Orientador: Renato Jose Pinto Ortiz / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-26T10:13:42Z (GMT). No. of bitstreams: 1 Oliveira_MaraJaquelinede_M.pdf: 8234753 bytes, checksum: 2743b31271474debf40c78449eeca37a (MD5) Previous issue date: 2000 / Resumo: Este trabalho tem como objetivo primeiro, investigar algumas questões fundamentais na formação do pensamento social brasileiro, tais como: identidade nacional, constituição do Estado-Nação, tradição, modernidade ; por meio do pensamento e obra de Oswald de Andrade. Buscaremos traçar um paralelo entre seu projeto modernista e o processo de modernização geral da sociedade. Devemos dizer que, utilizaremos obras, poesias, artigos jornalísticos, texto teatral, entre outros; de acordo com nosso interesse analítico, ou seja, não seguiremos necessariamente uma ordem cronológica das publicações do escritor / Abstract: Not informed. / Mestrado / Mestre em Sociologia

Orientador: Maria Eugenia da Gama Alves Boaventura / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-07-28T04:29:29Z (GMT). No. of bitstreams: 1 Farinaccio_Pascoal_M.pdf: 35844078 bytes, checksum: f1240ba671fdde3431657debaaad0e23 (MD5) Previous issue date: 1999 / Resumo: Esta dissertação visa a esclarecer o estatuto ficcional do romance invenção Serafim Ponte Grande, de Oswald de Andrade. A análise está voltada, sobretudo, para as questões da estrutura e da ideologia do texto, constitutivamente polêmico. A recepção crítica de Serafim evidencia divergências quanto ao seu valor artístico. Mostra-se, aqui, como o critério nacionalista aplicado à ficção oswaldiana resultou ineficaz. Os estudos de Antonio Candido e Haroldo de Campos são destacados, por outro lado, tendo-se em conta o papel do leitor na constituição e valoração da estrutura literária, mediante o efeito estético diferenciado motivado pelo texto. A revolução da forma romanesca produz uma perspectiva original a partir da qual o autor tematiza o problema da revolução social brasileira. Essa matéria é referida, no segundo capítulo, à noção de malandragem e à Antropofagia de 1928, o que serve para descrever os impasses ideológicos embutidos no projeto afirmado de emancipação sociocultural do país. Aborda-se com maior cuidado, no terceiro capítulo, a questão do fragmentarismo da prosa. A mobilização do fragmento torna Serafim esquivo às classificações de gênero ("não-livro"?) e, vigorosamente polissêmico, problemático no que se refere à fixação de seu sentido (o desconstrucionismo e a antropologia literária de Wolfgang Iser oferecem o campo teórico para situar a discussão). O "desnudamento do processo", que tão fortemente caracteriza o Serafim é analisado, na seqüência, como um modo de assunção radical da ficcionalidade literária, a que se associa a reflexão do autor sobre a especificidade da cultura brasileira e latinoamericana. Nas considerações finais, chama-se a atenção para as relações contraídas entre a linguagem experimental promovida pelos modernistas e o ensaísmo sociológico de 1930; ao mesmo tempo, tenta-se situar o legado oswaldiano numa esfera mais ampla de nossa tradição cultural / Abstract: Not informed. / Mestrado / Teoria Literaria / Mestre em Letras

Orientador : Luiz Gonzaga de Mello Belluzzo / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Economia / Made available in DSpace on 2018-07-29T04:22:12Z (GMT). No. of bitstreams: 1 Bastos_PedroPauloZahluth_D.pdf: 47339820 bytes, checksum: 5a4f8615d544fda0cb86fd95b406f9d5 (MD5) Previous issue date: 2001 / Doutorado / Politica Economica / Doutor em Ciências Econômicas

Orientador: Eric Mitchell Sabinson / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-12T10:04:16Z (GMT). No. of bitstreams: 1 Fauza_MichelJalil_M.pdf: 1004106 bytes, checksum: a8b2913e4ec383b24cc704f1c55a01e0 (MD5) Previous issue date: 2008 / Resumo: Este trabalho tem a intenção de propor um estudo sobre a peça teatral R.U.R. (Rossum's Universal Robots), escrita pelo autor checo Karel Capek em 1920 e especialmente importante por introduzir, na literatura moderna, a figura do robô do modo que hoje a concebemos. A princípio, apresentamos de maneira breve alguns dos autômatos retratados pela literatura fantástica do século XIX, de forma a distinguir a nova abordagem de Capek sobre o tema. Posteriormente, destacamos passagens da peça, ato a ato, relacionando-as a teóricos da filosofia e da crítica literária, de modo a sugerir novas possibilidades de leitura que se distanciem das interpretações comuns surgidas desde a época de sua publicação e primeiras representações. Para o êxito de tal tarefa, devemos repensar o significado do robô dentro do contexto ficcional de R.U.R. e as implicações geradas pelo seu surgimento. / Abstract: This work examines the theatrical play R.U.R. (Universal Rossum's Robots), written by the Czech author Karel Capek in 1920, and its particular importance for introducing, in modern literature, the figure of the robot as we conceive of it today. Initially, we briefly present some of automatons realized in fantastic literature of the XIX century, distinguishing Capek's new approach. Later, we point out parts of the play, act by act, suggesting relationships to particular philosophers and commenting the criticism on the play, in order to suggest new possibilities of reading different from the common interpretations since its publication and first production. For the success of such task, we need to rethink the meaning of the robot, inside the fictional context of R.U.R., and the implications generated by its appearance. / Mestrado / Historia e Historiografia Literaria / Mestre em Teoria e História Literária

Orientador: Italo Arnaldo Tronca / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-03T23:56:56Z (GMT). No. of bitstreams: 1 Silva_PauloRenatoda_M.pdf: 663892 bytes, checksum: d4cf4040c251cb70f692fd12f69ad059 (MD5) Previous issue date: 2004 / Mestrado

Orientador : Alcir Lenharo / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-07-14T02:22:03Z (GMT). No. of bitstreams: 1 Guillen_IsabelCristinaMartins_M.pdf: 8477419 bytes, checksum: bb7d349d8953f4182dadea1f798c4a40 (MD5) Previous issue date: 1991 / Resumo: Não informado / Abstract: Not informed / Mestrado / Mestre em História

Orientador: Roberto Schwarz / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-07-14T02:52:10Z (GMT). No. of bitstreams: 1 Antunes_Benedito_M.pdf: 4456663 bytes, checksum: f76d63f810e884d35b41b9986b506045 (MD5) Previous issue date: 1983 / Não tem resumo na obra impressa / Abstract: Not informed. / Mestrado / Teoria Literaria / Mestre em Letras

This is an appraisal of the career of Ethel Tawse Jollie (1876-1950), the first woman parliamentarian in Southern Rhodesia, and the British Empire overseas, prolific writer and leading intellectual of her political generation who played a key role in the achievement of responsible government in Southern Rhodesia in 1923. As the founder and principal organiser of the Responsible Government Association she imported from Britain a singular political philosophy which made a lasting impression on Rhodesia's political character and social identity. She was an influential figure in British imperialist circles and in the women's suffrage controversy. No other Rhodesian politician had achieved such prominence in the metropole, or possessed such a thoroughly formed, comprehensive ideology, and the propaganda skills necessary to give it effect. The study traces the formation of her ideas within the intellectual milieu of pre-1914 Britain and - through her - its subsequent adaptation in Rhodesia; how, through her marriage to Archibald Colquhoun - explorer, writer and Cecil Rhodes's first Administrator of Mashonaland - she became steeped in the ideology of the Edwardian Radical Right - that reaction to imperial decline denoted by the slogan 'National Efficiency'. By 1915. when she arrived in Rhodesia, she had come to believe that by 1915, when she arrived in Rhodesia, she had come to believe that the salvation of the Empire lay in its 'patriotic' periphery where it was possible to create new societies on Radical Right principles. Both in and out of parliament she gave to Rhodesian public policy and identity a distinct Radical Right hue, which she further enhanced by her involvement in various extra parliamentary pressure groups. It is a life and times study and considerable use is made of contemporary ballads and novels in the belief that immersion in the atmosphere of the period is particularly useful in an intellectual biography of this kind. Comparisons are also made with other British peripheries notably Ulster, Canada and New Zealand. The study challenges the traditional view of Rhodesia as a neo-Victorian intellectual backwater; seeing it rather as a society which continued to import selectively ideas from elsewhere in the Empire. It should interest Commonwealth and - because of its central character - women's historians.

The purpose of this study is to provide historical information, analytical material, and to discuss performance problems and teaching techniques relative to the Concertino da Camera by Jacques Ibert. A number of articles have been written concerning the premiere date and the necessity for the saxophonist to perform certain passages in the extreme high register of the instrument. The known arguments will be presented and discussed. The main purpose of this study is to examine and offer solutions to challenging performance situations which both teachers and performers encounter during study of the Concertino. A Technical Problems List was constructed and possible solutions are discussed based upon a survey of professional saxophonists and the performing experience of the researcher. The survey results have proved invaluable and many references are made to the practice methods of the survey respondents. The Concertino da Camera was selected for this study because of its musical value, frequency of performance, level of difficulty and appropriateness for educational use. In a survey conducted in 1973 by Cecil Gold, 120 professional saxophonists were requested to list examples of repertoire which they have students perform. The Concertino was listed as the fourth most frequently chosen work at the undergraduate level and the first choice at the graduate level, and is recognized as one of the most musically rewarding works in the solo literature for the saxophone. Two texts by Teal and books by Farkas and Gold served as primary reference material as the researcher identified and offered solutions to performance challenges during construction of the performance analysis. Two books, by Pottle and Stauffer, which discuss the intonation problems of wind instruments, were also helpful. In tracing the history of the Concertino, the researcher found books by Hemke and Rousseau, and articles by Rascher to be helpful. The Concertino da Camera, written in 1935, is representative of the most prolific period of Ibert's artistic production. In Chapter 1, this period and the history of the Concertino are examines. A discussion of the formal structure followed by a description of the music will be given in Chapter 2. Problems of technique, intonation, tonal matching, articulation, rhythm, range and special fingerings will be detailed in Chapter 3. The writer feels that the Concertino da Camera is an outstanding composition which is deserving of reputable performances. It is hoped that the results of the research will benefit the educator and performer of this challenging composition.

Orientador: Vera Maria Chalmers / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-04T02:03:03Z (GMT). No. of bitstreams: 1 Silva_AnaMariaFormosoCardosoe_M.pdf: 9970555 bytes, checksum: b77c3cc2e7234d9eaa2c1dd8fbc80858 (MD5) Previous issue date: 2003 / Resumo: O objetivo desta dissertação é estudar que proposta está envolvida na expressão "romance mural", com a qual Oswald de Andrade qualificou Marco Zero, romance publicado em dois volumes (A Revolução Melancólica e Chão) no qual o autor pretendia traçar um panorama da sociedade paulista nos anos 30. Para isso, analisamos as intenções ideológica e estética que guiaram o projeto, através do qual o escritor desejava unir sua experiência na vanguarda literária do Modernismo com a atuação na vanguarda política como intelectual de esquerda, tarefa que teve como uma de suas fontes de inspiração a arte dos muralistas mexicanos. Da mesma forma que estes, Oswald utilizou-se de uma série de recursos estéticos em favor da representação da visão política que tinha da sociedade e do processo histórico - visão esta que, segundo nosso ponto de vista, se constitui no entrelaçamento entre as teses do Partido Comunista, a observação realista dos fatos históricos e a visão pessoal do escritor, dada pela sua condição de membro da burguesia que viveu a experiência da decadência econômica. É através da análise de pontos de contato e de distanciamento entre o texto narrativo e a pintura mural que procuramos recompor a proposta de romance mural do escritor, a qual, se levada em conta, pode conduzir à exploração de uma nova senda no estudo de Marco Zero / Abstract: The objective of this dissertation is to study Oswald de Andrade's proposal to qualify his novel Marco Zero as a "romance mural". Marco Zero is a novel published in two volumes (A Revolução Melancólica and Chão), in which the author intends to draw a panorama of the society of São Paulo from the 30's. This study investigates the ideological and aesthetical intentions which guided the author's project. It is believed that he wished to unite his experience as literary Modernist to his engagement in the political avant-garde as a left-wing intellectual. One of Oswald de Andrade's sources of inspiration was the art of the Mexican Muralists. As the Mexican Muralists, Oswald made use of a series of aesthetic resources in order to represent his political view of the society and of the historical process. The dissertation argues that Oswald's political view is a combination of the Communist Party thesis, a realistic observation of the historical facts, and the author's personal view as a burgeois who experienced economical decadence. Through showing the similarites and differences between the narrative text and the mural painting, the dissertation reconstructs the author's proposal to call his novel a "romance mural" / Mestrado / Literatura Portuguesa / Mestre em Teoria e História Literária