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The influence of the theatre of the absurd on Arabic dramaAl-Ghafari, Hanan January 1997 (has links)
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Elegies for Domestic TranquilityLattanzi, Matthew 23 September 2014 (has links)
No description available.
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Experiencing Ionesco’s Nightmare World: The Preparation and Production of <i>Man with Bags</i>Duke, Wendy S. 13 December 2010 (has links)
No description available.
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Towards an Absurdist Semiological Syncretism (A.S.S.)Chambers, Eli Rexford 05 May 2023 (has links)
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Local Performances, Global Stages: Postcolonial and Indigenous Drama and Performance in Glocal CircuitsKwon, Kyounghye January 2009 (has links)
No description available.
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An Examination of Martin Esslin's Concept of the Absurdist Theatre as an Expression of Camus' Concept of Absurdity Set Forth in "The Myth of Sisyphus"Turney, Sandra Page 05 1900 (has links)
This work is an effort to investigate the relationship between Albert Camus' philosophic concepts of the absurd presented in "The Myth of Sisyphus" and the Absurdist Theatre as defined by Martin Esslin. Included in this thesis is a discussion of each of the above concepts. Focus is placed upon the characteristics of the Absurdist Theatre which constitute the basis for the label "Absurdity." The conclusion indicates that while the playwright's personal experiences and philosophies correspond to Camus', their plays fail to communicate or express that concept of absurdity satisfactorily. The major emphasis is on the lack of concrete reality used to communicate a concept based upon concrete reality.
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The Violence of Identity Construction in French and Francophone Absurdist TheaterAnderson, Andrew Woodruff 20 October 2011 (has links)
No description available.
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