Submitted by RENATA APARECIDA FELINTO DOS SANTOS (renatafelinto@gmail.com) on 2017-06-14T18:50:06Z No. of bitstreams: 1 Texto final - doutorado - pós-defesa - REVISADA VERSAO UNESP_arquivo_unico.pdf: 185346811 bytes, checksum: 79543407ccbfa4afb6d70912695ea06f (MD5) / Approved for entry into archive by LUIZA DE MENEZES ROMANETTO (luizamenezes@reitoria.unesp.br) on 2017-06-14T19:14:57Z (GMT) No. of bitstreams: 1 santos_raf_dr_ia.pdf: 185346811 bytes, checksum: 79543407ccbfa4afb6d70912695ea06f (MD5) / Made available in DSpace on 2017-06-14T19:14:58Z (GMT). No. of bitstreams: 1 santos_raf_dr_ia.pdf: 185346811 bytes, checksum: 79543407ccbfa4afb6d70912695ea06f (MD5) Previous issue date: 2016-03-03 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta proposta de pesquisa de doutorado possui alguns pontos de investigação, sendo três deles os mais pertinentes. O primeiro é uma breve revisão da presença de artistas afrodescendentes na História da Arte do Brasil pretendendo tanto relembrar e revelar personagens quanto observar como as Artes Visuais produzidas por artistas afrodescendentes foram observadas, registradas e nomeadas ao longo dos séculos por pesquisadores, críticos e historiadores. O segundo propõe a reflexão acerca da transposição e do emprego do termo “afro-brasileiro” ou “afro-brasileira” dos Estados Unidos da América para o Brasil na área de Artes Visuais, com fins de categorização da produção de artistas afrodescendentes, que possuem ou não pesquisas temáticas, conceituais, estéticas e/ou poéticas voltadas às questões relacionadas à história do segmento afrodescendente da população. Por fim, o terceiro se presta a apresentar e a analisar as produções de artistas afrodescendentes brasileiros e estadunidenses que demonstraram interesse por elaborar obras cujas visualidades e estéticas estivessem em diálogo com as questões da diáspora africana ou mesmo, de forma simples, com suas origens africanas. A apresentação e análise dessas obras foram realizadas de forma cronológica observando-se as biografias, as formações, as temáticas e as pesquisas de interesses dos artistas selecionados, configurando, dessa forma, um corpus de artistas afrodescendentes cujo conjunto de atributos inerentes às suas obras constituiriam uma arte afro-brasileira ou afro-americana, ou ainda, o que seria mais interessante e pertinente do ponto de vista da discussão aqui iniciada, arte afrodescendente ou afrodiaspórica. / This Ph.D. dissertation consists of a several points of investigations, with three main areas of inquiry being especially pertinent. The first is a brief review of the presence of Afro-descendent artists in the history of art in Brazil with the intention of both remembering and revealing people of this category. Moreover, I address how the visual arts produced by Afro-descendents were observed, registered, and documented over two decades by researchers, critics, and historians. The second inquiry proposes a reflection over the exportation and adoption of the term “afro-brazilian” from the United States of America to Brazil in the field of visual studies. The adoption of the terminology “afro-brazilian” has resulted in the categorization of work produced by Brazilians artists of afro-descent into a group based on a shared afro-descendent identity. Furthermore, “afro-brazilian” has been further used for the purposes of labeling thematic research, concepts, aesthetics and/or poetics surrounding the questions related to the history of the afro-descent population. Lastly, the third seeks to present and analyze the production of Brazilian and United States afro-descendent artists who demonstrate interest in creating works which visualize and dialogue with circumstances of the African diaspora or, simply, with their African roots. The presentation and analysis of these works were completed chronologically, with particular attention placed on observing the biographies, themes, and research interests of the selected artists. In this way, I have comprised a body of afro-descendent artists who, due to their related interests and artistic practice, construct an art genre of afro-Brazilians, afro-Americans, or even, African diasporic artists. / Esta investigación doctoral propuesto tiene algunos puntos de investigación, tres de los más relevantes. La primera es una breve reseña de la presencia de artistas de ascendencia africana en la historia de Brasil Arte intención de tanto recordar y revelan personajes y ver cómo se observaron, registran y nombrados durante siglos por los investigadores, críticos e historiadores de las artes visuales producidos por artistas afro-descendientes. La segunda propone una reflexión sobre la aplicación y el uso del término "afro-brasileña" o "afro-brasileña" de Estados Unidos a Brasil en el campo de las Artes Visuales, con fines de categorización de la producción de los artistas afrodescendientes que tienen o investigación no temático, conceptual, estética y / o poética centrada en temas relacionados con la historia del segmento de ascendencia africana de la población. Por último, la tercera se presta a presentar y analizar las producciones de los brasileños y los estadounidenses de artistas afrodescendientes que han mostrado interés en los trabajos elaborados cuyos artes y la estética visual eran en diálogo con los asuntos de la diáspora africana, o incluso, simplemente, con sus orígenes africanos . La presentación y el análisis de estas obras se llevaron a cabo observando cronológicamente las biografías, la capacitación, los temas y los intereses de investigación de los artistas seleccionados, estableciendo así un corpus de artistas de ascendencia africana cuyo conjunto de atributos inherentes a sus obras constituyen de un arte africano brasileño o africano-americano, o, lo que sería más interesante y relevante desde el punto de vista de la discusión iniciada aquí, el arte o afrodiaspórica ascendencia africana.

El presente trabajo presenta un estudio etnolingüístico de tres comunidades afroparaguayas: Emboscada (fundada en el siglo XVIII por pardos libres) y Camba Cua y Laurelty (fundadas en el siglo XIX por soldados negros libres que llegaron con el general uruguayo José Gervasio Artigas). Los datosconfirman la existencia de configuraciones lingüísticas que establecen vínculos claros con otras comunidades de habla afrohispánicas, entre ellas el Valle del Chota (Ecuador), los Yungas (Bolivia), Sama-Las Yaras (Perú), el Chocó (Colombia) y Helvécia (Brasil). Entre las características claves sedestacan los plurales invariables y con una sola marca de plural (las persona, los militar), los verbos invariables para persona y número y la ausencia del género nominal femenino (loh mujere, algún comida). -- The present work offers an ethnolinguistic study of three Afro-Paraguayan communities: Emboscada (founded in the 18th century by free blacks), and Camba Cua and Laurelty (founded in the 19th century byfree black soldiers who arrived with the Uruguayan general José Gervasio Artigas). The data confirm the existence of linguistic structures that link Afro-Paraguayans with other Afro-descendent communities, such as the Chota Valley (Ecuador), the Yungas (Bolivia), Sama-Las Yaras (Peru), Chocó (Colombia), and Helvécia (Brazil). Among the principal traits are invariant plurals with a single plural marker (las persona, los militar), verbs invariant for person and number, and lack of feminine gender concord (loh mujere, algún comida).

The Garífuna are the smallest ethnic minority group in Guatemala, living primarily in the city of Livingston (known as Labuga, Wadimalu in Garífuna) located along the Caribbean coastline. Their unique history, ethnicity and culture has allowed them to preserve their way of life for centuries on the one hand but has also separated them from mainstream Guatemalan society on the other hand. The afro-descendent Garífuna community forms a small part of the overall indigenous group in Guatemala alongside the Maya and the Xinca groups; however unlike the larger indigenous groups and the remaining non-indigenous population, the Garífuna are ignored and are not included in the groups in need of development assistance for education, health, employment and security. The exclusion is even more pronounced for Garífuna women. This study was conducted to understand the reasons for the discrimination, socio-economic exclusion and vulnerability of Garífuna women within the Guatemalan society, what is currently being done to address the challenges and barriers Garífuna women are facing, and what further changes need to take place to bring about a transformation in their situation.

The Garífuna are the smallest ethnic minority group in Guatemala, living primarily in the city of Livingston (known as Labuga, Wadimalu in Garífuna) located along the Caribbean coastline. Their unique history, ethnicity and culture has allowed them to preserve their way of life for centuries on the one hand but has also separated them from mainstream Guatemalan society on the other hand. The afro-descendent Garífuna community forms a small part of the overall indigenous group in Guatemala alongside the Maya and the Xinca groups; however unlike the larger indigenous groups and the remaining non-indigenous population, the Garífuna are ignored and are not included in the groups in need of development assistance for education, health, employment and security. The exclusion is even more pronounced for Garífuna women. This study was conducted to understand the reasons for the discrimination, socio-economic exclusion and vulnerability of Garífuna women within the Guatemalan society, what is currently being done to address the challenges and barriers Garífuna women are facing, and what further changes need to take place to bring about a transformation in their situation.

Made available in DSpace on 2016-08-03T12:21:08Z (GMT). No. of bitstreams: 1 Lucilia Laura Pinheiro.pdf: 322514 bytes, checksum: 4f712a01d7325d17d48e5892dd033950 (MD5) Previous issue date: 2005-08-10 / This research studies the choice and participation of afro-descendent women in the practiced religions in detention centers. It was based on the whole institution named prison. The present research seeks to investigate the religion in two penitentiaries of the paulista metropolitan area. Taking into account the declarations of incarcerated women, it intends to investigate how afro-descendent women (imprisoned), choose certain religions. The dissertation theoretically verified and the situation of the afro-descendent women was confirmed in the field of study. Regarding religions in this context, the study discusses what religion means to these women, how they opt, practice and participate in one on the provided carcerary space, and what the meaning of the chosen religion is in prison s daily life. / Esta pesquisa estuda como se dá a escolha e a participação das mulheres afrodescendentes nas religiões inseridas nos presídios. Nos concentramos na instituição total denominada prisão. Nesta pesquisa buscamos estudar a religião em dois presídios da capital paulista. Levando em consideração o depoimento das presas, pretendemos estudar como as mulheres afro-descendentes (presas) optam por determinadas religiões. Passamos pela verificação teórica sobre a temática, e confirmamos no campo a situação das mulheres afrodescendentes. Em relação às religiões nesse contexto discutiremos o que a religião significa para as mulheres afro-descendentes, como elas optam, praticam e participam da religião nesses espaços, e qual o sentido da religião escolhida na vida cotidiana no presídio.

Submitted by Geandra Rodrigues (geandrar@gmail.com) on 2018-06-14T14:49:30Z No. of bitstreams: 1 zeliasouzalopes.pdf: 1166847 bytes, checksum: ea9ab936a6cf698854aad2d4fbaecb6d (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-06-27T14:47:13Z (GMT) No. of bitstreams: 1 zeliasouzalopes.pdf: 1166847 bytes, checksum: ea9ab936a6cf698854aad2d4fbaecb6d (MD5) / Made available in DSpace on 2018-06-27T14:47:13Z (GMT). No. of bitstreams: 1 zeliasouzalopes.pdf: 1166847 bytes, checksum: ea9ab936a6cf698854aad2d4fbaecb6d (MD5) Previous issue date: 2018-04-18 / O presente trabalho propõe um olhar histórico e social sobre a vida e a obra da poeta norte rio grandense Auta de Souza (1876-1901). Busca por novos olhares sobre a sua fortuna crítica e as discussões em torno da poeta afrodescendente e sua ascensão como escritora profissional no século dezenove. A pesquisa justifica-se pela necessidade de inserção da poesia do Rio Grande do Norte nos meios acadêmicos e literários na tentativa de uma revisão do cânone no que diz respeito aos poetas que permanecem à margem. Para percorrer o caminho de construção da pesquisa, foram utilizadas fontes bibliográficas que surgiram na época em que ela ainda era viva e as que são feitas nos dias de hoje. Buscou-se mostrar a excelência de sua única obra Horto, publicada com o aval de Olavo Bilac. Pretende-se acender algumas luzes sobre a poeta oitocentista identificada com uma poesia de cunho espiritual e melancólico. Para tanto, os estudos dos teóricos Frantz Fanon e Edouard Glissant foram importantes para o conhecimento das questões raciais e de embranquecimento que envolvem a poeta. Por outro lado, a teoria de Maurice Blanchot e seus estudos sobre a morte trouxeram um melhor entendimento sobre a morte em seus vários aspectos, temática principal das poesias do Horto. / The present work proposes a historical and social view on the life and work of the poet north rio grandense Auta de Souza (1876-1901). It seeks new insights into her critical fortune and the discussions surrounding the Afro-descendant poet and her rise as a professional writer in the nineteenth century. The research is justified by the necessity of insertion of the poetry of Rio Grande do Norte in the academic and literary circles in the attempt of a revision of the canon with regard to the poets who remain on the sidelines. In order to walk the way of construction of the research, bibliographical sources were used that arose at the time when she was still alive and those that are made today. It was tried to show the excellence of her unique book Horto, published with the endorsement of Olavo Bilac. It is intended to bring some lights on the eighteenthcentury poet identified with a poetry spiritual and melancholy. For that, the studies of the theorists Frantz Fanon and Edouard Glissant were important for the knowledge of the racial and whitening issues that involve the poet. On the other hand, the theory of Maurice Blanchot and his studies on death brought a better understanding of death in its several aspects, the main theme of Horto's poetry.

The Garífuna are the smallest ethnic minority group in Guatemala, living primarily in the city of Livingston (known as Labuga, Wadimalu in Garífuna) located along the Caribbean coastline. Their unique history, ethnicity and culture has allowed them to preserve their way of life for centuries on the one hand but has also separated them from mainstream Guatemalan society on the other hand. The afro-descendent Garífuna community forms a small part of the overall indigenous group in Guatemala alongside the Maya and the Xinca groups; however unlike the larger indigenous groups and the remaining non-indigenous population, the Garífuna are ignored and are not included in the groups in need of development assistance for education, health, employment and security. The exclusion is even more pronounced for Garífuna women. This study was conducted to understand the reasons for the discrimination, socio-economic exclusion and vulnerability of Garífuna women within the Guatemalan society, what is currently being done to address the challenges and barriers Garífuna women are facing, and what further changes need to take place to bring about a transformation in their situation.

Cette thèse a pour thème la reconnaissance sociale de la différence au Brésil concernant la population noire. La problématisation de cette question est faite à partir de l’analyse des politiques publiques de régularisation foncière des territoires marrons et de la patrimonialisation de biens culturels relatifs à ce segment social, avec l’intention de comprendre la manière dont on fait la reconaissance de la différence noire à l’intérieur de ces processus sociaux ainsi que de réfléchir à la participation des anthropologues dans ces situations. De cette façon, nous cherchons à explorer les nuances de ce phénomène, les impacts qu’il produit sur les groupes qui sont ses objets et les réactions qu’il provoque dans la sphère publique. L’univers de recherche de ce travail est composé par les processus de reconnaissance territoriale de la communauté rémanente de marrons Famille Silva, à Porto Alegre, et de reconaissance culturelle du Cerro de Porongos, à Pinheiro Machado, deux villes de l’état du Rio Grande do Sul. L’analyse comparative de ces processus nous mène à croire que la culture est toujours le lieu par excellence réservé au thème de la population noire dans notre pays ; ceci est l’espace de la différence. / Esta tese tem como tema o reconhecimento social da diferença no Brasil no que concerne à população negra. A problematização desta questão se dá a partir da análise de políticas públicas de regularização fundiária de territórios quilombolas e de patrimonialização de bens culturais relacionados a este segmento social, com o intuito de compreender como se dá o reconhecimento da diferença negra nesses processos sociais e refletir sobre a participação dos antropólogos nessas situações. Deste modo, procuramos explorar as nuances desse fenômeno, os impactos que ele produz sobre os grupos que são objetos dele e as reações que ele provoca na esfera pública. O universo de pesquisa deste trabalho é composto pelos processos de reconhecimento territorial da comunidade remanescente de quilombo Família Silva, em Porto Alegre, e de reconhecimento cultural do Cerro de Porongos, em Pinheiro Machado, ambos municípios do estado do Rio Grande do Sul. A análise comparativa desses processos nos leva a acreditar que a cultura continua sendo o lugar por excelência reservado ao tema da população negra em nosso país; isto é o espaço da diferença. / This work has as its subject the social acknowledgment of the difference in Brazil related to afro-descendent population. The problematization of such question is made from the analysis of the public policies of land regularization of quilombolas territories and the patrimonialization of cultural goods related to this social segment, aiming to understand how works the acknowledgment of afro-descendents difference in these social processes and to think about the participation of anthropologists in these situations. This way, we aim to explore the subtleties of this phenomenon, its impacts over the groups that are its objects and the reactions it causes on the public realm. The research universe in this work is composed by the territorial acknowledgment processes in the lasting community at quilombo Família Silva, in Porto Alegre, and the cultural acknowledgment of Cerro dos Porongos, in Pinheiro Machado, both counties at Rio Grande do Sul State. The comparative analysis of the processes leads us to believe that the culture is still the place par excellence reserved to the subject of afro-descendent population in our country, what means to say, the espace of difference.

Cette thèse a pour thème la reconnaissance sociale de la différence au Brésil concernant la population noire. La problématisation de cette question est faite à partir de l’analyse des politiques publiques de régularisation foncière des territoires marrons et de la patrimonialisation de biens culturels relatifs à ce segment social, avec l’intention de comprendre la manière dont on fait la reconaissance de la différence noire à l’intérieur de ces processus sociaux ainsi que de réfléchir à la participation des anthropologues dans ces situations. De cette façon, nous cherchons à explorer les nuances de ce phénomène, les impacts qu’il produit sur les groupes qui sont ses objets et les réactions qu’il provoque dans la sphère publique. L’univers de recherche de ce travail est composé par les processus de reconnaissance territoriale de la communauté rémanente de marrons Famille Silva, à Porto Alegre, et de reconaissance culturelle du Cerro de Porongos, à Pinheiro Machado, deux villes de l’état du Rio Grande do Sul. L’analyse comparative de ces processus nous mène à croire que la culture est toujours le lieu par excellence réservé au thème de la population noire dans notre pays ; ceci est l’espace de la différence. / Esta tese tem como tema o reconhecimento social da diferença no Brasil no que concerne à população negra. A problematização desta questão se dá a partir da análise de políticas públicas de regularização fundiária de territórios quilombolas e de patrimonialização de bens culturais relacionados a este segmento social, com o intuito de compreender como se dá o reconhecimento da diferença negra nesses processos sociais e refletir sobre a participação dos antropólogos nessas situações. Deste modo, procuramos explorar as nuances desse fenômeno, os impactos que ele produz sobre os grupos que são objetos dele e as reações que ele provoca na esfera pública. O universo de pesquisa deste trabalho é composto pelos processos de reconhecimento territorial da comunidade remanescente de quilombo Família Silva, em Porto Alegre, e de reconhecimento cultural do Cerro de Porongos, em Pinheiro Machado, ambos municípios do estado do Rio Grande do Sul. A análise comparativa desses processos nos leva a acreditar que a cultura continua sendo o lugar por excelência reservado ao tema da população negra em nosso país; isto é o espaço da diferença. / This work has as its subject the social acknowledgment of the difference in Brazil related to afro-descendent population. The problematization of such question is made from the analysis of the public policies of land regularization of quilombolas territories and the patrimonialization of cultural goods related to this social segment, aiming to understand how works the acknowledgment of afro-descendents difference in these social processes and to think about the participation of anthropologists in these situations. This way, we aim to explore the subtleties of this phenomenon, its impacts over the groups that are its objects and the reactions it causes on the public realm. The research universe in this work is composed by the territorial acknowledgment processes in the lasting community at quilombo Família Silva, in Porto Alegre, and the cultural acknowledgment of Cerro dos Porongos, in Pinheiro Machado, both counties at Rio Grande do Sul State. The comparative analysis of the processes leads us to believe that the culture is still the place par excellence reserved to the subject of afro-descendent population in our country, what means to say, the espace of difference.

Cette thèse a pour thème la reconnaissance sociale de la différence au Brésil concernant la population noire. La problématisation de cette question est faite à partir de l’analyse des politiques publiques de régularisation foncière des territoires marrons et de la patrimonialisation de biens culturels relatifs à ce segment social, avec l’intention de comprendre la manière dont on fait la reconaissance de la différence noire à l’intérieur de ces processus sociaux ainsi que de réfléchir à la participation des anthropologues dans ces situations. De cette façon, nous cherchons à explorer les nuances de ce phénomène, les impacts qu’il produit sur les groupes qui sont ses objets et les réactions qu’il provoque dans la sphère publique. L’univers de recherche de ce travail est composé par les processus de reconnaissance territoriale de la communauté rémanente de marrons Famille Silva, à Porto Alegre, et de reconaissance culturelle du Cerro de Porongos, à Pinheiro Machado, deux villes de l’état du Rio Grande do Sul. L’analyse comparative de ces processus nous mène à croire que la culture est toujours le lieu par excellence réservé au thème de la population noire dans notre pays ; ceci est l’espace de la différence. / Esta tese tem como tema o reconhecimento social da diferença no Brasil no que concerne à população negra. A problematização desta questão se dá a partir da análise de políticas públicas de regularização fundiária de territórios quilombolas e de patrimonialização de bens culturais relacionados a este segmento social, com o intuito de compreender como se dá o reconhecimento da diferença negra nesses processos sociais e refletir sobre a participação dos antropólogos nessas situações. Deste modo, procuramos explorar as nuances desse fenômeno, os impactos que ele produz sobre os grupos que são objetos dele e as reações que ele provoca na esfera pública. O universo de pesquisa deste trabalho é composto pelos processos de reconhecimento territorial da comunidade remanescente de quilombo Família Silva, em Porto Alegre, e de reconhecimento cultural do Cerro de Porongos, em Pinheiro Machado, ambos municípios do estado do Rio Grande do Sul. A análise comparativa desses processos nos leva a acreditar que a cultura continua sendo o lugar por excelência reservado ao tema da população negra em nosso país; isto é o espaço da diferença. / This work has as its subject the social acknowledgment of the difference in Brazil related to afro-descendent population. The problematization of such question is made from the analysis of the public policies of land regularization of quilombolas territories and the patrimonialization of cultural goods related to this social segment, aiming to understand how works the acknowledgment of afro-descendents difference in these social processes and to think about the participation of anthropologists in these situations. This way, we aim to explore the subtleties of this phenomenon, its impacts over the groups that are its objects and the reactions it causes on the public realm. The research universe in this work is composed by the territorial acknowledgment processes in the lasting community at quilombo Família Silva, in Porto Alegre, and the cultural acknowledgment of Cerro dos Porongos, in Pinheiro Machado, both counties at Rio Grande do Sul State. The comparative analysis of the processes leads us to believe that the culture is still the place par excellence reserved to the subject of afro-descendent population in our country, what means to say, the espace of difference.