Made available in DSpace on 2016-04-27T16:33:15Z (GMT). No. of bitstreams: 1 Itamar Freitas.pdf: 12313457 bytes, checksum: 5afe07cf0e3b6fcb191970542bafabe7 (MD5) Previous issue date: 2006-02-20 / Conselho Nacional de Desenvolvimento Científico e Tecnológico / This text approaches the initiatives regarding the creation of a pedagogy of History related to secondary teaching in Brazil. Examples of this kind of pedagogy were gathered at the places where it was applied and legitirnized by teachers and historians arRio de Janeiro and São Paulo, between the last decade ofthe monarchic regime and ear1y years of the second Republic. Here, the experience of the intellectual Jonathas Serrano (1855/1944) 1s highI1ghted - a History teache r, historian, writer of school books and a member of educational sectors - who worked in Rio de Janeiro, notably, in the period of 1913/1935, in the company other intellectuals who were involved with the creation of public policies for the sector- Afrânio Coutinho, Fernando de Azevedo, Francisco Campos, Lourenço Filho, and Gustavo Capanema. This study describes the way secondary education was organized pedagogically speaking, the first attempts of the Governmentto standardize a certain theory for the teaching of History in Brazil, the dorninant aspects of the pedagogy of History produced and spread by Jonathas Serrano / Esta tese aborda as iniciativas de construção de uma pedagogia da história destinada ao ensino secundário no BrasiL Essa pedagogia foi colhida junto aos lugares de produção e às instâncias de legitimação dos professores e historiadores do Rio de Janeiro e de São Paulo, com vivência marcada entre a última década do regime monárquico e os anos iniciais da segunda República. Aqui, destaca-se a experiência do intelectual Jonathas Serrano (1885/1944) - professor de história, historiador, escritorde livrosdidáticose membrode órgãos educacionais- que atuou no Rio de Janeiro, notadamente, no período 1913/1935, na companhia de intelectuais envolvidos com a geração de políticas públicas para o setor - Afrânio Peixoto, Fernando de Azevedo, Francisco Campos, Lourenço Filho e Gustavo Capanema. O trabalho descreve o itinerário da pedagogização do ensino secundário, as primeiras tentativas da União no sentido de universalizar uma determinada teoria para o ensino de história no Brasil, os traços dominantes da pedagogia da história produzida e difundida por Jonathas Serrano

Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2017-01-10T11:29:59Z No. of bitstreams: 1 Mariana Rodrigues Festucci Ferreira.pdf: 3092476 bytes, checksum: e46bb84f3238cf7d45347d8934cefe5f (MD5) / Made available in DSpace on 2017-01-10T11:29:59Z (GMT). No. of bitstreams: 1 Mariana Rodrigues Festucci Ferreira.pdf: 3092476 bytes, checksum: e46bb84f3238cf7d45347d8934cefe5f (MD5) Previous issue date: 2016-12-12 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / This dissertation proposes to think the condition of melancholy from aspects that define your way of structuring psychically and is located in the bonds and speeches, especially in speech capitalist, who prepare the enjoyment in contemporary society. For both, performs a qualitative research of interlocution between psychoanalysis and art, which unfolds in five stages:1. A history of the theorized about the melancholy of antiquity to modernity. 2. The melancholy in Freud, since their first approximations of the theme in the letters and drafts, who directs the then friend Fliess until the formalization conceptually undertaken in test Mourning and melancholy, not if I leave aside the additional considerations made in subsequent texts. 3. The Melancholy from theoretical considerations developed by Jacques Lacan regarding the constitution of the subject since the stadium of the mirror until the formalization of object a, passing by re-reading of Lacan testing of Freud in different moments of his teaching, his articulation of melancholy to pain to exist from Buddhism and culminating in the meeting of elements that allow to situate melancholy while clinical type of psychosis. 4. The relationship between melancholy, capitalism and social bond through the critique of the capitalist economic system operated by Benjamin, the theorizing of capitalist discourse as an offshoot of the discourse of the master proposed by Lacan, theorists who think the implications of this speech to the subjectivity of the subject in contemporary times without giving up the factors that count as the psychic structure, including Sidi Askofaré , Pacheco Filho and Vladimir Safatle, and joints to be made between the capitalist discourse and the outside-the-discourse of psychosis. 5. The reading of the melancholic expression, both regarding the psychic implications as social, in the work of painter Munch, aiming to take it as index of contemporary society. "Never will people understand that my paintings were created from seriousness and suffering" (Munch apud Tojner, 2004). It is concluded that such seriousness and suffering, however, served as an upholstery for him to go beyond his Art, marking how this way can act both in favor of the structural implications of the melancholic in the loop and the difficulties accentuated by the capitalist discourse. To this discourse Art, with its inventive potential, makes a hole, pointing out an alternative / Esta dissertação se propõe a pensar a condição do melancólico a partir dos aspectos que delimitam seu modo de se estruturar psiquicamente e se situar nos laços e discursos, especialmente no discurso capitalista, que aparelha o gozo na sociedade contemporânea. Para tanto, realiza uma pesquisa qualitativa de interlocução entre a Psicanálise e Arte, que se desdobra em cinco momentos: 1. Um percurso histórico das teorizações sobre a melancolia da Antiguidade à Modernidade 2. A melancolia em Freud, desde as suas primeiras aproximações do tema nas cartas e rascunhos que dirige ao então amigo Fliess até a formalização conceitual empreendida no ensaio Luto e Melancolia, não sem deixar de lado as considerações complementares realizadas em textos posteriores. 3. A melancolia a partir das considerações teóricas desenvolvidas por Jacques Lacan no que tange a constituição do sujeito desde o estádio do espelho até a formalização do objeto a, passando pela releitura de Lacan do ensaio de Freud nos diferentes momentos de seu ensino, a sua articulação da melancolia à dor de existir a partir do budismo e culminando na reunião de elementos que permitem situar a melancolia enquanto tipo clínico da psicose. 4. A articulação entre melancolia, capitalismo e laço social através da crítica do sistema econômico capitalista operada por Benjamin, a teorização do discurso capitalista como um desdobramento do discurso do mestre proposto por Lacan, os teóricos que pensam as implicações deste discurso para a subjetividade do sujeito na contemporaneidade sem abrir mão dos fatores que contam como a estruturação psíquica, incluindo Sidi Askofaré, Pacheco Filho e Vladimir Safatle, e as articulações possíveis de serem realizadas entre o discurso capitalista e o fora-do-discurso da psicose. 5. A leitura da expressão melancólica, tanto no que tange as implicações psíquicas quanto sociais, na obra do pintor Munch, visando toma-la como índice na sociedade contemporânea. “Nunca as pessoas vão entender que as minhas pinturas foram criadas a partir da seriedade e do sofrimento” (Munch apud Tojner, 2004). Conclui-se que tal seriedade e sofrimento, entretanto, serviram de estofo para que ele fosse além com a sua Arte, marcando como esta via pode atuar tanto em favor das implicações estruturais do melancólico no laço quanto das dificuldades acentuadas pelo discurso capitalista. A este discurso a Arte, com o seu potencial inventivo, faz furo, apontando uma alternativa

Submitted by Cleide Dantas (cleidedantas@ufpa.br) on 2014-02-05T15:50:32Z No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_OlharAcercaVadiagem.pdf: 682894 bytes, checksum: a69dd4cdd5c4f1022468d92bf529c341 (MD5) / Rejected by Irvana Coutinho(irvana@ufpa.br), reason: Confirmar pelos Índices de autor, orientador e coorientador do Riufpa. - Alterar o nome da orientadora: PANTOJA, Tânia Sarmento Para PANTOJA, Tânia Maria Pereira Sarmento on 2014-02-06T14:06:06Z (GMT) / Submitted by Cleide Dantas (cleidedantas@ufpa.br) on 2014-02-06T14:24:07Z No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_OlharAcercaVadiagem.pdf: 682894 bytes, checksum: a69dd4cdd5c4f1022468d92bf529c341 (MD5) / Approved for entry into archive by Ana Rosa Silva(arosa@ufpa.br) on 2014-02-06T15:46:24Z (GMT) No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_OlharAcercaVadiagem.pdf: 682894 bytes, checksum: a69dd4cdd5c4f1022468d92bf529c341 (MD5) / Made available in DSpace on 2014-02-06T15:46:24Z (GMT). No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_OlharAcercaVadiagem.pdf: 682894 bytes, checksum: a69dd4cdd5c4f1022468d92bf529c341 (MD5) Previous issue date: 2013 / Este estudo apresenta os resultados de uma pesquisa que teve como corpus letras de músicas produzidas no período de 1966 a 1985, de Chico Buarque de Holanda, cuja temática é a vadiagem. Sob o título “Um Olhar acerca da Vadiagem em Canções de Chico Buarque de Holanda”, busca-se desvelar os conceitos presentes nos estudos de Michel Maffesoli referentes à Vadiagem, à Vagabundagem e ao Nomadismo em letras de músicas desse importante artista brasileiro, como: “Vai trabalhar Vagabundo”, de 1976; “Homenagem ao Malandro” e “Hino de Duran”, ambas de 1978; “A volta do Malandro”, de 1985; dentre outras. Além da análise de Michel Maffesoli (2001; 2004), outros teóricos nortearam o viés reflexivo desse estudo, como Roberto da Matta (1997), Sérgio Buarque de Holanda (1973), Antonio Candido (1993), Roberto Schwarz (1979) e Michel Foucault (1992). / This study presents the findings of a survey that focused on music lyrics produced during the period 1966 to 1985 by Chico Buarque de Holanda, whose theme is vagrancy. Entitled "A Glimpse about Truancy in Songs by Chico Buarque de Holanda," seeks to unravel the concepts presented in the studies by Michel Maffesoli regarding Truancy, vagrancy and Nomadism in the lyrics of this important Brazilian artists, such as: "Go work Vagabond," 1976; "Homage to Trickster" and " Duran’s Hymn ", both of 1978, "the return of the Trickster," 1985; among others. Besides the analysis of Michel Maffesoli (2001, 2004), the theorists that guided this study include the works of Roberto da Matta (1997), Sérgio Buarque de Holanda (1973), Antonio Candido (1993), Roberto Schwarz (1979) and Michel Foucault (1992).

Submitted by Cleide Dantas (cleidedantas@ufpa.br) on 2014-03-19T17:40:14Z No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_ModernidadeReflexivaGiddens.pdf: 717648 bytes, checksum: 2f13e7fb85078742505c81efd52ad88f (MD5) / Approved for entry into archive by Ana Rosa Silva (arosa@ufpa.br) on 2014-07-10T16:58:38Z (GMT) No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_ModernidadeReflexivaGiddens.pdf: 717648 bytes, checksum: 2f13e7fb85078742505c81efd52ad88f (MD5) / Made available in DSpace on 2014-07-10T16:58:38Z (GMT). No. of bitstreams: 2 license_rdf: 23898 bytes, checksum: e363e809996cf46ada20da1accfcd9c7 (MD5) Dissertacao_ModernidadeReflexivaGiddens.pdf: 717648 bytes, checksum: 2f13e7fb85078742505c81efd52ad88f (MD5) Previous issue date: 2009 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Este trabalho objetiva expor a teoria da modernidade reflexiva elaborada de forma mais precisa por Ulrich Beck e Anthony Giddens, buscando compreender os contornos de tal proposta e seus possíveis limites. Para tanto buscamos contextualizar o debate dentro de um quadro mais amplo para conseguirmos nossos objetivos. / This objective works to display the theory of reflexive modernity produced a more precise by Ulrich Beck and Anthony Giddens, trying to understand the contours of this proposal and its possible limits. For that, we contextualize the discussion within a broader perspective to achieve our goals.

Submitted by Cleide Dantas (cleidedantas@ufpa.br) on 2014-10-15T12:53:21Z No. of bitstreams: 2 license_rdf: 22974 bytes, checksum: 99c771d9f0b9c46790009b9874d49253 (MD5) Dissertacao_ParodiaCarnavalizacaoCancioneiro.pdf: 1600815 bytes, checksum: 069fe5849266942e0dd0433d61782149 (MD5) / Approved for entry into archive by Irvana Coutinho (irvana@ufpa.br) on 2014-10-16T16:35:14Z (GMT) No. of bitstreams: 2 license_rdf: 22974 bytes, checksum: 99c771d9f0b9c46790009b9874d49253 (MD5) Dissertacao_ParodiaCarnavalizacaoCancioneiro.pdf: 1600815 bytes, checksum: 069fe5849266942e0dd0433d61782149 (MD5) / Made available in DSpace on 2014-10-16T16:35:14Z (GMT). No. of bitstreams: 2 license_rdf: 22974 bytes, checksum: 99c771d9f0b9c46790009b9874d49253 (MD5) Dissertacao_ParodiaCarnavalizacaoCancioneiro.pdf: 1600815 bytes, checksum: 069fe5849266942e0dd0433d61782149 (MD5) Previous issue date: 2012 / A pesquisa Paródia e carnavalização no cancioneiro Chico Buarque de Hollanda investiga os aspectos paródicos e carnavalescos presentes no repertório de Chico Buarque, enfatizando a carnavalização, inicialmente, como uma prática cultural medieval, baseada nas teorias de Mikhail Bakhtin, a cerca do carnaval medieval e renascentista analisado na obra do francês François Rabelais, proposições desenvolvidas no livro A cultura popular: na Idade Média e no. Desta análise, o presente estudo destaca os principais elementos constituintes dos ritos carnavalescos: 1) o dialogismo entre o discurso popular e o discurso poético, uma vez que toda comunicação é uma ação recíproca; 2) a ambivalência da linguagem carnavalesca que primava por estabelecer a ligação entre os pólos positivos e negativos referentes ao ciclo nascimento-morte; 3) o riso e as suas complexidades de significações e realizações que oscilam entre a ingenuidade e a sátira; e por fim 4) a paródia que incorpora todos os elementos citados anteriormente para sua realização. Partindo da apreensão destes conceitos, será traçado também um breve panorama histórico para compreender as múltiplas facetas artísticas de Chico Buarque e a sua relação com a vida social, a fim de percebê-lo por meio de sua produção como poeta lírico social. Para comprovar a importância do carnaval na cultura universal, dando ênfase à cultura brasileira, as canções Tem mais samba (1964), Sonho de um carnaval (1965), Amanhã, ninguém sabe (1966), Noite dos mascarados (1966), Roda-viva (1967), Ela desatinou (1968), Apesar de você (1970), Quando o carnaval chegar (1972) e Vai passar (1984) serão analisadas num estabelecimento comparativo entre o carnaval contemporâneo e o carnaval medieval, observando as confluências e dissonâncias, que ainda fazem parte desta festa popular. Desta apreciação, o presente estudo assinala a importância da obra de Chico Buarque pelo valor poético e cultural presente em todas as suas atividades artísticas. Os critérios de análise serão pautados num estudo bibliográfico entre as teorias carnavalescas de Bakhtin e as músicas de Chico Buarque, que aqui serão compreendidas como poemas-canções, destacando dessas a temática do carnaval. / Research and “Parody in carnivalization Songbook Chico Buarque” investigates aspects parodic and carnival present in the repertoire of Chico Buarque, emphasizing Carnivalization initially as a medieval cultural practice, based on the theories of Mikhail Bakhtin, about Mardi Gras Medieval and Renaissance analyzed in the work of François Rabelais, propositions developed in the book The popular culture: in the Middle Ages and Renaissance. In this analysis, this study highlights the main constituent elements of carnival rituals: 1)dialogism between popular discourse and poetic discourse, since all communication is a reciprocal action; 2)the carnivalesque ambivalence of language that prevail for establishing the connection between the positive and negative poles for the birth-death cycle; 3)laughter and their meanings and complexities of accomplishments ranging from the ingenuity and satire, and finally; 4) the parody that incorporates all the elements cited above for its realization. From the apprehension of these concepts will also outline a brief historical overview to understand the many facets of artistic Chico Buarque and its relation to social life in order to see it through its social production as a lyric poet. And to prove the importance of universal carnival culture, emphasizing the Brazilian culture, the songs has more samba (1964), Dream of a Carnival (1965), Tomorrow, nobody knows (1966), Night of the masked (1966), Wheel Jellyfish (1967), She desatinou (1968), While You (1970), When the carnival there (1972) and will pass (1984) will be analyzed in a comparative setting carnival contemporary and medieval carnival, noting the consensus and dissent which are still part of this popular festival. This assessment, this study highlights the importance of the work of Chico Buarque by this cultural and poetic value in all its artistic activities. The judgment of analisy will moderate in study bibliography among Baktin’s theory of carnival and Chico Buarque’s music, which here will be understood with poem-song to emphasize these the thematic of carnival.

Submitted by Irvana Coutinho (irvana@ufpa.br) on 2017-03-10T14:04:42Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_MemoriasTecidasCor.pdf: 4836973 bytes, checksum: 5fb4646b550307c40685d46a5bd71a81 (MD5) / Approved for entry into archive by Irvana Coutinho (irvana@ufpa.br) on 2017-03-10T14:07:52Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_MemoriasTecidasCor.pdf: 4836973 bytes, checksum: 5fb4646b550307c40685d46a5bd71a81 (MD5) / Made available in DSpace on 2017-03-10T14:07:52Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_MemoriasTecidasCor.pdf: 4836973 bytes, checksum: 5fb4646b550307c40685d46a5bd71a81 (MD5) Previous issue date: 2013-08-13 / CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Mateus Machado é um dos poucos fotopintores ainda em atividade de uma legião que a bem pouco tempo atrás se dedicava à colorização manual de retratos e a manufatura do retrato pintado fotográfico. Há cerca de vinte anos atrás, antes do efetivo domínio da tecnologia digital se estender à imagem, editar, manipular, modificar ou mesmo colorizar uma fotografia era um trabalho manual feito por hábeis fotopintores. Esta pesquisa objetivou apresentar um pouco deste mundo prestes a desaparecer diante do inexorável domínio da digitalização da imagem. Através de seus relatos, tecer seu retrato e a partir dele desvendar a rotina, o processo de criação e as técnicas de fotopintura, que herdou e reinventou ao longo de meio século dedicado a este trabalho. Através dele, também focar o percurso do pequeno profissional dos bairros periféricos de Belém. Inseridos na categoria de fotografia popular, sua atuação visava essencialmente o registro social e a produção de retratos, tentando abranger as suas mais variadas técnicas de produção, o que fez com que aqueles que tivessem alguma habilidade manual se tornassem fotopintores. Muitos como Mateus, desenvolveram especificidades que foram além do mero retoque e da simples colorização, indo até a reconstituição total da imagem, associando esse procedimento a uma espécie de restauração, como efetivamente o retrato pintado foi comercializado e ficou conhecido. As fontes de pesquisa foram seus relatos, jornais, retratos pintados de sua autoria e de artistas anônimos, além do registro fotográfico de suas atividades. A presente investigação espera dessa forma ter contribuído para contar um pequeno, mas não menos importante capítulo da historiografia imagética paraense. / Mateus Machado is one of the few still active painted photography of a legion that not long ago was dedicated to the colorization of manual and manufacture of portraits painted portrait photography. About twenty years ago, prior to the effective field of digital technology to extend the image, edit, manipulate, modify or even colorize a photo was manual work done by skilled photography on canvas. This research aims to present some of the world about to disappear before the inexorable field of image scanning. Through their stories, and weave his portrait from him unravel the routine, the process of creating and techniques painted photography, who inherited and reinvented over half a century dedicated to this work. Through him, also focus on the route of the small professional outskirts of Bethlehem Inserted in the category of popular photography, his performance was primarily aimed at the social register and producing portraits, trying to cover their various production techniques, which made those who had some handicraft became painted photography. Many like Matthew specifics that were developed beyond mere simple retouching and colorization, going to the reconstitution of the full image, associating this procedure to restore a species, how effectively the painted portrait was sold and became known. Research sources were their reports, newspapers, painted portraits of his own and anonymous artists, as well as photographic record of their activities. This research expects that way have contributed to tell you a little, but not least important chapter in the historiography imagery Para.

What are the difficulties involved in transferring a work of literature from one language to another, and what contributions might an analysis of the translation of a literary work make to the field of translation studies? These questions are explored in this thesis through the exploration of translation theories in general, and the analysis of one particular case with consideration of the theoretical implications it presents. The case study involves the comparison of the novel Gouverneurs de la rosee, written in 1944 by Haitian author Jacques Roumain, with Masters of the Dew, the translation by Mercer Cook and Langston Hughes which was published in 194 7. This novel and its translation were chosen because of the additional layer of complexities presented by the original text's portrayal of the Haitian culture and the attempt by the translator to render it accessible to the target audience, which was America in the 1940's. As an introduction, the importance and the complexities of translation are highlighted: an examination of the possibilities and shortcomings of . machine translation provides ample evidence of both. Chapter II outlines a brief history of the practice known as translation including its origins and evolution, as well as an overview of some of the controversy surrounding translation theory. In Chapter III the lives and works of the author and translator, Jacques Roumain and Langston Hughes, are presented in order to show that, in spite of their significantly different cultures and upbringings, the two men developed similar political and social views. This gave each an especially keen understanding of the beauty and importance of the other's work, and thus a similar theoretical standpoint. It is shown that, for these reasons, Langston Hughes was exceptionally well qualified to translate the extraordinary work of Jacques Roumain. Jacques Roumain's Gouverneurs de la rosee is a principal work of Haitian literature in that - in words and spirit - it embodies the Haitian experience. For this reason, it provides an especially interesting subject for the study of translation. In order to better appreciate the scope of the task undertaken by Hughes and Cook, an overview of the origins and features of Gouverneurs de la rosee is presented in Chapter IV: the plot, images and messages of the novel are outlined, and the techniques used by Roumain to create its distinctly Haitian "flavor" are highlighted. The social significance of the work is considered, an appreciation of which is essential to accurately assess the success of its translation. Chapters V and VI examine the similarities and dissimilarities between Roumain's novel and Hughes' and Cook's translation. In Chapter V, the emphasis is on the form and structure of the texts (i.e. narrative style, syntax, foreign words, etc.), whereas in Chapter VI, the focus is on poetic language (i.e. metaphors, alliterations, and rhythms). In both chapters, the effects of the choices made by the translators are analyzed. Finally, conclusions are drawn regarding the lessons to be learned from this case in particular which might be applied to the art of translation in general.

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University of Macau / Faculty of Social Sciences and Humanities / Department of English