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Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

Three sets of experiments were designed to test Marcel's (1983ab) claim that backward pattern masked word primes are processed automatically and without awareness to a level of representation where the meaning of the word is identified. In the first set of experiments, Marcel's critical SOA procedure for determining an awareness threshold was found to be unsatisfactory. There was no evidence for semantic priming effects when more trials were used to determine the critical SOA. In the second and third sets of experiments, awareness of backward pattern masked primes was determined by subject's report of the prime. Conconscious priming effects from prior presentation of the target word in a lexical decision task, and the solution in an anagram solving task, were substantial and robust. Nonconscious semantic priming effects were small but were significant in both tasks when presentation was dichoptic. Nonconscious semantic priming effects in the anagram solving task were obtained under some conditions of binocular presentation. Priming effects are discussed with reference to word perception, reading, and theories of consciousness. One conclusion is that nonconscious automatic priming effects are "selective" and are far from being ubiquitous. This view of heterogeneous nonconscious selective priming does not support Marcel's (1983b) claim that nonconscious processing produces homogeneous activation to the highest level in all representations connected with the stimulus event.

Diplominiame darbe analizuojama simuliacijos ir simuliakrai pagal Jean‘ą Baudrillard‘ą, kuris svarstymuose kėlė neatsekamos ribos tarp fikcijos ir tikrovės klausimo. Darbo eigoje nuosekliai aptariamos sąvokos simuliakrai, simuliacija, tikrovė, iliuzija ir hiperrealybė. aprašoma simuliacijos ir erdvėlaikio filosofinė problema. Apibrėžiami trys simuliacijos laipsniai. Remiantis T. Burtono, D. Lynčo, G. Verbinskio filmais aptariamos istorijos bei žmogaus situacija įžengus į simuliacijos ir simuliakrų erdvę. Taip pat apžvelgiamas istorijos „pabaigos“ bei „įvykio“ ir jo prasmės praradimas technologiuotame pasaulyje, pateikiami grindžiantys pavyzdžiai. Meniniu – kūrybiniu videofilmu „Tėkmė“ siekiama judančių simbolių (detalių) pagalba atskleisti, bei pavaizduoti tikrovės simuliaciją. Kadrų scenomis siekiama sukurti kuo įtaigesnį hipertikroviško pasaulio įspūdį. / The Final Work analyses simulations and simulacra under Jean Baudrillard who offered the issue of untraceable boundary between the fiction and reality. The Work thoroughly discusses issues of simulacra, simulation, reality, illusion and hyper reality. Simulation and the philosophical problem of the space time are described. Three levels of simulation are presented. Under films of T. Burton, D. Lynch, G. Verbinski histories are discussed as well as the situation of a human being when entering the space of simulations and simulacra. Also stories of „the end” and „the action” are reviewed as well as the loss of meaning in the technologies world; the supporting examples are presented. Artistic – creative video film „The Flow” seeks to reveal and to depict the simulation of reality by aids of moving symbols (details). Scenes of shots aim to create the suggestive image of the hyper – real world.