京都大学 / 0048 / 新制・課程博士 / 博士(人間・環境学) / 甲第21870号 / 人博第899号 / 新制||人||215(附属図書館) / 2018||人博||899(吉田南総合図書館) / 京都大学大学院人間・環境学研究科共生文明学専攻 / (主査)教授 須田 千里, 准教授 佐野 宏, 准教授 長谷川 千尋 / 学位規則第4条第1項該当 / Doctor of Human and Environmental Studies / Kyoto University / DGAM

京都大学 / 0048 / 新制・課程博士 / 博士(人間・環境学) / 甲第19800号 / 人博第771号 / 新制||人||186(附属図書館) / 27||人博||771(吉田南総合図書館) / 32836 / 京都大学大学院人間・環境学研究科共生文明学専攻 / (主査)教授 須田 千里, 教授 阿辻 哲次, 准教授 佐野 宏, 教授 水野 眞理 / 学位規則第4条第1項該当 / Doctor of Human and Environmental Studies / Kyoto University / DGAM

一般人總以為電視新聞攝影記者的主要任務，只是拍攝影像。倘若換個角度觀察，記者既要擷取新聞畫面、又要編輯影像，以配合文字語音敘事。因此電視新聞攝影工作，既是建構新聞內涵，也是發現與解決實務問題的過程。攝影記者最困擾的問題之一，在於當畫面影像不足以搭配文字和語音時，如何適時彌補「破口」(Gap)。因此，攝影記者工作重點之一在彌補素材不足。 本研究所關注的問題是：攝影記者工作的主要情境為何？他們如何運用策略和情境互動，以解決素材不足的困境？本研究從資訊尋求、配置智能，以及活動理論等觀點切入，並透過深度訪談和參與觀察，以蒐集資料，以解答本研究關注的問題。 記者尋找畫面資料素材，是知識、策略和情境互動的歷程；一方面，攝影記者累積工作知識，定義資訊缺口、並選擇資料來源；另一方面，記者也因應情境變化、隨時取捨資料、並調整先前資料蒐集策略。 攝影記者能力並不應該只是呈現在操控機具、或卡位、搶拍畫面的能力；更重要的或許是臨機應變、運用資源彌補畫面與文字落差的資訊蒐集能力。研究成果可以讓我們重新思考未來電視新聞攝影教育和訓練的課程內涵。 / The Cameramen gathers visual formation for TV news. They gather not only “fresh” clips on the spot, but also “classic” ones from archives and other sources. Both requires cameramen to find resources surround and make decisions. Clip seeking can be identified as one of the major characteristics of cameramen’s work. The purpose of this study is to find how cameramen fill up insufficient resources for their daily reporting activities: mainly, what contexts are they situated and how they develop the strategies to respond the contexts? This researcher collected data, in two critical cases, by employing depth interviews as well as participant observation. Controlling cameras and capturing visuals may only count for a small part of cameramen’s required talents. Finding discontinuity and meeting the gap requires cameramen solve problems by identifying and organizing resources in order to in changing environment. Cameramen are more reflexive practitioners than device operator. This result may lead us to revisit design of TV journalism curriculum.

京都大学 / 0048 / 新制・課程博士 / 博士(人間・環境学) / 甲第22858号 / 人博第966号 / 新制||人||229(附属図書館) / 2020||人博||966(吉田南総合図書館) / 京都大学大学院人間・環境学研究科共生文明学専攻 / (主査)教授 須田 千里, 教授 佐野 宏, 准教授 長谷川 千尋 / 学位規則第4条第1項該当 / Doctor of Human and Environmental Studies / Kyoto University / DGAM

匯流使電視產業面臨更大的競爭壓力，電視新聞產業及新聞產製流程出現巨大改變，電視新聞使用網路素材成為常態，「刷即時新聞」更成為電視台記者跑新聞最快速也最取巧的方式，然而，網路即時新聞及素材使用過度也使新聞內容品質下降，使電視新聞工作者深受其害。 本研究根據九位受訪者的採訪經歷，透過深度訪談的質化研究，分析網路即時新聞出現後及大量的網路素材成為現成新聞，對整體新聞產業、新聞內容的影響及改變，進而對電視新聞工作者造成之身心壓力。 研究發現即時新聞出現後，電視台競爭對象從過去其他家電視台，變成網路即時新聞與公民記者，電視台開始紛紛成立新聞網站，要求記者抵達現場立刻用手機拍攝現場實況供電視台新聞網站使用，並複製抄寫內容農場文章，希望吸引流失觀眾重回電視機前，但因此也加重記者工作量。 電視台長官開始依據點閱率做新聞，新聞內容出現廉價、綜藝化等現象，影響記者新聞自主性；新聞產製過程變得繁複，電視台記者被長官被要求緊跟即時新聞訊息，每天受即時新聞及通訊軟體內容轟炸，造成身心出現健康狀況，轉職、離職率高，電視台記者年齡層出現斷層。 / The recent media convergence has put much pressure on the TV industry and led to a drastic change in the production of TV news. It is thus not uncommon to find TV news stories made out of online resources nowadays. Browsing online real-time news on a smart phone has become one of the easiest ways to produce a news report. However, the overdependence on online real-time news and online resources has also had a negative impact on TV journalists and undermined the quality of TV news. Based on the interviews with nine TV journalists and in-depth qualitative analysis, the current study investigates how the emergence of online real-time news and the overwhelming reliance on online resources have influenced and changed the content of news report and the entire industry and how this change has further created the physiological and psychological pressure on TV journalists. Results show that after the emergence of online real-time news, TV stations now have to compete with not only other stations but also online news and citizen journalists. Each TV station has also started to construct news websites and ask journalists to rush to the scene and take photos with their cellphone for the use on the website. The reporter also needs to duplicate the content of content farm articles, in the hope of attracting the audience that TV news has lost back. This, however, has significantly increased the work load of TV journalists. Our findings also suggest that phenomena such as easy news stories, infotainment tendencies, and TV station administrators’ overreliance on click-through rates have exerted great impact on higher professional autonomy. The production of TV news has become more complex and laborious: TV journalists are asked to follow online real-time news closely, bombarded with real-time news and instant messages every day. This has resulted in the health problems of journalists, high turn-over rates, and a lack of new blood in the TV news industry.

數位時代社群媒體的應用，大大改寫媒體生態，21世紀初接連發生在北非、中東的抗議活動，Facebook、Twitter等社群媒體更發揮重要傳播作用，甚至成為政治運動的催化劑，國內外各大新聞組織也開始將這些被社交媒體平台大量分享、轉發的用戶生成內容 (UGC, User-generated content)重製後進行傳播，尤其是發生抗爭等社會運動、人為或意外現場等事件，因為時效性的關係，記者不能第一時間趕到，目擊者手機拍攝的影片或現場監視錄影器的畫面，往往成為重要新聞素材。 　　對於國內外新聞組織尤其是電視台來說，動態影片更同時具有吸引力與新聞說服力，新聞機構如何使用UGC資源，及其日漸普及的趨勢，則同時引發正反兩方意見，除了樂見其協助社會問題發聲，擴展公民參與，甚至打破新聞編輯室權威，讓媒體更加民主化之外；另方面卻也擔心降低新聞標準，尤其截稿時間，更增加電視台新聞記者判斷影片真偽的求證壓力，過度使用也可能造成媒體過度依賴社群媒體資源，瑣碎化的UGC甚至戕害新聞公共領域的發展。 　　本研究試圖剖析電視新聞使用來自目擊者或網友的第三方影音素材(TPV, third party video)的頻率與原因，研究分成兩步驟，首先選舉一家地面電視台一個月的prime time新聞，作為研究樣本，進行內容分析，以量化研究分析電視新聞如何應用TPV素材，研究樣本數共1825則；同時以質化研究中的深度訪談，訪問該電視台的文字、攝影記者，以及新聞室負責調度的大編輯台主管與編輯共九人，透過量化與質化的研究方法，來探究電視台採用TPV素材的動機、意願、標準與目的。 / The media ecology has been rewritten to a great extent by the application of social media in the digital age. In the 21st century, social media has even become a catalyst of social movements as Facebook and Twitter play an important role in disseminating the news on protests which commonly take place in North Africa and the Middle East. In fact, large news organizations at home and abroad have begun to reproduce and broadcast User-generated contents (UGC) that are greatly shared and forwarded on the social media. This applies especially to incidents such as social movements, including protests, and accidents. The video taken by an eye-witness’ mobile phone or the recording of an on-site surveillance camera has often become important news material due to timeliness of the news and the fact that reporters cannot arrive at the scene on time. According to foreign and domestic news agencies, especially TV stations, video is both appealing and persuasive as news materials. The growing popularity of UGC and the approach to make use of such resources have led the emergence of positive and negative viewpoints. It would be delightful to see the voicing-out of social problems through UGC since it could increase citizen participation. UGC could even lead to a breakthrough from pressroom authority, thus creating a more democratic media. However, UGC could also lower the news standard especially when there’s a deadline to meet. Furthermore, it could pile pressure on news reporters as they try to determine the authenticity of the video. The excessive use of UGC could lead to the media’s over-reliance on social media resources. The fragmentary nature of UGC could also be harmful to the development of news media at the public domain. The study attempted to analyze the purpose behind a TV station’s adoption of eyewitness/netizen-provided third-party video (TPV), as well as its frequency of use. The study was divided into two steps. First, research samples for content analysis were collected through a selection of one month’s worth of news reports that were broadcasted by a terrestrial station at prime time. A total of 1825 samples were studied through quantitative research and analysis with regard to the application of TPV by TV news. At the same time, in order to explore a TV station’s motivation, willingness, standard and the purpose in applying TPV, qualitative research was conducted through an in-depth interview with nine representatives from the TV station. This group included journalists, cameramen, editors and seniors who were responsible for ordering daily news in the Newsrooms.

自2008年Youtube熱潮席捲全球之後，以影音分享為主的媒介消費行為逐漸成為常態，在這股集體協作並開放分享的浪潮下，新聞組織亦不免於其外，開始盛行以取材於眾(crowdsourcing)的新聞產製模式增加新聞素材來源的多樣性。電視新聞工作者取用網友拍攝後上傳的第三方影音內容（third party video,TPV）作為新聞素材的一部分，使得眾多使用者生產內容(User-generated content/ produsage)漸成為電視新聞畫面的一大主軸。 本研究欲瞭解電視新聞工作者取用TPV的過程，因此採內容分析法觀察TPV做成的新聞內容，並深度訪談及實際參與觀察以瞭解電視新聞工作者取用TPV的動機、處理素材的方式與新聞查證的過程。研究結果分成兩部分，首先，在取用情況上發現電視台確實大量使用TPV，但超過半數以上的素材難以辨識來源。題材選定偏好具爭議性的內容，而處理素材的方式則以剪接為主。其次，由於TPV的特性使然，電視新聞工作者在查證時容易面臨原始資料不明、消息來源不確定與情境脈絡斷裂等挑戰，而他們通常採取單一查證方式、尋找單一採訪對象，且最常比對網路資料。此外，在需查證的新聞中，僅半數的記者會到現場勘查與採訪。而在取得報導素材後，為規避查證責任，電視新聞工作者經常以白描畫面、翻攝網友留言與重新議題設定等方式作新聞，藉此模糊具爭議性的部份。 本研究因此針對TPV的查證提供若干建議：（1）從第三方的角度客觀觀察，避免淪為有心人士操弄的工具；（2）設法從發文者的字面敘述中或直接從影像中找到可辨識的地點、物件與人物，據此找到當事者；（3）盡力找到消息來源，若無法與消息來源取得聯繫，則應轉而尋找當事者、公正第三方如警察、或是向媒體同業詢問；（4）到事發現場勘查；（5）題材為各種網路傳言時，可請專家以實驗的方式證實。本研究並整理出幾項適用於各種情境的查證原則：質疑優先、詰問必備、資料比對、邏輯至上與經驗輔助。 / Crowdsourcing is an important trend and affects major parts of our lives. More notably, bulk of our news consumption consists of crowdsourced content; these content are what we call third party video or TPV for short. In recent years, we see an increased use of TPV in the Taiwanese media landscape, especially in news reporting and creation. Using crowdsourced content in news presents two major problems: 1. Over half of the TV news today uses crowdsourced TPV. These content often contain controversial materials. These controversial materials are often selected in bid to manipulate its audience. . 2. Due to the nature of crowdsourced TPV, news reporters have difficulties identifying the source of these content. Since more than half of the news reporting today uses TPV, this makes news highly suspicious. Although this research finds that reporters do attempt to verify its sources, these attempts are far from vigorous: new reporters often adopt one of the following ways in order to verify their news sources: cross validating their data using the Internet, remake opinions based on netizens/cyber-citizens or changing the agenda of the news content. In the worst case, news reporters avoid or skip validation of their news sources altogether. This research provides the following suggestions in solving the above mentioned problems: (1) prevention of content manipulation by malicious parties so that consumer of news content are not manipulated or swayed. This ensures that the news presented is unbiased, objective and fair. (2) Verifying TPV can include attempts to find any recognizable location, object, or figure from TPV as tips to trace origin. (3) News reporters can try their best to get in touch with the news sources. If this cannot be done, try to get in touch with unbiased third parties, such as the police force or people same as your profession.(4) News reporters can also attempt to perform on-site investigation may be contributed to find the truth. (5) If the issue is about rumors on the internet, news reporters may consult experts on the subject matter for clarification. Finally, this study summarized essential factors for verification applied in a various situations: Doubting, Cross-examination, Cross validation, logic, and experience.

In this study, several types of modified methods were tried for improving natural fiber reinforced composites and also three kind of natural fibers were used for reinforced composite. Plasma polymerization increased fiber tensile and composites mechanical properties. It is higher effect than alkali treatment. Resin impregnation was expected cheaper method than plasma polymerization. Polyvinyl Alcohol resin impregnation method can increase fiber tensile strength, interfacial shear strength between fiber and composites mechanical properties. And with Bamboo/polypropylene/maleic anhydride polypropylene water absorption ratio also can decrease. / 博士(工学) / Doctor of Philosophy in Engineering / 同志社大学 / Doshisha University