Submitted by Maria de Lourdes Mariano (lmariano@ufscar.br) on 2017-01-16T15:26:30Z No. of bitstreams: 1 SANTOS_Odirlei_2014.pdf: 6729337 bytes, checksum: 7a707e8fa165ffe5c661d0eef934cf5a (MD5) / Approved for entry into archive by Maria de Lourdes Mariano (lmariano@ufscar.br) on 2017-01-16T15:26:47Z (GMT) No. of bitstreams: 1 SANTOS_Odirlei_2014.pdf: 6729337 bytes, checksum: 7a707e8fa165ffe5c661d0eef934cf5a (MD5) / Approved for entry into archive by Maria de Lourdes Mariano (lmariano@ufscar.br) on 2017-01-16T15:26:55Z (GMT) No. of bitstreams: 1 SANTOS_Odirlei_2014.pdf: 6729337 bytes, checksum: 7a707e8fa165ffe5c661d0eef934cf5a (MD5) / Made available in DSpace on 2017-01-16T15:27:04Z (GMT). No. of bitstreams: 1 SANTOS_Odirlei_2014.pdf: 6729337 bytes, checksum: 7a707e8fa165ffe5c661d0eef934cf5a (MD5) Previous issue date: 2014-03-18 / Não recebi financiamento / This study aimed to find the context of a São Paulo public school, regarding to Art, highlighting main proposals developed with students of Elementary School I. Therefore, the following questions have also been delimited: Which senses are elaborated and constructed by the referred teachers about the teaching of Art? How to render as problematic and (re)signify them as from the collective analysis of teaching work? Starting with the research on education proposals, a qualitative study was performed, taking reflection and analysis of scientific texts as methodological procedures, official documents on teaching of Art. Faced with this, the didactic proposal of teachers, taking as an anchor the Cultural-Historical perspective ideas and studies of the “Art-Education” contributions. It was evidenced, as from the questioning activities offered to the students and theoretical contributions, that working with the Visual Arts was resized: the place of art in the weekly plan was reviewed, there was a greater concern on discussing the visual elements that constitute the work, historical contextualization of the art object and the artist himself, the emergence of didactic proposals, with broader creation possibilities by the students and the classroom reconfiguration, as a space to use art. Evidences can be verified on teacher’s reports, in the weekly plan and observations made by the researcher. / Este trabalho teve por objetivo pesquisar o contexto de uma escola pública municipal, do estado de São Paulo, no que se refere à área de Arte, destacando as principais propostas desenvolvidas com os alunos do Ensino Fundamental I. Para tanto, delimitou-se, também, os seguintes questionamentos: Quais sentidos são elaborados e construídos pelas referidas professoras sobre o ensino de Arte? Como problematizá-los e (re)significá-los a partir da análise coletiva do trabalho docente? A partir do levantamento das propostas de ensino, realizou-se um trabalho qualitativo, tomando como procedimentos metodológicos a análise e reflexão de textos científicos, documentos oficiais sobre o ensino da Arte e, por conseguinte, a proposta didática dos professores, tomando como âncora o ideário da perspectiva HistóricoCultural e as contribuições dos estudos da Arte-Educação. Constatou-se, a partir da problematização das atividades oportunizadas aos alunos e das contribuições teóricas, que o trabalho com as Artes Visuais foi redimensionado: o lugar da Arte no plano semanal foi revisto, houve uma maior preocupação em discutir os elementos visuais que constituem a obra, contextualização histórica do objeto artístico e do próprio artista, surgimento de propostas didáticas com possibilidades mais abrangentes de criação por parte dos alunos e reconfiguração da sala de aula como espaço de fruição da arte. Evidências que podem ser constatadas nos relatos das professoras, no plano semanal (semanário) e nas observações realizadas pelo pesquisador.

Thesis submitted in fulfilment of the requirements for the degree Master of Education: Visual Art Education in the Faculty of Education at the Cape Peninsula University of Technology, 2012 / This thesis investigates the factors, specifically the constraints, that influence the choices intermediate phase teachers make when planning visual art lessons. The study is also concerned with how teachers deal with factors that they identify as constraints to teaching visual art. The study is framed within an interpretive framework and the work on teacher knowledge by Shulman (1986; 1987). Semi-structured interviews were conducted with four class teachers, three Arts and Culture teachers, and four visual art teachers using a phenomenological methodology. Interviews were analysed systematically by indexing and organizing the data using the knowledge base for teaching as described by Shulman (1987) and Turner-Bisset (1999).<p></p> The patterns in what teachers consider when planning visual art lessons, and their reasons for doing so, was better explained by a teacher’s training in visual art education rather than his/her role as a class, Arts and Culture, or visual art teacher. In this study, the teachers who are trained in visual art education generally work in situations with few contextual problems and their focus, when lesson-planning, centres around the best way visual art content knowledge can be integrated into lessons. In comparison, most of the teachers who are not trained in visual art education mentioned numerous contextual problems that affected their ability to teach visual art. These teachers plan their visual art lessons around what they believe they are able to manage within the context of the school they are working in, rather than specific visual art related outcomes. In addition, their lesson-planning decisions are generally based on limited visual art content knowledge and pedagogy. Hence, compared to teachers trained to teach visual art, their application of visual art content knowledge is haphazard and does not build on the foundation of the curriculum.<p></p> Limited contact time and support from management are two contextual factors that were found to impact the way teachers in this study plan visual art lessons. To mitigate for the lack of contact time, the teachers trained in visual art education endeavoured to manage their lesson time efficiently and to setup clear routines with their learners so as to minimize the amount of time spent on non-learning activities.

Este estudo apresenta resultados relacionados ao desenvolvimento de estratégias de gestão de sala de aula no âmbito da formação docente inicial pelo PIBID Artes Visuais do Instituto Federal - câmpus Palmas. Para a realização desta pesquisa foi feita uma intervenção usando a metodologia Vigotskyana e Bakthiniana da Clínica da Atividade (CLOT, 2007/2010), tendo como lócus as aulas da disciplina de Arte do Colégio Estadual Alto da Glória. Utilizando como método a autoconfrontação simples e cruzada (FAÏTA, 1996; CLOT, 2007/2010) verificou-se como problemática as adaptações que a dupla de professoras em formação envolvida realizava no seu trabalho docente. Para a fundamentação teórica deste trabalho apresentamos uma discussão entre a racionalidade técnico instrumental e o modelo da totalidade complexa (MORIN, 2005; RAYNALT, 2004; LEFF, 2010), trazendo a proposta da Clínica da Atividade como uma alternativa deste segundo modelo. Buscamos em Santos (1997/2010) a relação entre a Universidade e a escola pública; na Linguística de Bakhtin (2011/2016) mobilizamos os conceitos de conteúdo temático, construção composicional, estilo e arquitetônica; na Psicologia de Vigotsky (1998/2007) abordamos o conceito de zona de desenvolvimento proximal (ZDP); na Ergonomia de Guérin et al. (2004) abordamos os conceitos de trabalho prescrito e trabalho realizado também utilizados na atividade docente por Souza-e-Silva (2004). Para a análise dos dados produzidos nas aulas e nas sessões de autoconfrontação simples e cruzada, utilizamos além das teorias já citadas, o conceito de gestão de classe, aqui denominado gestão de sala de aula (GAUTHIER ET AL. 1998); a concepção de atenção como função psicológica superior (VIGOTSKY, 2001) e a perspectiva da discussão como forma de aprendizagem (PONTECORVO, 2005). A partir da análise dos dados constatou-se que mesmo em meio às adversidades da escola pública, as professoras em formação encontram alternativas de gestão de sala de aula, pensando em questões relativas à aprendizagem, como a atenção, a discussão, a apercepção e o interesse dos alunos em suas propostas. A observação dos dados traz ainda o PIBID como recurso capaz de tornar visível a precariedade da escola pública. O Programa possibilita ainda a capacitação dos professores iniciantes em situações práticas de ensino. Através da implementação da Clínica da Atividade foi possível observar uma mudança de racionalidade na forma como as docentes conduzem as suas aulas. Essa tomada de consciência e as críticas trazidas pelas professoras representam um indicativo de esforço por mudança e uma nova perspectiva para a escola pública. / This study presents results related to the development of classroom management strategies within initial educational formation by the Visual Arts PIBID Program at the Federal Institute of Paraná, campus Palmas. For the research an intervention was carried out, utilizing the Activity Clinic Methodology by Vigotsky and Bakhtin (CLOT, 2007/2010), taking place during the Art classes at the Colégio Estadual Alto Glória. Utilizing the simple and crossed self-confrontation method (FAÏTA, 1996; CLOT, 2007/2010) it was verified that the problem is the adaptations the pair of under formation teachers conducted in their work. For the theoretical foundation it is presented a discussion between rationalization through instrumental technique and complex totality mode (MORIN, 2005; RAYNALT, 2004; LEFF, 2010), presenting the Activity Clinic as an alternative for this second model. We searched for the relation between the University and the public school in Santos (1997/2010); in Bakhtin‟s linguistic (2011/2016) the concepts of thematic content, composition construction, style and architectonics; in Vigotsky‟s psychology (1998/2007), the concept of zone of proximal development (ZPD); in Guérin et al.‟s ergonomics (2004) the concepts of prescript work and real work that are also utilized in educational activity by Souza-e-Souza (2014). For the analysis of the data produced in the classes and in the simple and crossed self-confrontation, we utilized, besides the already mentioned theories, the concept of class management (GAUTHIER ET AL. 1998); the concept of attention as high mental function (VIGOTSKY, 2001) and the perspective of discussion as a way of learning (PONTECORVO, 2005). From the data analysis it is verified that even in the midst of public school adversities, the under formation teachers found management class alternatives, thinking of questions related to the learning process, such as the students‟ attention, discussion, apperception and interest on their proposes. The data observation shows the PIBID program as a resource capable of making the public school precariousness visible. The program also allows the training of new teachers in practical teaching situations. Through the implementation of Activity Clinic it was possible to observe a rationality change in the way the teachers conducted their classes. This raising of consciousness and the critics brought by the teachers represent an indicative of the effort for changing and for a new perspective for the public school.

Este estudo apresenta resultados relacionados ao desenvolvimento de estratégias de gestão de sala de aula no âmbito da formação docente inicial pelo PIBID Artes Visuais do Instituto Federal - câmpus Palmas. Para a realização desta pesquisa foi feita uma intervenção usando a metodologia Vigotskyana e Bakthiniana da Clínica da Atividade (CLOT, 2007/2010), tendo como lócus as aulas da disciplina de Arte do Colégio Estadual Alto da Glória. Utilizando como método a autoconfrontação simples e cruzada (FAÏTA, 1996; CLOT, 2007/2010) verificou-se como problemática as adaptações que a dupla de professoras em formação envolvida realizava no seu trabalho docente. Para a fundamentação teórica deste trabalho apresentamos uma discussão entre a racionalidade técnico instrumental e o modelo da totalidade complexa (MORIN, 2005; RAYNALT, 2004; LEFF, 2010), trazendo a proposta da Clínica da Atividade como uma alternativa deste segundo modelo. Buscamos em Santos (1997/2010) a relação entre a Universidade e a escola pública; na Linguística de Bakhtin (2011/2016) mobilizamos os conceitos de conteúdo temático, construção composicional, estilo e arquitetônica; na Psicologia de Vigotsky (1998/2007) abordamos o conceito de zona de desenvolvimento proximal (ZDP); na Ergonomia de Guérin et al. (2004) abordamos os conceitos de trabalho prescrito e trabalho realizado também utilizados na atividade docente por Souza-e-Silva (2004). Para a análise dos dados produzidos nas aulas e nas sessões de autoconfrontação simples e cruzada, utilizamos além das teorias já citadas, o conceito de gestão de classe, aqui denominado gestão de sala de aula (GAUTHIER ET AL. 1998); a concepção de atenção como função psicológica superior (VIGOTSKY, 2001) e a perspectiva da discussão como forma de aprendizagem (PONTECORVO, 2005). A partir da análise dos dados constatou-se que mesmo em meio às adversidades da escola pública, as professoras em formação encontram alternativas de gestão de sala de aula, pensando em questões relativas à aprendizagem, como a atenção, a discussão, a apercepção e o interesse dos alunos em suas propostas. A observação dos dados traz ainda o PIBID como recurso capaz de tornar visível a precariedade da escola pública. O Programa possibilita ainda a capacitação dos professores iniciantes em situações práticas de ensino. Através da implementação da Clínica da Atividade foi possível observar uma mudança de racionalidade na forma como as docentes conduzem as suas aulas. Essa tomada de consciência e as críticas trazidas pelas professoras representam um indicativo de esforço por mudança e uma nova perspectiva para a escola pública. / This study presents results related to the development of classroom management strategies within initial educational formation by the Visual Arts PIBID Program at the Federal Institute of Paraná, campus Palmas. For the research an intervention was carried out, utilizing the Activity Clinic Methodology by Vigotsky and Bakhtin (CLOT, 2007/2010), taking place during the Art classes at the Colégio Estadual Alto Glória. Utilizing the simple and crossed self-confrontation method (FAÏTA, 1996; CLOT, 2007/2010) it was verified that the problem is the adaptations the pair of under formation teachers conducted in their work. For the theoretical foundation it is presented a discussion between rationalization through instrumental technique and complex totality mode (MORIN, 2005; RAYNALT, 2004; LEFF, 2010), presenting the Activity Clinic as an alternative for this second model. We searched for the relation between the University and the public school in Santos (1997/2010); in Bakhtin‟s linguistic (2011/2016) the concepts of thematic content, composition construction, style and architectonics; in Vigotsky‟s psychology (1998/2007), the concept of zone of proximal development (ZPD); in Guérin et al.‟s ergonomics (2004) the concepts of prescript work and real work that are also utilized in educational activity by Souza-e-Souza (2014). For the analysis of the data produced in the classes and in the simple and crossed self-confrontation, we utilized, besides the already mentioned theories, the concept of class management (GAUTHIER ET AL. 1998); the concept of attention as high mental function (VIGOTSKY, 2001) and the perspective of discussion as a way of learning (PONTECORVO, 2005). From the data analysis it is verified that even in the midst of public school adversities, the under formation teachers found management class alternatives, thinking of questions related to the learning process, such as the students‟ attention, discussion, apperception and interest on their proposes. The data observation shows the PIBID program as a resource capable of making the public school precariousness visible. The program also allows the training of new teachers in practical teaching situations. Through the implementation of Activity Clinic it was possible to observe a rationality change in the way the teachers conducted their classes. This raising of consciousness and the critics brought by the teachers represent an indicative of the effort for changing and for a new perspective for the public school.

Orientador: Milton Jose de Almeida / Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-08-15T08:36:23Z (GMT). No. of bitstreams: 1 Cortelazzo_PatriciaRita_D.pdf: 50490691 bytes, checksum: a0bb7922737a31ff71780b7bdf10f394 (MD5) Previous issue date: 2009 / Resumo: Esta pesquisa mostra como seria um dia de aulas na Academia Imperial de Belas Artes do Rio de Janeiro, através de documentos e obras que eram usados nas aulas e, também, outros textos e imagens que surgiram na memória de maneira hipotética, mas, que poderiam ter feito parte daquele universo. / Abstract: This research shows how a day of classes would be at the Imperial Academy of Arts in Rio de Janeiro, through documents and articles which were used in the classroom, and also other texts and images that emerged in the memory in a hypothetical way; but they could have been part of that universe. / Doutorado / Educação, Conhecimento, Linguagem e Arte / Doutor em Educação

Art educators and classroom teachers in the elementary schools are confronted with the challenge of helping children look critically at works of art and develop written and/or verbal skills to communicate their findings. It was the purpose of this study to determine the effectiveness of the conceptual learning technique of semantic webbing in teaching art criticism in the elementary classroom. The author revealed a significant difference of opinions between two sample groups and similarities between the variables of frequency of use, and familiarity of the webbing technique and its effectiveness in the classroom. The sample groups consist of elementary classroom teachers and art specialists who work with kindergarten and first grade children.

The purpose of this study was to describe the implementation, structure, content and outcome of an art-centered unit developed for 5th grade students. This unit was designed to be an example/model of specific tools and procedures that teachers can use in the art and general classroom to promote critical cultural consciousness, which is the ability to analyze both the covert and overt elements of a culture with the purpose of developing a holistic viewpoint that values the cultural heritages of self and others. The participants selected for this study were all the students in three 5th grade classes. The art-centered unit focused on three artists-Romare Bearden, Elizabeth Catlett and Charles White-under the theme "Respect and Homage." The research methods used in this investigation were qualitative. This study was written in a style that described the research design with its origins, organization and implementation. The implementation of the curricular unit developed for this study took place in the art and general classroom. Of particular interest in this study was the framework and structure of the art-centered unit, designed around two specific strategies utilized to promote critical cultural consciousness. One strategy in this unit was the identification of art-related or art-centered micro-cultures as an organizing framework for promoting critical, aesthetic inquiry of the selected works of art. Another important curricular strategy examined in this study was the utilization of personal and cultural value orientations for their role in developing cultural consciousness and critical aesthetic inquiry into works of art. Value orientations are common general issues or questions that we as people and as cultures apply various ranking patterns. Evidence of students' development of critical aesthetic inquiry into the focused works of art was documented and discussed, along with evidence of students' expanded understanding of art and culture. That evidence, added to students' personal, reflective ideas exhibited in the context of their personal art making, provided the record of students' growth in critical cultural consciousness used in this study.

Technology offers opportunities for museums to expand the ways in which cultural perspectives relevant to objects on display can be exchanged and understood. Multimedia content offered online in an environment with user input capabilities can encourage dialogue and enrich visitor experiences of museums. This action research project using narrative analysis was an effort to develop the use of web technology in museum education practice, with an emphasis on constructivist learning. Concepts including the visitor-centered museum and multiple narratives led the researcher to collaborate with a pre-service art teacher education classroom and a local Hindu community to create content that might better develop understandings of one museum's Hindu sculpture collection that are personal, cultural, and complex.

This qualitative inquiry explored how art educators might broaden their views of place through critical encounters with art, local visual culture, and working with older artists. I combined place-based (PB) education and intergenerational (IG) learning as the focus of an art education curriculum writing initiative with in-service art educators within a museum setting to produce PBIG art education. This study engaged art educators in cooperative action research using a multi-modal approach, including identifying and interviewing local artists to construct new understandings about local place and art to share with students and community. I used critical reflection in our cooperative action research by troubling paradoxes in local visual culture, which formed views of place including Indigenous cultures. Using Deleuze's Logic of Sense (LOS) theories of sense and event, enabled concept development through embracing the paradoxes of this research as sense producing. LOS theory of duration complements IG learning by clarifying the contributions of place and time to memory and experience. Duration suggests that place locates the virtual past, which is actualized through memories--one of the shared experiences of IG learning. Rethinking IG relationships as a sharing of experience and memory while positioning place as a commonality, dismantles ageist notions by offering alternatives to binary thinking about old and young. By triangulating participant data based on the extended epistemology of cooperative action research and Deleuze's pure event, I assess the credibility of participant learning. Critical reflection in cooperative action research combined with LOS theory is significant because the reflective aspect of action research aligns with Deleuze's pure event. Vital curricula and teacher praxes resulted when participants integrated localized experiences of place through older artists' memories and art.

No description available.