It is widely acknowledged that the phenomenon of prophecy was not restricted only to ancient Israel, but is well attested throughout the ancient Near East, not least but in the textual material retrieved from the Mesopotamian capitals of Mari and Nineveh. A number of recent studies have utilized these sources to discuss the literary history and rhetorical content of Hebrew prophecy. The following thesis differs from these by undertaking to examine and compare the institution of prophecy as it occurs in the Mari, Neo-Assyrian, and Hebrew sources. -Prophecy‖ is considered to be a mode of non-inductive divination, separate from dreams, that, ideally, is denoted by the active intermediation of allegedly divine messages to a human audience. Thus, texts that record the direct speech of a deity and are communicated to an audience by a human intermediary-without recourse to dreams or technical divination-may potentially reflect prophecy in the Mari and Neo-Assyrian sources. Along with a selection of preexilic Hebrew oracular sources, the image of prophecy in all three corpora is independently examined along seven lines: Prompting Prophecy, Prophets, Prophetic Deities, Venues, Means of Delivery, Content of Oracles, and the Responses to Prophecy. Observations gleaned from this analysis are then compared and contrasted with one another to derive a more nuanced understanding of the phenomenon of prophecy in each source. Among other conclusions, it is observed that it is insufficient to simply silhouette Hebrew prophecy against its Mesopotamian counterparts, as if the images of prophecy in Mari and Neo-Assyrian sources themselves represent indistinguishable phenomena. Indeed, despite considerable overlap, they are not completely consistent. This result, it is argued, places in context some of the more glaring discrepancies between these sources and the image of prophecy in the Hebrew sources.

The present study was intended as a new approach to the study of the military equipment of the Late Assyrian period which has traditionally relied upon the pictorial representations of the palace reliefs. By examining extant artifacts from the first millennium in their own right, with the reliefs merely serving to contextualize them, a truer understanding of Assyrian arms and armour can be gathered. This is necessary because the artwork only provides us with a filtered view of the real world, the reliefs are as much works of propaganda as of history. The approach taken here is to first examine the existing weapons typologically, and then to evaluate whether such weapon types appear to be accurately represented in contemporary artwork. Textual sources are also used where they can aid in the discussion. Five categories of arms and armour were studied: swords and daggers, spearpoints, shields, armour and helmets. The quality and quantity of the items in these categories varied significantly, providing for a much better representative sample of some items than others. Further questions concerning the possible ritual, rather than military, use of some of the existing artifacts were raised. However, the main conclusions reached were that the reliefs suffer not only from a propagandistic viewpoint which sometimes obscures the reality of Assyrian warfare, but that they also suffer from artistic license and spatial restraints, the difficulties in representing three-dimensional objects in a two-dimensional manner, the possible unfamiliarity of the artists with changing military technology and methods of construction, and finally, our inability to understand artistic short-hand for what were commonplace objects to the contemporary viewer. These have led to misunderstanding both as to the dating and chronological changes in weaponry, and also to the tactics used by the Late Assyrian military. This study of the artifacts themselves reveals a more mundane, utilitarian, and conservative military force which shows both a basic homogeneousness throughout the empire, and the myriad tiny variables of an army on the move drawing weapons and troops from many regions.

Ce travail de doctorat en archéologie du Proche-Orient entend questionner les preuves matérielles des phénomènes de globalisation et de la formation de l’empire néo-assyrien (IXe-VIIe s. av. J.-C.). L’empire néo-assyrien a été imaginé très tôt par des savants européens, nationalistes et positivistes du XIXe siècle. Ils lui reconnaissent un espace central qu’ils dénomment « le triangle assyrien » et l’érigent comme foyer culturel. La culture assyrienne serait dès lors diffusée au gré de l’expansionnisme des souverains motivés par une idéologie impérialiste. Les premiers archéologues confirment la singularité ethno culturelle des vestiges remise en cause aujourd’hui grâce à un renouvellement des méthodes et des activités de recherche au nord de l’Irak. Le premier volet de notre étude propose une approche épistémologique et historiographique des notions de « culture matérielle » et de « région centrale». Il s’agit d’éviter les obstacles méthodologiques pour penser l’histoire des contacts et des circulations des techniques des Anciens entre l’Euphrate et les contreforts du Zagros. Le deuxième temps de l’analyse consiste à enquêter sur les modèles de peuplement et les productions matérielles dans l’ouest de la Djéziré, en se concentrant sur le site de Tell Masaïkh pour lequel une typo-chronologie des poteries est proposée. Enfin, par une mise en perspective de ces deux temps d’analyse, les rythmes d’installation et les orientations des échanges et des interactions des populations de ces régions sont précisés. Ces conclusions démontrent une appartenance de l’empire assyrien à un réseau globalisé au Ier millénaire, hérité d’une longue durée des contacts en Mésopotamie du Nord. / This dissertation examines material evidence of the phenomena of globalization and the formation of the Neo-Assyrian Empire (9th - 7th century BCE). The Neo-Assyrian Empire was first concieved of by nineteenth-century European scholars, nationalists, and positivists. They identified it as a central space which they called "the Assyrian triangle" and envisioned as a cultural hub. The Assyrian culture would then radiate outward according to the expansionist policy employed by rulers motivated by an imperialist ideology. Previous archaeological examination confirms the ethno-cultural uniqueness of the vestiges now being revisited thanks to a renewal of research methods and activities in northern Iraq. The first part of this study proposes an epistemological and historiographical approach to the concepts of "material culture" and "central region," in order to avoid any methodological obstacles in thinking about the history of contact and the circulation of ancient technologies in the region between the Euphrates and the foothills of Zagros. The second part of this study investigates the settlement patterns and material production in the western Jazirah, focusing on the site of Tell Masaikh for which a typo-chronology of the pottery is proposed. Finally, by putting into perspective these analyses, settlement rythmes and the direction of exchanges and interactions among the populations of these regions are made clear. The conclusions of this study show that the Assyrian empire belonged to a globalized network in the first millennium, which resulted from the long history of cultural contact in northern Mesopotamia.

The present study was intended as a new approach to the study of the military equipment of the Late Assyrian period which has traditionally relied upon the pictorial representations of the palace reliefs. By examining extant artifacts from the first millennium in their own right, with the reliefs merely serving to contextualize them, a truer understanding of Assyrian arms and armour can be gathered. This is necessary because the artwork only provides us with a filtered view of the real world, the reliefs are as much works of propaganda as of history. The approach taken here is to first examine the existing weapons typologically, and then to evaluate whether such weapon types appear to be accurately represented in contemporary artwork. Textual sources are also used where they can aid in the discussion. Five categories of arms and armour were studied: swords and daggers, spearpoints, shields, armour and helmets. The quality and quantity of the items in these categories varied significantly, providing for a much better representative sample of some items than others. Further questions concerning the possible ritual, rather than military, use of some of the existing artifacts were raised. However, the main conclusions reached were that the reliefs suffer not only from a propagandistic viewpoint which sometimes obscures the reality of Assyrian warfare, but that they also suffer from artistic license and spatial restraints, the difficulties in representing three-dimensional objects in a two-dimensional manner, the possible unfamiliarity of the artists with changing military technology and methods of construction, and finally, our inability to understand artistic short-hand for what were commonplace objects to the contemporary viewer. These have led to misunderstanding both as to the dating and chronological changes in weaponry, and also to the tactics used by the Late Assyrian military. This study of the artifacts themselves reveals a more mundane, utilitarian, and conservative military force which shows both a basic homogeneousness throughout the empire, and the myriad tiny variables of an army on the move drawing weapons and troops from many regions.

No description available.

This thesis explored the potential patterns and connections which could be uncovered through careful analysis of the royal inscriptions mentioning horses as a form of plunder or tribute, dedicated to the kings of the Neo-Assyrian empire. This was accomplished by analysing all royal inscriptions attributed to Neo-Assyrian kings found within the RINAP and RIAo projects for passages that meet said criterium. Once all the relevant texts had been tabulated, the results were sorted into larger categories and then compared to each other. This resulted in certain patterns emerging. It became clear that during the first half Neo-Assyrian period, before the great expansion of the empire started under Tiglath-Pileser III, the mountains to the north of Assyria, which for the purposes of this thesis have been designated ‘the Caucasus’, was a major source of horses through looting and extracting tribute. It was not the region which was attacked the most, that honour falls to the mountains to the east, designated as ‘Persia’ for the purposes of this thesis. Towards the end of the Neo-Assyrian period, the importance of the Caucasus as a source of horses was severely diminished, while the importance of Persia grew. Exact numbers of horses are very rarely given, making the few instances they are mentioned stand out. Because of this, no reliable numbers or estimates can be given.

L’Empire néo-assyrien (934-610 av. J.-C.) a conquis la majeure partie du Proche-Orient en quelques siècles. S’il modifie la carte géopolitique de la région, l’impact concret qu’il exerce sur les territoires avec lesquels il entre en contact est difficile à cerner. La tendance générale était jusqu’à il y a peu de considérer que les Assyriens contrôlaient étroitement toute leur périphérie par une présence importante de militaires et de fonctionnaires, tout en initiant un processus d’« assyrianisation ». Ce travail doctoral propose d’évaluer l’importance et la nature de la présence assyrienne dans le royaume de Hamat (nord-ouest de la Syrie) et de déterminer s’il existe un lien entre présence et influence assyriennes. Les résultats d’une analyse des sources historiques et archéologiques montrent que la présence assyrienne à Hamat était bien plus subtile que ce que l’on aurait pu croire. D’une part, l’élite provinciale assyrienne insistait sur sa légitimation auprès des autochtones et sa coopération avec l’élite locale plutôt que sur l’utilisation de la force pour maintenir le joug de l’Empire. D’autre part, loin d’indiquer une colonisation assyrienne ou un changement de culture, l’influence de la culture assyrienne à Hamat se traduirait plutôt par l’adoption par l’élite locale de nouveaux objets de prestige qui contribuaient à la consommation ostentatoire et à l’émulation compétitive / The major part of the Near East was conquered by the Neo-Assyrian Empire (934-610BC) in a few centuries. If the geopolitical map of the region was altered, the concrete impact it exerted on the territories with which it came into contact is difficult to appraise. Until recently there was a general tendency to consider that the Assyrians tightly controlled their whole periphery by maintaining a high number of soldiers and personnel, while initiating a process of “Assyrianization.” This doctoral thesis tries to assess the importance and nature of the Assyrian presence in the kingdom of Hamat (in northwest Syria) and to determine whether there is a link between the presence and influence of the Assyrians. The results of an analysis of historical and archaeological sources show that the Assyrian presence in Hamat was much more subtle than what might have been envisaged. On the one hand the Assyrian provincial elite insisted on being legitimized with the natives and cooperating with the local elite rather than using force to maintain the yoke of the Empire. On the other hand, far from indicating an Assyrian colonization or a change of culture, the influence of Assyrian culture in Hamat would rather translate into the local elite adopting new objects of prestige that contributed to conspicuous consumption and competitive emulation.

Les empires néo-assyrien et perse achéménide qui ont conquis le Proche-Orient au 1er millénaire av. J.-C., ont eu un besoin constant en équidés. Ces animaux sont non seulement utilisés dans les cadres militaires et cynégétiques, mais ils apparaissent également lors des défilés. Objets de prestige et convoitise, ils représentent une part importante des tributs livrés aux rois conquérants. Victorieux, les souverains ont orné les murs de leurs palais de bas-reliefs narrant leurs hauts faits. Les équidés, tant domestiques que sauvages, y occupent une place centrale. Ce travail doctoral propose une étude iconographique centrée sur la figure de l’équidé afin de procéder à un déplacement analytique qui permet d’appréhender les images impériales sous un autre angle. Ainsi, après avoir enregistré et décrit formellement les équidés, nous avons procédé à diverses analyses précises des détails de leur figuration. Les résultats attestent notamment du caractère réaliste et naturaliste des représentations, qui permet de renforcer l’adhésion des observateurs. Ces figurations prennent part au discours politique et idéologique véhiculé par les reliefs car elles développent un langage visuel spécifique qui montre une armée disciplinée, invincible et victorieuse, à l’image du monarque qui la mène. Enfin, les équidés apparaissent dans les scènes de défilés, leur pas assuré et digne ajoute encore à la gloire de celui vers lequel ils se dirigent : le souverain. / Neo-Assyrian and Achaemenid empires that conquered the major part of the Near East in the 1st millennium B.C., had a constant need for equids. These animals are indeed not only used in military and hunting actions but they also appear during parades. Prestigious objects, they represent an important part of the tributes delivered to the conquering kings. Victorious, the rulers adorned the walls of their palaces with reliefs recounting their deeds. Equids, both domestic and wild, appear to be central in these images. This doctoral thesis proposes an iconographic study centred on the equids figure in order to carry out an analytical displacement that allows imperial images to be viewed from another angle. Therefore, after having recorded and formally described the equids, we proceeded to several precise analyses of the details of their figuration. The results attest in particular to the realistic and naturalistic aspect of their representations, which makes it possible to enhance the support of the observers. These images take part in the political and ideological discourse conveyed by the reliefs because they develop a specific visual language that shows a disciplined, invincible and victorious army, just like the monarch who leads it. Finally, the equids appear in the parades scenes, their confident and dignified steps add once more to the glory of the one they are heading for: the king himself.