本論文以「黃牧甫生平及篆刻藝術之研究」為題目，旨在對其生平及篆刻藝術作系統整理和討論。黃牧甫（1849-1908/1909），安徽黟縣人，為晚清最重要的篆刻家之一。由於家庭濡染，自幼便對篆學產生興趣，八、九歲始習刻印。後因太平軍與清軍戰，家園被毀，困苦失學，雙親亦相繼離世，為補生計，被迫離鄉到江西南昌謀生，曾於照相館工作，後遷廣州，改以鬻書治印自給。黃牧甫為晚清集大成的印人，尤對廣東印壇產生源遠的影響，故被譽為「嶺南派」之初袓。 / 黃牧甫初宗「鄧派」鄧石如（1743-1805）、吳讓之（1799-1870），後服膺於趙之謙（1829-1884）的印學主張，取徑「印外求印」，故面貌多樣，印文體勢獨特。又取法漢印模式，講究完整光潔，運以衝刀，不作斷續刻劃，點劃乾淨俐落。尤精於章法，平正而不落呆板，自創一格，繼「鄧派」後於晚清印壇上別樹一幟。 / 在黃印的整理方面，本研究主要以「摹擬期」、「蛻變期」、「成熟期」作為分期，以便探討其不同時期的篆刻特質。據本研究所搜集，黃氏存世印蛻約有二千四百方。它們被整合分析，編成年譜，建構一個系統、完備的資料庫。其中印款資料更提供了珍貴的第一手資料，增補了歷史文獻上的不足。 / 黃牧甫一生治印不斷，作品極豐，然卻失散各地，難以匯集。幸而，其印譜的流傳卻相對豐富，最重要的要數黃氏生前自輯《般若波羅蜜心經印譜》、《黃牧甫自存印譜》及《黃穆甫印存續補》，故印貌得以保存，為後世留下重要的研究資料。當中《黃穆甫印存續補》所錄印拓，更對研究黃氏「成熟期」印風非常重要。由於此譜為海外孤本，且尚未見世，所以目前有關黃牧甫的著述，均未能涵蓋這部重要資料。然在此論文發表前，因得機緣而認識收藏家林章松先生，得其不吝嗇借出此譜作研究之用，確為本研究提供有力依據和借鑒。 / 黃牧甫為晚清重要的篆刻家，具相當高的研究價值，更是探究流派篆刻由傳統走向當代的關鍵人物，惜至今其系統研究卻極之匱乏。本論文將綜合歷史、文化、社會及藝術等不同角度，並借鑒相關學術領域的研究方法和成果，透過文獻及視覺分析，對黃牧甫的生平和篆刻藝術作全面考述，從而建立一份可靠的研究資料，令篆刻藝術史有更大的發展空間。 / Entitled “A Study of Huang Mufu’s Life and Seal Engraving Art, this paper aims to investigate his life and art of seal engraving. Huang Mufu (1849-1908/1909), born in Anhui Province, was one of the most important seal engravers in the late Qing dynasty. / Huang Mufu first learned from Deng Shiru (1743-1805) and Wu Rangzhi (1799-1870) of the Deng school, and later followed the thinking of “seeking artistic links for seal making of Zhao Zhiqian (1829-1884). Therefore, his seals took on various forms and his seal inscriptions were unique. He also drew on the pattern of seals of the Han dynasty, which pursued tidiness and smoothness and applied Swift knife to create clean and neat strokes. He created his own style that was peculiar in the late Qing dynasty and had far-reaching influence on the seal engraving community of Guangdong Province, so he was renowned as the originator of the Lingnan school. / Huang made seals throughout his life and left over rich works. According to the information collected from this research, Huang has about 2,400 seals, which have been analyzed, integrated and chronicled into a systematic and complete database. Many of his seal impressions and colophons provide rare firsthand information for this paper, and hoped to serve as important materials for later studies. Based on the collected sources, this study divided Huang’s career into the imitation, transmutation and maturation stages, in order to discuss his seals’ characteristics in different periods. / There has been an extreme scarcity of studies on this topic. Therefore, this paper made a comprehensive study which involved a survey of the primary and secondary literature on Huang Mufu’s life and career. An analysis of the relevant sources enables his career to be reconstructed on a sound chronological basis, and allows his work to be seen in its proper context. / This study also made an important contribution to a relatively little-studied area of the history of Chinese art. It corrected a number of misconceptions in previous studies and make up literature deficiencies. The aim is to provide a set of reliable data that allows further development of the history of seal engraving art. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 劉浩敏. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 175-191) / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Liu Haomin. / Chapter 第一章 --- 導言 --- p.1 / Chapter 第二章 --- 晚清文化和黃牧甫的早年生活 / Chapter 第一節 --- 清代美學觀念的轉化 --- p.11 / Chapter 第二節 --- 晚清以前印壇概況 --- p.20 / Chapter 第三節 --- 黃牧甫早年生活考證 --- p.34 / Chapter 第三章 --- 黃牧甫篆刻特質和他僑寓廣州的生活 / Chapter 第一節 --- 黃牧甫篆刻的師承淵源 --- p.51 / Chapter 第二節 --- 名流關係對黃牧甫印風形成的影響 --- p.60 / Chapter 第三節 --- 黃牧甫成熟期印風的主要特色 --- p.90 / Chapter 第四章 --- 黃牧甫晚年生活及其印跡流佈和遺存 / Chapter 第一節 --- 晚年生活和卒年考證 --- p.110 / Chapter 第二節 --- 黃牧甫印壇角色 --- p.118 / Chapter 第三節 --- 存世印跡資料彙整 --- p.130 / Chapter 第五章 --- 黃牧甫存世印譜匯考 --- p.146 / Chapter 第六章 --- 結語 --- p.171 / 參考書目 --- p.175 / Chapter 附錄一 --- 參考圖錄 --- p.192 / Chapter 附錄二 --- 黃牧甫篆刻作品全集 --- p.293

Music scholars have long been trying to determine the major influences on the Ballades of Fryderyk Chopin. Some, like Karol Berger, have pointed to ideological influences of the Polish emigration in Paris, while others, like James Parakilas, have given credit to the generic characteristics of the European literary ballad. In my own view, however, the most salient extra-musical factor in the background to Chopin's Ballades are Ballady, a series of poems by the 19th century Polish poet Adam Mickiewicz. / After Chopin's death, Mickiewicz's Ballady were frequently associated with Chopin's Ballades, and in the first chapter I demonstrate this by examining the reception history of these works. In the next chapter I analyze the ideology of the Polish emigration in Paris, including prominent themes of alienation, powerlessness, morbid anxiety, pilgrimage, and nostalgia, which were used by that expatriate society to identify itself. Finally, in the third chapter, I trace analogies between these themes and their manifestations in Mickiewicz's Ballady. This analysis of Mickiewicz's poems forms the basis of my interpretation of Chopin's Second Ballade, where I discuss how certain textual and thematic features of the poems taken as a group can be mapped onto the form and musical discourse of the piano piece. / In sum, although the associations between specific poems and Chopin's Ballades have been made by many authors, no one has distilled a single narrative archetype from the group of Mickiewicz's Ballady to apply to Chopin's works.

Orientador: Jefferson Cano / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-21T02:40:01Z (GMT). No. of bitstreams: 1 Negrao_AlessandraPellegrino_M.pdf: 2267972 bytes, checksum: 53953daa29a40415058ddf4207b07283 (MD5) Previous issue date: 2012 / Resumo: Este trabalho tem como objetivo analisar de que forma o jornal baiano Correio Mercantil, entre os anos de 1836 e 1849, veiculou artigos acerca das revoltas livres e escravas, do tráfico de africanos para o Brasil e da própria escravidão, buscando compreender os interesses políticos que determinaram estas publicações. Para tanto, interessa compreender a influência das rebeliões no período, e de quais maneiras elas foram veiculadas, assim como a relação que foi estabelecida entre as revoltas livres e escravas e a instrumentalização do medo das elites políticas da província em relação à grande quantidade de africanos e da população de cor na Bahia. Importa, também, entender como o Correio compreendia a formação da nação brasileira no contexto pós-independência, especialmente no que tange aos indivíduos que deveriam construir e fazer parte da identidade do Brasil, à condição de cidadania e à instituição escravista. Por fim, é imprescindível analisar de que forma o periódico abordou os debates e os processos decorrentes da lei de 1831, que proibiu o tráfico de africanos para o Brasil, e quais interesses os seus redatores tinham em veicular certos debates e notícias, silenciando outros. Estes eixos de análise foram desenvolvidos no sentido de buscar descortinar as estratégias, tanto de argumentação, quanto de produção, utilizadas pelo Correio Mercantil com a finalidade de defender a manutenção da ordem, da lei, da propriedade e das relações de poder escravistas / Abstract: This work aims to analyze how the Bahia's newspaper Correio Mercantil, between the years of 1836 and 1849, ran articles about the free and slave revolts, the slave trade of Africans to Brazil and of slavery itself, trying to understand the political interests that determined these publications. To this end, we are interested to understand the influence of the rebellions in the period, and the ways in which they were conveyed, as well as the relationship that was established between free and slave revolts and the use of the fear of political elites of the province in relation to the large number of Africans and the colored population in Bahia. It is also important to understand how Correio understood the formation of Brazil in the post-independence, especially in regard to individuals who should build and be part of the identity of Brazil, the condition of citizenship and the institution of slavery. Finally, it is essential to examine how the newspaper approached the debates and proceedings arising from the 1831 law, which prohibited the slave trade to Brazil, and which interests their writers had in certain debates and vehicle news, silencing others. These lines of analysis have been developed in order to unveil the strategies of both arguments and production, used by Correio Mercantil in order to defend the maintenance of order, law, property and power relations of slavery / Mestrado / Historia Social / Mestre em História

The diploma thesis ,,Years 1848-1849 in Čáslav and Kutná Hora" focuses on the expert description of events in the revolutionary years of two cities in today's Central Bohemia region. The thesis firstly pursues the characteristics of both towns in the first half of the 19th century. It focuses on the appearance of the town, administrative changes, school and theatre life, health facilities, significant national revivalists and also on the economic area. The main part of the work presents a brief outline of reactions on Prague March events both in Čáslav and Kutná Hora, mainly about the active participation of citizens of both cities in the basic National Guard. In the case of Kutná Hora, the foundation of subsidiary of Prague political association Slovanská lípa also occurred. In Čáslav, the thesis also follows the administrative and schooling changes. The work includes two comparisons of both the towns firstly in the first half of the 19th century and then also the revolutionary years 1848-1849. In the last chapter, the thesis introduces the situation in the countryside from the years 1848- 1849 and also the complaints of the villages of Čáslav region about the relationship towards the Národní výbor in Prague. As a bonus, some important personalities working in Čáslav or Kutná Hora are added to the...

Le naturaliste français Charles Janet (1849-1932) est resté en marge des grandes figures scientifiques. L’Académie des sciences avait pourtant reconnu certains de ses travaux entomologiques et aujourd’hui, sa classification atomique émerge dans les discussions des chimistes. Centralien, ingénieur civil et manufacturier en province, il fut entre autres géologue, paléontologue, entomologiste, biologiste et chimiste même si ces disciplines ne reflètent qu’une partie de ses recherches. Méconnus et scindés dans ses spécialités, ses travaux ont été très peu étudiés et jamais dans une vision d’ensemble. La biographie envisagée ici permettra de dépasser ces clivages disciplinaires. À partir des propres perceptions de Janet, nous engagerons notre projet vers une microhistoire qui nous offrira le moyen d’observer le travail d’un savant. Elle sera révélatrice des fonctionnements, usages et sociabilités des sociétés savantes locales ou nationales qui se posent en véritables autorités scientifiques et dont nous examinerons les liens avec l’Académie des sciences. La principale sera la Société zoologique de France dont Janet deviendra président. Il nous autorisera en sus à observer une tendance macro historique qui est celle de la spécialisation et de la marginalisation de l’entomologie. Ce qui nous conduira à remettre en question la classique dualité « professionnels vs amateurs » chez les scientifiques.Janet, par sa polyvalence, sa longue carrière à la fois hors et dans la science officielle est un témoin privilégié des sciences naturelles à la charnière du XIXe. Retracer sa vie et son œuvre, c’est observer les sciences sous l’angle des anonymes qui se haussent un temps au niveau des gloires de leur époque. Mais, si cette recherche témoigne des pratiques d’un scientifique méconnu, elle représente paradoxalement (selon nous) celles de la majorité des naturalistes de son temps. / The French naturalist Charles Janet (1849-1932) is remained on the margins of the great scientific figures. However, the Academy of Sciences acknowledged some of his entomological works and nowadays, his atomic classification emerges in discussions of chemists. Graduated from Ecole Centrale, civil engineer and manufacturer in province, he was among other things, geologist, paleontologist, entomologist, biologist and chemist even if these disciplines reflect only a part of his research. Unsung and split in his specialities, his works have been very little studied and never in an overall view. Hence, the biography proposed here will go beyond these disciplinary divides. Through the own perceptions of Janet, we will engage our project towards the microhistory that gives us the way to observe the work of a scholar. It will be revealing some functions, uses and sociability of the local or national societies that arise in real scientific authority and we will examine their links with the Academy of Sciences. The main will be the Zoological Society of France of which Janet became president. In addition, he allows us to observe a macro-historical trend, which is that of the specialization and the marginalization of entomology. This will lead us to question the classic duality 'professionals versus amateurs' among scientists.Thanks to his polyvalency, his long career both off and in the official science, Janet is a privileged witness of the natural sciences at the turn of the 19th century. Trace Janet’s life and work, is observing science through the anonymous people who might be raised for a while at the level of the glories of their era. If this research reflects the practices of an unsung scientist, it represents paradoxically (in our view) most of the naturalists of his time.

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This study was made to determine the contribution to the field of education of the philosophy of Otto Salomon as set forth in the Educational Sloyd System of Sweden and to analyze or show his influence on the teaching of Industrial Arts.

The term ballade is the French and German spelling of the English word "ballad" and the Italian ballata. Although each of these terms is derived from the Latin ballare, meaning "to dance," each denotes an entirely different meaning. The synonomous usage of these terms is definitely misleading (1,p. 67), Frederic Chopin, 1810-1849, was first to use this term as a title for piano compositions. The purpose of this study is to reveal the formal characteristics of each of the four ballades that Chopin wrote for solo piano and to determine,through a comparison of the similarities and differences, some identifying characteristics of a ballade. These characteristics will be illustrated through a formal analysis of each ballade.

The key to an understanding of what Poe attempted to accomplish with his art lies in his depictions of order and disorder in the universe. Poe's explorations of order and disorder revolve around journey and abyss motifs exemplified in his imaginative approaches toward nature, conscience, art, intuition, and apocalypse. These imaginative approaches serve to unify Poe's- work as a whole and emphasize his importance as a questing artist who not only sought to define the shape of reality in terms of stability and chaos but also sought to formulate a final metaphysical ordering of chaos and finitude.