Global ETD Search

21	Dance imagery in South Indian Temples: study of the 108-<i>karana</i> sculptures Shankar, Bindu S. 20 May 2004 (has links) No description available. dance dance sculpture 108 karana temple iconography dance ritual yogic meditation south Asian art south Indian temple Rajaraja Temple Sarangapani Temple Nataraja Temple Arunachalesvara Temple Vriddhagirisvara Temple
22	Cultivating Self and Displaying Status: Instances of Innovation and Exchange in the Cabinets of Amalia van Solms-Braunfels, Princess of Orange (1602-1675) Smith, Lauryn N. 23 May 2022 (has links) No description available. Art History gender collecting patronage 17th century Netherlands export Asian art network analysis digital art history archival Netherlandish painting spatial analysis House of Orange-Nassau colonialism identity construction textiles material culture motherhood reception display
23	Bringing "Culture" to Cleveland: East Asian Art, Sympathetic Appropriation, and the Cleveland Museum of Art, 1914-1930 Adams, Christa January 2015 (has links) No description available. History Asian Studies Asian art collecting Cleveland Cleveland Museum of Art China Japan Korea antiquities sympathetic appropriation Frederic Allen Whiting Langdon Warner Charles Lang Freer J Arthur MacLean Oriental Expedition
24	Walking in The City: Koji Nakano’s Reimagining and Re-Sounding of The Tale Of Genji Ramos, Isabella 01 January 2017 (has links) Imagined Sceneries is a work written by composer Dr. Koji Nakano of Burapha University, Thailand for two sopranos, koto, light percussion, narrations, soundscapes recorded in Kyoto, Japan in December 2015, and digital projections of Ebina Masao’s 1953 print series Tale of Genji. Imagined Sceneries’ reimagining and “re-sounding” of Heian Kyoto relies on a balance between what is imagined and what is experienced in performance. Its many elements collectively explore multiple layers of Japanese histories, soundscapes, environments, and sensibilities. Using Michel de Certeau’s concepts of the city, this thesis journeys through Nakano’s imagined spaces. imagined sceneries noh festival ebina masao noh theater bugaku gagaku Anthropology Architectural History and Criticism Asian American Studies Asian Art and Architecture Asian History Audio Arts and Acoustics Ethnomusicology History Japanese Studies Performance Studies Photography
25	Remembering Vietnam War Veterans: Interpreting History Through New Orleans Monuments and Memorials Haws, Catherine Bourg 18 December 2015 (has links) ABSTRACT This thesis is concerned with the question of how America’s citizen soldiers are remembered and how their services can be interpreted through monuments and memorials. The paper discusses the concept of memory and the functions of memorialization. It explores whether and how monuments and memorials portray the difficulties, hardships, horror, costs, and consequences of armed combat. The political motivations behind the design, formation and establishment of the edifices are also probed. The paper considers the Vietnam War monuments and memorials erected by Americans and Vietnam expatriates in New Orleans, Louisiana, and examines their illustrative and educational usefulness. Results reflect that although political benefits accrued from the realization of the memorial structures in question, far more important, palliative and meaningful motives brought about their construction. They also demonstrate that, when understood, monuments and memorials can be historically useful. Vietnam War expatriates memory new history American Art and Architecture Asian Art and Architecture Cultural History East Asian Languages and Societies Historic Preservation and Conservation Other American Studies Other Architecture Public History Sculpture Social and Behavioral Sciences
26	Neuroscience and Hindu Aesthetics: A Critical Analysis of V.S. Ramachandran’s “Science of Art” Beitmen, Logan R 01 January 2014 (has links) Neuroaesthetics is the study of the brain’s response to artistic stimuli. The neuroscientist V.S. Ramachandran contends that art is primarily “caricature” or “exaggeration.” Exaggerated forms hyperactivate neurons in viewers’ brains, which in turn produce specific, “universal” responses. Ramachandran identifies a precursor for his theory in the concept of rasa (literally “juice”) from classical Hindu aesthetics, which he associates with “exaggeration.” The canonical Sanskrit texts of Bharata Muni’s Natya Shastra and Abhinavagupta’s Abhinavabharati, however, do not support Ramachandran’s conclusions. They present audiences as dynamic co-creators, not passive recipients. I believe we could more accurately model the neurology of Hindu aesthetic experiences if we took indigenous rasa theory more seriously as qualitative data that could inform future research. Hinduism neuroscience aesthetics Kashmir Shaivism rasa Abhinavagupta Bharata Muni Natya Shastra Indian religion art Acting Ancient Philosophy Art Practice Asian Art and Architecture Asian Studies Cognition and Perception History of Religions of Eastern Origins Other Languages, Societies, and Cultures Performance Studies Philosophy of Mind Philosophy of Science Social and Cultural Anthropology Theory and Criticism

Page generated in 0.0617 seconds