Pakeha identity has long been problematic, caught in a straddling stance between European co-ordinates of origin, and life in Aotearoa. This has been particularly evident over the last three decades: with the rise of tino rangatiratanga, Pakeha identity has undergone something of a crisis. Group identity, especially in such periods of crisis, requires �narratives� that re-imagine being and belonging. Poetry by Pakeha both displays the problem with identity at the cross cultural threshold between Maori and Pakeha, asking � what happens when Pakeha engage cross-culturally with te ao Maori, appropriating te reo Maori and drawing on Maoritanga, to re-vision and reconfigure identity? And how does such an approach shape the imagining of Pakeha identity?� I study, in parallel, the cross-cultural poetry of James K. Baxter and Glen Colquhoun in relation to these questions. Borrowing a conceptual metaphor from Colin McCahon, I examine these cross-cultural poems in detail as �load-bearing structures�. I pay particular attention to the way in which, in purpose, design and materials, they function to re-imagine Pakeha identity in reciprocal relationship with te ao Maori. Aware of the problems of culture-crossing, at the outset I establish a historical and interpretive framework for the poetry. Furthermore, I discuss the question of appropriation, arguing for an ethical distinction between appropriation and misappropriation based on a cross-cultural relationship of faithful and reciprocal engagement. I conclude that Baxter and Colquhoun are singular and radical in their reconfiguration of Pakeha identity. Baxter embraces te ao Maori in a direct challenge to Pakeha nationalism, prescribing the necessary corrective of the tuakana-teina dynamic to Pakeha identity and its relationship with te ao Maori. Writing after the Maori renaissance, Glenn Colquhoun irreverently opens up a further reconfiguration of cross-cultural relationship, pushing both Maori and Pakeha beyond a cultural dichotomy towards a mutually defining complementarity. Both place themselves on the cultural threshold of language, embracing the tensions of the cross-cultural scenario. The result is cross-cultural poetry, load-bearing structures that manifest the tension and ambivalence of the settler culture�s straddling identity, enacting what it is to be Pakeha.

Research Doctorate - Doctor of Philosophy (PhD) / This thesis explores theoretical aspects of the affective dimension of literature. Beginning with Aristotle's tying of katharsis to the drama, the pattern of affective relations is completed through the establishing of terms for each of the three broad traditional genres. These relations can be expressed in the ratio: as katharsis is to the genre of the dramatic, so kenosis is to the genre of the lyric, so kairosis is to the genre of the epic. Within each of these affective relations, further relations are determined for the identity structures within each genre. In defining these identity structures, the philosophical, theological, psychological and literary aspects of katharsis, kenosis and kairosis are explored. Of particular use in mapping these identity structures and literary affects were the philosophical theories of Aristotle, Kant, Hegel, Heidegger, Sartre, and Wittgenstein; the theological views of D.G. Dawe, John Macquarrie, Charles Pickstone, and Ernest F. Scott; the psychological theories of C.J. Jung, Jacques Lacan and Julia Kristeva; the literary theories of Mikel Dufrenne, Stanley Fish, Toshihiko and Toyo Izutsu, Hans Robert Jauss, W.R. Johnson, Frank Kermode, William Elford Rogers, and D.T. Suzuki; and the literary works of Homer, Shakespeare, George Herbert, S.T. Coleridge, Charles Baudelaire, Wallace Stevens, and James K. Baxter. Taking up Aristotle's project to grant cognitive value to the experience of art, this thesis argues for the centrality of identity structures within the dimension of the affective. The thesis further determines that literature's affective dimension is the domain within which aesthetic identity is established. Such imaginative identity structures amount to a cultural catalogue of identity possibilities. As the keepers of this catalogue, the three interpretive genres amount to a body of affective knowledge that is its own dimension.

Research Doctorate - Doctor of Philosophy (PhD) / This thesis explores theoretical aspects of the affective dimension of literature. Beginning with Aristotle's tying of katharsis to the drama, the pattern of affective relations is completed through the establishing of terms for each of the three broad traditional genres. These relations can be expressed in the ratio: as katharsis is to the genre of the dramatic, so kenosis is to the genre of the lyric, so kairosis is to the genre of the epic. Within each of these affective relations, further relations are determined for the identity structures within each genre. In defining these identity structures, the philosophical, theological, psychological and literary aspects of katharsis, kenosis and kairosis are explored. Of particular use in mapping these identity structures and literary affects were the philosophical theories of Aristotle, Kant, Hegel, Heidegger, Sartre, and Wittgenstein; the theological views of D.G. Dawe, John Macquarrie, Charles Pickstone, and Ernest F. Scott; the psychological theories of C.J. Jung, Jacques Lacan and Julia Kristeva; the literary theories of Mikel Dufrenne, Stanley Fish, Toshihiko and Toyo Izutsu, Hans Robert Jauss, W.R. Johnson, Frank Kermode, William Elford Rogers, and D.T. Suzuki; and the literary works of Homer, Shakespeare, George Herbert, S.T. Coleridge, Charles Baudelaire, Wallace Stevens, and James K. Baxter. Taking up Aristotle's project to grant cognitive value to the experience of art, this thesis argues for the centrality of identity structures within the dimension of the affective. The thesis further determines that literature's affective dimension is the domain within which aesthetic identity is established. Such imaginative identity structures amount to a cultural catalogue of identity possibilities. As the keepers of this catalogue, the three interpretive genres amount to a body of affective knowledge that is its own dimension.

Thesis (D. Min.)--Harding Graduate School of Religion, 1987. / Includes bibliographical references (leaves 174-185).

Thesis (D. Min.)--Trinity International University, 2001. / Abstract. Includes bibliographical references (leaves 238-254).

Thesis (D. Min.)--Trinity International University, 2001. / Abstract. Includes bibliographical references (leaves 238-254).

Made available in DSpace on 2016-06-02T20:16:50Z (GMT). No. of bitstreams: 1 4881.pdf: 414637 bytes, checksum: 041da44884b7633aa3ab49c8d8b0d020 (MD5) Previous issue date: 2012-03-16 / Universidade Federal de Minas Gerais / In this thesis we present solutions of the graded boundary YANG-BAXTER equations for vertex models with [osp(2|2)(2)] symmethy. / Nesta dissertação apresentamos soluções graduadas das equações de YANG-BAXTER com fronteiras associadas aos modelos de vértices com simetria [osp(2|2)(2)].

ABSTRACT THE REFORMED AND CELIBATE PASTOR: RICHARD BAXTER’S ARGUMENT FOR CLERICAL CELIBACY Seth DeShields Osborne, Ph.D. The Southern Baptist Theological Seminary, 2018 Chair: Dr. David L. Puckett This dissertation explores Richard Baxter’s (1615-1691) argument for clerical celibacy. It argues that his teaching on clerical celibacy was a very controversial way of resolving tensions in English Protestant marriage doctrine. His argument was a product of a very stringent model of pastoral care developed in response to England’s ecclesiastical situation, was deeply influenced by his personal qualities and life experiences, and was rooted in his overarching ethical principles for Christian living. Baxter remained remarkably consistent, even when appearing to violate his convictions by marrying later in life. Chapter 1 details the importance of the study for scholarship, the state of research, and finally the methodology and sources to be used. Chapter 2 examines English Protestant attitudes toward marriage and celibacy in Elizabethan and Stuart England in order to demonstrate their struggle to reconcile the Bible’s praise of marriage in Genesis 1-2 with its teaching on celibacy’s expediency in 1 Corinthians 7. Chapter 3 analyzes Baxter’s theology of soul care in the church and the family; it argues that Baxter did not possess a negative attitude toward marriage and family life, but rather he realized that clerical marriage strained the ability of ministers to fully implement his burdensome pastoral model of soul care. Chapter 4 explores several internal and external factors in Baxter’s life that shaped “particularities” that would come to define him as a theologian and minister of the gospel. Chapter 5 studies Baxter’s practical divinity in order to show that his argument for clerical celibacy logically arose from themes repeated in his teaching on Christian ethics. The next two chapters explore Baxter’s seemingly contradictory marriage to Margaret Charlton. Chapter 6 argues that he did not violate his convictions, because the 1662 Act of Uniformity appeared to have closed off all opportunities for public ministry. Chapter 7 proposes a solution to the question of why Baxter continued to advocate for clerical celibacy, despite the great help Margaret was to him and his pastoral work during their marriage; it argues that even though Baxter received many blessings through Margaret, his experience of marriage also reconfirmed many of his arguments for why pastors should remain single. Chapter eight summarizes the conclusions of the study and its contribution to understanding both English Protestant Marriage doctrine as well as Richard Baxter as a pastor and theologian.

京都大学 / 新制・課程博士 / 博士(理学) / 甲第22994号 / 理博第4671号 / 新制||理||1670(附属図書館) / 京都大学大学院理学研究科物理学・宇宙物理学専攻 / (主査)教授 畑 浩之, 教授 川合 光, 教授 田中 貴浩 / 学位規則第4条第1項該当 / Doctor of Science / Kyoto University / DFAM

Yangian symmetric correlators can be constructed by the action of Yang-Baxter R operators on trivial basic correlators. The example of a four-point correlator is given in two representations and the construction of the completely connected N point correlator is described. The helicity representation is dicussed and the relation of the four-point correlator to tree-level scattering amplitudes is shown.