Bakgrund: Deep Brain Stimulation (DBS) i nucleus subthalamicus (STN) och i kaudala zona incerta (cZi) har visat positiva effekter på motoriska symtom (rörelseförmåga och balans) vid Parkinsons sjukdom. Efter DBS har dock negativa taleffekter noterats, inklusive nedsatt artikulatorisk precision och stabilitet. Nedsatt artikulatorisk precisionoch stabilitet påverkar klusilproduktionen mest vilket kan resultera i att klusilexplosionen uteblir eller att multipla explosioner uppstår. Mål: Att undersöka artikulatorisk precision och stabilitet vid klusilexplosionen efter DBS i STN respektive cZi. Metod: I studien deltog 19 patienter varav 9 deltagare stimulerats i STN och 10 deltagare i cZi. Talinspelningar gjordes innan operation och ett år efter operation med DBSstimulering på och av. Klusilerna i talmaterialet delades in i tre kategorier, de med en klusilexplosion, de med två eller flera klusilexplosioner samt de utan klusilexplosion. Hypotesprövning gjordes gällande fördelningen av klusiler med multipla explosioner samt klusiler utan explosion mellan och inom patientgrupperna samt inom respektive klusil. Resultat: Multipla explosioner ökade hos cZi-patienterna och minskade hos STNpatienterna. Klusiler som saknade explosion ökade hos STN-patienterna medan de minskade hos cZi-patienterna. För båda patientgrupperna ökade multipla explosioner och klusiler utan explosion då stimuleringen var på jämfört med av. Skillnaderna mellan och inom grupperna var inte signifikanta. Slutsats: Artikulatorisk precision och stabilitet påverkades efter DBS i form av bristande stabilitet, för kort slutningsrörelse och felaktig koordination av slutningsrörelsen. Detta resulterade i multipla explosioner och uteblivna explosioner med olika effekter för elektrodlokalisationerna. / Background: Deep Brain Stimulation (DBS) in Subthalamicus Nucleus (STN) and Caudala zona incerta (cZi) have shown positive effects on motor symptoms in Parkinson‘s disease. Negative effects on speech after DBS has been noted including reduced articulatory precision. Reduced articulatory precision and stability affects the production of stop consonants and as a result, loss of burst or multiple burst can occur. Aim: To investigate articulatory precision and stability regarding the burst in stop consonants after DBS of STN or cZi. Method: The study included 19 patients with 9 patients stimulated in STN and 10 patientsin cZi. Speech recordings were made before surgery and one year after with stimulation ON and OFF. The stop consonants were divided into three categories, those with one burst, those with two or more bursts (multiple burst) and those with loss of burst. Hypothesis testing was done on the categorization of the stop consonants in and between the groups and between the stop consonants types. Results: Multiple burst increased in the cZi group and decreased in the STN group. Stop consonants with loss of burst increased in the STN group but decreased in the cZi group. For both groups multiple burst and stop consonants with loss of burst increased with stimulation on. The differences between and within the groups were not significant. Conclusion: Articulatory precision and stability were affected by DBS with decreased stability, shortened occlusion and incorrect coordination. As a result multiple burst and loss of burst occurred in both groups. / Speech, voice and swallowing outcomes after deep brain stimulation of the zona incerta and the pedunculopontine nucleus in Parkinson’s disease: Comparsion with stimulation of the subthalamic nucleus

No description available.

A presente tese se ocupa da percepção fônica de línguas não nativas e tem como objetivo repensar as premissas básicas do PERCEPTUAL ASSIMILATION MODEL-L2 [PAM-L2 (BEST; TYLER, 2007)] no que diz respeito aos seus eixos cognitivo, fônico e filosófico. De acordo com os proponentes do modelo, (i) a percepção da fala não nativa dispensa mecanismos cognitivos no que se refere a representações mentais ou processos inferenciais; (ii) a unidade de análise do evento perceptual, em termos de fala, é o gesto articulatório; e (iii) o acesso às informações disponíveis no mundo é direto, garantido pela atuação dos sentidos como nossos próprios sistemas perceptuais. Julgamos que tais premissas são limitadas e incoerentes com o objeto de investigação dos autores e argumentamos, portanto, que os eixos cognitivo, fônico e filosófico do modelo devam ser vislumbrados sobre um ponto de vista alternativo. Quanto ao primeiro eixo, defendemos que o evento perceptual seja concebido essencialmente como um fenômeno cognitivo, criado e gerenciado pelo encéfalo, que envolve abstrações, representações mentais e inferências acerca dos objetos do mundo. Em relação ao segundo eixo, julgamos que o tratamento acústico-articulatório (ALBANO, 2001) à unidade gestual seja mais apropriado à percepção de elementos fônicos não nativos, diferindo do tratamento articulatório (BROWMAN; GOLDSTEIN, 1989, 1992) que reside originalmente no modelo. No que diz respeito ao terceiro eixo, adotamos a posição realista indireta (JACKSON, 1977, 2010) como sendo aquela que abarca de modo mais adequado a percepção das unidades fônicas não nativas, em detrimento do realismo direto (J. GIBSON, 1966, 1986). Decorrentes de nosso refinamento teórico, questões adicionais à percepção fônica não nativa são endereçadas, as quais concernem à falsa dicotomia L2 VS. LE, à influência do sistema grafêmico sobre a percepção fônica e à formação de novas categorias fônicas a serviço do idioma-alvo. Discutimos, também, os aspectos metodológicos de alguns estudos perceptuais, assim como suas implicações para uma nova caracterização do modelo, e ponderamos sobre o delineamento, o tipo de conhecimento de base testado (língua materna ou não nativa) e o objetivo de cada tarefa perceptual a ser empregada em ambiente laboratorial. / This Doctoral Dissertation addresses the phonic perception of non-native languages and aims to rethink the central tenets of the PERCEPTUAL ASSIMILATION MODEL-L2 [PAM-L2 (BEST; TYLER, 2007)] with respect to its cognitive, phonic and philosophical spheres. According to the proponents of the model, (i) the perception of non-native speech disregards any cognitive mechanisms related to mental representations or inferential processes; (ii) the unit for analyzing perceptual events, in terms of speech, corresponds to the articulatory gesture; and (iii) we have direct access to the information available in the world, since our senses act as our own perceptual systems. We argue that these premises are limited and inconsistent with the research object of the authors and, thus, we assume that the cognitive, phonic and philosophical spheres of the model should be glimpsed from an alternative point of view. As for the first sphere, we argue that the perceptual event is essentially a cognitive phenomenon, created and managed by the brain, which involves abstractions, mental representations and inferences about the objects of the world. Regarding the second sphere, we state that an acoustic-articulatory treatment (ALBANO, 2001) to the gestural unit is more appropriate to the perception of non-native phonic elements, differing from the articulatory treatment (BROWMAN; GOLDSTEIN, 1989, 1992) that is originally conveyed by the model. With respect to the third sphere, opposing direct realism (J. GIBSON, 1966, 1986), we adopt the indirect realist position (JACKSON, 1977, 2010) as the one that encompasses the perception of non-native phonic units more adequately. Due to our theoretical refinement, we address additional issues to the phonic perception, which concern the false L2 vs. LE dichotomy, the impact of graphical systems on phonic perception, and the formation of new phonic categories at the service of the target language. We discuss methodological aspects of perceptual studies, as well as their implications for a new characterization of the model, and we also consider the design, the type of knowledge tested (native or nonnative language) and the purpose of each perceptual task to be used in a laboratory environment.

Background: Ultrasound Tongue Imaging (UTI) is growing increasingly popular for assessing and treating Speech Sound Disorders (SSDs) and has more recently been used to qualitatively investigate compensatory articulations in speakers with cleft palate (CP). However, its therapeutic application for speakers with CP remains to be tested. A different set of developments, Visual Articulatory Models (VAMs), provide an offline dynamic model with context for lingual patterns. However, unlike UTI, they do not provide real-time biofeedback. Commercially available VAMs, such as Speech Trainer 3D, are available on iDevices, yet their clinical application remains to be tested. Aims: This thesis aims to test the diagnostic use of ultrasound, and investigate the effectiveness of both UTI and VAMs for the treatment of SSDs associated with submucous cleft palate (SMCP). Method: Using a single-subject multiple baseline design, two males with repaired SMCP, Andrew (aged 9;2) and Craig (aged 6;2), received six assessment sessions and two blocks of therapy, following a motor-based therapy approach, using VAMs and UTI. Three methods were used to measure therapy outcomes. Firstly, percent target consonant correct scores, derived from phonetic transcriptions provide outcomes comparable to those used in typical practice. Secondly, a multiplephonetically trained listener perceptual evaluation, using a two-alternative multiple forced choice design, to measure listener agreement provides a more objective measure. Thirdly, articulatory analysis, using qualitative and quantitative measures provides an additional perspective able to reveal covert errors. Results and Conclusions: There was overall improvement in the speech for both speakers, with a greater rate of change in therapy block one (VAMs) and listener agreement in the perceptual evaluation. Articulatory analysis supplemented phonetic transcriptions and detected covert articulations and covert contrast as well as supporting the improvements in auditory outcome scores. Both VAMs and UTI show promise as a clinical tool for the treatment of SSDs associated with CP.

The roles of phonetics (e.g., Jun 1995, Holt 1997, Steriade 2001) and Articulatory Phonology (AP, Browman and Goldstein 1986, et seq.) in both the diachronic evolution of and synchronic analyses for phonological processes are relatively recent incorporations into Optimality Theory (OT) (Prince and Smolensky 1993/2004, McCarthy and Prince 1993/2001). I continue this line of inquiry by offering an AP-based OT proposal of three fricative-vowel assimilations in Latin American Spanish: /f/>[x] velarization (fui [xui] "I went"), /f/>[phi] bilabialization (fumo "I smoke") and /x/>[ç] palatalization (gente [çente] "people"). In this dissertation, I pursue three main objectives: to update and clarify via empirical study and spectral analysis the available data; to account for the crosslinguistically recurrent phonological patterns that affect fricative-vowel sequences; and to explain the above processes' genesis and diffusion in Latin American Spanish by integrating the first two goals into an Optimality Theoretic framework. Concerning the first task, data for the three processes are culled primarily from sociolinguistic corpora (Perissinotto 1975, Resnick 1975, Sanicky 1988, inter alia). Lacking from these accounts are detailed phonetic analyses. To fill this gap, I report on a four-part perception and production study designed to update the descriptive facts and provide spectral analyses for the allophonic variants. Regarding the second goal, I show that fricatives are susceptible to regressive consonant-vowel assimilation given the recurrence of assimilatory patterns nearly identical to the Spanish processes under investigation in disparate languages throughout the world. I argue that articulatory and acoustic facts conspire to render place features in (non-sibilant) fricatives difficult to recover given the vast interspeaker, intraspeaker and crosslinguistic variability in production (e.g., Ladefoged and Maddieson 1996) and the greater reliance on fricative-vowel transitional cues as opposed to cues internal to the frication on the part of the hearer (e.g., Manrique and Massone 1981, Feijóo and Fernández 2003). To that end, I argue that the sound changes originate(d) with the hearer's misperception of a speaker's extremely coarticulated target (Baker, Archangeli and Mielke 2011, inter alia). The dissertation concludes with a proposal adapting Jun (1995) that encodes the above articulatory and acoustic facts into an AP-based, typologically-minded OT approach that accounts both diachronically and synchronically for /f/ velarization, /f/ bilabialization and /x/ palatalization in Spanish (updating previous analyses by Lipski 1995 and Mazzaro 2005, 2011).

QC 20100531

Speech errors have been utilized since the beginning of the last century to learn more about how speech is produced, both physically and cognitively. Collection of speech errors has progressed from writing down naturally occurring speech errors to recording experimentally induced speech errors to current studies, which are using instrumentation to record acoustic and kinematic information about experimentally induced speech errors. One type of instrumentation being used in articulatory research is ultrasound. Ultrasound is gaining popularity for use by those interested in learning how speech is physically produced because of its portability and noninvasiveness. Ultrasound of the tongue during speech provides visual access to the articulatory movements of the tongue. This study utilizes ultrasound recordings of speech errors in two ways. In Experiment 1, ultrasound images of participants’ tongues were recorded while they read tongue twisters designed to elicit speech errors. The tongue twisters were CVC words or CV syllables with onset velar or alveolar stops. Within the ultrasound video, the angle of the tongue blade and elevation of the tongue dorsum were measured during the onset stop closure. Measurements of tongue twisters were compared to baseline production measures to examine the ways in which erroneous productions differ from normal productions. It was found that an error could create normal productions of the other category (i.e., categorical errors) or abnormal productions that fell outside the normal categories (i.e., gradient errors). Consonant productions extracted from ultrasound video were presented auditory only to naïve listeners in Experiment 2. Listeners heard a variety of normal, gradient error, and categorical error productions. Participants were asked to judge what they heard as the onset sound. Overwhelmingly, the participants heard normal productions as well as gradient error productions as the target sound. Categorical error productions were judged to be different from the target (e.g., velar for alveolar). The only effect of erroneous production appears to be a slight increase in reaction time to respond with a choice of percept, which may suggest that error tokens are abnormal in some way not measured in this study.

This thesis documents the creation of a three-dimensional model of the larynx. The focus is on synthesizing the movement and appearance of laryngeal and pharyngeal sounds, with the intention of elucidating the physiological performance required of the larynx to produce these articulations. The model serves three primary purposes: the analysis of laryngeal articulation, an interactive tool for learning about linguistically relevant anatomy, and a foundation for future modeling developments such as acoustic synthesis. There are two methodological topics of discussion concerning the techniques used to generate the three-dimensional model of the larynx. The first concerns the morphological aspect of the laryngeal architecture. Laryngeal structures were segmented from a series of histological images using a process known as vertex tracing to generate wire-frame computer representations, or meshes, of the laryngeal structures featured in the model. The meshes were then carefully placed within the three-dimensional space used to generate a scene of the larynx that could be rendered and presented to the user of the program. Frame hierarchies, an organization scheme for vertices, were imposed on flexible tissue meshes to attach and manipulate various moving structures found in the larynx. Finally, basic mechanical features of laryngeal movement derived from research into the biomechanics of laryngeal physiology were implemented. The second methodological topic pertains to the analysis of laryngoscopic videos to obtain data that describes the movement patterns used to generate the laryngeal and pharyngeal articulations of interest. There are three image analysis techniques applied to the laryngoscopy. The first uses normal speed laryngoscopy to assess end-state articulations, by comparing various geometrical aspects of laryngeal landmarks as they differ between the maximally open setting (used for deep inspiration), and the articulatory target setting. With this technique, various phonation types and segmental articulations are assessed using videos of a phonetician carefully performing the articulations. Some comparison of these articulations to their analogues in the speech of native speakers from various languages is made for the sake of illustration and verification. The second image analysis technique used is applied to high-speed laryngoscopic video of aryepiglottic trilling, which is an important function of the laryngeal constrictor mechanism. The left and right aryepiglottic apertures during trilling are analyzed using binary-conversion and area measurement. The third technique takes the same high-speed laryngoscopic video of aryepiglottic trilling and extracts motion vectors between frame pairs to characterize the directionality and magnitude of motion occurring for each of the folds. Using the image analysis data, model movements are constrained and synchronized to recreate the articulations observed in the laryngoscopic videos. One of the major innovations of this model is a biomechanical simulation of aryepiglottic fold trilling, based primarily upon the data collected from the high-speed laryngoscopic videos. Overall the model represents one of the first attempts to visually recreate laryngeal articulatory function in a way that is dynamic and interactive. Future work will involve dynamic acoustic synthesis for laryngeal states represented by the model.

This dissertation argues that the affrication of /t/ and /d/ before /ɹ/ is an active sound change in progress that has been phonologized. Despite numerous references to it in the literature, no experimental work has been undertaken to investigate the phenomenon. This dissertation aims to fill that gap. Conducted over three separate studies, the research presented in subsequent chapters explores three specific questions: Q1: Apparent Time Study – Is the phenomenon of /tɹ/ and /dɹ/ affrication in English a sound change in progress? Q2: Production Study – Are English /t/ and /d/ in /tɹ/ and /dɹ/ clusters articulated like prevocalic [t] and [d], like prevocalic [tʃ] and [dʒ], like neither, or like both? Q3: Perception Study – Do English speakers categorize affricated variants of /t/ found in /tɹ/ clusters as T or CH? Chapter 2 presents results from an Apparent Time Study, which examines sociolinguistic interview data from a corpus of Raleigh, North Carolina English speakers of different ages, all born in the 20th century. The Raleigh corpus is considered to be a suitable choice for conducting this investigation for several reasons. First, it is expected that the phonetic motivation for /tɹ/ and /dɹ/ affrication will be present in any English-speaking community. Second, Raleigh experienced an influx of technology workers to the area from Northern regions of the United States in the middle of the 20th century, following the development of Research Triangle Park (RTP), making it plausible that the resulting dialect contact may have led to the introduction of novel affricated variants to the region. Third, /tɹ/ affrication has been implicated in s-retraction (in /stɹ/ clusters), which is a sound change in progress that has been reported in Raleigh English. The Apparent Time Study aims to determine whether /tɹ/ and /dɹ/ affrication, if present, is a sound change in progress and/or whether the emergence of affricated variants may have been the result of dialect contact. Building on these findings, Chapter 3 presents results from a Production Study conducted in Raleigh, North Carolina, which captures audio, ultrasound, and video data in order to investigate how English speakers’ /tɹ/ and /dɹ/ sequences are coarticulated. The Production Study provides an opportunity to find out how affricated variants of /t/ and /d/ before /ɹ/ are articulated. Chapter 4 presents results from a Perception Study, which explores how listeners (from the Production Study) categorize affricated variants of /t/ spliced from before /ɹ/. Chapter 5 compares results from across studies, and Chapter 6 provides a general discussion and conclusion.

A presente tese se ocupa da percepção fônica de línguas não nativas e tem como objetivo repensar as premissas básicas do PERCEPTUAL ASSIMILATION MODEL-L2 [PAM-L2 (BEST; TYLER, 2007)] no que diz respeito aos seus eixos cognitivo, fônico e filosófico. De acordo com os proponentes do modelo, (i) a percepção da fala não nativa dispensa mecanismos cognitivos no que se refere a representações mentais ou processos inferenciais; (ii) a unidade de análise do evento perceptual, em termos de fala, é o gesto articulatório; e (iii) o acesso às informações disponíveis no mundo é direto, garantido pela atuação dos sentidos como nossos próprios sistemas perceptuais. Julgamos que tais premissas são limitadas e incoerentes com o objeto de investigação dos autores e argumentamos, portanto, que os eixos cognitivo, fônico e filosófico do modelo devam ser vislumbrados sobre um ponto de vista alternativo. Quanto ao primeiro eixo, defendemos que o evento perceptual seja concebido essencialmente como um fenômeno cognitivo, criado e gerenciado pelo encéfalo, que envolve abstrações, representações mentais e inferências acerca dos objetos do mundo. Em relação ao segundo eixo, julgamos que o tratamento acústico-articulatório (ALBANO, 2001) à unidade gestual seja mais apropriado à percepção de elementos fônicos não nativos, diferindo do tratamento articulatório (BROWMAN; GOLDSTEIN, 1989, 1992) que reside originalmente no modelo. No que diz respeito ao terceiro eixo, adotamos a posição realista indireta (JACKSON, 1977, 2010) como sendo aquela que abarca de modo mais adequado a percepção das unidades fônicas não nativas, em detrimento do realismo direto (J. GIBSON, 1966, 1986). Decorrentes de nosso refinamento teórico, questões adicionais à percepção fônica não nativa são endereçadas, as quais concernem à falsa dicotomia L2 VS. LE, à influência do sistema grafêmico sobre a percepção fônica e à formação de novas categorias fônicas a serviço do idioma-alvo. Discutimos, também, os aspectos metodológicos de alguns estudos perceptuais, assim como suas implicações para uma nova caracterização do modelo, e ponderamos sobre o delineamento, o tipo de conhecimento de base testado (língua materna ou não nativa) e o objetivo de cada tarefa perceptual a ser empregada em ambiente laboratorial. / This Doctoral Dissertation addresses the phonic perception of non-native languages and aims to rethink the central tenets of the PERCEPTUAL ASSIMILATION MODEL-L2 [PAM-L2 (BEST; TYLER, 2007)] with respect to its cognitive, phonic and philosophical spheres. According to the proponents of the model, (i) the perception of non-native speech disregards any cognitive mechanisms related to mental representations or inferential processes; (ii) the unit for analyzing perceptual events, in terms of speech, corresponds to the articulatory gesture; and (iii) we have direct access to the information available in the world, since our senses act as our own perceptual systems. We argue that these premises are limited and inconsistent with the research object of the authors and, thus, we assume that the cognitive, phonic and philosophical spheres of the model should be glimpsed from an alternative point of view. As for the first sphere, we argue that the perceptual event is essentially a cognitive phenomenon, created and managed by the brain, which involves abstractions, mental representations and inferences about the objects of the world. Regarding the second sphere, we state that an acoustic-articulatory treatment (ALBANO, 2001) to the gestural unit is more appropriate to the perception of non-native phonic elements, differing from the articulatory treatment (BROWMAN; GOLDSTEIN, 1989, 1992) that is originally conveyed by the model. With respect to the third sphere, opposing direct realism (J. GIBSON, 1966, 1986), we adopt the indirect realist position (JACKSON, 1977, 2010) as the one that encompasses the perception of non-native phonic units more adequately. Due to our theoretical refinement, we address additional issues to the phonic perception, which concern the false L2 vs. LE dichotomy, the impact of graphical systems on phonic perception, and the formation of new phonic categories at the service of the target language. We discuss methodological aspects of perceptual studies, as well as their implications for a new characterization of the model, and we also consider the design, the type of knowledge tested (native or nonnative language) and the purpose of each perceptual task to be used in a laboratory environment.