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Swinburne and Catholicism: unifying the flesh and the spiritGillespie, James Daniel 11 December 2009 (has links)
Many efforts have been made by nineteenth and twentieth-century critics alike to classify Charles Algernon Swinburne’s Poems and Ballads (1866) as blatantly sacrilegious. This evaluative approach, however, fails to account for the thematic significance of Swinburne’s nuanced use of Christian imagery. Through a reading of three representative poems from the collection – “Dolores,” “Anactoria,” and “Laus Veneris” – this thesis demonstrates that Swinburne appropriates the Catholic concepts of transubstantiation, confession, and suffering for a specific aesthetic purpose. In the Catholic tradition, these concepts symbolically represent a unification of ostensibly antithetical states to achieve transcendence. For instance, the doctrine of transubstantiation unites the spiritual acceptance of Christ’s sacrifice through the physical consumption of bread and wine. Far from being, as Robert Buchanan famously claimed, “unclean for the mere sake of uncleanness,” Swinburne strategically appropriated the mechanism of religious transcendence in order to affect a poetic escape from the very moral categories it represented.
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An Anatomy of the Soul In English Renaissance Religious Poetry / An Anatomy of the SoulPope, Johnathan 09 1900 (has links)
<p> This dissertation examines the centrality of the soul-body relationship to the construction of identity in English Renaissance religious poetry. The expanding field of 'body criticism' has greatly increased our understanding of the early modern body, but critics have rarely considered how Christianity influenced the ways the early moderns thought about their bodies and their embodied souls at a time when the science of anatomy flourished in Europe. Consequently, our current perception of the early modern subject is skewed. This dissertation addresses this critical gap by exploring the persistence of Christian narratives in discussions of both the body and the soul throughout the sixteenth and seventeenth centuries. The first two chapters address two interrelated question: how did early modern anatomists understand the soul, and how did early modern religious writers understand the body? This dissertation begins by examining the religious perspectives that are evident in English anatomical writing and then moves on to explore the presence of anatomical perspectives in English religious writing on the soul in order to discuss the intimate relationship between corporeality and spirituality. The final two chapters focus on the devotional poetry of An Collins and the devotional emblems of Francis Quarles in order to demonstrate the integration of a Christianized sense of corporeality into meditations on religious subjectivity. Both writers draw on the issues discussed in the first two chapters but represent corporeality differently. On the one hand, Collins transforms physical suffering into a sign of her salvation. On the other hand, Quarles expresses anxiety over the world's ability to infect the soul through the body. In both cases, the relationship between body and soul is a central concern, and their representation of that relationship is indebted to a Christianized sense of embodiment. </p> / Thesis / Doctor of Philosophy (PhD)
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From Her Point of View : Woman's Anti-World in the Poetry of Anna ŚwirszczyńskaIngbrant, Renata January 2007 (has links)
This book is a monograph about Anna Świrszczyńska’s poetry. It may be described as one woman’s attempt to read another woman’s literary work by taking into account established canons as well as the tools of feminist literary analysis. Part One begins with a discussion of Świrszczyńska’s biography (Chapter One). It then moves on to an overview of critical (mainly male) reactions to Świrszczyńska’s work (Chapter Two), with special regard to Czesław Miłosz’s contribution to its interpretation and popularization (Chapter Three). In Part Two there are three principal discussions: 1) of Anna Świrszczyńska’s early work Wiersze i proza [Poems and Prose] (1936), in which the poet develops her specific female view of European art and culture as disintegrated into incongruent fragments. Her premonition of the apocalypse, which is soon to be fulfilled in the events of World War II, finds its expression in the poet’s desperate attempts to unite the fragments of a shattered culture into individualized versions of myths (Chapter Four); 2) of the collection Budowałam barykadę [Building the Barricade] (1974), in which what is most crucial to the poet (biographically and poetically) is expressed – the encounter with human suffering in an inhuman world. Following this, her poetic view of the mortal body exposed to suffering under an empty sky becomes a well established motif in her work (Chapter Five); 3) of the collection Jestem baba (1972), in which Świrszczyńska introduces into poetry, by making the non-poetical “baba” her lyric heroine, the “outlawed feminine” and, as a result, revolutionizes the language of poetry and poetic representation, which leads in turn to liberating herself from the hegemony of the totalizing male gaze. In this way her anti-world is created (Chapter Six). The “world” is understood here as a male term – one might say that Świrszczyńska creates a “woman’s anti-world” as a place where the woman herself has to regain the right to name things according to her own terms.
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Foucault, o corpo e a filosofia / Foucaut, the body the philosophyBRITO, Vinícius Vieira 13 June 2008 (has links)
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Dissertacao Vinicius Vieira Brito.pdf: 472153 bytes, checksum: a2a08b1c939d6d252302d0c7b467d0b6 (MD5)
Previous issue date: 2008-06-13 / Dada a importância atual de se tomar o corpo como objeto de reflexão, analisaremos, nesta dissertação, o surgimento do conceito de corpo na obra do filósofo francês Michel Foucault. Mas ao contrário dos estudos sobre ele, que discutem o corpo sobretudo em Vigiar e Punir e na História da Sexualidade, delimitaremos como objeto o corpo na obra O Nascimento da Clínica, livro que faz uma história do surgimento do corpo-organismo com a emergência da medicina moderna, mais precisamente com a anatomia e fisiologia de Bichat. As dissecações feitas por este médico, no final do século XVIII, possibilitaram às ciências da vida o afastamento do legado de Descartes, que concebe o corpo como uma máquina. Ao traçar esta descontinuidade que culminou com o advento do corpo com órgãos, Foucault provoca uma cisão na história da relação da filosofia com o corpo, que era sempre pensado em referência ao corpo-alma de filosofia cartesiana.
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Incarnations: exploring the human condition through Patrick White�s Voss and Nikos Kazantzakis� Captain Michales.Harrison, Jen January 2004 (has links)
Nikos Kazantzakis� Captain Michales is a freedom fighter in nineteenth century Crete. Patrick White�s Voss is a German explorer in nineteenth century Australia. Two men struggling for achievement, their disparate social contexts united in the same fundamental search for meaning. This thesis makes comparison of these different struggles through thematic analysis of the texts, examining within the narratives the role of food, perceptions of body and soul, landscapes, gender relations, home-coming and religious experience. Themes from the novels are extracted and intertwined, within a range of theoretical frameworks: history, anthropology, science, literary and social theories, religion and politics; allowing close investigation of each novel�s social, political and historical particularities, as well as their underlying discussion of perennial human issues. These novels are each essentially explorations of the human experience. Read together, they highlight the commonest of human elements, most poignantly the need for communion; facilitating analysis of the individual and all our communities. Comparing the two novels also continues the process of each: examining the self both within and outside of the narratives, producing a new textual self, arising from both primary sources and the contextual breadth of such rewriting.
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Incarnations: exploring the human condition through Patrick White�s Voss and Nikos Kazantzakis� Captain Michales.Harrison, Jen January 2004 (has links)
Nikos Kazantzakis� Captain Michales is a freedom fighter in nineteenth century Crete. Patrick White�s Voss is a German explorer in nineteenth century Australia. Two men struggling for achievement, their disparate social contexts united in the same fundamental search for meaning. This thesis makes comparison of these different struggles through thematic analysis of the texts, examining within the narratives the role of food, perceptions of body and soul, landscapes, gender relations, home-coming and religious experience. Themes from the novels are extracted and intertwined, within a range of theoretical frameworks: history, anthropology, science, literary and social theories, religion and politics; allowing close investigation of each novel�s social, political and historical particularities, as well as their underlying discussion of perennial human issues. These novels are each essentially explorations of the human experience. Read together, they highlight the commonest of human elements, most poignantly the need for communion; facilitating analysis of the individual and all our communities. Comparing the two novels also continues the process of each: examining the self both within and outside of the narratives, producing a new textual self, arising from both primary sources and the contextual breadth of such rewriting.
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Penser le corps, sa puissance et sa destinée chez Spinoza : aux sources de son anthropologie / Understanding the body, its power, and its destiny in Spinoza's philosophy : at the sources of his anthropologyBrown, Julius 08 September 2015 (has links)
Spinoza évaluera la révolution copernicienne et prônera un naturalisme rationaliste et matérialiste contre la tradition onto-théologique, Aristote et Descartes en étant les deux figures clés, sans parler des théologiens et de la Bible. Spinoza interprète l’erreur du géocentrisme comme signalant deux autres erreurs : le dualisme anthropologique classique qui inféodait le corps à l’âme et l’illusion du libre-arbitre. Par la réhabilitation gnoséologique, psychophysique et socio-affective du corps, il prétend conduire l’homme au salut présent, non eschatologique, le réconciliant avec lui-même et avec le Dieu-Nature. La permanence d’une sensibilité anthropologique hébraïque y est prégnante, ce qui n’annule pas des disparités conceptuelles, métaphysiques, sotériologiques et éthiques entre lui et l’Écriture. Ces disparités pourraient rapprocher Spinoza plus d’Aristote que de Descartes. Le projet spinozien tiendra-t-il ses promesses sans retomber dans les travers du mythique et du mystique ? / Spinoza assesses the Copernican revolution and advocates a rationalist and materialistic naturalismagainst the onto-theological tradition, Aristotle and Descartes as the two main figures thereof,theologians and the Bible not to mention. Spinoza interprets the error of geocentrism as indicating twoother errors: classical anthropological dualism which subjugated the body to the soul and the illusion offree-will. By gnoseological, psychophysical and socio-emotional rehabilitation of the body, he claims tolead man to present salvation, not eschatological, reconciling him with himself and with God as Nature.The permanence of Hebraic anthropological sensibility is pregnant, which does not cancel metaphysical,soteriological and ethical disparities between him and the Bible. These disparities could bring Spinozacloser to Aristotle than to Descartes. Will the spinozian project keep its promises without relapsing intothe traps of the mythical and the mystical ?
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