Thesis (PhD (Ancient Studies))--University of Stellenbosch, 2011. / ENGLISH ABSTRACT: In this study the conceptualization of love or affecion in the Old Testament is investigated. The most prototypical Biblical Hebrew lexeme for affection, namely אהב , forms the focus of the study. It is hypothesized that the analysis of אהב in terms of its valency and the conceptual frames associated with each of its valency patterns will contribute to a more informative lexicographical description of אהב . Since אהב forms part of a much larger semantic field of lexemes that can convey the attitude of affection, it is neccessary to study these lexemes as well. While the first chapter introduces the topic under investigation, i.e. a study of lexemes of affection, the second chapter aims at demarcating the list of lexemes of affection that needs to be considered. This list amounts to fifteen lexemes in total; fourteen of which can belong to the domain of affection, and one antonym. In Chapter 3 the methodology of the current study is explained. The researcher advocates a Cognitive Linguistic approach. Renier de Blois employed Cognitive Linguistics for his model which is aimed towards compiling the Semantic Dictionary of Biblical Hebrew. While his model is used as starting point in the present study, some more areas of Cognitive Linguistics are identified that could assist us to refine the model of De Blois. These areas include prototype theory, semantic potential, the notion of radial networks, as well as conceptual frames. Chapter 4 consists of a detailed study of אהב in all its occurrences in the Old Testament, while the remainder of the lexemes of affection as well as its antonym are studied in Chapter 5. In the concluding chapter, Chapter 6, an exposition of the findings is given. This thesis ends with a concise summary of אהב in which all conceptual frames and scripture references where the אהב appear are given. This is followed by a schematic presentation of the lexemes of affection as they occur in relation to the prototypical sense(s) of אהב. / AFRIKAANSE OPSOMMING: In hierdie studie word die konseptualisering van liefde of affeksie in die Ou Testament ondersoek. Die mees prototipiese Bybels-Hebreeuse lekseem vir affeksie, naamlik אהב , is die fokus van die studie. Dit word veronderstel dat die analise van אהב in terme van die lekseem se valensie en die konseptuele raamwerke wat met die valensie patrone geassosieer word, sal bydra tot „n meer informatiewe leksikografiese beskrywing van אהב . Aangesien אהב deel vorm van „n veel groter semantiese veld van lekseme wat die houding van affeksie beskryf, is dit nodig dat hierdie lekseme ook bestudeer word. Terwyl die eerste hoofstuk die tema van die huidige ondersoek inlei, naamlik die bestudering van lekseme van affeksie in die Bybels-Hebreeuse teks, is die tweede hoofstuk daarop gerig om die lys van lekseme van affeksie vir die ondersoek af te baken. Hiedie lys bestaan uit vyftien lekseme altesaam; veertien lekseme wat deel uitmaak van die domein van affeksie, en een antoniem. In Hoofstuk 3 word die metodologie van die huidige studie uiteengesit. Die navorser staan „n Kognitiewe Linguistiese benadering voor. Renier de Blois het Kognitiewe Linguistiek aangewend vir sy model wat daarop gerig is om die Semantic Dictionary for Biblical Hebrew saam te stel. Alhoewel sy model as beginpunt vir die huidige studie gebruik word, is daar sommige areas binne die veld van Kognitiewe Linguistiek wat aangewend sou kon word om De Blois se model te verfyn. Hierdie areas sluit prototipe teorie, semantiese potensiaal, die idee van straalvormige netwerke, asook konseptuele raamwerke in. Hoofstuk 4 bestaan uit „n gedetailleerde studie van אהב in al sy voorkomste in die Ou Testament, terwyl die res van die lekseme van affeksie sowel as die antoniem in Hoofstuk 5 bestudeer word. In die slot hoofstuk, Hoofstuk 6, is daar „n uiteensetting van die bevindinge. Die tesis eindig met „n kort opsomming van אהב waarin al die konseptuele raamwerke en skrifverwysings waarbinne אהב voorkom, gegee word. Daarna volg „n skematiese voorstelling van die lekseme van affeksie na aanleiding van hul voorkomste in verhouding tot die prototipiese betekenis(se) van אהב.

Thesis (MPhil (Ancient Studies)--Stellenbosch University, 2008. / Chapter 1 begins by giving the 21st century reader of the Aeneid insights into the innovative socio-cultural environment of the Augustan Age. Following this is an investigation into the societal and cultural importance placed on the Four Cardinal Values in Augustan Age society. Virgil’s attitude to war has been a perennial topic of debate amongst Virgilian scholars. The focus of chapter 1 becomes more specific as it examines Virgil’s personal history, the socio-cultural environment of his childhood and the influence this may have had on his adult opinion of war and the way it is expressed in the Aeneid. An aspect of Virgil’s personal history that is fundamental to understanding his social context, is his relationship with Emperor Augustus. To conclude chapter 1, this is investigated with specific reference to two episodes in the Aeneid. In chapter 2, attention is given to particular aspects of Virgil’s portrayal of Aeneas’ heroic nature. The chapter opens with an examination of Virgil’s representation of Aeneas’ imperfect heroism, then suggests possible reasons behind the inclusion of ambiguity in this characterization. In addition to this, the question of Homeric characteristics in Virgil’s Roman hero is investigated. Chapter 2 then examines the more positive aspects of Virgil’s depiction of Aeneas’ heroism, concluding with a discussion on the favourable interpretation by Augustan Age Romans of Virgil’s demonstration of Aeneas’ heroic nature. Chapter 3 is devoted to a discussion of the manner in which Virgil’s environment influenced his presentation of Aeneas’ personal interactions. Prior to addressing the actual relationships, the chapter explores the question of Virgil’s characterization of Aeneas as somewhat uncommunicative in the epic. This chapter then concentrates on two main facets of Virgil’s portrayal of Aeneas’ personal relationships, i.e. those with family members and those with relevant non-family members that illustrate the extent to which Virgil’s social context influenced his composition of this poem. In conclusion, this study summarises the importance of viewing the Aeneid in its correct context. A bibliography is appended.

Thesis (MPhil)--Stellenbosch University, 2012. / ENGLISH ABSTRACT: In studying ancient Egypt researchers have a great advantage, in that there is a multitude of recorded material to draw from. Unfortunately for anyone interested in studying ancient Egyptian women, the recorded material was most often recorded by, commissioned by, and concerned with, men; royal or high-ranking men to be precise (Robins, 1993: 11-12). Thus, we must look into non-textual artefacts and offerings which may have a symbolic meaning. Though, the textual sources should not be neglected, since these may hold clues to the position and perception of women in society: perceptions held by men. This thesis has drawn largely on art and artefacts to investigate the relationship between women in ancient Egypt and the goddess Hathor. Women are traditionally the mothers, caretakers and homemakers of society. But they are not only that. Women are also individuals, capable of individual thought, feelings, anxieties, hopes and dreams; and like their male counterparts, women also experience religion. But, as was clearly displayed in the thesis, Egyptian women not only experienced religion, they lived religion. In the ancient Egyptian context there was no escaping religion. It must also be understood that the ancient Egyptians thought that the man was the seat of creation and that semen was the essence of creation (according to the cosmogony of Heliopolis, cf. Cooney, 2008: 2). A failure to conceive would be placed directly upon the shoulders of the woman, and could be grounds enough for divorce (Robins, 1993: 63). Women in ancient societies served the main function of child-rearing. This may seem backward, but it was an essential function, without which society would cease to function. When a woman failed to conceive, she in essence failed her function as a woman; many women (and men) in this situation turned to religion. This is where this thesis topic comes into play, since Hathor was a goddess of sexuality and fertility, but also had aspects of safeguarding and caretaking. Women were naturally drawn to her and she developed a large cult following, with cult centres scattered throughout Egypt. Not only were many of her followers female, but her priests were also female (Gillam, 1995: 211-212). Hathor might have been the most relatable of the goddesses because of her dual-nature; she is a caretaker and sexual being, but she can also become fierce and even bloodthirsty. Devotion to Hathor was widespread, with cult centres at Deir el-Bahari, Faras, Mirgissa, Serabit el-Khadim, Timna, Gebel Zeit and elsewhere, each with its own large deposit of votive offerings (Pinch, 1993). Hathor is also referenced in letters between females in a family, as one daughter writes to her mother: “May Hathor gladden you for my sake” (Wente, 1990: 63). It is because of this that this thesis investigated to what an extent ancient Egyptian women had a relationship with her. / AFRIKAANSE OPSOMMING: In die ondersoek van ou Egipte, het navorsers `n groot voordeel, deurdat daar `n groot verskeidenheid bronne beskikbaar is om mee te werk. Ongelukkig, vir enigeen wat daarin geïnteresseerd is om die antieke Egiptiese vrou na te vors, is die meerderheid van die bronne deur mans opgeteken, of in opdrag van hulle, en het ook betrekking op mans; koninklike of hooggeplaaste mans, om meer spesifiek te wees (Robins, 1993: 11-12). Daarom, moet ons ook ongeskrewe artefakte en offerandes bestudeer, wat moontlik simboliese betekenisse kan inhou. Dit beteken egter nie dat ons wel geskrewe bronne moet ignoreer nie, aangesien dit tog leidrade oor die posisie van vroue in die samelewing en hoe hulle deur mans beskou is, kan verskaf. Hierdie tesis het grootliks gebruik maak van kuns en artefakte om die verhouding tussen die vroue van antieke Egipte en die godin Hathor na te vors. Volgens tradisie, is vrouens die moeders, oppassers en tuisteskeppers van `n gemeenskap, maar hulle is nie net dit nie. Vroue is ook individue, in staat tot hul eie gedagtes, gevoelens, vrese, hoop en drome; en nes hul manlike eweknieë, kan vroue ook geloof ervaar. Maar, soos duidelik in die tesis uiteengesit is, het Egiptiese vroue nie net geloof ervaar nie, maar geloof geleef. In die antieke Egiptiese konteks was geloof onontkombaar. Die leser moet ook verstaan dat die antieke Egiptenare geglo het dat die man die skeppingsbron was and dat semen die kern van die skepping was (volgens die Heliopolis Kosmogonie, vgl. Cooney, 2008: 2). Indien „n egpaar probleme ondervind het om swanger te raak, het die blaam direk op die vrou se skouers gerus en was ook `n aanvaarde rede vir egskeiding (Robins, 1993: 63). Vroue in antieke gemeenskappe het hoofsaaklik gedien om kinders groot te maak. Dit mag dalk “agterlik” voorkom, maar dit was `n essensiële rol, waarsonder die gemeenskap nie sou kon funksioneer nie. Indien `n vrou nie kon swanger word nie, het sy in essensie in haar doel as `n vrou misluk; daarom het baie vroue (en mans) in hierdie situasie hulle na godsdiens gekeer. Dit is hier waar hierdie tesis aansluit, aangesien Hathor `n godin van seksualiteit en vrugbaarheid was, maar ook aspekte van beskerming en versorging gehad het. Vroue was natuurlik tot haar aangetrokke, `n groot gevolg het om haar kultus versamel en kultus-sentrums het deur Egipte versprei. Nie net was haar navolgers vroulik nie, maar ook haar priesters was vroulik (Gillam, 1995: 211-212). Hathor was moontlik die godin waarmee die mense die maklikste kon identifiseer, omdat sy `n tweeledige natuur gehad het; sy was `n versorger en `n seksuele wese, maar sy kon ook kwaai en bloeddorstig raak. Die aanbidding van Hathor was wydverspreid, met kultus-sentrums by Deir el-Bahari, Faras, Mirgissa, Serabit el-Khadim, Timna, Gebel Zeit en elders, elk met sy eie groot versameling artefakte (Pinch, 1993). Hathor word ook benoem in briewe tussen vroulike familielede, soos een dogter aan haar moeder skryf: “Mag Hathor jou bly maak vir my onthalwe” (Wente, 1990: 63). Dit is hoekom hierdie tesis nagevors het tot wat `n mate daar `n verhouding tussen antieke Egiptiese vroue en Hathor bestaan het.

Thesis (MPhil (Ancient Studies))--University of Stellenbosch, 2011. / ENGLISH ABSTRACT: This thesis is an attempt to investigate whether the Babylonians of the periods prior to the 6th Century BCE possessed an interest in the workings of celestial bodies reaching beyond the scope of what would today be regarded as astrology – the idea that the movements of the stars were signs from the gods, foretelling the future. The objective is thus to see whether it is possible that at least some of the texts recording the phenomena present in the night sky could have been compiled for what could be termed a more “scientific” purpose: recording the stars out of an interest in how the universe works. It will be acknowledged that to the people of the time, the formal study of the movements of astral bodies, as well as any supernatural implications they might hold, were not separate fields. This, of course, stands in contrast to the differentiated modern schools of astronomy and astrology. In order to investigate the possibility that to some individuals the former took precedence (and by implication that they possessed what could be termed a more “scientific” frame of mind), selected sources, particularly the different sections of the text known as MUL.APIN, will be analysed for signs of content and approaches more befitting to the field of generalised study than that of divination. It will be found, however, that although some texts do show signs of study isolated from divination (through, for example, the inclusion of detail which would have no relevance to the aforementioned), others, which at first glance appear purely astronomical, contain information contrary to what would be expected of a thorough investigation of visible reality. This includes idealised dates and intentionally falsified information, inserted to have the recorded universe appear to conform to conservative ideology. In order to make this point clearer, cosmological aspects of this ideology will be introduced even before the astronomical texts are analysed. Finally, it will be concluded that while scientific inclinations amongst the individuals recording the stars during this era was by no means the norm, there are indications that they were emerging in some. Though the field of Babylonian astral observations during this period cannot, as a whole, be classified as a science, does not mean that all its practitioners should be disqualified as scientific thinkers. / AFRIKAANSE OPSOMMING: Hierdie tesis is 'n poging om te ondersoek of die Babiloniërs van die periode voor die 6de eeu v.C. 'n belangstelling in die werking van die hemelliggame gehad het anders as wat vandag as astrologie beskou sou word – die idee dat die bewegings van die sterre tekens van die gode was wat die toekoms voorspel. Die doel is om te kyk of dit moontlik is dat ten minste sommige van die tekste wat die verskynsels van die naghemel aanteken vir 'n meer “wetenskaplike” doeleinde geskryf is: die dokumenteer van die sterre uit ‟n belangstelling in hoe die heelal werk. Daar word erken dat vir die mense van destyds die formele studie van die bewegings van hemelliggame, asook enige bonatuurlike implikasies wat hulle mag inhou, nie afsonderlike velde was nie. Dit is in teenstelling met die onderskeie moderne skole van astronomie en astrologie. Ten einde die moontlikheid te ondersoek dat vir sommige individue eersgenoemde voorrang geniet het (en by implikasie dat hulle 'n meer “wetenskaplike” denkwyse besit het), word geselekteerde bronne, veral die verskillende afdelings van die teks bekend as MUL.APIN, geanaliseer vir aanduidings van inhoud en benaderings wat meer van toepassing op die wetenskaplike veld as dié van divinasie is. Daar is egter bevind dat alhoewel sommige tekste aanduidings toon van studie wat onderskeibaar is van divinasie (byvoorbeeld, deur die insluiting van besonderhede wat van geen toepassing op die voorgemelde is nie), bevat ander, wat aanvanklik suiwer astronomies voorkom, inligting in teenstelling met wat van 'n deeglike ondersoek van die sigbare werklikheid verwag sou word. Dit sluit geïdealiseerde datums en opsetlik vervalste inligting in wat ingevoeg is om die aangetekende heelal skynbaar aan konserwatiewe ideologie te laat voldoen. Om hierdie punt duideliker te maak, word die kosmologiese aspekte van hierdie ideologie bekendgestel voor die astronomiese tekste geanaliseer word. Ten slotte, word die gevolgtrekking gemaak dat ofskoon wetenskaplike neigings onder individue wat die sterre gedurende hierdie tydperk gedokumenteer het geensins die norm was nie, daar wel aanduidings is dat dit in sommige te voorskyn kom. Hoewel die veld van Babiloniese sterrewaarneming gedurende hierdie periode nie in sy geheel as 'n wetenskap geklassifiseer kan word nie, beteken dit nie dat al sy beoefenaars as wetenskaplike denkers gediskwalifiseer moet word nie.

Thesis (MPhil (Ancient Studies))--University of Stellenbosch, 2011. / ENGLISH ABSTRACT: The aim of this thesis is to explore the purpose of monster figures by investigating the relationship between these creatures and the cultures in which they are generated. It focuses specifically on the human-animal hybrid monsters in the mythology, literature and art of ancient Greece. It attempts to answer the question of the purpose of these monsters by looking specifically at the nature of manhorse monsters and the ways in which their dichotomous internal and external composition challenged the cultural taxonomy of ancient Greece. It also looks at the function of monsters in a ritual context and how the Theseus myth, as initiation myth, and the Minotaur, as hybrid monster, conforms to the expectations of ritual monsters. The investigation starts by considering the history and uses of the term “monster” in an attempt to arrive at a reasonable definition of monstrosity. In aid of this definition, attention is also given to themes that recur when considering monster beings. This provides a basis from which the hybrid monsters of ancient Greece, the centaur and Minotaur in particular, can be considered. The next section of the thesis looks into the attitudes to animals prevalent in ancient Greece. The cultural value of certain animal types and even certain body parts have to be taken account, and the degree to which these can be traced to the nature and actions of the hybrid monster has to be considered. The main argument is divided in two sections. The first deals with the centaur as challenger to Greek cultural taxonomy. The centaur serves as an eminent example of how human-animal hybrid monsters combine the familiar and the foreign, the Self and the Other into a single complex being. The nature of this monster is examined with special reference to the ways in which the centaur, as proponent of chaos and wilderness, stands in juxtaposition to the ideals of Greek civilisation. The second section consists of an enquiry into the purpose of the hybrid monster and considers the Minotaur’s role as a facilitator of transformation. The focus is directed towards the ritual function of monsters and the ways in which monsters aid change and renewal both in individuals and in communities. By considering the Theseus-myth and the role of the Minotaur in the coming-of-age of the Attic hero as well as the city of Athens itself, the ritual theory is given application in ancient Greece. The conclusion of this thesis is that hybrid monsters, as manifestations of the internal dichotomy of man and the tenuous relationship between order and chaos, played a critical role in the personal and communal definition of man in ancient Greece. / AFRIKAANSE OPSOMMING: Die doelstelling van hierdie tesis is om die sin van monsters te ondersoek deur te kyk na die verhouding wat bestaan tussen hierdie wesens en die gemeenskappe waarbinne hulle hul ontstaan het. Die tesis fokus spesifiek op die mens-dier hibriede monster in die mitologie, literatuur en kuns van antieke Griekeland. Dit probeer om tot ‘n slotsom te kom oor die bestaansrede van monsters deur te kyk na die aard van die man-perd monster. Hierdie wese se tweeledige samestelling – met betrekking tot beide sy interne en eksterne komposisie – het ‘n wesenlike bedreiging ingehou vir die kulturele taksonomie van die antieke Grieke. Die tesis kyk ook na die rol, van monsters in die konteks van rituele gebeure. Die mite van Theseus as ‘n mite met rituele verbintenisse, en die Minotaurus as hibriede monster, word dan oorweeg om te bepaal wat die ooreenstemming is met die verwagtinge wat daargestel is vir rituele monsters. Ten einde ‘n redelike definisie van monsteragtigheid daar te stel, begin die ondersoek deur oorweging te skenk aan die geskiedenis en die gebruike van die woord “monster”. Ter ondersteuning van hierdie definisie word daar ook aandag geskenk aan sekere temas wat herhaaldelik opduik wanneer monsters ter sprake kom. Dit skep ‘n basis vir die ondersoek na die hibriede monsters van antieke Griekeland, en meer spesifiek na die kentaurus en die Minotaurus. Die tesis oorweeg ook die houding van die antieke Griekse beskawing teenoor diere. Die kulturele waarde van sekere soorte diere, en selfs seker ledemate van diere, moet in ag geneem word wanneer die hibriede monsterfiguur behandel word. Aandag moet geskenk word aan die maniere waarop die assosiasies wat die Grieke met diere gehad het, oorgedra word na die aard en handelinge van die monsterfiguur. Die hoofargument van die tesis word in twee dele uiteengesit. Die eerste gedeelte behandel die kentaurus as uitdager van die kulturele taksonomie van die antieke Grieke. Die kentaurus dien as ‘n uitstekende voorbeeld van die manier waarop die mens-dier monster dit wat bekend is en dit wat vreemd is, die Self en die Ander, kombineer in een komplekse wese. Die aard van hierdie wese word ondersoek met spesifieke verwysing na die maniere waarop die kentaurus, as voorstander van die ongetemde en van chaos, in teenstelling staan teenoor die ideale van die Griekse beskawing. Die tweede gedeelte vors die doel van die hibriede monster na en oorweeg die Minotaurus se rol as bevorderaar van transformasie. Hier word gefokus op die rol van die monster in ’n rituele konteks en die maniere waarop monsters verandering en vernuwing teweegbring in enkelinge sowel as in gemeenskappe. Hierdie teorie word van toepassing gemaak op antieke Griekeland deur die mite van Theseus en die rol van die Minotaurus te oorweeg binne die konteks van die proses van inburgering wat beide die held en sy stad, Athene, ondergaan. Die gevolgtrekking van hierdie tesis is dat hibriede monsters, as uitbeeldings van die interne tweeledigheid van die mens sowel as van die tenger verband tussen orde en chaos in die wêreld, ‘n noodsaaklike rol gespeel het in die persoonlike en sosiale definisie van die individu in antieke Griekeland.

Thesis (MA)--Stellenbosch University, 2012. / ENGLISH ABSTRACT: This thesis offers a description of the semantic potential of the Biblical Hebrew lexeme '7l! in Genesis, Psalms, and Chronicles according to a cognitive linguistic perspective. This specific linguistic approach offers a theoretical framework of how humans cognitively organize lexical meaning, which is advantageous for highly polysemous lexemes, such as '7lJ. The need for this study arises because existing Biblical Hebrew resources do not utilize such a framework as is evidenced by their lists of translation equivalents, rather than full descriptions of meanings, and their lack of a clearly defined semantic model underlying their lexical treatment. However, they do provide a starting point that can be built upon with a cognitive linguistic based methodology. Such a methodology is found in Tyler and Evans (2007) case study of over, a frequent English translation of '7lJ. Tyler and Evans (2007) present how to determine the most prototypical semantic sense (i.e., the Proto-Scene) and how to distinguish between other distinct semantic senses, all of which represent the lexeme's semantic potential. This thesis heuristically utilizes this methodology while strongly considering three other factors. First, the syntactic frame surrounding '7l! is evaluated to assess how syntactic information, specifically verbal valency, contributes to the preposition's semantic value. Second, the frequency of each semantic category is assessed to determine possible insight into prototypicality within the defined corpus. Third, a radial structure is proposed to represent the semantic relationships between the prototypical and nonprototypical categories. This type of organization illustrates a clearly defined semantic model underlying the lexical treatment. This study first describes the Proto-Scene, which involves one entity over or upon another. Then, fifteen other distinct semantic categories of '7l! are presented within a radial structure (i.e. The Vertical Cluster: More, Superior, and Control; Contingent Locative; Accompaniment, In, To, Oppositional, For, Frontal, Causal, Norm, Focus of Attention, Instrumental, and Psalms Titles). Finally, the various senses for the morphologically complex lexemes are proposed. These include '7l!1;1 (i.e. From Upon, Away From, Above, and Contingent Locative) and '7l!=? (i.e. As Concerning). / AFRIKAANSE OPSOMMING: Hierdie tesis heskryf die semantiese potensiaal van die Byhelse Hehreeuse lekseem ?~ in Genesis, Psalms en Kronieke vanuit die perspektief van kognitiewe taalkunde. Hierdie taalkundige model hied 'n teoretiese raamwerk van hoe mense leksikale hetekenis kognitief organiseer. So 'n teoretiese raamwerk is haie geskik vir die heskrywing van 'n polisemiese lekseem soos ?~. Die hehoefte aan 'n meer toereikende teoretiese raamwerk hlyk uit die manier waarop hestaande Byhels-Hehreeuse hulphronne die lekseem heskryf, hyvoorheeld, hulle hied weinig meer as lyste van vertalingsekwiwalente. Hulle hied, nietemin, 'n heginpunt waarop voortgehou kan word met hehulp van 'n kognitiewe taalkundige model. So 'n metodologie word gevind in Tyler en Evans (2007) se gevallestudie van "over", 'n gehruiklike Engelse ekwiwalent vir?~. Tyler en Evans dui aan hoe om die mees prototipiese semantiese hetekenis ( d.i. die "proto-toneel" of "proto-scene") vas te stel, asook hoe om tussen die ander semantiese nuanses ("senses") te onderskei. AI hierdie nuanses verteenwoordig die lekseem se semantiese potensiaal. Hierdie tesis maak op 'n heuristiese wyse gehruik van hierdie metodologie. Terselfde tyd neem dit drie ander faktore in aanmerking: Eerstens, word die sintaktiese raamwerk waarin ?~ voorkom, vasgestel ten einde te hepaal hoe sintaktiese informasie, veral werkwoordelike valensie, hydra tot die semantiese potensiaal van die voorsetsel. Tweedens, word die frekwensie van elke semantiese kategorie hepaal om tot moontlike insigte rakende prototipiese gehruike hinne die vasgestelde korpus te kom. Derdens, word 'n sg. "radial structure" voorgestel om die semantiese verhoudings tussen die prototipiese en nie-prototipiese kategoriee te illustreer. Hierdie studie heskryf, eerstens, die proto-toneel, wat een entiteit bo-oor of op 'n ander hehels. Daama word vyftien ander afsonderlike semantiese kategoriee van ?~ hinne 'n "radial structure" voorgestel ( d.i. die Vertikale Groep: Meer, Superior en Beheer; "Contingent" Lokatief; Begeleiding, In, Na, Teenoor, Vir, Voor, Oorsaaklik, Norm, Fokus van Aandag, Instrumenteel, en Psalmopskrifte ). Laastens, word voorstelle gemaak in verhand met die verskeie hetekenisse van die morphologies-komplekse lekseme ?~~ (d.i. Weg van ho-op, Weg van, Bo, en "Contingent" Lokatief) en ?~:p (d.i. Met Betrekking Tot).

Thesis (MPhil)--Stellenbosch University, 2103. / ENGLISH ABSTRACT: Ancient Egyptian art and artefacts reveal a great deal about the culture and beliefs of this civilization. It was a civilization steeped in myth, symbolism and imagery. Tomb art has been extensively analysed and studied in an effort to reveal the essential way of life of the Ancient Egyptians, their religious beliefs and their philosophy of life. It is agreed that symbolism was an inherent part of their lives and beliefs. They looked to nature and observed the behaviour of animals, plants, the environment and also the weather to attempt to rationalize the world they lived in. Their close observation of behaviour patterns in nature resulted in a complex hierarchy of gods and goddesses who were accountable for successful living. Among the animal kingdom, certain animals gained such distinction that they were linked to certain deities. The scarab beetle is one such creature. Insects featured variously in their art, their myths and their belief in magic. While the scarab beetle is possibly the most documented of the insects, other insects such as the bee, the fly, the locust and the praying mantis have all been investigated. The butterfly features frequently in Ancient Egyptian art and yet has not been the subject of in-depth study. This investigation attempts to examine the symbolism and significance of the butterfly in Ancient Egypt. Richard Wilkinson (1994) has provided a framework for analysing symbolism in Egyptian art. He suggests nine aspects which can be examined in order to reveal symbolism. In this study, a selection of art from various dynasties is systematically examined according to these nine aspects. Each art work portrays the butterfly. Through this careful examination it is hoped that a clearer indication of the role of the butterfly in Ancient Egypt will be obtained. Having discussed all nine aspects for each of the sources, a discussion and various conclusions follow which look at the trends which appear. Certain patterns emerge which indicate that the butterfly does indeed play a significant role as a symbol in Ancient Egypt. / AFRIKAANSE OPSOMMING: Antieke Egiptiese kuns en artefakte openbaar baie oor die kultuur en oortuigings van hierdie beskawing. Dit was 'n beskawing ryk aan mites, simboliek en beelde. Grafkuns is deeglik ontleed en bestudeer in 'n poging om die wesenlike lewenswyse van die antieke Egiptenare, hul godsdienstige oortuigings en lewensfilosofie te openbaar. Daar word saamgestem dat simboliek 'n inherente deel van hul lewens en oortuigings uitgemaak het. Hulle het op die natuur gesteun en die gedrag van diere, plante, die omgewing en ook die weer waargeneem om te probeer om hul lewenswêreld te verklaar. Hul noukeurige waarneming van natuurverskynsels het tot 'n komplekse hiërargie van gode en godinne gelei wat vir 'n suksesvolle lewe verantwoordelik was. Sekere diere in die diereryk was so besonders dat hulle met sekere gode en godinne verbind was. Die skarabee kewer is een so 'n skepsel. Insekte verskyn onder andere in hul kuns, hul mites en hul geloof in magie. Terwyl die skarabee moontlik die mees gedokumenteerde insek was, is ander insekte soos bye, vlieë, sprinkane, en die bidsprinkaan ook almal ondersoek. Die skoenlapper verskyn gereeld in die antieke Egiptiese kuns, maar was nog nie die onderwerp van 'n grondige studie nie. Hierdie studie poog om die simboliek en belangrikheid van die skoenlapper in antieke Egipte te ontleed. Richard Wilkinson (1994) verskaf 'n raamwerk vir die ontleding van simboliek in Egiptiese kuns. Hy het nege aspekte voorgestel wat bestudeer kan word om die simboliek te openbaar. In hierdie studie, word 'n seleksie kuns van verskillende dinastieë, sistematies aan die hand van dié nege aspekte ontleed. Elke kunswerk beeld die skoenlapper uit. Deur hierdie noukeurige ondersoek, word daar gehoop dat die rol van die skoenlapper in antieke Egipte duideliker voorskyn. Na die bespreking van al nege aspekte vir elk van die bronne, volg daar 'n bespreking met verskillende gevolgtrekkings wat kyk na die tendense wat voorkom. Sekere patrone kom te voorsyn wat daarop dui dat die skoenlapper wel 'n belangrike rol as 'n simbool in antieke Egipte gespeel het.

Thesis (MPhil)--Stellenbosch University, 2013. / ENGLISH ABSTRACT: During the fifth century BCE there were three defining periods in Athenian history that challenged its society: the Persian Wars (490 – 479 BCE); Periclean Athens (mid-fifth century); and the Peloponnesian War (431 – 404 BCE). As the development of identity is a reactionary process, these three periods had a profound effect on the Athenian identity and led to the redefinition of this self-image along the primordialist models. Two premises are combined in this study. Firstly that comparisons to contrary ethnicities are vital to the development of identity, and secondly that the visual articulation of an identity is essential to the reinforcement and maintenance of this self-image. This can be applied to the development of Athenian identity during the fifth century BCE as reflected in Attic vase painting. Through a study of the "other" imagery produced in this century, with special attention given to Amazons, it is possible to see the development and nature of the Athenian identity during each of the three periods. / AFRIKAANSE OPSOMMING: Tydens die vyfde eeu vC was daar drie omskrywende periodes in Atheense geskiedenis wat hul samelewing uitgedaag het: die Persiese Oorloë (490 – 479 vC); Perikleiese Athene (mid-vyfde eeu); en die Pelopponiese Oorlog (431 – 404 vC). Omdat die ontwikkeling van identiteit 'n reaksionêre proses is, het hierdie drie periodes 'n diepgaande indruk op die Atheense identiteit gehad en het bygedra tot die herdefiniesie van hierdie selfbeeld volgens die primordialis modelle. Twee stellings word gekombineer in hierdie studie. Eerstens dat vergelykings aan teenoorgestelde etnisiteite essensieel is vir die ontwikkeling van identiteit, en tweedens, dat die visuele artikulasie van 'n identiteit noodsaaklik is vir die versterking en onderhoud van die selfbeeld. Dit kan toegepas word by die ontwikkeling van Atheense identiteit gedurend die vyfde eeu vC soos in Attiese vaas versiering uitgebeeld is. Deur middel van 'n studie van die "ander" beelde geskep in die eeu, met spesiale aandag aan Amasone, is dit moontlik om die ontwikkeling en karakter van die Atheense identiteit gedurend elk van die drie periodes te verstaan.

Thesis (PhD (Biblical Languages))--University of Stellenbosch, 2010. / ENGLISH ABSTRACT: The present dissertation is a commentary on Psalms 38 and 145 in the Septuagint (LXX) version, or more accurately, the Old Greek (OG) version. Specifically, this dissertation attempts to understand the semantic meaning of these psalms at the point of their inception, or composition, i.e. as translated literary units derivative of a presumed Semitic Vorlage. Stated differently, this dissertation sets out to understand how these psalms were interpreted in translation by the translator(s). With the task of interpretation comes the assumption that the “original” or “oldest” verifiable text can be first established since neither the OG nor its Vorlage are known to be extant. To this end it is necessary to begin with the best critical editions available while also attempting to reconstruct a viable representative of the OG and Vorlage in the light of standard text-critical criteria and translation technique. Although the Old Greek text is the object of study, the transmission history and related history of interpretation for both the Greek and Hebrew are selectively examined insofar as they are necessary as comparisons for the LXX at the point of its inception, and the Vorlage from which it was derived. This work assumes – in accordance with the way translation may be understood generally – that the translator(s) of the Psalms were attempting to communicate his/her Vorlage to a new audience. In this respect translation may be viewed as communication that crosses a language boundary. As such, both lexical replication and idiomatic representation fall within the scope of interpretation. Both phenomena occur in Ps 38 and 145 in varying degrees and both phenomena comprise aspects of the translator’s cross-lingual communication. Chapter 1 establishes preliminary concepts regarding translation in terms of isomorphic and isosemantic representation, textual criticism of the Psalter, and select MSS and witnesses used throughout the study. Chapter 2 surveys key modern translations of the Septuagint as well as certain trends in Translation and Communication Studies for methodological and hermeneutical approaches. Chapter 3 derives working methodological principles based upon the discussions in chapters 1 and 2. Chapters 4 and 5 are detailed, word-by-word, clause-by-clause, commentaries on Psalms 38 and 145 respectively. Chapter 6 offers a summary and conclusions. / AFRIKAANSE OPSOMMING: Hierdie verhandeling is 'n kommentaar op Psalm 38 en 145 in die Septuagint (LXX), of meer bepaald, die Oud Griekse (OG) weergawe. Die navorsing poog in besonder om die semantiese betekenis van hierdie psalms ten tyde van hul ontstaan of samestelling te verstaan, dit wil sê as vertaalde literere eenhede wat vermoedelik op 'n Semitiese Vorlage gebaseer is. Anders gestel: Hierdie verhandeling is daarop uit om te begryp hoe die vertaler(s) van hierdie psalms die tekste vertolk het. Die taak van vertolking behels die veronderstelling dat die 'oorspronklike' of 'oudste' verifieerbare teks eers bepaal kan word. Sover bekend het nog die OG weergawe nog sy Vorlage egter behoue gebly. Daarom is dit nodig om met die beste beskikbare kritiese uitgawes te begin, en terselfdertyd 'n lewensvatbare weergawe van die OG teks en Vorlage te probeer rekonstrueer aan die hand van standaard- tekskritiese maatstawwe en -vertaaltegnieke. Hoewel dit hoofsaaklik die OG teks is wat bestudeer word, word die oorlewerings- en verwante geskiedenis van vertolking vir sowel die Grieks en Hebreeus ook selektief ondersoek in soverre dit vergelyk kan word met die ontstaansvorm van die LXX sowel as die Vorlage waarop dit gebaseer is. In pas met die waarskynlike algemene opvatting oor vertaling, gaan hierdie navorsing van die veronderstelling uit dat die vertaler(s) van die psalms sy/haar/hul Vorlage aan 'n nuwe gehoor wou probeer oordra. In die opsig kan vertaling as kommunikasie oor taalgrense heen beskou word. As sodanig val sowel leksikale duplisering as idiomatiese verteenwoordiging binne die bestek van vertolking. Albei verskynsels kom in wisselende mate in Psalm 38 en 145 voor en albei behels aspekte van die vertaler se intertaalkommunikasie. Hoofstuk 1 lê voorlopige konsepte met betrekking tot vertaling vas wat betref isomorfiese en isosemantiese verteenwoordiging, tekstekritiek op die Psalter, en uitgesoekte manuskripte (MSS) en getuienisse wat deur die hele studie gebruik word. Hoofstuk 2 ondersoek kernmoderne vertalings van die Septuagint sowel as bepaalde tendense in Vertaling en Kommunikasiestudie vir metodologiese en hermeneutiese benaderings. Op grond van die besprekings in die eerste twee hoofstukke, lê hoofstuk 3 metodologiese werksbeginsels neer. Hoofstuk 4 en 5 bevat uitvoerige, woord-vir-woord-, sinsdeel-vir-sinsdeel-kommentaar op Psalm 38 en 145 onderskeidelik. Hoofstuk 6 sluit af met 'n samevatting en gevolgtrekkings.

Thesis (DPhil (Ancient Studies))--University of Stellenbosch, 2011. / ENGLISH ABSTRACT: The compositional strategy, structure, and peak of the book Hebrews are heavily debated. Most scholars analyze Hebrews from only a Western linear approach. Other scholars like Vanhoye, Neeley, G.H. Guthrie, and Gelardini have suggested a chiastic perspective. Despite the insights gained from a chiastic approach, the linguistic analyses of Neeley and G.H. Guthrie posit linguistic peaks that appear incompatible with the chiastic peak of Vanhoye, Neeley, and Gelardini. Neeley, G.H. Guthrie, and Westfall claim to apply linguistic principles to the text, but with quite different conclusions. This study focuses on the form and function of the literary units and the relationship of these units to the overall book-level structure. Initial considerations include defining the individual literary units and determining the significance of lexical and syntactical recurrences within the pericopes. Such recurrences are important features for determining textual boundaries, transitions, and compositional patterns. Subsequently, this study evaluates literary units in relation to each other in light of book-level correspondences (syntactical and semantic) as a means of positing an overall structure and compositional strategy for the book of Hebrews. Unlike the linear study of Westfall, the relationships of non-sequential literary units are considered as well as sequential units (i.e., both linear and concentric patterns). In addition to the analysis of the form and function of chiastic and parallel literary units, this study also considers the rhetorical function and significance of the central placement of OT quotations within those structures. Although the OT quotations often occur in the center of the chiastic structures, imperativals (imperatives, prohibitive subjunctives, and hortatory subjunctives) do not generally occur in the chiastic centers, but in the outer components of the chiastic structures. Such a perspective is helpful for understanding where the author is placing emphasis as well as for clarifying the relationship between the epideictic (doctrinal) and deliberative (hortatory) sections. Contrary to G.H. Guthrie’s and Westfall’s emphases on the deliberative sections, this study contends that Hebrews contains a coherent concentric pattern (involving a central thematic peak, dual hortatory climaxes, and dual apexes) as part of an overall compositional strategy. This is not to suggest that the epideictic sections are more important than the explicit exhortations found in the deliberative sections, but that the hortatory essence of Hebrews is rooted in both the theological truth of Jesus’ role as the great high priest and the function of his everlasting sacrifice in the heavenly tabernacle. The author weaved these texttypes together to deliver an even more powerful call to faithfulness. This study also challenges Nauck’s assertion that Heb 4:14–10:31 is one integral section. One of the key elements of this challenge is the unique interpretation of Heb 5:1-10 as foreshadowing the topic found in Hebrews 7. Understanding the foreshadowing essence of Heb 5:1-10 opens the means of interpreting Heb 4:14-16 and 10:19-22 as hortatory bookends to the central theological sections of Hebrews as opposed to designating Nauck’s lexical parallels as an inclusio. / AFRIKAANSE OPSOMMING: Daar word hewig gedebatteer oor die komposisionele strategie, struktuur en piek van die Hebreër-boek. Die meeste geleerdes analiseer Hebreërs slegs vanuit ‘n Westerse liniêre benadering. Ander geleerdes soos Vanhoye, Neeley, G.H. Guthrie en Gelardini het ‘n chiastiese perspektief voorgestel. Ten spyte van die insigte wat ‘n chiastiese benadering opgelewer het, poneer die linguistiese analises van Neeley en G.H. Guthrie linguistiese pieke wat onversoenbaar met die chiastiese piek van Vanhoye, Neeley and Gelardini lyk. Neeley, G.H. Guthrie en Westfall maak daarop aanspraak dat hulle linguistiese beginsels op die teks toepas, maar met uiteenlopende gevolgtrekkings. Hierdie studie fokus op die vorm en funksie van die literêre eenhede in die Hebreërboek en die verhouding van hierdie eenhede tot die oorkoepelende boek-vlak struktuur. Aanvanklike oorwegings sluit die omskrywing van die individuele literêre eenhede en die bepaling van die belang van leksikale en sintaktiese herhalings binne die perikope in. Sulke herhalings is van groot belang om die tekstuele grense, oorgange en komposisionele patrone te bepaal. Daarna word die literêre eenhede in verhouding tot mekaar in die lig van boek-vlak (sintaktiese en semantiese) ooreenkomste gëevalueer in ‘n poging om ‘n oorkoepelende struktuur en komposisionele strategie vir die Hebreërs-boek te poneer. Anders as die liniêre studie van Westfall word die verhoudings tussen nie-opeenvolgende sowel as opeenvolgende eenhede in ag geneem (d.w.s. beide liniêre en konsentriese patrone). Benewens die vorm en funksie van chiastiese en parallele literêre eenhede word die retoriese funksie en belang van die sentrale stelling van OT aanhalings binne hierdie strukture ook in oënskou geneem. Hoewel die OT aanhalings dikwels in die kern van die chiastiese strukture voorkom, word bevelsvorme (imperatiewe, verbodsubjuntiewe en aansporende subjunktiewe) nie normaalweg in die chiastiese kern aangetref nie, maar in die buitenste komponente van ‘n chiastiese struktuur. Hierdie insig help ons verstaan waar die skrywer die nadruk plaas en bied ook klarigheid oor die verhouding tussen die epideiktiese (leerstellige) en deliberatiewe (aansporende) gedeeltes. In teenstelling met G.H. Guthrie en Westfall se nadruk op die deliberatiewe gedeeltes word in hierdie studie aangevoer dat Hebreërs ‘n koherente konsentriese patroon (met ‘n sentrale tematiese piek, tweevoudige aanporende klimakse en tweevoudige kruine) bevat as deel van ‘n oorkoepelende komposisionele strategie. Dit beteken nie dat die epideiktiese gedeeltes belangriker is as die eksplisiete aansporings in die deliberatiewe gedeeltes nie, maar wel dat die aansporende essensie van Hebreërs gewortel is in sowel die teologiese waarheid van Jesus se rol as groot hoëpriester asook in die funksie van sy ewigdurende offerande in die hemelse tabernakel. Die skrywer het die onderskeie tekstipes verweef om ‘n nog sterker oproep tot getrouheid te maak. Hierdie studie betwis ook Nauck se bewering dat Heb 4:14–10:31 een integrale gedeelte vorm. Een van die sleutelelemente van die kritiek is die unieke interpretasie dat Heb 5:1-10 die tema wat in Hebreërs 7 voorkom, voorafskadu. Insig in die voorafskaduende rol van Heb 5:1-10 bied die geleentheid om Heb 4:14-16 en 10:19- 22 as aansporende boekstutte vir die sentrale teologiese gedeeltes van Hebreërs te interpreteer instede daarvan om Nauck se leksikale parallele as inclusio te beskryf.