Orientador: Jefferson Cano / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas / Made available in DSpace on 2018-08-21T02:40:01Z (GMT). No. of bitstreams: 1 Negrao_AlessandraPellegrino_M.pdf: 2267972 bytes, checksum: 53953daa29a40415058ddf4207b07283 (MD5) Previous issue date: 2012 / Resumo: Este trabalho tem como objetivo analisar de que forma o jornal baiano Correio Mercantil, entre os anos de 1836 e 1849, veiculou artigos acerca das revoltas livres e escravas, do tráfico de africanos para o Brasil e da própria escravidão, buscando compreender os interesses políticos que determinaram estas publicações. Para tanto, interessa compreender a influência das rebeliões no período, e de quais maneiras elas foram veiculadas, assim como a relação que foi estabelecida entre as revoltas livres e escravas e a instrumentalização do medo das elites políticas da província em relação à grande quantidade de africanos e da população de cor na Bahia. Importa, também, entender como o Correio compreendia a formação da nação brasileira no contexto pós-independência, especialmente no que tange aos indivíduos que deveriam construir e fazer parte da identidade do Brasil, à condição de cidadania e à instituição escravista. Por fim, é imprescindível analisar de que forma o periódico abordou os debates e os processos decorrentes da lei de 1831, que proibiu o tráfico de africanos para o Brasil, e quais interesses os seus redatores tinham em veicular certos debates e notícias, silenciando outros. Estes eixos de análise foram desenvolvidos no sentido de buscar descortinar as estratégias, tanto de argumentação, quanto de produção, utilizadas pelo Correio Mercantil com a finalidade de defender a manutenção da ordem, da lei, da propriedade e das relações de poder escravistas / Abstract: This work aims to analyze how the Bahia's newspaper Correio Mercantil, between the years of 1836 and 1849, ran articles about the free and slave revolts, the slave trade of Africans to Brazil and of slavery itself, trying to understand the political interests that determined these publications. To this end, we are interested to understand the influence of the rebellions in the period, and the ways in which they were conveyed, as well as the relationship that was established between free and slave revolts and the use of the fear of political elites of the province in relation to the large number of Africans and the colored population in Bahia. It is also important to understand how Correio understood the formation of Brazil in the post-independence, especially in regard to individuals who should build and be part of the identity of Brazil, the condition of citizenship and the institution of slavery. Finally, it is essential to examine how the newspaper approached the debates and proceedings arising from the 1831 law, which prohibited the slave trade to Brazil, and which interests their writers had in certain debates and vehicle news, silencing others. These lines of analysis have been developed in order to unveil the strategies of both arguments and production, used by Correio Mercantil in order to defend the maintenance of order, law, property and power relations of slavery / Mestrado / Historia Social / Mestre em História

The diploma thesis ,,Years 1848-1849 in Čáslav and Kutná Hora" focuses on the expert description of events in the revolutionary years of two cities in today's Central Bohemia region. The thesis firstly pursues the characteristics of both towns in the first half of the 19th century. It focuses on the appearance of the town, administrative changes, school and theatre life, health facilities, significant national revivalists and also on the economic area. The main part of the work presents a brief outline of reactions on Prague March events both in Čáslav and Kutná Hora, mainly about the active participation of citizens of both cities in the basic National Guard. In the case of Kutná Hora, the foundation of subsidiary of Prague political association Slovanská lípa also occurred. In Čáslav, the thesis also follows the administrative and schooling changes. The work includes two comparisons of both the towns firstly in the first half of the 19th century and then also the revolutionary years 1848-1849. In the last chapter, the thesis introduces the situation in the countryside from the years 1848- 1849 and also the complaints of the villages of Čáslav region about the relationship towards the Národní výbor in Prague. As a bonus, some important personalities working in Čáslav or Kutná Hora are added to the...

Le naturaliste français Charles Janet (1849-1932) est resté en marge des grandes figures scientifiques. L’Académie des sciences avait pourtant reconnu certains de ses travaux entomologiques et aujourd’hui, sa classification atomique émerge dans les discussions des chimistes. Centralien, ingénieur civil et manufacturier en province, il fut entre autres géologue, paléontologue, entomologiste, biologiste et chimiste même si ces disciplines ne reflètent qu’une partie de ses recherches. Méconnus et scindés dans ses spécialités, ses travaux ont été très peu étudiés et jamais dans une vision d’ensemble. La biographie envisagée ici permettra de dépasser ces clivages disciplinaires. À partir des propres perceptions de Janet, nous engagerons notre projet vers une microhistoire qui nous offrira le moyen d’observer le travail d’un savant. Elle sera révélatrice des fonctionnements, usages et sociabilités des sociétés savantes locales ou nationales qui se posent en véritables autorités scientifiques et dont nous examinerons les liens avec l’Académie des sciences. La principale sera la Société zoologique de France dont Janet deviendra président. Il nous autorisera en sus à observer une tendance macro historique qui est celle de la spécialisation et de la marginalisation de l’entomologie. Ce qui nous conduira à remettre en question la classique dualité « professionnels vs amateurs » chez les scientifiques.Janet, par sa polyvalence, sa longue carrière à la fois hors et dans la science officielle est un témoin privilégié des sciences naturelles à la charnière du XIXe. Retracer sa vie et son œuvre, c’est observer les sciences sous l’angle des anonymes qui se haussent un temps au niveau des gloires de leur époque. Mais, si cette recherche témoigne des pratiques d’un scientifique méconnu, elle représente paradoxalement (selon nous) celles de la majorité des naturalistes de son temps. / The French naturalist Charles Janet (1849-1932) is remained on the margins of the great scientific figures. However, the Academy of Sciences acknowledged some of his entomological works and nowadays, his atomic classification emerges in discussions of chemists. Graduated from Ecole Centrale, civil engineer and manufacturer in province, he was among other things, geologist, paleontologist, entomologist, biologist and chemist even if these disciplines reflect only a part of his research. Unsung and split in his specialities, his works have been very little studied and never in an overall view. Hence, the biography proposed here will go beyond these disciplinary divides. Through the own perceptions of Janet, we will engage our project towards the microhistory that gives us the way to observe the work of a scholar. It will be revealing some functions, uses and sociability of the local or national societies that arise in real scientific authority and we will examine their links with the Academy of Sciences. The main will be the Zoological Society of France of which Janet became president. In addition, he allows us to observe a macro-historical trend, which is that of the specialization and the marginalization of entomology. This will lead us to question the classic duality 'professionals versus amateurs' among scientists.Thanks to his polyvalency, his long career both off and in the official science, Janet is a privileged witness of the natural sciences at the turn of the 19th century. Trace Janet’s life and work, is observing science through the anonymous people who might be raised for a while at the level of the glories of their era. If this research reflects the practices of an unsung scientist, it represents paradoxically (in our view) most of the naturalists of his time.

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This study was made to determine the contribution to the field of education of the philosophy of Otto Salomon as set forth in the Educational Sloyd System of Sweden and to analyze or show his influence on the teaching of Industrial Arts.

The term ballade is the French and German spelling of the English word "ballad" and the Italian ballata. Although each of these terms is derived from the Latin ballare, meaning "to dance," each denotes an entirely different meaning. The synonomous usage of these terms is definitely misleading (1,p. 67), Frederic Chopin, 1810-1849, was first to use this term as a title for piano compositions. The purpose of this study is to reveal the formal characteristics of each of the four ballades that Chopin wrote for solo piano and to determine,through a comparison of the similarities and differences, some identifying characteristics of a ballade. These characteristics will be illustrated through a formal analysis of each ballade.

The key to an understanding of what Poe attempted to accomplish with his art lies in his depictions of order and disorder in the universe. Poe's explorations of order and disorder revolve around journey and abyss motifs exemplified in his imaginative approaches toward nature, conscience, art, intuition, and apocalypse. These imaginative approaches serve to unify Poe's- work as a whole and emphasize his importance as a questing artist who not only sought to define the shape of reality in terms of stability and chaos but also sought to formulate a final metaphysical ordering of chaos and finitude.

Although one of the best-known cases of intercultural literary partnership, Charles Baudelaire's translations of Edgar Allan Poe's works have been little analysed with a methodology appropriate to Translation Studies. Relying on a functionally target-oriented approach to translation and an empirical methodology, the present thesis undertakes this analysis. Positioning the prospective function(s) of the translations as intended by the translator within their historical context, Chapter One explores the para-discourse of the translator and its contemporary reception. Beyond the Romantic critical tradition of the whole project, Baudelaire's introductory writings on Poe appear to target in a propagandist way the literary elite of the time. On the contrary, the selection and organization of the five volumes of translations for publication suggest primarily a popularising strategy intended to capture, through the fictional genre, the attention of the growing mass audience of the Second Empire. In Chapters Two and Three, traditional appraisals of the translations in terms of quality assessment are questioned in favour of an explanation of interpretative frameworks and translation strategies as seen through the analyses of two translated tales and of textual variables throughout the corpus. Baudelaire's biographical interpretation of the narrative voice combines with clear strategies to normalize the stylistic authority of the texts and to increase their dramatic and expressive impact, offering in the end a less rhetorical, but aesthetically more Romantic and narratively more Realist reading of Poe's fantastic tales. Baudelaire would thus have managed to reconcile at a textual level the ambiguities of his para-discourse in terms of targeted readership as seen in Chapter One. It is finally argued that beyond the constraints of the receiving system and the strategies of the translator to accommodate these, the French image of Poe as produced by Baudelaire owes much to a French resistance to the narrative ambiguity and style that Poe's writing represents. Confirming or challenging existing criticism on the Poe-Baudelaire case, the present thesis thus hopes to contribute, not only to our relatively limited knowledge of mid-nineteenth-century French translation, but also to our understanding of French short fiction and its conflicting stakes in terms of aesthetics and readership.

Thèse numérisée par la Direction des bibliothèques de l'Université de Montréal.