Pepetela é o codinome de Artur Carlos Maurício Pestana dos Santos. Este escritor explora registros historiográficos de seu país, Angola, para singularizar muitas de suas narrativas, pautadas entre elementos ficcionais e históricos. Neste sentido, o presente trabalho traz como objetivo geral investigar o diálogo entre Angola e a obra literária desse escritor A Sul. O Sombreiro (2012), q uae H siestróvririaá ddee corpus para esta pesquisa. Os objetivos específicos visam analisar a construção discursiva das personagens, a fim de compreender o processo de criação literária como uma estratégia de resistência cultural, e investigar fontes históricas a partir de relatos de viajantes, para dialogar com os processos de compilação do tempo histórico cunhados na narrativa, cujo intertexto se torna claro ao longo do enredo. Quanto ao método, o campo do conhecimento humano centra-se em estudos literários e históricos voltados aos estudos luso-africanos. Para tanto, buscam-se autores que trabalham com questões referentes ao engajamento literário e à influência do contexto de seu panorama histórico e político sobre sua produção estética. Particularizam-se recursos narrativos de anacronia, vertentes ideológicas oriundas da ucronia, como o sebastianismo, e o desenvolvimento filológico das palavras ficção, fato e fetiche. Além disso, abordam-se os conceitos de imagem que o Ocidente produz sobre o modo de pensar dos outros povos a partir relatos de viajantes e dos Estudos Culturais, uma vez que é na esfera coletiva que transitam a história e a memória de cada grupo cultural. / Pepetela is the codename of Artur Carlos Maurício Pestana dos Santos. This writer explores historiographical records of his country, Angola, to single out many of his narratives, guided between fictional and historical elements. Thereby, this work brings is to investigate the dialogue between the history of Angola work of this writer’s A Sul. O Sombrero (2012), which will serve as acnodr ptuhse floitre rtahrisy research. The specific objectives aim to analyze the discursive construction of the characters in order to understand the process of literary creation as a cultural resistance strategy, and investigate historical sources from travelers' accounts, to dialogue with the in-laws historical time compilation processes in narrative, which intertextuality becomes clear throughout the plot. As for the method, the field of human knowledge focuses on literary and historical studies related to the Luso- African studies. Therefore, we seek to authors who work with issues related to literary engagement and the influence of the context of its historical and political overview of iatss paeecststh aertiisci npgr ofdroumct itohne. uPcarrotniciual aarsiz See tboa sntaiarrnaistimveo ,f eaantdu rtehse apnhailcohlorgoinciaslm d,e ivdeeloolpomgiecnatl of fiction words, fact and fetish. In addition, address to the image concepts that the West has on the thinking of other people from reports of travelers and Cultural Studies, since it is in the collective sphere transiting the history and memory of each cultural group.

In the postmodern, contemporary Western world of late capitalism, we dream of the Middle Ages. Medieval Fantasy, as an entertainment genre, supplements historical images of the Middle Ages with elements of myth in adventure stories featuring magicians, knights and ladies, castles, dragons, swords, and sorcery that are routinely consumed and absorbed. In some activities they are also played out physically. People dress up, utilise props, and affect their speech and mannerisms like actors in a theatre, conducting pseudo-ritualistic games of mimicry to make these images speak and move in the real world: live role-play. This thesis examines several organised examples of live role-play: Southron Gaard, a branch of the Society for Creative Anachronism based in Christchurch, New Zealand; larping, as represented by two documentary films, Darkon and Monster Camp, that document the activities of larping organisations in the USA; and 'Lord of the Rings Tour', a tourism trip from Christchurch to 'Edoras', a fictional location from Middle-earth, the fantasy world of J.R.R. Tolkien's The Lord of the Rings Novels and Peter Jackson's filmic adaptations thereof. These organised leisure activities provide platforms for the pursuit of active, physical involvement with the images and ideas of medieval fantasy. In them, participants find ways to bring these fantastic images and ideas onto their bodies in reality and, perhaps as a result, closer to their everyday lives in ways that have more significant social implications than may at first be apparent.

Pepetela é o codinome de Artur Carlos Maurício Pestana dos Santos. Este escritor explora registros historiográficos de seu país, Angola, para singularizar muitas de suas narrativas, pautadas entre elementos ficcionais e históricos. Neste sentido, o presente trabalho traz como objetivo geral investigar o diálogo entre Angola e a obra literária desse escritor A Sul. O Sombreiro (2012), q uae H siestróvririaá ddee corpus para esta pesquisa. Os objetivos específicos visam analisar a construção discursiva das personagens, a fim de compreender o processo de criação literária como uma estratégia de resistência cultural, e investigar fontes históricas a partir de relatos de viajantes, para dialogar com os processos de compilação do tempo histórico cunhados na narrativa, cujo intertexto se torna claro ao longo do enredo. Quanto ao método, o campo do conhecimento humano centra-se em estudos literários e históricos voltados aos estudos luso-africanos. Para tanto, buscam-se autores que trabalham com questões referentes ao engajamento literário e à influência do contexto de seu panorama histórico e político sobre sua produção estética. Particularizam-se recursos narrativos de anacronia, vertentes ideológicas oriundas da ucronia, como o sebastianismo, e o desenvolvimento filológico das palavras ficção, fato e fetiche. Além disso, abordam-se os conceitos de imagem que o Ocidente produz sobre o modo de pensar dos outros povos a partir relatos de viajantes e dos Estudos Culturais, uma vez que é na esfera coletiva que transitam a história e a memória de cada grupo cultural. / Pepetela is the codename of Artur Carlos Maurício Pestana dos Santos. This writer explores historiographical records of his country, Angola, to single out many of his narratives, guided between fictional and historical elements. Thereby, this work brings is to investigate the dialogue between the history of Angola work of this writer’s A Sul. O Sombrero (2012), which will serve as acnodr ptuhse floitre rtahrisy research. The specific objectives aim to analyze the discursive construction of the characters in order to understand the process of literary creation as a cultural resistance strategy, and investigate historical sources from travelers' accounts, to dialogue with the in-laws historical time compilation processes in narrative, which intertextuality becomes clear throughout the plot. As for the method, the field of human knowledge focuses on literary and historical studies related to the Luso- African studies. Therefore, we seek to authors who work with issues related to literary engagement and the influence of the context of its historical and political overview of iatss paeecststh aertiisci npgr ofdroumct itohne. uPcarrotniciual aarsiz See tboa sntaiarrnaistimveo ,f eaantdu rtehse apnhailcohlorgoinciaslm d,e ivdeeloolpomgiecnatl of fiction words, fact and fetish. In addition, address to the image concepts that the West has on the thinking of other people from reports of travelers and Cultural Studies, since it is in the collective sphere transiting the history and memory of each cultural group.

Pepetela é o codinome de Artur Carlos Maurício Pestana dos Santos. Este escritor explora registros historiográficos de seu país, Angola, para singularizar muitas de suas narrativas, pautadas entre elementos ficcionais e históricos. Neste sentido, o presente trabalho traz como objetivo geral investigar o diálogo entre Angola e a obra literária desse escritor A Sul. O Sombreiro (2012), q uae H siestróvririaá ddee corpus para esta pesquisa. Os objetivos específicos visam analisar a construção discursiva das personagens, a fim de compreender o processo de criação literária como uma estratégia de resistência cultural, e investigar fontes históricas a partir de relatos de viajantes, para dialogar com os processos de compilação do tempo histórico cunhados na narrativa, cujo intertexto se torna claro ao longo do enredo. Quanto ao método, o campo do conhecimento humano centra-se em estudos literários e históricos voltados aos estudos luso-africanos. Para tanto, buscam-se autores que trabalham com questões referentes ao engajamento literário e à influência do contexto de seu panorama histórico e político sobre sua produção estética. Particularizam-se recursos narrativos de anacronia, vertentes ideológicas oriundas da ucronia, como o sebastianismo, e o desenvolvimento filológico das palavras ficção, fato e fetiche. Além disso, abordam-se os conceitos de imagem que o Ocidente produz sobre o modo de pensar dos outros povos a partir relatos de viajantes e dos Estudos Culturais, uma vez que é na esfera coletiva que transitam a história e a memória de cada grupo cultural. / Pepetela is the codename of Artur Carlos Maurício Pestana dos Santos. This writer explores historiographical records of his country, Angola, to single out many of his narratives, guided between fictional and historical elements. Thereby, this work brings is to investigate the dialogue between the history of Angola work of this writer’s A Sul. O Sombrero (2012), which will serve as acnodr ptuhse floitre rtahrisy research. The specific objectives aim to analyze the discursive construction of the characters in order to understand the process of literary creation as a cultural resistance strategy, and investigate historical sources from travelers' accounts, to dialogue with the in-laws historical time compilation processes in narrative, which intertextuality becomes clear throughout the plot. As for the method, the field of human knowledge focuses on literary and historical studies related to the Luso- African studies. Therefore, we seek to authors who work with issues related to literary engagement and the influence of the context of its historical and political overview of iatss paeecststh aertiisci npgr ofdroumct itohne. uPcarrotniciual aarsiz See tboa sntaiarrnaistimveo ,f eaantdu rtehse apnhailcohlorgoinciaslm d,e ivdeeloolpomgiecnatl of fiction words, fact and fetish. In addition, address to the image concepts that the West has on the thinking of other people from reports of travelers and Cultural Studies, since it is in the collective sphere transiting the history and memory of each cultural group.

A presente tese investiga a obra de pinturas de Karin Lambrecht a partir de sua cronologia e da constituição de um arquivo particular organizados pela própria artista e a autora. A obra e as análises construídas sobre ela são percebidas a partir das memórias familiares, seu período de estudos e formação acadêmica, incluindo o aprendizado em pintura na atual Universität der Künste, em Berlim.Foi destacada a formação de um imaginário artístico que se constituiu a partir das inúmeras leituras da Bíblia Luterana, da formação artística obtida por meio de estudos com professores que propunham grande rigor técnico e a pintura de cunho abstrato.Analisa-se, igualmente, os frequentes anacronismos que permeiam as obras e se revelam por meio da temática das pinturas, observadas sob o ponto de vista das afinidades artísticas, da história da arte, do corpo e do sacrifício.Os anacronismos constituem a obra de Lambrecht criando relações entre o passado e o presente que se revelam nos temas, materiais e procedimentos na realização da pintura. Observa-se da mesma forma que, as memórias da artista se expressam igualmente por meio das diferentes representações do corpo e do humano por meio do corpo da obra, da cruz, do corpo sagrado e do sacrifício. / This thesis investigates the painting works of Karin Lambrecht from its chronology and the constitution of a private file organized by the own artist and the author. The work and analyzes which are built are perceived considering family memoriesfrom the period of study and academic training, including the apprenticeship in painting in the current Universität der Künste in Berlin.The formation of an artistic imaginary that was formed from the numerous Lutheran Bible readings, from the artistic training obtained through studies with teachers who proposed a great technical rigor and the paintings of an abstract nature were highlighted.The frequent anachronisms that permeate the work and reveal themselves through the theme of the paintings have also been analyzed, observed from the point of view of artistic affinities, of the history of the art, the body and sacrifice.The anachronisms constitute the work of Lambrecht creating relationships between the past and the present that are revealed in the theme, materials and procedures for the making of the painting.The prominence of symbolic representations of the body and of the human in the work is observed through a selection of works which discuss the work corpus, the interaction of the body of the artist with the painting and the sacred body.

A presente tese investiga a obra de pinturas de Karin Lambrecht a partir de sua cronologia e da constituição de um arquivo particular organizados pela própria artista e a autora. A obra e as análises construídas sobre ela são percebidas a partir das memórias familiares, seu período de estudos e formação acadêmica, incluindo o aprendizado em pintura na atual Universität der Künste, em Berlim.Foi destacada a formação de um imaginário artístico que se constituiu a partir das inúmeras leituras da Bíblia Luterana, da formação artística obtida por meio de estudos com professores que propunham grande rigor técnico e a pintura de cunho abstrato.Analisa-se, igualmente, os frequentes anacronismos que permeiam as obras e se revelam por meio da temática das pinturas, observadas sob o ponto de vista das afinidades artísticas, da história da arte, do corpo e do sacrifício.Os anacronismos constituem a obra de Lambrecht criando relações entre o passado e o presente que se revelam nos temas, materiais e procedimentos na realização da pintura. Observa-se da mesma forma que, as memórias da artista se expressam igualmente por meio das diferentes representações do corpo e do humano por meio do corpo da obra, da cruz, do corpo sagrado e do sacrifício. / This thesis investigates the painting works of Karin Lambrecht from its chronology and the constitution of a private file organized by the own artist and the author. The work and analyzes which are built are perceived considering family memoriesfrom the period of study and academic training, including the apprenticeship in painting in the current Universität der Künste in Berlin.The formation of an artistic imaginary that was formed from the numerous Lutheran Bible readings, from the artistic training obtained through studies with teachers who proposed a great technical rigor and the paintings of an abstract nature were highlighted.The frequent anachronisms that permeate the work and reveal themselves through the theme of the paintings have also been analyzed, observed from the point of view of artistic affinities, of the history of the art, the body and sacrifice.The anachronisms constitute the work of Lambrecht creating relationships between the past and the present that are revealed in the theme, materials and procedures for the making of the painting.The prominence of symbolic representations of the body and of the human in the work is observed through a selection of works which discuss the work corpus, the interaction of the body of the artist with the painting and the sacred body.

A presente tese investiga a obra de pinturas de Karin Lambrecht a partir de sua cronologia e da constituição de um arquivo particular organizados pela própria artista e a autora. A obra e as análises construídas sobre ela são percebidas a partir das memórias familiares, seu período de estudos e formação acadêmica, incluindo o aprendizado em pintura na atual Universität der Künste, em Berlim.Foi destacada a formação de um imaginário artístico que se constituiu a partir das inúmeras leituras da Bíblia Luterana, da formação artística obtida por meio de estudos com professores que propunham grande rigor técnico e a pintura de cunho abstrato.Analisa-se, igualmente, os frequentes anacronismos que permeiam as obras e se revelam por meio da temática das pinturas, observadas sob o ponto de vista das afinidades artísticas, da história da arte, do corpo e do sacrifício.Os anacronismos constituem a obra de Lambrecht criando relações entre o passado e o presente que se revelam nos temas, materiais e procedimentos na realização da pintura. Observa-se da mesma forma que, as memórias da artista se expressam igualmente por meio das diferentes representações do corpo e do humano por meio do corpo da obra, da cruz, do corpo sagrado e do sacrifício. / This thesis investigates the painting works of Karin Lambrecht from its chronology and the constitution of a private file organized by the own artist and the author. The work and analyzes which are built are perceived considering family memoriesfrom the period of study and academic training, including the apprenticeship in painting in the current Universität der Künste in Berlin.The formation of an artistic imaginary that was formed from the numerous Lutheran Bible readings, from the artistic training obtained through studies with teachers who proposed a great technical rigor and the paintings of an abstract nature were highlighted.The frequent anachronisms that permeate the work and reveal themselves through the theme of the paintings have also been analyzed, observed from the point of view of artistic affinities, of the history of the art, the body and sacrifice.The anachronisms constitute the work of Lambrecht creating relationships between the past and the present that are revealed in the theme, materials and procedures for the making of the painting.The prominence of symbolic representations of the body and of the human in the work is observed through a selection of works which discuss the work corpus, the interaction of the body of the artist with the painting and the sacred body.

This thesis deals with Fabian Puléř, an illuminator who lived in the 2nd half of 16th century in Prague, and about his workshop in the Old Town. The main theme is the graduals and their fragments, which were made in his shop or are believed to be made there (the Metropolitan St. Vitus Temple Gradual, the Gradual of Čáslav, the Gradual of Žlutice, three illuminations from the collection of National Gallery in Prague, the two-part St. Valentine's Gradual from the Old Town, the fragments of Kaňkovský Gradual, the Gradual of Louny owned by Jan Táborský of Klokotská Hora, the Gradual of Český Brod), their description and cataloguization. Apart of critically rewieving the literation on the subject to this day, my thesis follows the life of Fabian Puléř regarding archival sources and also influences and impulses behind his work. It also contains crucial chapter about iconography of utraqistic musical manuscripts and about the litterateur brotherhoods, who ordered these hymnic books.

Vår samtid genomgår stora förändring i allt från digitalisering till klimatpåverkan och ett resultat av detta är vår längtan efter att få uppleva och ta del av innehåll som påminner oss om en svunnen tid. Nostalgiska inslag finns i många delar av vårt samhälle och denna uppsats undersöker hur ett tidigare decennium representeras i en samtida medieprodukt och bidrar till en nostalgisk upplevelse. Idag finns det en förkärlek till en 80-talsnostalgi vilket blir synligt i många nyproducerade filmer och serier. I uppsatsen analyseras hur man i serien Sex Education (2019-2020) har valt att representera 80-talet i en samtida kontext för att skapa en nostalgisk effekt hos mottagaren. Vidare blir effekten av att blanda ett nostalgiskt grepp (nostalgisk mise-en-scene, musik och genrerefenser) med ett nutidsgrepp (den moderna gestaltningen av tematiken) att dessa kontraster skapar en friktion som väcker tittarens intresse. I uppsatsen tillämpas kvalitativ filmanalys, baserad på en kategoriserande modell, på estetik och tematik i serien Sex Education. Syftet är påvisa seriens nostalgiska inslag och belysa hur de skapas. / Our present time is experiencing a major change in everything from digitalisation to climate change, and one result of this is our longing to experience and share content that reminds us of another time. Nostalgic elements can be seen in many parts of our society and this essay examines how a past decade is represented in a modern media product and the nostalgic experience it generates. Today, there is a love for '80s nostalgia, which becomes visible in many newly produced films and series. The thesis is based on analyzing how the series Sex Education (2019-2020) has chosen to represent the 80s in a contemporary context to create a nostalgic effect on the recipient. Furthermore, the effect of mixing a nostalgic grip (nostalgic mise-en-scene, music and genre references) with a contemporary grip (the modern form of the theme) is that it creates contrasts which causes a friction that arouses the viewer's interest. The thesis applies qualitative film analysis, based on a categorizing model, to aesthetics and themes in the series Sex Education. The purpose is to demonstrate the series' nostalgic features and highlight how they are created.

Text in Afrikaans / The concepts of parody and pastiche are oftell employed by leading theoreticians to offer definitions of the elusive term "Postmodernism". One is led to conclude that parody and pastiche are direct1y linked to Postmodernism. This is especially valid in the case of pastiche. Indeed, it appears, therefore, that the continllous assumption of the appellation "pastiche" in the Postmodernist discourse could reveal its link to Postmodernism and Postmodernity in general. While parody and pastiche are not new phenomena, the question is why, ill our time, these concepts should be so acutely present in the discourse of literary theory - especially in theoretic contributions on Postmodernism and/or Postmodernis! texts. However, an investigation of the studies done on Postmodernist drama/theatre reveals a distinct lack of reflection about the role of parody and pastiche and a disturbing absence of publication on the the subject. This state of affairs reveals a conspicuous delay in terms of theoretical deliberation when compared to other investigat1ve practices, i.e. literary criticism and philosophy. This study, then, is essentially interested in transposing the present emphasis on parody and pastiche found in contemporary literary theory to Postmodernist drama/theatre. The final objective of this study is to explore the impact of the concepts of parody and pastiche on twentieth century drama/theatre and their possible contribution to a better understanding of the elusive term "Postmodemist drama/theatre". / Afrikaans and Theory of Literature / D. Litt. et Phil. (Literature)