The present thesis proposes a deconstructive analysis of Czech television oratorio Genesis (director Pavel Hobl, music Zbigniew Wiszniewsky, Czechoslovak Television and Zweites Deutsches Fernsehen, 1969). Using concepts of voice-object and acousmêtre, this study examines music of the oratorio as an important narrative feature of the audio-visual object. The text interprets the narrative of the oratorio as a crituque of logocentrism and rationalism of modern society. Beside the interpretative part, the study duscusses history and preception of the genre of television opera in Czechoslovakia from early 60s to 1989. Two concepts of the production of television opera are introduced: first, a concept of television opera as a mediator of an existing operatic work, or as means of cultural education of "mass audience"; secondly, television opera is called to represent a new art form using specific television means. These concepts are found in texts by Czech music theorists and journalists of 60s, when the disputation about television opera in Czech journals culminated. A list of television operas produced by Czechoslovak television until 1989 is attached.

Denna studie har som syfte att undersöka hur ljudet och bilden samspelar i filmen The Tribe (2014) (Myroslav Slaboshpytskyi med ljuddesign av Oleh Holovoshkin). Studien har även som syfte att undersöka vilka ljud som bidrar till känslan av obehag, ångest och rädsla.  Uppsatsen innehåller en audiovisuell analys av två scener ur undersökningsmaterialet (The Tribe) som består av Michel Chions metod Masking. Genom Masking upprättas en scenbeskrivning och en ljudhändelsebeskrivning. De två beskrivningarna har använts för en audiovisuell analys om hur bilden och ljudet står i förhållande till varandra.  Resultatet av analysen visar på att ljudet i filmen starkt kan kopplas till bilden för att förstärka känslan av oro, ångest och rädsla. Ljudet vägleder åskådarens uppmärksamhet genom filmen och knyter samman sekvenser i ett tidsförlopp samt understryker känslomässiga uttryck. / The purpose of this thesis is to examine how sound and image interact in the film The Tribe (2014) (Myroslav Slaboshpytskyi with sound design by Oleh Holovoshkin). The thesis also have the purpose to examine which sounds that contributes to the feelings of discomfort, anxiety and fear. The thesis contains an audiovisual analysis of two scenes from the material (The Tribe) and a method constructed by Michel Chion called Maskin. Through Masking a description of the scene and a description of the sound events are established. The two descriptions have been used in a audiovisual analysis of how the image and sound are in relation to each other.  The result of the analysis concludes that the sound in the movie strongly can be connected to the image to further strengthen the feelings of discomfort, anxiety and fear. The sound guides the viewers attention throughout the movie and ties together sequences in time and emphasises emotional expressions.

Desde el éxito de la canción “Despacito” de Luis Fonsi & Daddy Yankee, el género urbano del reggaetón ha venido obteniendo mayor presencia en países de habla hispana. Así como este género musical se ha venido popularizando internacionalmente, han surgido diversos movimientos a favor de la igualdad de género y la defensa a los derechos de la mujer, y al mismo tiempo aparecían nuevas cantantes de reggaetón que se destacaban por demostrar el empoderamiento femenino tanto en las letras de las canciones como en los videoclips musicales. Por ello, el presente trabajo es un análisis narrativo audiovisual de los videoclips de reggaetón de Karol G entre los años 2017 y 2019 desde un enfoque de género para explicar la representación de la mujer en los videoclips como productos audiovisuales y publicitarios de alta difusión musical. Desde un paradigma interpretativo y un enfoque cualitativo se plantea un estudio de caso aplicado a los seis videoclips más visualizados de la artista en Youtube lanzados entre 2017 y 2019. Se propone analizar tres categorías relacionadas a la narrativa y la dirección de arte desde un enfoque de género; perfil de personajes, acciones y contexto. / Since the success of the song "Despacito" by Luis Fonsi & Daddy Yankee, the urban reggaeton genre has been gaining more presence in Spanish-speaking countries. Just as this musical genre has become internationally popular, various movements have arisen in favor of gender equality and the defense of women's rights, and at the same time new reggaeton singers appeared who excelled in showing female empowerment both in the lyrics of the songs as in the music video clips. Therefore, this work is an audiovisual narrative analysis of Karol G's reggaeton video clips between 2017 and 2019 from a gender perspective to explain the representation of women in video clips as audiovisual and advertising products with high musical diffusion. From an interpretative paradigm and a qualitative approach, a case study is proposed applied to the artist's six most viewed video clips on YouTube released between 2017 and 2019. It is proposed to analyze three categories related to narrative and art direction from an approach of gender; character profile, actions and context. / Trabajo de investigación

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