Made available in DSpace on 2016-12-08T16:52:05Z (GMT). No. of bitstreams: 1 PABLO.pdf: 753020 bytes, checksum: c44d2dd10eb4b95a1abd5b26cbbd61fd (MD5) Previous issue date: 2008-08-25 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The essay presented here investigates the construction of the Physical Actions according to Russian actor, director and educationalist Konstantin Stanislavski, through the perception-imagination-adaptation triad, considering that these three properties of the human being are of fundamental importance for the actor's work. The research aims to create a compilation of Stanislavski's life and work, and how he arrived at his theory of the Physical Actions, always looking for true and organic acting, having as a goal the emotion of the actor. Therefore, part of this study is a profound investigation of the laws of man in action - applied by Stanislavski and, here, correlated to each of the three properties; as well as the last great contribution of the Russian scholar to the theatrical arts: the active analysis, which encompasses the laws, the physical action and the other elements of his System. The Russian master, at the end of his studies, leaves as his legacy, the distinct idea that the physical action is only the path to creation, which gives the actor the possibility of penetrating his or her own subconscious and being moved. To Stanislavski, it is through a series of actions performed by the actor that the public can see emotion run through the scene / O trabalho aqui apresentado procura investigar como se dá a construção das ações físicas, segundo o ator, diretor e pedagogo russo Konstantin Stanislávski, através da tríade percepção-imaginação-adaptação, tendo em vista que essas três faculdades do ser humano são de fundamental importância para o trabalho do ator. A pesquisa visa a fazer um apanhado geral sobre a vida e a obra de Stanislávski, e como ele chegou à questão da ação física, buscando sempre uma atuação verdadeira e orgânica, tendo como fim a emoção do ator. Nesse sentido, fazem parte do trabalho uma investigação aprofundada sobre as leis do homem em ação - postuladas por Stanislávski e, aqui, relacionadas a cada uma das três faculdades - e a última grande contribuição do pesquisador russo à arte teatral: a análise ativa, que engloba as leis, a ação física e os demias elementos do Sistema. O mestre russo, ao fim de seus estudos, lega-nos a primorosa idéia de que a ação física é apenas um meio para a criação, que possibilita ao ator penetrar no seu próprio subconsciente e emocionar-se. Para Stanislávski, é através de uma série de ações realizadas pelo ator que o público pode ver a emoção percorrendo a cena

Notre thèse étudie la pensée et l'action de Gaston Berger et plus particulièrement la philosophie en action qui était la sienne au sein d’un projet de réforme de la société. Par une démarche reconstructive de l’œuvre, nous questionnons chez l’auteur les liens entre philosophie et politique dont la mobilisation se veut une réponse à la crise spirituelle et morale présente en Europe au XXe siècle. En s’inspirant de la phénoménologie, Berger affirme la nécessité d’une métaphysique, seule à même de penser le monde social tel qu’il apparaît. Il construit cette recherche à partir de l’idée d’intentionnalité ainsi que de l’anthropologie prospective, sources d’un savoir sur l’esprit humain, qui lui permettent de penser la figure du « philosophe en action », lequel doit posséder un rôle décisif dans les réformes sociales et politiques. Le projet de réforme de la société, tel que Berger le met en œuvre au travers de l’éducation, concerne d’abord la formation des ingénieurs. Ainsi s’élabore une « politique de l’esprit », qui met en avant le rôle essentiel de la philosophie et des sciences humaines et sociales dans le renouvellement intellectuel et politique de la fonction de l’ingénieur. Elles permettent, selon Berger, de replacer science et technique dans la culture et de comprendre ce qui fait l’humanité de la pratique des ingénieurs et la distingue d’une simple activité technique. En cela, cette thèse étudie la création de l’INSA de Lyon en 1957 comme le témoignage exemplaire de cette politique. / The present thesis explores the thought and action of Gaston Berger and especially his “philosophy in action” in a project to reform society. In a reconstructive process of his work, we question the author’s view of the relationship between philosophy and politics, which mobilization is seen as a response to the spiritual and moral crisis in Europe in the 20th century. Inspired by phenomenology, Berger claims the necessity of metaphysics as the only way to think the social world as it appears. He builds this research on the idea of intentionality and prospective anthropology, sources of knowledge about the human mind, which allows him to think the figure of the "philosopher in action" with a decisive role in the social and political reforms. The proposed reform of society, such as Berger implements through education, concerns at first the training of engineers. This is how a “politics of the spirit” is developed, which highlights the essential role of philosophy, human and social sciences in the intellectual and political renewal of the engineer’s function. They allow, according to Berger, to put science and technology back into culture and understand what makes the humanity of engineer’s practice and distinguishes it from a mere technical activity. In that respect, this thesis studies the creation of the INSA in Lyon in 1957 as the exemplary expression of this policy.