Tese (livre docencia) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Acompanha memorial / O exemplar da FE pertence a Coleção Mauricio Tragtenberg (FE-MT) / Made available in DSpace on 2018-07-14T10:59:42Z (GMT). No. of bitstreams: 1 Debrun_MichelMaurice_LD.pdf: 6676543 bytes, checksum: 9a8f69a82cf902dc44310b2d83eec6d9 (MD5) Previous issue date: 1982 / Resumo: Não informado. / Abstract: Not informed. / Tese (livre docencia) - Univer

Tesis para optar al grado de Magíster en Estudios de Género y Cultura en América Latina mención Humanidades / La presente investigación, tiene como objetivo identificar y analizar la “realidad” sexual popular que construyen los médicos y las “visitadoras sociales” al interior de sus diagnósticos escritos en cuatro revistas médico-sociales chilenas, entre 1927 y 1937: Servicio Social, Beneficencia, Asistencia Social y Acción Social. Sobre la base de los Estudios de Género y Cultura, la Sociología del Conocimiento, la Filosofía Política y el Análisis Crítico del Discurso, esta investigación analiza las fuentes históricas disponibles para determinar el imaginario social y de género que poseen los médicos y visitadoras, y a partir del cual se elaboran representaciones sobre el comportamiento sexual del “pueblo” para construir su “realidad” en un escenario de crisis social, política y económica Ante esto, hemos concluido que tanto médicos como “visitadoras sociales”, elaboran sus diagnósticos sobre la “realidad” médico-social chilena, a partir de un imaginario social y sexual que contiene categorías de género hegemónicas que delimitan el comportamiento de hombres y mujeres; y que a su juicio permiten conseguir la solución a los males de la época: la miseria social, ilegitimidad de las relaciones entre hombres y mujeres, la irresponsabilidad del hombre, el quiebre del binomio madre-niño, los vicios, las enfermedades venéreas y la prostitución. Por tanto, cuando hablen del pueblo y de su crisis, lo harán desde una mirada científica que carga y legitima todo un entramado de discursos y saberes que penetran los cuerpos del pueblo y que le otorgan todo un campo de significados y significantes para construir su “realidad” impura, inmoral y libertina, desde una idea científica, de un imaginario sobre una supuesta naturaleza de los cuerpos y del sexo.

Except for a group of three songs, the two piano concertos were the last things Ravel wrote. They have been said to be the culmination of Ravel's style; and, since they were written simultaneously, much attention has been drawn to a comparison of the two, particularly with emphasis on their divergent features. It is the purpose of this paper to show the interesting circumstances under which these concertos came to exist, to acknowledge the differences recognized by authors and critics, and to point out some important ways in which these concertos are similar to each other.

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Karol Szymanowski (1882-1937) was the composer of a substantial body of compositions for the piano which, outside of his native Poland, remain little known and performed more than forty years after his death. This document is designed to acquaint the reader with this literature, and to give him a general introduction to the stylistic characteristics of the composer. As most of the important books about the composer are in Polish, an annotated bibliography is included which directs the reader's attention to more detailed sources, in both English and Polish, concerning the solo piano works.

Interpretations of the Nationalist Revolution in modern Chinese history, especially the so-called “Nanjing decade” (1927-1937) are dominated by theoretical notions which see the state as autonomous in its relationship to society. This autonomous state model, the dissertation argues, finds its roots in the voluntaristic ideas of Talcott Parsons. Arguments based on Parsons’s ideas view the Nationalist Revolution as abortive. The dissertation rejects these views and develops an alternative perspective based on the construction of a quasi-market model of social relations. The theoretical underpinnings, in contrast to Parsons’s ideas, are termed “de-voluntaristic.” These arguments suggest that individuals participate in, and have influence on, the operation of the state. The application of a quasi-market model suggests that there was a major transformation in Chinese society during the Nationalist period. The dissertation argues that the Nationalist Government after 1927 did not continue to achieve the initial objectives of the Nationalist Revolution which, it is suggested, aimed to build a quasi-market society. The revolution, however, was not abortive. It transformed the political system. In the Imperial tradition of government, local elites protected local communities against state encroachment through their involvement in property management. After 1927, the Nanjing Government adopted a “free market” approach to political affairs, and centralized the use of military and legal power to protect property against labour and the peasants. Peasant demands for rights to the land they tilled, a key element in Sun Yat-sen’s programme for the revolution, questioned the brokerage market economy, in which local elites acted as the intermediaries of contractual partners. Workers, in the context of industrialization, and with support from Communist organizers, attempted to improve working conditions. Peasants and workers contested the power of active elites that grew in the new political order established by. the Nationalist Government. The Nationalist State abandoned the traditional role of the Chinese state to protect the well-being of society. Deeply influenced by new elites, it protected capital accumulation and safeguarded the sanctity of contracts. The Nationalist Revolution ultimately failed as it was unable to resist the invasions of the Japanese, or the alternative social formulations of the Communist movement. / Arts, Faculty of / Anthropology, Department of / Graduate

For this study, an analysis will be made of six of Edith Wharton's heroines: Lily Bart, the luxury-loving, aristocratic heroine of The House of Mirth, who was destroyed by her own class; Ellen Olenska, who neither lost nor sought an established place in New York society, since it belonged to her, and she stayed there by the sacrifice of instinct and happiness; Anna Leath, a typical product of puritan New York, who suffered from having learned so thoroughly the rules of her generation; Halo Tarrant, who took love into her own hands and defied society but felt the strength of the social convention which shuts out the woman who does not play the game according to the rules; Undine Spragg, the social adventurer, who represents ambition, which Mrs. Wharton had come to recognize as the dominant characteristic of the new woman of America; and Sophy Viner, an American girl who, yielding to temptation, is plunged into insecurity because she comes into contact with Anna Leath and the rules of her world.

Memoria (licenciado en ciencias jurídicas y sociales) / En lo que sigue, hemos intentado resolver una contradicción permanente en nuestros intereses: por una parte, el cumplimiento de los requisitos indispensables para la obtención de la licenciatura en ciencias jurídicas – disciplina que frecuentemente nos resulta árida en extremo- y, por la otra, el deseo de continuar estudios anteriores en el área de la filosofía política. La conferencia de Jakobs acerca de la génesis de la obligación jurídica ha sido el pretexto ideal para combinar ambos enfoques en una interpretación de la propuesta jakobsiana acerca de la ya vieja cuestión del origen de la vinculación social y el orden estatal. Así, esta aproximación, más que una evaluación del peso específico de los planteamientos de Jakobs, constituye una doble apreciación de su propuesta: a la vez que es una crítica de los resultados a los que arriba con su análisis es, también, un reconocimiento a la amplitud de la perspectiva desarrollada en la conferencia.

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