Thesis (MA)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: This thesis focused on the animal themes while attempting to make a comprehensive analysis of such themes as they were portrayed in the Epodes of Horace. A close analysis of each poem that contains animals was made. The aim of such an analysis was twofold, firstly to arrive at a possible interpretation of said themes in each specific poem; secondly to indicate how Horace used these animal themes to enhance the meaning of the Epodes. To support this second aim the various animal themes were arranged according to a list of five functions associated with the themes, namely invective, irony and humour, exempla, metaphor and colouring or setting. Finally the investigation aimed at achieving not only a better understanding of the animal themes per se but also an enhanced appreciation of the entire collection. / AFRIKAANSE OPSOMMING: Die diere temas is die fokuspunt van hierdie tesis terwyl daar gepoog word om ‘n omvattende ontleding van die temas soos uitgebeeld deur die Epodes van Horatius, uit te voer. ‘n Deeglike ontleding van die diere temas soos gevind in die verskillende gedigte, is gemaak. Die doel van hierdie ontledings was tweeledig, eerstens om die moontlike interpretasie van die temas vir elke spesifieke gedig te verstaan; en tweedens om aan te dui hoe Horatius die diere temas aangewend het om die Epodes ruimer uit te beeld. Ter ondersteuning van die tweede doel is die verskillende diere temas volgens ‘n lys van vyf funksies wat met die temas vereenselwig kan word, ge-orden naamlik oordrewe kritiek, ironie, humor, exempla, metafoor en voorkoms of aanbieding. Ten slotte poog die ondersoek om nie net ‘n beter begrip van die diere temas te bevorder nie maar ook om waardering vir die totale versameling van die gedigte te bevorder.

Thesis (MA)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: With the discovery of the so-called “New Sappho” in 2004, there has been a revival in the research about Sappho, Greek lyric and old age in Greek literature. In this short fragment, Sappho writes about the symptoms of old age. She interweaves this with mythological references to Eos and Tithonus. It was especially this remarkable find that has focused my attention on the themes of old age, caducity, bodily decay and mortality in Greek literature. In my opinion the discovery of a new fragment of Greek poetry justifies research on this genre as well as the themes that occur in it. This thesis explores the following research question: What is the view of old age that is brought to the fore in a thematic examination of early Greek poetry? My discussion includes works by Sappho, Anacreon, Ibycus, Mimnermus, Tyrtaeus of Sparta, Solon of Athens, Theognis, Archilochus and Semonides of Amorgos. This thesis found that the view of old age in early Greek poetry is predominantly negative. The thesis proves the hypothesis that the view of old age, caducity, bodily decay and mortality that is brought to the fore in a thematic examination of early Greek poetry agrees with the negative view of these aspects as appears from the other literary genres from the Greek canon. In most cases there is a strong relationship between old age and eroticism and how old age obstructs eroticism. In these fragments we often find a human revolt on a universal scale against old age and the loss of love. The aged body is no longer seen as an erotic object. This also has serious implications for the social circumstances of the aged. The use of the first person voice stresses both the raw, personal experience of old age and the universal experience thereof. The first person plural in some cases underlines the collective attitude and experiences of the ageing person. Early Greek poets describe old age as πόλιος (grey), ὀδυνηρός (painful), ἀργαλέος (baneful), κακός (evil), ἄμορφος (ugly), οὐλόμενος (accursed) and ἄζηλος (unenviable). The epithets and adjectival clauses which are identified in the discussed poetry form a conceptual nexus of old age which is almost uniformly negative. Except for Tyrtaeus and maybe Solon, most poets have a disapproving, reproachful, despising and repulsive attitude towards old age. In these fragments, old age is described as the threshold to death. Old age in itself is a type of death, a living death. / AFRIKAANSE OPSOMMING: Met die ontdekking van die sogenaamde “Nuwe Sappho” in 2004 het daar weer opflikkering gekom in die navorsing oor Sappho, die Griekse liriek en die ouderdom in Griekse letterkunde. In hierdie kort fragment skryf Sappho oor die simptome van die ouderdom en verweef sy dit ook met mitologiese verwysings na Eos en Tithonos. Dit is juis hierdie merkwaardige vonds wat my aandag gefokus het op die temas van ouderdom, verganklikheid, aftakeling en sterflikheid in die Griekse letterkunde. Die ontdekking van ʼn nuwe fragment Griekse poësie regverdig na myns insiens navorsing oor hierdie genre en dus ook die temas wat daarin voorkom. In hierdie tesis word die volgende navorsingsprobleem ondersoek: Wat is die siening van ouderdom, verganklikheid, aftakeling en sterflikheid wat na vore kom in ʼn tematiese ondersoek van die vroeë Griekse digkuns? My bespreking sluit werke deur Sappho, Anakreon, Ibukos, Mimnermos, Turtaios van Sparta, Solon van Athene, Theognis, Archilochos en Semonides van Amorgos in. In hierdie tesis is daar bevind dat die siening van die ouderdom in die vroeë Griekse digkuns oorwegend negatief is. Die tesis bewys die hipotese dat die siening van ouderdom, verganklikheid, aftakeling en sterflikheid wat na vore kom in ʼn tematiese ondersoek van die vroeë Griekse digkuns ooreenstem met die negatiewe siening oor hierdie aspekte wat in ander letterkundige genres van die Griekse kanon blyk. Daar is in die meeste gevalle ʼn sterk verbintenis tussen die ouderdom en die erotiek en hoe eersgenoemde die tweede kortwiek. Dikwels tref ons op ʼn universele vlak ʼn uiting van die menslike verset teen die ouderdom en die verlies van liefde in die fragmente aan. Die bejaarde liggaam word nie meer as ʼn erotiese voorwerp gesien nie. Dit het ook ernstige implikasies vir die sosiale omstandighede van die bejaardes. Die gebruik van die eerstepersoonspreker in die vroeë Griekse digkuns onderstreep tegelyk die rou, persoonlike belewenis van die ouderdom sowel as die universele ervaring daarvan. Die eerstepersoonsmeervoud in sekere gevalle beklemtoon die kollektiewe houding en ervaring van die ouerwordende mens. Die ouderdom word deur die vroeë Griekse digters as πόλιος (gryskop; grou), ὀδυνηρός (pynlik), ἀργαλέος (verderflik), κακός (boos), ἄμορφος (lelik), οὐλόμενος (vervloek) en ἄζηλος (onbenydenswaardig) uitgekryt. Die epiteta en byvoeglike bepalings wat in die bespreekte kortpoësie aangetref word, vorm ʼn konseptuele neksus van die ouderdom wat amper gelykmatig negatief is. Behalwe vir die uitsondering van Turtaios en miskien Solon, is die meeste digters se houding teenoor die ouderdom en bejaardes daardie van afkeer, verwyt, veragting en ongeneentheid. In dié fragmente word die ouderdom geskets as die drumpel tot die dood. Ouderdom is op sigself ʼn soort dood, ʼn lewende dood.

Thesis (D.Litt.)--Stellenbosch University, 2000. / ENGLISH ABSTRACT: Relevance theory has seriously challenged the theoretical soundness of formal and functional equivalence as Bible translation methods. In Translation and relevance: Cognition and context, Gutt (1991) argued that relevance theory provides translators with the best available framework for understanding and practicing translation. In his effort to provide a comprehensive account of translation, he proposed two new approaches to translation: direct translation and indirect translation. He did not, however, develop direct and indirect translation into well-defined approaches to translation. This study explores the viability of direct and indirect translation as approaches to Bible translation. First, by applying insights drawn from relevance theory, it spells out the theoretical and practical implications of these approaches in an attempt to develop them into well-defined translation methods. The explication of the two new approaches shows how and why relevance theoretic approaches to translation differ from formal and functional equivalence. In addition to describing the general approach of direct and indirect translation, it also demonstrates how each approach handles specific translation issues such as figurative language, implicit information, ambiguity, and gender-biased language. Then, by using them to translate the epistle to Titus, the study tests the practical effectiveness of each new approach. This lengthy application yields many examples of how relevance theory provides translators with valuable guidance for making difficult translation decisions. It emphasises the need for translators to take measures to bridge the contextual gap between the source context and the receptor context, illustrating how this can be done by providing footnotes in a direct translation or by explicating implicit information in an indirect translation. The study closes with a brief assessment of the two new approaches and some suggestions for further research. The conclusions show both the value and the limitations of the results of this study. / AFRIKAANSE OPSOMMING: Relevansieteorie bevraagteken ernstig die teoretiese basis van formele en funksionele ekwivalensie as metodes van Bybelvertaling. Gutt (1991) het in Translation and relevance: Cognition and context geargumenteer dat relevansieteorie vertalers voorsien van die beste beskikbare raamwerk vir die verstaan en beoefening van vertaling. In sy poging om 'n omvattende beskrywing van vertaling daar te stel, het hy twee nuwe benaderings voorgestel: direkte vertaling en indirekte vertaling. Hy het egter nie direkte en indirekte vertaling ontwikkel tot goed gedefinieerde benaderings tot vertaling nie. Hierdie studie ondersoek die lewensvatbaarheid van direkte en indirekte vertaling as benaderings tot Bybelvertaling. Eerstens word aan die hand van insigte ontleen aan relevansieteorie die teoretiese en praktiese implikasies van hierdie benaderings verken met die doel om dit te ontwikkel tot goed gedefineerde metodes van vertaling. Die uiteensetting van hierdie twee nuwe benaderings toon hoe en waarom relevansieteoretiese benaderings tot vertaling verskil van formele en funksionele ekwivalensie. Benewens 'n beskrywing van die algemene benadering van direkte en indirekte vertaling, demonstreer die uiteensetting hoe elke benadering spesifieke aangeleenthede soos beeldspraak, implisiete inligting, dubbelsinnigheid en gender-bevooroordeelde taal, in vertaalpraktyk hanteer. Vervolgens stel die ondersoek die praktiese effektiwiteit van elke nuwe benadering op die proef deur dit te gebruik om die brief aan Titus te vertaal. Hierdie omvangryke toepassing lewer verskeie voorbeelde waar relevansieteorie vertalers van waardevolle riglyne voorsien om moeilike besluite oor vertaling te maak. Dit benadruk die noodsaaklikheid vir vertalers om spesiale maatreels te tref om die kontekstuele gaping te oorbrug tussen die bronkonteks en die reseptorkonteks, en word geillustreer deur in 'n direkte vertaling voetnotas te gebruik en deur in 'n indirekte vertaling implisiete inligting eksplisiet te maak. Die ondersoek word afgesluit met 'n kort evaluering van die twee benaderings en met enkele voorstelle vir verdere navorsing. Die gevolgtrekking toon beide die waarde en die beperkings van die resultate van hierdie ondersoek.

Thesis (PhD (Ancient Studies))--University of Stellenbosch, 2007. / This dissertation sets out to test the hypothesis that Egyptian and Hellenistic connections to Jewish beliefs about the functioning of angels facilitated the reception of Christianity. The method of investigation involved a close reading, combined with a History of Religions methodology, of certain texts with marked angelological content. The presence of certain motifs, especially “throne” and “sun/fire”, which were identified as characteristic of angelic functioning, were compared across the entire spectrum of texts. In this way the diachronic development of major angelological motifs became apparent, and the synchronic connections between the respective cultural contexts became noticeable. The course the research followed is reflected in the list of Contents. Ancient Egyptian myth and ritual associated with solar worship, together with Divine Council imagery, provides a pattern of mediation between heaven and earth via two crucial religious concepts which underly Jewish beliefs about the functioning of angels: 1) the concept of a supreme God as the king of the Gods as reflected in Divine Council imagery, and 2) the unique Egyptian institution of the king as the divine son of god (also related to the supremacy of the sun god). The blending of these two concepts can be seen in Ezekiel 1 and 10, where the throne of God is the source of angelic mediation between heaven and earth. An important stimulus to change was the vexed issue of theodicy, which in the traumatic history of the Israelites / Jews, forced new ways of thinking about angels, who in some contexts were implicated in evil and suffering on earth. In the hellenistic period, attainment to the throne of God in heaven becomes the goal of heavenly ascent, reflected in various ways in all three cultural contexts, and specifically by means of merkabah mysticism in the Jewish context; the basic concern is deification of human beings. It was this seminal cultural mixture which mediated Christianity as an outcome of Jewish angelology. The characteristic ambiguity of Jewish descriptions of angelic appearances, as reflected in the Hebrew Bible and in the Book of Revelation, functioned purposefully in this regard. Analysis of the distribution of angelological motifs amongst the Christian texts reflects Jewish angelological traditions, both in terms of merkabah mysticism in the Letter to the Hebrews, and in angelomorphic appearances of Jesus in the Book of Revelation.

Thesis (MA)--Stellenbosch University, 2012. / ENGLISH ABSTRACT: This thesis provides a critical assessment of the semantic potential of two Biblical Hebrew lexemes: עִם and אֵת . Previous lexical inquiries of the target lexemes provide the impetus for the current research; this is because the linguistic frameworks assumed by these studies are outmatched in the amount of explanatory power accompanying more recent theoretical developments, primarily evidenced within Cognitive linguistics (and semantics). As its methodological framework, the current study then appropriates these new advances and demonstrates a semantic potential of the target lexemes that can be determined through criteria offered by Tyler and Evans (2003). This criteria specifically aids in the task of semantic demarcation as well as identifying the primary sense, from which the remaining network of senses are derived. Furthermore, not only is an attempt made at representing the range of עִם and אֵת 's semantic potential, but a proposal for the development of these senses is offered as well. This is done primarily through an implementation of the theory of grammaticalization, as posited by Heine et al. (1991). The identified semantic networks are then analyzed from two different perspectives of lexical inquiry: 1) as a monosemy-polysemy cline, and 2) from both a semasiological and onomasiological point of departure (the latter method of onomasiology represents a unique contribution to the assessment of עִם and אֵת since most Biblical Hebrew lexical inquiries are limited to being a semasiological endeavor). The investigation uses the Pentateuch as its data-set and reveals a representation of (at least) eleven distinct senses in עִם 's semantic network as well as אֵת 's. Even though each lexeme's semantic potential is comprised of primarily the same senses, these eleven distinct senses are not completely synonymous and represent different meanings. Significantly, it is determined that 1) both target lexemes share the same primary sense (i.e., proto-scene), 2) both indicate the same core senses and consequently, 3) the target lexemes may rightly be considered as near synonyms. / AFRIKAANSE OPSOMMING:Hierdie tesis bied 'n kritiese evaluering van die semantiese potensiaal van twee Bybelse Hebreeus lekseme: עִם en אֵת . Gebreke in bestaande navorsing ten opsigte van hierdie twee lekseme het die impuls verskaf vir hierdie projek. Onlangse ontwikkelinge in teoretiese taalkunde, in besonder kognitiewe taalkunde (en semantiek), het aangetoon dat die modelle in terme waarvan die bestaande beskrywing van die lekseme gedoen is, agterhaal is. Hierdie studie gebruik die perspektiewe wat kognitiewe semantiek bied om die semantiese potensiaal van hierdie twee Bybels-Hebreeuse lekseme te beskryf. Kriteria wat deur Tyler en Evans (2003) geformuleer is in hulle beskrywing van ‘n aantal Engelse voorsetsels, word as metodologiese vertrekpunt gebruik. Hierdie kriteria is veral nuttig in die semantiese afbakening, asook die identifisering van die primêre betekenis van die lekseme. Lg. bied die basis in terme waarvan die res van netwerk van betekenisonderskeidings beskryf word. In die studie word nie net die gepoog om die verskillende betekenisse van die lekseme te beskryf nie, maar daar word ook gepoog om aan te dui hoe die verskillende onderskeidings ontwikkel het. Dit word primêr gedoen in terme van die grammatikaliseringsteorie van Heine et al (1991). Die semantiese netwerke wat geïdentifiseer is, word vanuit twee verskillende perspektiewe van leksikale ondersoek gedoen: 1) die mono-polisemiese klien (“cline”) en 2) ‘n semasiologiese en onomasiologiese vertrekpunt. Laasgenoemde benadering tot onomasiologie verteenwoordig ‘n unieke bydrae tot die beskrywing van עִם en אֵת aangesien die meeste bestaande Bybels-Hebreeuse beskrywings van die lekseme semasiologies van aard is. Hierdie ondersoek is beperk tot die gebruik van עִם en אֵת in die Pentateug. Ten minste 11 verskillende betekenisseonderskeidings word vir beide lekseme geïdentifiseer. Alhoewel beide lekseme se semantiese potensiaal in baie opsigte dieselfde is, is dit nie presies identies nie. Wat wel merkwaardig is, is 1) dat beide lekseme dieselfde basiese betekenis (dit is die sg. “proto-scene”) het, 2) dat beide dieselfde kernbetekenisonderskeidings het en dat gevolglik 3) hulle as naby-sinonieme bestempel kan word.

Thesis (MA (Biblical Languages))--University of Stellenbosch, 2010. / ENGLISH ABSTRACT: This is an exploratory investigation into the discourse-pragmatic function(s) of the so-called Left-Dislocation construction in Biblical Hebrew. This inquiry is a part of a larger investigation into the nature and function of word order variation in Biblical Hebrew. In light of past research on Biblical Hebrew word-order variation, specifically concerning Left-Dislocation constructions, it is concluded that a re-analysis of Left-Dislocation constructions in Biblical Hebrew is called for. Advancements within the fields of cognitive-functional linguistics and discourse-pragmatics (information-structure) have afforded numerous avenues towards a more comprehensive cognitive-oriented frame of reference for ascertaining the functions of Biblical Hebrew word order variation. The discourse-pragmatic and cognitive-functional notion of information-structure serves as the basis for the theoretical framework employed in the present investigation. Information-structure is principally concerned with the question as to why grammars of natural language offer speakers a variety of morphosyntactic and prosodic options for expressing the same propositional content. Since the Left-Dislocation construction is a universal syntactic phenomenon, typological information regarding the form and function of Left-Dislocation constructions across languages served as a critical source of insight into the prototypical formal features and functional domains of the construction within Biblical Hebrew. The insights garnered from cross-linguistic data informed the parameters employed in the construction and construal of a random data-set of one hundred cases of Left-Dislocation drawn from the narrative portions of the Hebrew Bible stretching from Genesis to 2 Chronicles. The investigation of our data-set, within the confines of a discourse-pragmatic framework, reveals that Left-Dislocation constructions in Biblical Hebrew are principally employed to facilitate the topic-promotion of identifiable but inactive discourse-referents. These referents could be the primary or secondary topics of the sentences in which they are used. / AFRIKAANSE OPSOMMING: Hierdie studie is 'n verkennende ondersoek na die diskoerspragmatiese funksie(s) van sogenaamde linksverskuiwing ('Left-Dislocation') konstruksies in Bybelse Hebreeus. Hierdie vraagstelling vorm deel van 'n meer omvattende ondersoek na die aard en funksie van woordorde-variasies in Bybelse Hebreeus. Na aanleiding van 'n uitvoerige literatuurstudie oor die funksie(s) van woordorde-variasies in Bybelse Hebreeus, veral met betrekking tot linksverskuiwingskonstruksies, is tot die gevolgtrekking gekom dat 'n heranalise van linksverskuiwingskonstruksies in Bybelse Hebreeus nodig is. Vooruitgang op die gebiede van kognitiewe-funksionele taalkunde, en tekspragmatiek (informasiestruktuur) het dit moontlik gemaak om 'n meer omvattende kognitief-georiënteerde verwysingsraamwerk vir die bepaling van die funksie(s) van Bybels-Hebreeuse woordorde-variasies te formuleer. Die diskoerspragmatiese en kognitiewe-funksionele opvatting van informasiestruktuur dien as die basis vir die teoretiese raamwerk wat in die huidige ondersoek gebruik is. Informasiestruktuur is hoofsaaklik gemoeid met die vraag waarom die grammatika van natuurlike taal aan sprekers 'n verskeidenheid van morfosintaktiese en prosodiese opsies bied vir die uitdrukking van dieselfde proposisionele inhoud. Aangesien die linksverskuiwingskonstruksie 'n universele sintaktiese verskynsel is, is taaltipologiese inligting oor die vorm en funksie van die linksverskuiwingskonstruksie gebruik om insig te kry in die prototipiese formele eienskappe en funksies van die konstruksie in Bybelse Hebreeus. Aan die hand van bg. taaltipologiese insigte is parameters geformuleer aan die hand waarvan 'n ewekansige monster voorbeelde van linksverskuiwing uit verhalende tekste uit Genesis tot 2 Kronieke ondersoek is. Daar is bevind dat linksverskuiwing in Bybelse Hebreeus hoofsaaklik aangewend word om identifiseerbare, maar onaktiewe diskoersreferente te promoveer as topieks. Hierdie referente mag primêre of sekondêre topieks wees.

Thesis (MPhil (Ancient Studies))--University of Stellenbosch, 2011. / ENGLISH ABSTRACT: Although St Augustine of Hippo (354–430 C.E.) was raised as a Christian, he refuted Catholicism as a youth in his search for divine wisdom and truth. Like the biblical prodigal son, he first had to realise the error of his aversion (turning away from the Catholic Church) before he could experience conversion (returning to the Catholic faith). Augustine narrates certain central events of his life in the Confessiones as a series of conversions, leading him from his native Roman North Africa to his conversion to Catholic Christianity in the Imperial City of Milan. Philosophy, especially Neo-Platonic thought, played a crucial role in his conversion process, as did the influence of St Ambrose, Bishop of Milan, and other Neo-Platonic intellectuals in Milan. Neo- Platonism also influenced Augustine's conception of the imago Dei (image of God). Although Augustine’s teaching of the concept of the imago Dei is found in all his works (but mainly in De Trinitate), a survey of the literature has shown that the way in which this concept is used to inform, structure and advance his conversion narrative in the Confessions, has not yet been investigated in a structured manner. In order to address this gap in scholarly knowledge, the thesis attempts to answer the following research question: How did the concept of the imago Dei inform and structure Augustine's conversion narrative, as recounted in his Confessiones, taking into account the theological and philosophical influences of Ambrose and the Neo-Platonists of Milan on his spiritual development? The investigation was conducted by an in-depth study and analysis of the Confessiones and relevant secondary literature within the historical, philosophical and religious framework of the work. An empirical approach, by means of textual analysis and hermeneutics, was used to answer the research question. The analysis of the Confessions is limited to its autobiographical part (Books 1 to 9). In order to carry out the analysis, a theoretical and conceptual framework was posited in Chapters 1 to 4, discussing the key concepts of conversion and of the imago Dei, as well as explaining the influence of Neo-Platonism and Ambrose on Augustine. In Chapter 5, this conceptual framework of the nature of the imago Dei is complemented by a literary framework for the Confessions to form a metaframework. The textual analysis was done within the meta-framework with reference to certain endowments (attributes) imprinted in the image, namely personality, spirituality, rationality, morality, authority, and creativity. The main conclusion is that Augustine's personal relationship with God had been harmed by the negative impact of sin on these endowments of the divine image in him. His gradual realisation that God is Spirit, his growth in faith, and his eventual acceptance of the authority of Scripture and of the Catholic Church, brought about the healing of the broken image of God in Augustine and also the restoration of God’s likeness in him. This enabled Augustine to be reconciled to God through Christ, who is the perfect Image of God, and helped to convert him to the Catholic Church, which is the Body of Christ. / AFRIKAANSE OPSOMMING: Alhoewel die Heilige Augustinus, Biskop van Hippo (354–430 n.C.), as Christen grootgemaak is, het hy as jong man die Katolisisme verwerp in sy soektog na goddelike wysheid en waarheid. Soos die verlore seun van die Bybel, moes hy eers die fout van sy afkerigheid (wegdraai van die Katolieke Kerk) insien voordat hy tot bekering (terugkeer tot die Katolieke geloof) kon kom. Augustine vertel sekere kerngebeure van sy lewe in die Confessiones (Belydenisse) as ‘n reeks van bekeringe, wat hom gelei het van sy geboorteplek in Romeins-Noord-Afrika tot sy bekering tot die Katolieke Christendom in die Keiserstad Milaan. Filosofie, veral Neo-Platoniese denke, het ‘n deurslaggewende rol gespeel in sy bekeringsproses, soos ook die invloed van die Heilige Ambrosius, Biskop van Milaan, en ander Neo- Platoniese intellektuele in Milaan. Neo-Platonisme het ook Augustine se begrip van die imago Dei (Godsbeeld) beïnvloed. Alhoewel Augustinus se leer oor die begrip imago Dei in al sy werke aangetref word (maar veral in De Trinitate), het ‘n literatuurstudie uitgewys dat die manier waarop hierdie begrip gebruik word om sy bekeringsverhaal in die Confessions toe te lig, vorm te gee en te bevorder, nog nie op gestruktureerde wyse ondersoek is nie. Om hierdie leemte in vakkundige kennis te vul, poog hierdie tesis om die volgende navorsingsvraag te beantwoord: Hoe het die begrip imago Dei Augustinus se bekeringsverhaal toegelig en vorm gegee, soos vertel in sy Confessiones, met inagneming van die teologiese en filosofiese invloede van Ambrosius en die Neo-Platoniste van Milaan op sy geestelike ontwikkeling? Die ondersoek is uitgevoer deur middel van ‘n grondige studie en ontleding van die Confessiones en toepaslike sekondêre literatuur binne die historiese, filosofiese en godsdienste raamwerk van die werk. ’n Empiriese benadering, by wyse van teksontleding en hermeneutika, is gebruik om die navorsingsvraag te beantwoord. Die ontleding van die Confessiones is beperk tot die outobiografiese deel (Boeke 1 tot 9). Om die ontleding uit te voer, is ’n teoretiese en konseptuele raamwerk vooropgestel in Hoofstukke 1 tot 4, waar die sleutelbegrippe bekering en imago Dei bespreek is, asook die invloed van Neo-Platonisme en Ambrosius op Augustinus. In Hoofstuk 5 word hierdie konseptuele raamwerk vir die aard van die imago Dei aangevul deur ’n literêre raamwerk vir die Confessions om sodoende ‘n metaraamwerk te vorm. Die teksontleding is gedoen binne die metaraamwerk met verwysing na sekere geestesgawes (eienskappe) wat in die beeld neerslag vind, naamlik persoonlikheid, spiritualiteit, rasionaliteit, moraliteit, outoriteit, en kreatiwiteit. Die hoofgevoltrekking is dat Augustinus se persoonlike verhouding met God geskaad is deur die negatiewe impak van sonde op hierdie geestesgawes van die Godsbeeld in hom. Sy geleidelike besef dat God Gees is, sy groei in sy geloof, asook sy uiteindelike aanvaarding van die gesag van die Bybel en van die Katolieke Kerk, het meegebring dat Augustinus se gebroke Godsbeeld en -gelykenis herstel is. Daardeur is Augustinus met God versoen deur Christus, wat die volmaakte Godsbeeld is, en sodoende is hy bekeer tot die Katolieke Kerk, wat die Liggaam van Christus is.

Thesis (MPhil (Ancient Studies))--University of Stellenbosch, 2011. / ENGLISH ABSTRACT: The main purpose of this thesis is to examine examples of information-gathering and political intelligence in Herodotus' Histories. In Herodotus' account, dialogues, anecdotes, and even inserted authorial commentary describe how leaders obtain politically relevant and timely information about other individuals and nations (intelligence). Herodotus links political decisions, based on gathered information, with his presentation of historical causation. In his multi-themed account, Herodotus provides tales of commissioned information-gathering missions, espionage, secret messages, and even disguises as nations and political leaders attempt to find out about their enemies and their allies. While the various anecdotes of information-gathering may not be historically precise, they may, in fact, infer real goals and problems of ancient Greek intelligence practices. The second purpose of this thesis is to explore Herodotus' use of cultural information within decision-making and statecraft. Herodotus presents nomos (culture or custom) as a compelling force for human behavior and military action. By articulating the importance of cultural information to political and military intelligence, Herodotus' work foreshadows modern intelligence theories and practices. This nomos-aspect of Herodotus' information-gathering anecdotes is especially relevant to current post-modern trend of culturally-based intelligence solutions to western counter-insurgency efforts. / AFRIKAANSE OPSOMMING: Die hoofdoel van hierdie tesis is om voorbeelde van inligtingversameling en politieke intellegensie in Herodotus se Histories te ondersoek. In Herodotus se verslae, dialoë, anekdotes en selfs ingevoegde ouktoriele kommentaar word daar beskryf hoe leiers polities relevante en aktuele inligting oor ander indiwidue en nasies (intellegensie) verkry. Herodotus verbind politieke besluite, gebaseer op ingewinde inligting, met sy voorstelling van historiese kousaliteitsleer. In sy vertellings met meervoudige temas, verskaf Herodotus verhale van opdragte wat gegee is vir inligtingsinwinningsendings, spioenasiewerk, geheime boodskappe en selfs vermommings waarmee nasionale en politieke leiers gepoog het om uit te vind oor hul vyande en bondgenote. Terwyl die verskeie anekdotes van inligtinginwinning moontlik nie histories presies is nie, is hulle dalk in werklikheid afgelei van regte doelstellings en probleme van antieke Griekse intellegensiepraktyke. Die tweede doel van hierdie tesis is om ondersoek in te stel na Herodotus se gebruik van kulturele inligting in besluitneming en regeerkuns. Herodotus stel nomos (kultuur of gebruik) as ‟n dwingende krag vir menslike gedrag en militêre aksie voor. Deur die belangrikheid van kulturele inligting vir politieke en militêre intellegensie te artikuleer, is Herodotus se werk ‟n voorafskaduwing van moderne intellegensie teorieë en praktyke. Hierdie nomos-aspek van Herodotus se inligtingsinwinningsanekdotes is veral relevant vir die huidige post-modernistiese neiging van kultuur-gebaseerde intellegensieoplossings vir westerse teen-insergensie pogings.

Thesis (MA)--Stellenbosch University, 2012. / ENGLISH ABSTRACT: This thesis investigates the references to swords in key scenes in the Aeneid – particularly the scenes of Dido’s and Turnus’ death – in order to add new perspectives on these scenes and on the way in which they impact on the presentation of Aeneas’ Roman mission in the epic. In Chapter Two I attempt to provide an outline of the mission of Aeneas. I also investigate the manner in which Dido and Turnus may be considered to be opponents of Aeneas’ mission. In Chapter Three I investigate references to swords in select scenes in book four of the Aeneid. I highlight an ambiguity in the interpretation of the sword that Dido uses to commit suicide and I also provide a description of the sword as a weapon and its place in the epic. In Chapter Four I provide an analysis of the references to swords in Dido’s and Turnus’ death scenes alongside a number of other important scenes involving mention of swords. I preface my analyses of the references to swords that play a role in interpreting Dido and Turnus’ deaths with an outline of the reasons for the deaths of each of these figures. The additional references to swords that I use in this chapter are the references to the sword in the scene of Deiphobus’ death in book six and to the sword and Priam’s act of arming himself on the night on which Troy is destroyed. At the end of Chapter Four I look at parallels between Dido and Turnus and their relationship to the mission of Aeneas. At the end of this thesis I am able to conclude that an investigation and analysis of the references to swords in select scenes in the Aeneid adds to existing scholarship in Dido’s and Turnus’ death in the following way: a more detailed investigation of the role of swords in the interpretation of Dido’s death from an erotic perspective strengthens the existing notion in scholarship that Dido is an obstacle to the mission of Aeneas. / AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die verwysings na swaarde in kerntonele in die Aeneïs – hoofsaaklik die sterftonele van Dido en Turnus – met die oog daarop om addisionele perspektiewe te verskaf op hierdie tonele en die impak wat hulle het op die voorstelling van Aeneas se Romeinse missie in die epos. In hoofstuk twee poog ek om ’n oorsig te bied van Aeneas se Romeinse missie. Ek stel ook ondersoek in na die mate waartoe Dido en Turnus as teenstanders van Aeneas se Romeinse missie beskou kan word. In Hoofstuk Drie ondersoek ek die verwysings na swaarde in spesifieke tonele van boek vier van die Aeneïs. Ek verwys na ’n dubbelsinnigheid in die interpretasie van die swaard wat Dido gebruik om selfmoord te pleeg en verskaf ook ’n beskrywing van die swaard as ’n wapen en die gebruik daarvan in die epos. In Hoofstuk Vier verskaf ek ‘n ontleding van die verwysings na swaarde in Dido en Turnus se sterftonele saam met ’n aantal ander belangrike tonele met verwysings na swaarde. Ek lei my ontleding van die beskrywings van die swaarde wat ’n rol speel in die interpretasie van Dido en Turnus se sterftes in met ’n uiteensetting van die redes vir die dood van elk van hierdie figure. Die addisionele verwysings na swaarde wat ek in hierdie hoofstuk ontleed, is die verwysing na die swaard in die toneel van Deiphobus se dood in boek ses en die verwysing na die swaard in die toneel waar Priamus sy wapenrusting aantrek op Troje se laaste aand. Aan die einde van Hoofstuk Vier ondersoek ek die parallele tussen Dido en Turnus en hulle verhouding tot Aeneas se Romeinse missie. Hierdie tesis ondersoek die verwysings na swaarde in kerntonele in die Aeneïs – hoofsaaklik die sterftonele van Dido en Turnus – met die oog daarop om addisionele perspektiewe te verskaf op hierdie tonele en die impak wat hulle het op die voorstelling van Aeneas se Romeinse missie in die epos. In hoofstuk twee poog ek om ’n oorsig te bied van Aeneas se Romeinse missie. Ek stel ook ondersoek in na die mate waartoe Dido en Turnus as teenstanders van Aeneas se Romeinse missie beskou kan word. In Hoofstuk Drie ondersoek ek die verwysings na swaarde in spesifieke tonele van boek vier van die Aeneïs. Ek verwys na ’n dubbelsinnigheid in die interpretasie van die swaard wat Dido gebruik om selfmoord te pleeg en verskaf ook ’n beskrywing van die swaard as ’n wapen en die gebruik daarvan in die epos. In Hoofstuk Vier verskaf ek ‘n ontleding van die verwysings na swaarde in Dido en Turnus se sterftonele saam met ’n aantal ander belangrike tonele met verwysings na swaarde. Ek lei my ontleding van die beskrywings van die swaarde wat ’n rol speel in die interpretasie van Dido en Turnus se sterftes in met ’n uiteensetting van die redes vir die dood van elk van hierdie figure. Die addisionele verwysings na swaarde wat ek in hierdie hoofstuk ontleed, is die verwysing na die swaard in die toneel van Deiphobus se dood in boek ses en die verwysing na die swaard in die toneel waar Priamus sy wapenrusting aantrek op Troje se laaste aand. Aan die einde van Hoofstuk Vier ondersoek ek die parallele tussen Dido en Turnus en hulle verhouding tot Aeneas se Romeinse missie.

Thesis (MPhil)--Stellenbosch University, 2013. / The Edict of Ammisaduqa and the Jubilee Year legislation in Leviticus 25 provide the most extensive evidence for the debt relief tradition throughout the ancient Near East. A comparative analysis of these texts points to an indirect relationship between them based upon a common theme, debt-slavery of the head of the household, and terminology, andurārum and drr. However, the substantial differences in content between the two texts suggest that there is no direct relationship between them. In light of this analysis it is possible that the tradition of debt relief entered ancient Israel in some form at an early date and then was later re-emphasized during the late monarchic period under Neo-Assyrian influence. This possibility rests upon the debt relief tradition existing in Syro-Palestine under influence from Mari and the Hittites, as well as later under the Neo-Assyrian Empire. Internal evidence in Leviticus 25 also potentially points to an early rural situation for the origination of the Jubilee tradition.