Hydrogeologic investigations were conducted on the drainage systems of an area of the Pennyroyal sinkhole plain of south central Kentucky. The degree of karstification of five area streams was studied to develop an understanding of the evolution of drainage as the landscape changes from a sandstone caprock plateau to a limestone sinkhole plain. The Chester Upland, capped by the Big Clifty Sandstone, possesses predominantly surface drainage and the Pennyroyal Plain, formed on Mississippian limestones, possesses considerable subsurface drainage. As the Chester Upland Escarpment retreats and surface streams are onto the limestones, the streams evolve to become subsurface streams. The five streams observed in the study (all flowing on limestones) demonstrated less karst development close to the Chester Escarpment and more karst development with increasing distance from the escarpment. Sediments derived from the escarpment and plateau blanket the stream beds thus perching the streams and preventing chemically aggressive water from forming karst solution features in the limestones. The streams farther away from the escarpment are removed from the sediment source and are therefore able to downcut into the limestone and invade the subsurface to become cave streams. Lithologic investigation of limestones exposed in stream beds revealed that minor resistant units can act to diminish downcutting and maintain short sections of surface flow. The stream investigated was not flowing on a perching layer, but instead was held on the surface by a stratigraphic control (spillover layer) that prevented subterranean stream invasion. Dye traces conducted on groundwater flow in the sinkhole plain revealed that the area drainage pattern is changing as surface streams invade the subsurface and that integration between drainage basins is taking place. Stream piracy and stream diversion are occurring in the subsurface causing alteration of the existing topographic drainage divides that developed before the surface streams invaded the subsurface. A general model is presented which shows the evolution of surface drainage to subsurface drainage, as the Chester Escarpment continues its northwestward retreat.

Thesis (M.A.)--Indiana University, 2010. / Title from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Robert Rebein, Jonathan Eller, William Touponce. Includes vitae. Includes bibliographical references (leaves 84-86).

Several earlier generations of historians described the later Middle Ages as an 'age of fear'. This account was especially applied to accounts of the presumed mentality of the later medieval layperson, seen as at the mercy of the currents of plague, violence and dramatic social, economic and political change and, above all, a religiosity characterised as primitive or even pathological. This 'great fear theory' remains influential in public perception. However, recent scholarship has done much to restitute a more positive, affective, incarnational and even soteriologically optimistic late-medieval vernacular piety. Nevertheless, perhaps due to the positive and recuperative approach of this scholarship, it did not attend to the treatment of fear in devotional and literary texts of the period. This thesis responds to this gap in current scholarship, and the continued pull of this account of later-medieval piety, by building an account of fear's place in the rich vernacular theology available in the Middle English of the fourteenth and fifteenth centuries. It takes as its starting point accounts of the role of fear in religious experience, devotion and practice within vernacular and lay contexts, as opposed to texts written by and for clerical audiences. The account of drede in Middle English strikingly integrates humbler aspects of fear into the relationship to God. The theological and indeed material circumstances of the later fourteenth century may have intensified fear's role: this thesis suggests that they also fostered an intensified engagement with the inherited tradition, generating fresh theological accounts of the place of fear. Chapter One begins with a triad of broadly pastoral texts which might be seen to disseminate a top-down agenda but which, this analysis discovers, articulate diverse ways in which the humble place of fear is elevated as part of a vernacular agenda. Here love and fear are always seen in a complex, varying dialectic or symbiosis. Chapter Two explores how this reaches a particular apex in the foundational and final place of fear in Julian of Norwich's Revelations, and is not incompatible even with her celebratedly 'optimistic' theology. Chapter Three turns to a more broadly accessed generic context, that of later medieval cycle drama, to engage in readings of Christ's Gethsemane fear in the 'Agony in the Garden' episodes. The N-Town, Chester, Towneley and York plays articulate complex and variant theological ideas about Christ's fearful affectivity as a site of imitation and participation for the medieval layperson. Chapter Four is a reading of Piers Plowman that argues a right fear is essential to Langland's espousal of a poetics of crisis and a crucial element in the questing corrective he applies to self and society. It executes new readings of key episodes in the poem, including the Prologue, Pardon, Crucifixion and the final apocalyptic passus, in the light of its theology of fear.

Testing the Seams of the American Dream: Minority Literature and Film in the Early Cold War delineates the concept of the liberal tolerance agenda in early Cold War. The liberal tolerance message of the U.S. government, the Democratic Party, and others endorsed racial tolerance and envisioned the possibility of a future free from racism and inequality. Filmmakers in often disseminated a liberal message similar to that of the politicians in the form of “race problem” films. My shows how these films and the liberal tolerance agenda as a whole promises racial equality to the racial minority in exchange for hard work, patriotism, education, and a belief in the majority culture. My first chapter, “Washing White the Racial Subject: Hollywood’s First Black Problem Film,” performs a close reading of Arthur Laurents 1946 play Home of the Brave, which features a Jewish American protagonist, in conjunction with a reading of the 1949 film version, which has an African American protagonist. The differences between the two texts reveal the slippages in the liberal tolerance agenda and signal the inability of filmmakers to envision racial equality on the big screen. “The American Institution and the Racial Subject,” my second chapter, discusses the 1949 film Pinky as well as Américo Paredes’s George Washington Gómez and Monica Sone’s Nisei Daughter. All of these works suggests that the attainment of education promises entry into the mainstream by racial minorities, yet Paredes and Sone question this process by interpreting it as resulting in the dual segregation of their protagonists. My third chapter, “Earning and Cultural Capital: The Work that Determines Place,” looks at the promise that with hard work anyone can attain the American Dream. I show how the 1951 film Go for Broke!, Ann Petry’s The Street, and José Antonio Villarreal’s Pocho work to dispel this American myth. My final chapter, “The Regrets of Dissent: Blacklists and the Race Question,” examines the 1954 film Salt of the Earth alongside Chester Himes’s If He Hollers Let Him Go and John Okada’s No-No Boy to reveal the dangerous mixture of race and dissent in this era. / text

Thesis (M. Div.)--Emmanuel School of Religion, Johnson City, Tennessee, 1997. / Vita. Includes bibliographical references (leaves 80-84).

Thesis (Ph. D.)--University of Wisconsin--Madison, 1974. / Typescript and manuscript. Vita. For 2 choruses (SATB), 2 speakers, and instrumental ensemble (piano, harp, percussion, flute, oboe, bass clarinet, trumpet, horn, bass trombone, 2 violins, 2 violoncellos, and 2 double basses); performance also requires people to control slide projections and lighting changes. English words. Text for score is from Credo one and Credo two, by Gavin Arthur; text read by speakers before the beginning of the piece is by Jalal ud-din Rumi, a 13th-cent. mystical Persian poet. Includes performance instructions. Includes the compositions "Winter's not forever (on three poems by e. e. cummings) for soprano, female speaker, and six players" (leaves 124-148) and "--And it always will be (for percussion soloist with orchestra)" (leaves 149-186) by the author. "Winter's not forever": for soprano, speaker, flute, horn, bass clarinet, double bass, percussion, and piano/celeste. Description based on print version record.

Many communities are currently seeking to balance urban water needs with preservation of sensitive fish habitat. As part of that effort, CE-QUAL-W2, a hydrodynamic and temperature model, was developed for Chester Morse Lake and the lower Cedar River, WA. Chester Morse Lake is approximately 10 km long with a maximum depth at full pool of 40 m. The Cedar River model started immediately downstream of the Chester Morse dam and ended 21 km downstream at Landsburg, where drinking water is diverted for the City of Seattle. This water quality model was coupled with a fish habitat and bioenergetics model for bull trout and was calibrated to temperature data between 2005 and 2008. Bull trout fish bioenergetics parameters were provided by the USGS. The CE-QUAL-W2 model was found to be highly accurate in modeling temperature variation in the lake - at most locations having an average absolute mean error of between 0.5 and 0.8 oC. The Cedar River model had an average absolute mean error of 0.7oC. This tool is designed to allow managers and operators to estimate the impact to fish habitat and growth potential from various management decisions including extent of drawdown, timing/volume of flows, and various pumping operations. Future studies could include incorporating further water quality parameters such as nutrients, algae, and zooplankton as they relate to fish productivity.

Indiana University-Purdue University Indianapolis (IUPUI) / By start of the 1920s, the United States had seen nearly forty years of vast accumulations of wealth by a small group of people, substantial financial speculation and a mass change in the economic base from agricultural to industrial. All of this ended in 1929 in a crushing depression that spread not only across the country, but also around the world. Hard-Boiled detective fiction first reached the reading public early in the decade initially as adventure stories, but quickly became a way for authors to express the stresses these changes were causing on people and society. The detective is the center of the story with the task of reestablishing a certain degree of order or redemption. An important character hallmark of this genre is that he is seldom able to do this, or that the cost is so high a terrible burden remains. His decisions and judgments in this attempt are formed by his relationship with the people or community around him. The goal of this thesis is to look at the issues raised in the context of how the detective relates to a person or community in the story. For analysis, six books were chosen arranged from least level of personal relationship by the detective to the most intimate. The books are Red Harvest, by Dashiell Hammett, The Big Sleep, by Raymond Chandler, The Galton Case, by Ross MacDonald, Cotton Comes to Harlem, by Chester Himes, Devil in a Blue Dress, by Walter Mosley, and I, the Jury, by Mickey Spillane. In the study of these books, a wide range of topics are presented including political ideologies, corruption, racial discrimination and family strife. Each book provided a wealth of views on these and other subjects that are as relevant today as when they were written.

Already regarded as one of the top teams in Negro League baseball, the Kansas City Monarchs became known as a powerhouse unit in the 1930s and 40s. They rolled into towns with lights, amazing athletes, and competitive play. They won championship after championship during these years as Kansas City baseball fans strongly supported them. As they became an integral part of the city, the Monarchs' success, open-seating policy, and jazzy home openers fostered a large following of mixed-race fans. The local black newspaper, the Kansas City Call, held them up on a pedestal, while sportswriters for the mainstream Kansas City Star/Times downplayed the Monarchs' accomplishments and influence in the community. This thesis focuses on the relationship the Call had with the best team in black baseball through the context of its treatment of games, players, league officials, and team owners, as well as other patterns and tactics. Analysis of the Star/Times coverage is also considered to show variances in coverage between one city's race-divided newspapers. Negro League baseball and the African American newspapers that covered the teams grew out of and illustrated the segregation laws and prejudices feelings that existed in the United States during most of the twentieth century. Over time, especially when the sports world moved into the post-integration period, the Call's bolstering of the Monarchs deteriorated as the paper's promotion of democracy steered its sportswriters away from a baseball organization that symbolized segregation. The different types of coverage by the Call throughout the twenty-year study can be described as all-out promotion, balance, and abandonment. In the 1950s nostalgia and conflict existed, as the Call's sportswriters became torn on how to cover a team that was once the pride of the black community, but now represented inequality. In an attempt to remedy this torment, the Call tried to convince black baseball officials to remove the “Negro League” stigma by signing players of all races in order to mirror the more democratic Major Leagues. The white press, meanwhile, ignored the bigger issues of black baseball as one Negro League team after another died in the 1950s. The Star/Times peripheral coverage of the Monarchs provides context to the social issues and discriminatory practices at play in Missouri. As this thesis outlines the coverage of the Monarchs through the Black and White newspapers of Kansas City, previous research is substantiated and challenged to provide a fuller account of Jim Crow's effects.

The Reagan Administration took office in 1981 and began to implement against the Union of Soviet Socialist Republics (USSR), what became known as the Reagan Doctrine. The was an effort to break with previous the previous presidential administration’s policies toward the USSR and would involve the rollback of Communism, instead of simply just co-existing with Communism (Détente) or containing the spread of it. Part of the area that was subject to the Reagan Doctrine included the volatile southern African region, which had two Marxist-Leninist Regimes, namely Angola and Mozambique. Using Graham Allison’s bureaucratic political model, this study attempts to answer the question: “Even when all the prerequisites were met, why was there a decision to only implement a modified form of the Reagan Doctrine in Mozambique, instead of a full-blown effort, such as in, for example Angola or Afghanistan?” As will be shown in the research, the Reagan Doctrine was not a written doctrine, but had many different facets, as will be shown. The most significant part of the Reagan Doctrine was the recognition and arming of insurgents who confronted the Soviet backed regimes including RENAMO. There have been claims that the US Government did not recognize RENAMO. This is false as will be shown by the fact that President Reagan urged FRELIMO to negotiate with the RENAMO resistance. The real significance of this is that even if all prerequisites were met, why was there such reluctance to apply the doctrine with the veracity as compared to the effort in Angola and Afghanistan in arming RENAMO. Was the United States Government still trapped in the “Vietnam Syndrome”? Did the Mozambique National Resistance (RENAMO) have the 3 same political and charismatic qualities as the Union for the Total Independence of Angola (UNITA)? Were special interests or lobbyists influencing government bureaucrats to view decisions in a specific way? A significant part of this study is devoted to the question of how much influence did the bureaucracy and the politicians (both appointed and career) had on the important national security decision-making process involving Mozambique. Another question that could be asked is: Was the doctrine indirectly applied through third parties? In 1989 when the Reagan Administration ended, did President Reagan and the Reagan Administration achieve their objectives toward Mozambique. If so, was this due to the Reagan Doctrine or other factors? If not, did any actors or events interfere with the strategy? / Political Sciences / M.A. (International Politics)