Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-03-21T11:30:05Z No. of bitstreams: 1 julianamachadodebritto.pdf: 636962 bytes, checksum: dd65a9245f89ff6464697a60e18ebb5c (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-03-21T13:27:14Z (GMT) No. of bitstreams: 1 julianamachadodebritto.pdf: 636962 bytes, checksum: dd65a9245f89ff6464697a60e18ebb5c (MD5) / Made available in DSpace on 2017-03-21T13:27:14Z (GMT). No. of bitstreams: 1 julianamachadodebritto.pdf: 636962 bytes, checksum: dd65a9245f89ff6464697a60e18ebb5c (MD5) Previous issue date: 2016-10-07 / Esta tese tem como objetivo investigar as figurações da violência nas obras Cacau (1933) e Capitães da Areia (1937), de Jorge Amado. Para isso, procuramos analisar as violências encontradas nas obras e o que cada uma delas nos comunica, levando em consideração o projeto político, ideológico e estético do autor. Nesse momento da Literatura Brasileira, década de 30, as facetas da violência do trabalho, do Estado (institucionalizada), religiosa, político-social, revolucionária, estão descritas sob a polarização capitalismo versus socialismo e como muitas delas são produtos do capitalismo que aqui se firmava. Essas mesmas violências ainda se fazem presentes em nossa sociedade e servem como mecanismos de opressões e desigualdades, tornando cada vez mais distante o que pretendia Jorge Amado: criar possibilidades de regeneração e representação positiva do oprimido à medida que lhe é dado condições dignas de sobrevivência. / The present thesis aims to investigate the figurations of violence in the works Cacau (1933) and Capitães da Areia (1937), both written by Jorge Amado. In order to do this, we analyzed the violence found in them and what each one communicates, taking into account the author’s political, ideological and aesthetical project. At this precise moment in Brazilian Literature, the 30s, the many facets of violence (of work, institutionalized by the State, religious, sociopolitical, revolutionary) are described under the polarization capitalism versus socialism and several of them are products of the capitalism which was being established in the country. The same facets of violence are still present in our society and serve as mechanisms to oppress and deepen inequalities, postponing what Jorge Amado intended to perpetrate: the creation of regeneration opportunities and positive representations of the oppressed people as they are given decent survival means.

Submitted by Renata Lopes (renatasil82@gmail.com) on 2018-08-23T12:32:42Z No. of bitstreams: 1 pamelaemanuelledemeloecostajuliao.pdf: 598988 bytes, checksum: d5151ea30d934af8a3f1c034ea24bbd8 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-08-23T13:14:09Z (GMT) No. of bitstreams: 1 pamelaemanuelledemeloecostajuliao.pdf: 598988 bytes, checksum: d5151ea30d934af8a3f1c034ea24bbd8 (MD5) / Made available in DSpace on 2018-08-23T13:14:09Z (GMT). No. of bitstreams: 1 pamelaemanuelledemeloecostajuliao.pdf: 598988 bytes, checksum: d5151ea30d934af8a3f1c034ea24bbd8 (MD5) Previous issue date: 2013-08-20 / PROQUALI (UFJF) / Esta dissertação investiga a relação Direito e Literatura, elegendo a obra Capitães da areia (1937), de Jorge Amado, como objeto de análise, a fim de abordar a questão da infância abandonada e excluída, face à legislação vigente na época em que foi publicada a obra amadiana, o Código de Menores de 1926, em paralelo à lei de proteção atual, qual seja o Estatuto da Criança e do Adolescente, de 1990. Os estudos sobre a interdisciplinaridade entre esses dois campos do saber concentramse em pesquisar o Direito como narrativa - verificando os aspectos discursivos de textos jurídicos - ou o Direito na Literatura. O presente trabalho enfoca esta última corrente, que busca identificar como as obras literárias acomodam a compreensão de um sistema jurídico vigente em certa época. Apoia-se, assim, na premissa de que a Literatura proporciona um vislumbre de certo meio social, que, por sua vez, é o substrato para o desenvolvimento do Direito, que visa à ordenação da sociedade. Capitães da areia, ao abordar como tema as crianças de rua - abandonadas, órfãs ou abusadas - denuncia a marginalização e a repressão sofridas por elas, apresentando, ainda, ao leitor o contexto social da cidade de Salvador do início do século XX. O romance fornece, portanto, subsídios para que se investiguem as raízes legais dos mecanismos de controle da delinquência juvenil usados à época, possibilitando, igualmente, um diálogo com o texto legal hodierno – o Estatuto da Criança e do Adolescente. Como embasamento teórico literário-sociológico, priorizam-se os estudos desenvolvidos por Antonio Candido, Massaud Moisés, Marisa Lajolo, Lucien Goldmann, Georg Lukács. Em relação à interdisciplinaridade entre Direito e Literatura, esta pesquisa baseou-se nas análises empreendidas por André Karam Trindade, Roberta Magalhães Gubert e Arnaldo Sampaio de Moraes Godoy. / This dissertation investigates the relationship between Law and Literature, electing the book Capitães da areia (1937), by Jorge Amado, as the object of analysis in order to address the issue of abandoned and excluded children under the legislation from the time it was published, the Código de Menores from 1926, in parallel to the current protection law, namely Estatuto da Criança e do Adolescente, from 1990. Studies on interdisciplinarity between these two fields of knowledge are concentrated in researching Law as a narrative - checking the discursive aspects of legal texts - or Law in Literature. This work focuses on the latter, which is designed to identify how literary works accommodate the understanding of a legal system from a certain historic period. Thus, it relies on the premise that Literature provides a glimpse of a certain social environment, which in turn is the substrate for the development of Law, which aims at ordering the society. Capitães da areia, while addressing as its theme street children - abandoned, orphaned or abused - denounces the marginalization and repression suffered by them, also presenting to the reader the social context of Salvador city in the early twentieth century. Thus, the novel provides subsidies to investigate the legal basis of juvenile delinquency control mechanisms used at that time, also allowing a dialogue with today's legal text - the Estatuto da Criança e do Adolescente. As literary-sociological theoretical background, this work prioritizes the studies conducted by Antonio Candido, Massaud Moisés, Marisa Lajolo, Lucien Goldmann and Georg Lukács. Regarding interdisciplinarity between Law and Literature, this research is based on the analysis undertaken by André Karam Trindade, Roberta Magalhães Gubert and Arnaldo Sampaio de Moraes Godoy.

Made available in DSpace on 2016-04-28T18:23:03Z (GMT). No. of bitstreams: 1 Ricardo Mendes Montefusco.pdf: 922623 bytes, checksum: eb75a078704b5c7022ba022b461ec35b (MD5) Previous issue date: 2015-03-24 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / The purpose of this master thesis is the examination of social criticism in the novel Captains of the Sands by Jorge Amado. Captains of the Sands is a realist narrative that deals with the adventures of a group of street children who survives by committing crimes in the streets of Salvador. Since they live in an old warehouse, the boys of the band, led by Pedro Bala, are known by the nickname "captains of the sands". Jorge Amado is known as an advocate for the causes of the poor, excluded by society. This work is a lyrical testimony and romance of protest, bringing social and psychological elements that reflect the entire socio-political instability of the 30s. When creating his stories, the author, a political activist, defends the ideological principles of the left, and, in a way, the narrator works as the author's delegate. Despite all the violence and the rogue behavior of the minors, a close reading reveals that the source of these problems is the neglect of the state itself, the repressive and violent police, and the reformatory, a true hell of torture and misery. Thus, the reactions of these adolescents are nothing more than a vehicle of harsh revenge against the violence they have suffered. The novel analysis is based on theoretical and methodological proposals of Critical Linguistics ― which gives ideological significance to any aspect of linguistic structure ― and of the Systemic Functional Grammar, whose approach to language as a construer of three distinct functions or metafunctions ― namely, Ideational (subject), Interpersonal (interactivity) and textual (internal organization and communicative nature of a text), allows the relationship between lexicogrammatical choices made in the microstructure of the text, with the macrostructure of ideology and power relations. The research should answer the following questions: (a) What choices in the Transitivity System contribute to enable the social criticism in Captains of the Sands? (b) What choices in the Appraisal framework perform this function? / The purpose of this master thesis is the examination of social criticism in the novel Captains of the Sands by Jorge Amado. Captains of the Sands is a realist narrative that deals with the adventures of a group of street children who survives by committing crimes in the streets of Salvador. Since they live in an old warehouse, the boys of the band, led by Pedro Bala, are known by the nickname "captains of the sands". Jorge Amado is known as an advocate for the causes of the poor, excluded by society. This work is a lyrical testimony and romance of protest, bringing social and psychological elements that reflect the entire socio-political instability of the 30s. When creating his stories, the author, a political activist, defends the ideological principles of the left, and, in a way, the narrator works as the author's delegate. Despite all the violence and the rogue behavior of the minors, a close reading reveals that the source of these problems is the neglect of the state itself, the repressive and violent police, and the reformatory, a true hell of torture and misery. Thus, the reactions of these adolescents are nothing more than a vehicle of harsh revenge against the violence they have suffered. The novel analysis is based on theoretical and methodological proposals of Critical Linguistics ― which gives ideological significance to any aspect of linguistic structure ― and of the Systemic Functional Grammar, whose approach to language as a construer of three distinct functions or metafunctions ― namely, Ideational (subject), Interpersonal (interactivity) and textual (internal organization and communicative nature of a text), allows the relationship between lexicogrammatical choices made in the microstructure of the text, with the macrostructure of ideology and power relations. The research should answer the following questions: (a) What choices in the Transitivity System contribute to enable the social criticism in Captains of the Sands? (b) What choices in the Appraisal framework perform this function?

Submitted by Jesiel Ferreira Gomes (jesielgomes@ufcg.edu.br) on 2018-04-25T23:38:20Z No. of bitstreams: 1 ANNE MICHELINE SOUZA GAMA – DISSERTAÇÃO (PPGH) 2015.pdf: 1966503 bytes, checksum: 361dd31b906b0b6eb629772698511b4f (MD5) / Made available in DSpace on 2018-04-25T23:38:20Z (GMT). No. of bitstreams: 1 ANNE MICHELINE SOUZA GAMA – DISSERTAÇÃO (PPGH) 2015.pdf: 1966503 bytes, checksum: 361dd31b906b0b6eb629772698511b4f (MD5) Previous issue date: 2015-04 / Capes / A narrativa literária pode nos servir como uma “fonte privilegiada” que nos possibilita o contato com tempos e espaços que desconhecemos. O presente trabalho, norteado pelas relações entre História e Literatura, objetiva apresentar as possíveis representações da cidade de Salvador e de suas das relações sociais através da obra de Jorge Amado (1912-2001). Escolhemos como fonte o romance Capitães da Areia (1937) o qual relata experiência de vida de um grupo de menores abandonados, homônimos da obra, mostrando a luta dos indivíduos na nítida dicotomia Cidade alta x Cidade Baixa . Para o desenvolvimento da nossa análise partimos de revisão bibliográfica acerca do tema e biográfica do escritor. Utilizamos como aporte teórico a História Cultural, a saber, os conceitos de Roger Chartier (representações) e de Michel De Certeau (práticas culturais, táticas), entre outros, bem como o debate a respeito dos usos da literatura como fonte historiográfica. Nossas considerações são de que a narrativa literária pode se apresentar enquanto representação da realidade. Desenvolvemos o que Sandra Pesavento denominou por “História Cultural do urbano” que seria a proposta de estudar a cidade através de suas representações. Esperamos ser o presente trabalho mais uma contribuição aos estudos do urbano e de suas sociabilidades, mostrando que estas, em grande parte, se dão de forma desarmônica / The literary narrative can serve us as a "prime source" that enables us up with times and places unknown to us. This work was guided by the relationship between history and literature, aims at presenting the possible representations of the city of Salvador and their social relations through the work of Jorge Amado (1912-2001). We chose as a source novel Captains of the Sands (1937) which relates life experience of a group of abandoned children, the work homonyms, showing the struggle of individuals in sharp dichotomy City High vs. Low City. For the development of our analysis we start with a literature review on the subject and biographical writer. The theoretical contribution to cultural history, namely the concepts of Roger Chartier (representations) and Michel de Certeau (cultural practices, tactics), among others, and the debate about the uses literature as a historiographical source. Our considerations are that the literary narrative can present as a representation of reality. Developed what Sandra Pesavento called for "Cultural History of urban" that would be the proposal to study the city through its representations. We expect this work to be another contribution to the urban studies and their sociability, showing that these, largely occur in a disharmonious way.