No description available.

The study of James Parton Haney is threefold in purpose. The first purpose is to study the life and educational background of Haney in order to gain an understanding of the man and his educational objectives. A second purpose is to gain an insight into Haney's philosophy of education, and the third purpose is to examine the available writings of Haney in an attempt to analyze his philosophy of industrial arts as a phase of general education.

No description available.

The aim of the study is to delve deeper into how the press portrays the librarian profession through two different time periods and take a closer look at the discourses related to work tasks represented in the media to see how the profession has changed and why. The empirical material is from Biblioteksbladet, published in 1923 and 2023, and the study analyses the differences from a hundred-year progress in the representation of the profession in the press. These papers are analysed with discourse analysis to explain power relations, changes in social practices and society, and the context of the texts to explain why these changes have happened. The result of the study shows that there has been a change in the profession, as more tasks have been assigned to the librarians, which brings new expectations and changes in the work-related discourses in Biblioteksbladet and how they express themselves to the librarians. Furthermore, the profession changes with the society it is centred in to be of use to its users.

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-07-03T13:30:46Z No. of bitstreams: 1 Cibelle Figueiredo Migliorança.pdf: 752455 bytes, checksum: 63cce3160a757e476da0641b308f063e (MD5) / Made available in DSpace on 2018-07-03T13:30:46Z (GMT). No. of bitstreams: 1 Cibelle Figueiredo Migliorança.pdf: 752455 bytes, checksum: 63cce3160a757e476da0641b308f063e (MD5) Previous issue date: 2018-04-20 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This research proposes the study of the novel As horas nuas (1989) by Lygia Fagundes Telles. The focus of the analysis is the zooliteratura, a field that studies the animal from a transdisciplinary perspective, investigating different aspects of the relationship between humans and animals. Our special attention is dedicated to Rahul, one of the novel's narrators and a cat. We will also turn our attention to some of the author's short stories in which the presence of animals is also noted, especially in narratives in which dogs and cats appear. We aim to question the role of the animals in the works of Lygia Fagundes Telles and what effect is generated by the recurrent presence of these animals. The hypothesis is that the author uses these animals to try to understand human nature, as if the treatment given to the animals by their owners was an unmasking of the true essence of these people. The methodology used is bibliographic type and it has the theoretical and critical support of Gérard Genette, Wayne Booth and Maria Lúcia Dal Farra, as reference for the study of the novel, and Maria Esther Maciel, a reference and a pioneer in Brazil when relating to studies in zooliteratura / Este trabalho propõe o estudo do romance As horas nuas (1989) de Lygia Fagundes Telles. O foco da análise será o da zooliteratura, campo que estuda a questão do animal sob uma ótica transdisciplinar, investigando diferentes aspectos das relações entre humanos e animais. Nossa especial atenção recaiu particularmente em Rahul, que além de ser um dos narradores do romance é um gato. Também voltamos nossa atenção para alguns dos contos da autora em que a presença de bichos se mostrou contundente. Principalmente nas narrativas em que aparecem cães e gatos. Indaga-se qual o papel dos animais na obra de Lygia Fagundes Telles e qual o efeito que se gera com a recorrente presença destes bichos. A hipótese é de que a autora se utiliza destes animais para tentar compreender a natureza humana. Como se o tratamento concedido aos animais por seus donos fosse um desmascaramento da verdadeira essência dessas pessoas. A metodologia empregada foi do tipo bibliográfica e teve o respaldo teórico e crítico de Gérard Genette, Wayne Booth e Maria Lúcia Dal Farra, como referência para o estudo do romance, e Maria Esther Maciel, pioneira no Brasil com estudos na área, com relação a zooliteratura

「藝術旦后」余麗珍（1923-2004）以香港為根據地開展的演藝事業歷時很長，由登台演戲至拍攝「粤劇戲曲片」，穩紮穩打地縱橫藝壇演戲三十多載，其作品標誌著香港五、六十年代粤劇和電影的發展。 / 筆者將余麗珍在1957至1961年間──粤劇戲曲片創製最顛峰時期拍攝的十七齣電影歸為「斷頭與精怪美人」及「紮腳英雌」兩個系列，它們能充分展現粤劇和電影藝術如何妥善揉合。透過分析這些作品即能整理出此電影類型的特色，並從中窺探余麗珍別於同代旦行伶人的演藝造脂，繼而確立她對開創神怪粤劇戲曲片的貢獻。 / 余麗珍素來以歌唱「聲」藝和功架「技」藝譽藝壇，其聲、藝必須透過演繹人物角色才能顯現。納入研究範圍的文本都是她的代表作，她在這些電影中飾演的飛頭者、無頭鬼、精怪美人和紮腳英雌都能自成一格，以性別角度切入分析，即可得知這些角色隨著劇情推進都能夠跳出社會既有性別樊籬。當余麗珍演繹這些獨特的角色時，亦很大程度上挑戰了觀眾對正印花旦的常規性想像。 / Known as “The Queen of the Art of Dan (藝術旦后), Yu Lizhen（1923-2004） was a Cantonese opera actress based mainly in Hong Kong. Yu had actively performed both on the stage and on the screen for over three decades. Her performances, especially those in the Cantonese opera-films (粤劇戲曲片) , marked a new stage of development of both the Cantonese operas (粤劇) and films (電影) in the 1950s and 1960s. / In this research, seventeen Cantonese opera-films by Yu Lizhen screened from 1957 to 1961, the historical peak of the production of this film genre, will be categorized into two series, “The Headless and Spirit Beauty and “The Foot-binding Heroines. They are excellent examples of this film genre which demonstrate very well the ways Cantonese opera art and film art can be blended perfectly together. An analysis of Yu’s performances does not only showcase the characteristics of Cantonese opera-film genre and how distinctive her performances had been in comparison with her contemporaries, but also further establishes her pioneering role in introducing supernatural elements to Cantonese opera-films. / Famed for her singing talent and artistic martial skills on stage, Yu Lizhen was able to bring the characters alive in her signature works, including “The Headless and Spirit Beauty and “The Foot-binding Heroines film series. Her casting in the roles with the flying head, as headless ghost, spirit beauty and foot-binding heroines was original and unique. Analyzing from the gender perspective, each of these characters actually goes beyond the established gender stereotypes in society as each story advances. To a large extent, her performed characters in these films transgress the general viewers’ expectation and imagination of the principal huadan (正印花旦). / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 陳曉婷. / "2012年9月". / "2012 nian 9 yue". / Thesis (M.Phil.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 200-207). / Abstract in Chinese and English. / Chen Xiaoting. / Chapter 第一章 --- ：導言 / Chapter 1.1 --- 研究方法 / Chapter 1.1.1 --- 歷史研究：香港粤劇與電影發展及余麗珍 --- p.2 / Chapter 1.1.2 --- 類型研究：類型電影與類型人物 --- p.7 / Chapter 1.1.3 --- 性別研究：性別與性別氣質的表演 --- p.9 / Chapter 1.2 --- 研究對象及範圍：余麗珍及其「粤劇戲曲片」──「斷頭與精怪美人」及「紮腳英雌」電影系列 --- p.11 / Chapter 第二章 --- ：香港粤劇電影發展概說及余麗珍的粤劇戲曲片 / Chapter 2.1 --- 從香港粤劇發展概況看粤劇戲曲片的生成脈絡 --- p.17 / Chapter 2.2 --- 余麗珍演藝事業從舞台到銀幕的過渡 --- p.28 / Chapter 2.3 --- 「斷頭與精怪美人」及「紮腳英雌」電影系列：分類與內容簡介 --- p.46 / Chapter 第三章 --- ：余麗珍的「神怪」戲與「神怪」粤劇戲曲片 / Chapter 3.1 --- 余麗珍的「聲」、「藝」、「色」及其在粤劇戲曲片的展現 / Chapter 3.1.1 --- 余麗珍的「聲」演 --- p.60 / Chapter 3.1.2 --- 余麗珍的演「藝」 --- p.75 / Chapter 3.1.3 --- 余麗珍的遜「色」到出「色」的任務轉移 --- p.88 / Chapter 3.2 --- 余麗珍的「神怪」題材運用 --- p.94 / Chapter 3.3 --- 余麗珍的粤劇戲曲片對電影剪接和特技的應用與「神怪」題材的展現 --- p.112 / Chapter 第四章 --- ：余麗珍在粤劇戲曲片演繹的女性角色及其性別扮演 / Chapter 4.1 --- 「斷頭與精怪美人」電影系列：飛頭者、無頭鬼與精怪美人 --- p.134 / Chapter 4.1.1 --- 超生越死的飛頭者和無頭鬼 --- p.139 / Chapter 4.1.2 --- 佑護致福的精怪美人 --- p.155 / Chapter 4.2 --- 「紮腳英雌」電影系列：剛柔並重的紮腳英雌 --- p.167 / Chapter 總結 --- 一代名伶余麗珍──最「神怪」最「狠」的正印花旦 --- p.190 / 參考文獻 --- p.198

Made available in DSpace on 2014-06-11T19:26:55Z (GMT). No. of bitstreams: 0 Previous issue date: 2013-02-28Bitstream added on 2014-06-13T19:14:20Z : No. of bitstreams: 1 oliani_ng_me_sjrp.pdf: 557826 bytes, checksum: 17f70327ab74ec8767bd302b94bf71b3 (MD5) / Nesta dissertação, realizamos análise literária do romance As meninas, de Lygia Fagundes Telles, enfocando as representações da mulher construídas tanto por meio das três personagens protagonistas quanto por um número significativo de personagens femininas secundárias e, mesmo, das personagens masculinas que com elas convivem. Além do trabalho de escrita de Lygia Fagundes Telles (construção das personagens, ambientação dos dramas por elas protagonizados, construção de uma simbologia nascida da articulação entre personagens, ação dramática, espaço e contexto sociohistórico e político), nossa investigação considerou, para fins de análise e interpretação do tema, o contexto sociocultural, histórico e político do Brasil nas décadas de 60 e 70 do séc. XX. Tal contexto foi caracterizado por uma dupla crise: a crise política, decorrente do autoritarismo e da violência da ditadura militar, e a crise do patriarcalismo, decorrente da progressiva emancipação política das mulheres. Nossa dissertação visa a compreensão do diálogo crítico estabelecido, no romance, entre as representações da mulher e este contexto de dupla crise que constituem a matéria romanesca de As meninas / In this dissertation, we perform literary analysis of the novel As meninas by Lygia Fagundes Telles, focusing on the representation of women built by as the three protagonist characters as a significant number of secondary female characters, and even the male characters with whom they ive. Besides writing work of Lygia Fagundes Telles (construction of the characters, setting dramas perpetrated by them, building a symbolism born of the relationship between characters, dramatic action, space and sociohistorical and political context), our investigation found, for analysis and nterpretation of the theme, sociocultural, and political history of Brazil in the 60 and 70 decades of the XX century. This context was characterized by a double crisis: the political crisis arising from authoritarianism and violence of the military dictatorship, and the crisis of patriarchy, due to the gradual political emancipation of women. Our dissertation aims at understanding the critical dialogue established in the novel between the representations of women and the context of this dual crisis that constitute the novelistic matter of As meninas

Escrito pelo ficcionista e ensaísta italiano Italo Calvino, e publicado pela Einaudi em 1979, Se um viajante numa noite de inverno é uma das mais significativas obras metaficcionais da literatura ocidental, na medida em que seu autor desvela os mecanismos da narração, desencadeando uma reflexão sobre a prática da escritura e da leitura, bem como sobre as relações entre o escritor, o texto e o leitor dentro da própria obra literária. Assim, esta dissertação busca demonstrar como o romance Se um viajante numa noite de inverno opera sobre o horizonte de expectativas do Leitor – o protagonista do romance, tomando como referenciais teóricos a Hermenêutica filosófica, as Estéticas da recepção e do efeito, bem como as concepções provenientes dos estudos de região e regionalidade. São observados, nesse sentido, conceitos e categorias intrinsecamente associados ao horizonte de expectativas do Leitor, tais como experiência hermenêutica, experiência estética, lugares vazios, região e regionalidade. / Submitted by Ana Guimarães Pereira (agpereir@ucs.br) on 2014-12-05T12:41:21Z No. of bitstreams: 1 Dissertacao Bruno Brizotto.pdf: 1308074 bytes, checksum: 6071d7adf66dcb4a6da00c3634e378f4 (MD5) / Made available in DSpace on 2014-12-05T12:41:21Z (GMT). No. of bitstreams: 1 Dissertacao Bruno Brizotto.pdf: 1308074 bytes, checksum: 6071d7adf66dcb4a6da00c3634e378f4 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, CAPES, Brasil. / Written by the Italian novelist and essayist Italo Calvino, and published by Einaudi in 1979, If on a winter’s night a traveler is one of the most significant metafictional works of Western literature, to the extent that the author reveals the mechanisms of narration, triggering a reflection about the practice of writing and reading, as well as about the relationship between the writer, the text and the reader in the literary work itself. Thus, this dissertation aims to demonstrate how the novel If on a winter’s night a traveler operates on the horizon of expectations of the Reader – the protagonist of the novel, taking as theoretical references the Philosophical hermeneutics, the Aesthetics of reception and effect, as well as the conceptions derived from the studies of region and regionality. It is observed, in this sense, concepts and categories intrinsically associated with the horizon of expectations of the Reader, such as hermeneutic experience, aesthetic experience, empty spaces, region, and regionality.

Escrito pelo ficcionista e ensaísta italiano Italo Calvino, e publicado pela Einaudi em 1979, Se um viajante numa noite de inverno é uma das mais significativas obras metaficcionais da literatura ocidental, na medida em que seu autor desvela os mecanismos da narração, desencadeando uma reflexão sobre a prática da escritura e da leitura, bem como sobre as relações entre o escritor, o texto e o leitor dentro da própria obra literária. Assim, esta dissertação busca demonstrar como o romance Se um viajante numa noite de inverno opera sobre o horizonte de expectativas do Leitor – o protagonista do romance, tomando como referenciais teóricos a Hermenêutica filosófica, as Estéticas da recepção e do efeito, bem como as concepções provenientes dos estudos de região e regionalidade. São observados, nesse sentido, conceitos e categorias intrinsecamente associados ao horizonte de expectativas do Leitor, tais como experiência hermenêutica, experiência estética, lugares vazios, região e regionalidade. / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior, CAPES, Brasil. / Written by the Italian novelist and essayist Italo Calvino, and published by Einaudi in 1979, If on a winter’s night a traveler is one of the most significant metafictional works of Western literature, to the extent that the author reveals the mechanisms of narration, triggering a reflection about the practice of writing and reading, as well as about the relationship between the writer, the text and the reader in the literary work itself. Thus, this dissertation aims to demonstrate how the novel If on a winter’s night a traveler operates on the horizon of expectations of the Reader – the protagonist of the novel, taking as theoretical references the Philosophical hermeneutics, the Aesthetics of reception and effect, as well as the conceptions derived from the studies of region and regionality. It is observed, in this sense, concepts and categories intrinsically associated with the horizon of expectations of the Reader, such as hermeneutic experience, aesthetic experience, empty spaces, region, and regionality.

Orientador: Maria Betânia Amoroso / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem / Made available in DSpace on 2018-08-23T15:11:11Z (GMT). No. of bitstreams: 1 Oliveira_EvaAparecidade_D.pdf: 2179062 bytes, checksum: 61aca1792eb8aca46254c3f7ae732cea (MD5) Previous issue date: 2013 / Resumo: Italo Calvino dedicou dois anos de trabalho, durante a década de 1950, ainda no começo de sua carreira, "para dar à Itália o seu Grimm". Tendo como base um extenso material reunido a partir de coletâneas regionais, elaboradas por estudiosos durante a segunda metade do século XIX, a empresa se baseou em leitura e reescrita das narrativas da tradição popular, mas não se limitou a tradução e organização do volume. Passando os contos da tradição pela pena do escritor, elaborou o "seu" livro de contos populares. O trabalho com o gênero, porém, produziu outros frutos. Ao identificar nos textos da tradição popular estruturas e motivos que vinham ao encontro de suas próprias aspirações estilísticas, soube utilizar esse conhecimento de forma a ampliar suas possibilidades narrativas. O "fiabesco", o "fantástico" e a "ficção científica" de Calvino possuem suas raízes nesses elementos. Já no final prematuro de sua carreira, ao deixar para o século XX suas propostas de literatura reunidas nas cinco conferências de Lezioni Americane, é justamente do conto popular que o autor vai retirar alguns dos exemplos do que acredita serem valores importantes para o futuro da narrativa / Abstract: In the beginning of his career during the 1950's, Italo Calvino has dedicated two years of his work to "give Italy their Grimm". Based on an extensive material gathered from regional collections during the second half of the nineteenth century, this achievement has relied on reading and rewriting narratives of popular tradition but it was not limited to translation and organization of the volume. Passing tradition tales by his feather, the writer wrote "his" book of popular tales. However the work with the genre produced good fruits. Identifying in popular tradition texts structures and reasons that supported his stylistic aspirations, he knew how to use this knowledge in order to expand his narrative possibilities. Calvino's "fiabesco", "fantastic" and "science fiction" have their roots in these elements. In the premature end of his career, by leaving for the twentieth century his literature proposal collected into five Lezioni Americane conferences, the author will highlight from popular tales some examples he believes that are important values for the future of narrative / Doutorado / Teoria e Critica Literaria / Doutora em Teoria e História Literária