Ce travail examine le rôle d'un personnage qui est la clef de voûte pour une compréhension de la magie telle qu'elle s'inscrit dans la société mésopotamienne: l'âshipu, ou "exorciste". Le métier d'exorciste et concept-même de l'âshipûtu, ou "discipline de l'exorciste", n'avaient jamais fait l'objet d'une étude approfondie.<p><p>Quels rituels l'exorciste exécute, quels textes sont en sa possession, comment se transmet son savoir, quelle est sa place au palais et dans la structure sociale, sont autant de paramètres méconnus que ce travail tente d'exposer en profondeur pour l'époque néo-assyrienne. Le choix de cette époque est lié à l'abondance de témoignages disponibles, retrouvés notamment dans les palais royaux des Sargonides et dans des bibliothèques appartenant à des âshipu. En pratique, toutes les sources néo-assyriennes ont été prises en considération mais le hasard des découvertes et de la conservation des tablettes fait que c'est surtout la fin de cette époque, à savoir l'époque des Sargonides, qui est représentée dans la documentation disponible.<p> / Doctorat en philosophie et lettres, Orientation langue et littérature / info:eu-repo/semantics/nonPublished

Doctorat en philosophie et lettres / info:eu-repo/semantics/nonPublished

Thesis (MPhil)--Stellenbosch University, 2014. / ENGLISH ABSTRACT: The focus of this study is to investigate the role that horses played in the Ancient Near East, specifically during the reign of the Neo-Assyrian king Ashurnasirpal II (883-859BC). By studying nine of the reliefs from the North-West Palace at Nimrud, the function of horses with regard to warfare during that time was explored. The analysis included an examination of all horses and equine tack, which consists of chariots, bridles, bits, breastplates and decorations. The reliefs are studied by using Erwin Panofsky’s Theoretical Scheme, which allows for three stages of analysis. Each of the reliefs is examined as a whole, in order to place the relief in context, followed by a detailed breakdown of the horses, specifically their body language, as well as their tack and the function thereof. It was found that the Assyrians used the horses’ body language to help set the tone of the relief, as the horses would display aggressive body language when under attack and relaxed body language when not under attack, for example reliefs showing parades or military camps. It was also noted that the horses of the enemies were illustrated in such a way as to show the prowess of the victorious Neo-Assyrian army. It was found that horses were instrumental in warfare as well as depicting status and rank within the military structures. / AFRIKAANSE OPSOMMING: Die fokus van hierdie studie is om die rol wat perde in die Ou Nabye Ooste gespeel het, te ondersoek, spesifiek tydens die bewind van die Neo-Assiriese koning Ashurnasirpal II (883-859 v.C.). Deur nege van die reliëfs van die Noordwes-Paleis by Nimrud te bestudeer, is die funksie van perde met betrekking tot oorlogvoering gedurende daardie tyd ondersoek. Die analise sluit ’n ondersoek van alle perde en perdetuig in, wat uit waens, tome, stange, borsplate en versierings bestaan. Die reliëfs word bestudeer deur Erwin Panofsky se Teoretiese Skema, wat vir drie fases van ontleding voorsiening maak, te gebruik. Elkeen van die reliëfs word as ’n geheel ondersoek, ten einde die reliëf in konteks te plaas, gevolg deur ’n volledige uiteensetting van die perde, spesifiek hul lyftaal, asook hul tuie en die funksie daarvan. Daar is gevind dat die Assiriërs die perde se lyftaal gebruik het om die toon van die reliëf te help stel. Die perde sou aggressiewe lyftaal vertoon wanneer hulle aangeval word en ontspanne lyftaal wanneer hulle nie aangeval word nie, byvoorbeeld reliëfs wat parades of militêre kampe wys. Daar is ook opgemerk dat die perde van die vyande op so ’n wyse geïllustreer is om die dapperheid/vaardigheid van die oorwinnende Neo-Assiriese leër te toon. Daar is gevind dat perde instrumenteel in oorlogvoering was asook dat hulle status en rang binne die militêre strukture uitgebeeld het.

Thesis (PhD)--Stellenbosch University, 1989. / Master copies of 5 1/2 inch (Floppy) disks kept separately by library. / ENGLISH ABSTRACT: The Iraqi State Department of Antiquities and the Polish expedition under the late Janusz Meuszynski and Richard Sobolewski, assisted later by Samuel Paley (Buffalo), set themselves the goal to locate, identify and to reconstruct the original arrangement of the reliefs from the Northwest Palace of Ashurnasirpal II. The majority of the reliefs are scattered all over the world in museums and institutions from Leningrad to Los Angeles, mainly due to the style of archaeologists and opportunists from the previous century who removed these reliefs from the Nimrud Mound. Section A of the dissertation attempted to complement the achievements of the combined Iraqi-Polish-American effort through the study of the "Standard" Inscription which was carved across and in between the reliefs of Ashurnasirpal. Subsequently, this somewhat audacious and time-consuming project was launched to trace the present whereabouts of those reliefs outside Iraq in a bid to study each text seperately. This was achieved in the end in that the inscriptions were studied from the original sculptures or from photos provided by the institutions in whose care the reliefs are at present. Each exemplar was eventually copied, transliterated and reproduced in its original room setting of the North-Vest Palace. In order to reproduce each text as an entity in its own right and in an accessible way (in direct opposition to previous attempts whereby a myriad of text-critical data was simply reduced to footnotes), available computer software initially had to be experimented with before a suitable program could be decided upon. Eventually T 3 of TOI Software Research was selected on mainly user-friendly and font-adaptability grounds. The interested scholar is now in a position to see at a glance how the texts, which were originally engraved onto sculptured slabs in the close proximity of one room, vary from one another. The remainder of Ashurnasirpal's textual corpus was treated in Section B. These inscriptions were studied and collated on the original monuments in London and New York. The texts were finally collated, revised and transliterated in a standardized form from photographs, provided by the institutions in whose care they are at present. In order to facilitate the progress of research on the Ashurnasirpal inscriptions, it was decided to make all the textual material available in the electronic medium of two 2.1 megabyte floppy disks (cf. the envelope attached to the back cover). The data is stored in T 3 volumes (73VOLS). The latest T 3 version (2.3) has a conversion program for converting T 3 documents to YordPerfect 5.0, making the material of this research more accessible to non T 3 users. Thanks to the initiatives of the Tubinger Atlas des Vorderen Orients Project which provides the critical historian with a much needed historico-geographical footing, the unique summary of conquests or so-called standard titulary sections in the royal inscriptions of Ashurnasirpal were examined in search of a historically verifiable methodology. These passages were collected not only from the Calah inscriptions, but especially from other provenances like Ashur and Nineveh on the assumption that a definite correlation exists between geographic references and the chronological sequences of events in the Ashurnasirpal II royal inscriptions. These "summary" sections provide a useful summary in titular form of the king's conquests comprising essentially geographic material. They emanated stylistically from the preceding sections on the king's genealogy, titulary, filiation and theological legitimation. They were in a constant state of editorial flux impending on the successes of the king's expansionist policies. The modern historian can now utilize these summaries, or historico-political titles, not only as a fixed point of departure, historically speaking, but also as a normative tool to unravel biased military reports of the king's military activities in both the annalistic and display type of inscriptions. A new approach on the historical reconstruction of the reign of Ashurnasirpal II (883-859 B.C.) with its implications for the study of the Old Testament can now be anticipated. / AFRIKAANSE OPSOMMING: Die Irakse Direktoraat van Rultuursake en 'n Poole ekspedisie onder aanvoering van wyle Janusz Meuszynski en Ryszard Sobolewski, later bygestaan deur Samuel Paley (Buffalo), het hulle dit ten doel gestel om al Assurnasirpal II se reliefs, wat sedert die vorige eeu deur skattejagters en argeoloe van die Nimrud Tel (naby Mosul in die noorde van Irak) verwyder is en na museums en instellings van Leningrad tot in Los Angeles versprei is, op te spoor. Met behulp van hoof saaklik die ikonografie-is die reliefs se oorspronklike plekke in die beroemde Noordwes-Paleis vasgestel en grafies gerekonstrueer. Afdeling A van hierdie dissertasie poog om hierdie projek aan te vul deur al die II "Standaard" Inskripsies wat bo-oor en tussen die reliefs aangebring was, te bestudeer. 11 Yervolgens is die moeisame proses aangepak om hierdie reliefs in museums oor die hele wereld op te spoor, die inskripsies direk of vanaf foto's te kollasioneer, te kopieer, te translitereer en in hul oorspronklike vertrekskonteks weer te gee. Die formaat waarin die transliterasies van die inskripsies uiteindelik weergegee moes word, is uiteindelik deur middel van TCI Software Research se T 3 bemeester. Die formaat waarin die tekste weergegee is in hierdie dissertasie, vergemaklik die bestudering van individuele tekste sowel as die vergelyking van die teksvariante in die groter paleiskonteks, deurdat die tekste gegroepeer is ooreenkomstig die oorspronklike posisies van die reliefs teen die mure van die onderskeie vertrekke van die paleis. In Afdeling B is die oorblywende tekskorpus van Assurnasirpal behandel. Die inskripsies is op die oorspronklike monumente, stelas en tablette in hoof saaklik Londen en New York bestudeer, gekollasioneer en die transliterasies is hersien en gestandaardiseer. Dit bring vervolgens mee dat die tekskorpus van Assurnasirpal II in die elektronies-toeganklike formaat van T S -volumes beskikbaar is vir Assirioloe, wat met behulp van die rekenaartegnologie navorsing op die Assurnasirpal tekste wil doen. Die nuwe 2.3 weergawe van 7 3 beskik oor die moontlikheid om 3 -volumes en -leers om te skakel in YordPerfect 5.0 dokumente, wat dus_inligtingsherwinning, data-onttrekking en ander dergelike funksies van die rekenaartegnologie op spykerskriftekste verder vergemaklik. Al die teksmateriaal is vir die doel op twee 2.1 megagreep slapskywe gestoor in 73-volumes en is beskikbaar in die koevert, wat aan die agterblad van die dissertasie vasgeheg is. Ten slotte is 'n nuwe metodologie, gebore uit die inisiatiewe van en blootstelling aan die Tubinger Atlas des Vorderen Orients Projek, op die proef gestel. Kortliks berus hierdie benadering op die aanname dat daar 'n histories-verifieerbare korrelasie tussen geografiese gegewens en kronologiese ordening in die Assiriese Koningsgeskrifte bestaan. Die betrokke gedeelte in die koningsgeskrifte, waarin 'n opsomming van die koning se verowerde gebiede (en dus geografiese data) stilisties voortvloei uit die voorafgaande genealogie, titulatuur en teologiese legitimasie, is vervolgens versamel en gegroepeer uit tekste wat Assur, Nineve en Nimrud insluit. Hierdie opsommende titulatuur is op 'n gereelde basis deur die amptelike Assiriese skrywers geredigeer ooreenkomstig die welslae van die koning se buitelandse beleid van ekspansionisme. Vervolgens kan die moderne historikus hierdie beknopte historiese gegewens in die opsommende titulatiqr, gesuiwer van tipiese Assiriese propaganda, as 'n vaste normatiewe basis aanwend om die breedvoerige annalistiese beskrywings van die koning se veldtogte krities te bestudeer. 'n Betroubare rekonstruksie van die regeringstyd van Assurnasirpal II (883-859 v.C.) en die implikasies wat dit vir die flu Testament inhou, kan vervolgens in die vooruitsig gestel word.

The present study was intended as a new approach to the study of the military equipment of the Late Assyrian period which has traditionally relied upon the pictorial representations of the palace reliefs. By examining extant artifacts from the first millennium in their own right, with the reliefs merely serving to contextualize them, a truer understanding of Assyrian arms and armour can be gathered. This is necessary because the artwork only provides us with a filtered view of the real world, the reliefs are as much works of propaganda as of history. The approach taken here is to first examine the existing weapons typologically, and then to evaluate whether such weapon types appear to be accurately represented in contemporary artwork. Textual sources are also used where they can aid in the discussion. Five categories of arms and armour were studied: swords and daggers, spearpoints, shields, armour and helmets. The quality and quantity of the items in these categories varied significantly, providing for a much better representative sample of some items than others. Further questions concerning the possible ritual, rather than military, use of some of the existing artifacts were raised. However, the main conclusions reached were that the reliefs suffer not only from a propagandistic viewpoint which sometimes obscures the reality of Assyrian warfare, but that they also suffer from artistic license and spatial restraints, the difficulties in representing three-dimensional objects in a two-dimensional manner, the possible unfamiliarity of the artists with changing military technology and methods of construction, and finally, our inability to understand artistic short-hand for what were commonplace objects to the contemporary viewer. These have led to misunderstanding both as to the dating and chronological changes in weaponry, and also to the tactics used by the Late Assyrian military. This study of the artifacts themselves reveals a more mundane, utilitarian, and conservative military force which shows both a basic homogeneousness throughout the empire, and the myriad tiny variables of an army on the move drawing weapons and troops from many regions.

Located in an isolated gorge in Iraqi Kurdistan, the Neo-Assyrian rock reliefs at Khinnis are unusual for their size, shape, and subject matter. The most striking of these is the enormous Great Relief, the largest single Assyrian sculpture in existence, which depicts a pair of gods attended by the duplicated figure of the Assyrian king. Both the Great Relief and the other sculptures of the Khinnis site were carved on the orders of Sennacherib (r. 705-688 BCE), to commemorate the canal head he constructed there. The Great Relief itself was positioned over the exact juncture wherein the waters of the river Gomel were canalized and sent on their way towards Nineveh, designated by Sennacherib as Assyria’s new imperial capital, irrigating fields and orchards along the way. In this thesis I examine the composition and iconography of the Great Relief, both in the context of Sennacherib’s irrigation programs and the inscription carved at the Khinnis site. This inscription contains a curiously bifurcated account of both Sennacherib’s civil works in Assyria and his brutal sack of Babylon in 689. In both cases, Sennacherib emphasizes his ingenious technical ability to manipulate water for the benefit of the Assyrian state, either through the creative irrigation of the Assyrian heartland and the new capital, or the destructive flooding and leveling of Babylon. I argue that the dichotomy presented by these activities, a dualism of “nurture and control” through technical expertise, is a persistent theme throughout the rhetoric of Sennacherib’s inscriptions and reliefs. Through a close analysis of the Khinnis inscription, the Assyrian tradition of landscape sculpture, and the emblematic and narrative strategies employed in palatial relief programs, I argue that the Great Relief at Khinnis is an emblematic image of the dualistic ideology of Sennacherib’s reign. Ultimately, the Great Relief stands as a carefully devised visual statement about the nature of state power, consciously created by Sennacherib to signal his conceptual re-founding of the Assyrian empire. / text

The present study was intended as a new approach to the study of the military equipment of the Late Assyrian period which has traditionally relied upon the pictorial representations of the palace reliefs. By examining extant artifacts from the first millennium in their own right, with the reliefs merely serving to contextualize them, a truer understanding of Assyrian arms and armour can be gathered. This is necessary because the artwork only provides us with a filtered view of the real world, the reliefs are as much works of propaganda as of history. The approach taken here is to first examine the existing weapons typologically, and then to evaluate whether such weapon types appear to be accurately represented in contemporary artwork. Textual sources are also used where they can aid in the discussion. Five categories of arms and armour were studied: swords and daggers, spearpoints, shields, armour and helmets. The quality and quantity of the items in these categories varied significantly, providing for a much better representative sample of some items than others. Further questions concerning the possible ritual, rather than military, use of some of the existing artifacts were raised. However, the main conclusions reached were that the reliefs suffer not only from a propagandistic viewpoint which sometimes obscures the reality of Assyrian warfare, but that they also suffer from artistic license and spatial restraints, the difficulties in representing three-dimensional objects in a two-dimensional manner, the possible unfamiliarity of the artists with changing military technology and methods of construction, and finally, our inability to understand artistic short-hand for what were commonplace objects to the contemporary viewer. These have led to misunderstanding both as to the dating and chronological changes in weaponry, and also to the tactics used by the Late Assyrian military. This study of the artifacts themselves reveals a more mundane, utilitarian, and conservative military force which shows both a basic homogeneousness throughout the empire, and the myriad tiny variables of an army on the move drawing weapons and troops from many regions.

Thèse--Université de Paris.

Thèse--Université de Paris.

This dissertation represents an investigation into the changing nature of political power during the final 133 years of the Neo-Assyrian Empire, seeking to understand how power functioned within the Assyrian system through studying the careers of its imperial administrators. How was power distributed between the king and his officials? What sort of relationships existed between officials and the king, and with each other? How did Assyrian officials’ careers progress? Finally, to what extent did the above shape the political history of the Neo-Assyrian Empire? To answer these questions, this dissertation utilizes a combination of old and new approaches. Close readings of primary source documents are combined with aggregate analysis and insights from the fields of social network analysis and organizational communication. Rejecting most previous efforts at studying Assyrian imperial organization as too reliant on hierarchical models of organization, this study utilizes tools such as a Communicative Constitution of Organizations framework and Leader-Member Exchange Theory, which emphasize the importance of informal structure and interpersonal relationships in studying human organizations. Through a social network analysis of 3,864 letters which survive from the years 745-612 BC, it identifies especially influential officials during the reign of each king as well as long term changes over time in communications patterns and the types of officials who achieved prominence. This dissertation argues that Sargon II initiated a wide-ranging reform of the imperial administration, seeking to centralize power in the person of the king and the royal family through greatly expanding the number of provincial governors and other officials who reported directly to the king. These reforms increased the importance of informal hierarchy, as a few officials who managed to build close working relationships with the king could wield significant power. Sargon’s reforms structured the empire in such a way as to promote intense competition between officials for status, both between individuals and between the rival sectors of provincial government, palace administration, and the major temples. However, this competition had unintended consequences: the large number of persons writing to the king made it more difficult for the king to acquire accurate information about conditions in the empire. Essentially a prisoner of the information being provided to them, Assyrian monarchs of the seventh century tried a variety of methods to solve this problem, including employing special agents to provide an independent source of information, consulting experts in divination to check the loyalties of their subjects, and implementing public oaths which enjoined the entire population to inform the king of potentially disloyal elements. None of these attempts were successful, and the problem of information likely contributed to a weakening of imperial control over the course of the seventh century, culminating the dramatic collapse of the empire in 612 BC.