Orientador: Regina Aparecida Polo Muller / Acompanha Anexo B (Video de 35min - Ka: hipermidia sobre a obra de Velimir Khlebnikov) / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-11T00:42:46Z (GMT). No. of bitstreams: 1 Borovik_SamiradeSouzaBrandao_M.pdf: 173146443 bytes, checksum: 70cb438b5d05d04d50bc1783a33667e4 (MD5) Previous issue date: 2005 / Resumo: Esta pesquisa é a descrição do processo iniciático em performance e xamanismo na criação do espetáculo Ka ¿ Cena Zaum de Vélimir Khlébnikov, do ponto de vista da atuação. Encenado por Renato Cohen no ano de 1998, como conclusão do curso de graduação em Artes Cênicas da Unicamp, o espetáculo teve um rico processo de preparação dos atores pela via ritual e performática. Os workshops de criação, os ensaios do grupo e as apresentações públicas são analisados a partir de registros pessoais (caderno de anotações) e visuais (fotografias e filmagens de ensaios e apresentações). A reflexão sobre o treinamento ritual é feita a partir da descrição dos encontros com o xamã Lynn Mário e das cenas que surgiram sob essa influência. A condução do encenador é também analisada, assim como as cenas e os locais de apresentação. Alguns temas surgiram do envolvimento com a pesquisa como a criação a partir da Body Art, do Treino e do Fluxo na interpretação. A orientação da pesquisa teve início em 2002 com Renato Cohen, que por ocasião de sua morte passou a ser orientada pela Profª Dra. Regina Polo Müller / Abstract: This research is the description of the initiation process in performance and shamanism in the play Ka ¿ Cena Zaum de Vélimir Khlébnikov, according to the actor's point of view. Staged by Renato Cohen in 1998, as conclusion to my graduation course in Drama Studies at Unicamp, the play was rich in the process of actor training in ritual and performance. The group workshops, rehearsals and public shows are analysed from personal and audiovisual records, as well as the ritual experiences and according to the way Cohen used to lead the group. The reflection of the ritual training is done through the description of the encounters with the shaman Lynn Mário and the scenes that emerged as a consequence of this experience. Some themes came up during this research such as Body Art, Training and Flow in contemporary acting. This academic orientation was started in 2002 by Renato Cohen and after his death was later continued by Regina Müller / Mestrado / Mestre em Artes

During the 19th century the European states experienced a new kind of threat to their existence. The military threats from other countries were now accompanied by civilian threats that inspired mass protest, terrorism and other menaces to the established order. In Sweden, these threats were mainly seen as connected to the rising labor movement and to a growing number of foreign citizens. The aim of the dissertation is to examine surveillance for national security carried out by the Stockholm Criminal Investigation Department and its Police Bureau between 1885 and 1922. Apart from examining what specific surveillance methods that were used, the dissertation gives an answer to the question why the surveillance was carried out, and why it was carried out the way it was. It also discusses how differences and similarities between the surveillance in Sweden and other countries can be explained and how the surveillance between 1885 and 1922 relates to the corresponding activities during the latter part of the 20th century. The main conclusions are that there was a lack of formal rules regulating the surveillance, and that it therefore was based on the following of routines. The bureaucratization process that characterized the period influenced the surveillance, which came to be performed as a bureaucratic machine, characterized by a tendency of expansion. This meant that the surveillance activities were constantly expanded and became more and more extensive. The expansion is connected to the surveillance phenomenon, which could be said to have an unlimited scope. Furthermore, it is suggested that this specific historic legacy has affected the development of Swedish security police activity during the second half of the 20th century.