity or of infidelity.