何翰庭 = The life and thought of Liu Liang-mo, a Pro-Communist Christian / Ho Hon-ting Johnson. / 論文(哲學碩士)--香港中文大學, 1998. / 參考文獻: leaves 105-119. / 中英文摘要. / He Hanting = The life and thought of Liu Liang-mo, a Pro-Communist Christian / Ho Hon-ting Johnson. / 論文撮要 --- p.ii / 鳴謝 --- p.iii / Chapter 第一章´Ø --- 前言 --- p.1 / Chapter 一´Ø --- 硏究動機 / Chapter 二´Ø --- 硏究回顧略述 / Chapter 三´Ø --- 參考資料與硏究方法 / Chapter 第二章´Ø --- 劉良模的生平略述 --- p.16 / Chapter 第三章´Ø --- 劉良模的救國思想 --- p.23 / Chapter 一´Ø --- 引言 / Chapter 二´Ø --- 劉良模早期的改良思想 / Chapter 三´Ø --- 對共產黨的認識和支持 / Chapter 四´Ø --- 留美九年的經歷 / Chapter 五´Ø --- 小結 / Chapter 第四章´Ø --- 劉良模的教會改造思想 --- p.57 / Chapter 一´Ø --- 引言 / Chapter 二´Ø --- 中共建國前中國基督徒對政治的態度 / Chapter 三´Ø --- 劉良模對新中國的認同 / Chapter 四´Ø --- 劉良模的三自改造思想 / Chapter 五´Ø --- 劉良模與基督教的改造 / Chapter 六´Ø --- 劉良模的「基督教思想」 / Chapter 七´Ø --- 小結 / Chapter 第五章´Ø --- 總結 --- p.99 / Chapter 一 ´Ø --- 「紅色基督徒」在新政權中的作用 / Chapter 二´Ø --- 宗教信仰對劉良模的意義 / 參考資料 --- p.105 / 附錄 --- p.120 / 劉良模的生平照片 / 民眾歌詠會情況 / 三十年代基督教青年會舊址現貌 / 美國賓夕凡尼亞大學圖書館檔案部回覆筆者信函：關於劉良模的檔案

本論文選取畫家符羅飛（1897-1971）進行研究，旨在通過文字及圖像史料復原這一被視作“歷史失蹤者的藝術家個案，並將其放在20 世紀中國藝術與革命互動關係的語境中進行考察。文章依據時序及符羅飛活動地點與内容的變化，分爲五個章節，結合文獻考據、視覺分析及藝術社會學等研究方法，分別探討他於20 世紀20 至60 年代在上海、意大利、香港及華南等地的藝術創作與社會活動，並著重觀察這位以藝術積極投入社會革命、且擁有明確政治信仰的畫家及其代表的群體，是如何通過主動轉變藝術面貌，從而與20 世紀中國社會的大變動連成一體。本文認爲：符羅飛於抗戰期間攜傾向古典寫實的那不勒斯畫派畫風及自創的水墨寫生歸國，但其藝術救國活動最初並未達至理想效果；直到40 年代中期才在通過不斷地寫生、辦展，逐漸吸收國統區漫畫與木刻中流行的德國表現主義元素，脫胎出具有強烈視覺刺激和道德感召力、又符合中共革命訴求的代表性藝術面貌，在特定的政治人群中得到廣泛承認，在此過程中輿論因素的影響不可忽視；同時，他的彩墨實驗等游離於政治目標之外的藝術活動打破了“革命畫家"的刻板印象；而他在政權鼎革後因未能適應高度一元化的藝壇新秩序而湮沒於混亂時世的最終命運，又折射出五四以來自由知識分子傳統與中共黨文化之間不可調和的矛盾。 / This thesis is a monographic study on the artist Fu Luofei (1897-1971), aiming to reconstruct his life and art with textual and visual historical materials, with focus on the interaction between art and revolution in the twentieth-century China. The five chapters of this thesis examine Fu’s artistic and social activities in Shanghai, Italy, Hong Kong and South China from the 1920s to 1960s chronologically, and mainly investigate how this artist, who had definite political belief and was willing to devote his art to social revolution, involved in and acted on the transformation of Chinese society in the twentieth century through continuously transforming his artistic styles. / As this study demonstrates, Fu brought back from Italy the representational painting style of the Neapolitan School and the achievement of his ink experiment in the late 1930s. However, his attempt on “saving the nation by art" did not succeed until mid-1940s. At that time, Fu established his signature style by absorbing the visual elements of German Expressionist paintings, one of the prevailing styles for cartoons and woodcut prints in the Kuomintang ruled areas. His signature style, which was strong in visual stimulation as well as in moral and emotional appeal, was developed through unceasing exchanges with the leftist critics and echoed with the political demand of the Chinese Communist Party. Meanwhile, as is rarely known, Fu also painted in the form of traditional guohua (Chinese national painting), which reveals a not-so-revolutionary side of the “revolutionary artist". His tragedy after the establishment of the People’s Republic vividly illustrates the irreconcilable conflicts between the May Fourth tradition of intellectual independence and the political culture of the CCP. / Detailed summary in vernacular field only. / 陳鶯. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 294-307) and index. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Chen Ying. / 導言 --- p.1 / Chapter 第一章 --- 留學意大利（1930-1938） --- p.12 / Chapter 第一節 --- 文獻回顧：留意傳奇與疑問 --- p.12 / Chapter 第二節 --- 歐遊前傳：上海美專及其它 --- p.17 / Chapter 第三節 --- 那不勒斯：特殊的選擇 --- p.22 / Chapter 第四節 --- 美術學院内外 --- p.29 / Chapter 第五節 --- “求真"與“人情"：學院傳統及留意畫作 --- p.49 / Chapter 第六節 --- 東方學院：在中意之間 --- p.67 / Chapter 第七節 --- 歸國始末 --- p.84 / Chapter 第二章 --- 一九三八年在香港（1938-1939） --- p.103 / Chapter 第一節 --- 登場 --- p.103 / Chapter 第二節 --- 抗戰救國理想的首次實踐 --- p.107 / Chapter 第三節 --- 中國筆作西洋畫 --- p.117 / Chapter 第四節 --- 社會網絡：文化人、政經界及同鄉會組織 --- p.127 / Chapter 第五節 --- 結果與現實 --- p.135 / Chapter 第三章 --- 從歐洲學院到中國現實（1939-1948） --- p.140 / Chapter 第一節 --- 北上行蹤 --- p.140 / Chapter 第二節 --- 風格改造：形式與内容 --- p.144 / Chapter （一） --- 1941年桂林展 --- p.145 / Chapter （二） --- 1943年“現實主義浪漫派"巡展 --- p.152 / Chapter （三） --- 1946至1948年穗港展 --- p.158 / Chapter 第三節 --- 代表性風格的面貌 --- p.164 / Chapter （一） --- 代表性風格的兩種類型 --- p.165 / Chapter （二） --- 保留的與捨棄的 --- p.171 / Chapter （三） --- 新風格形成期間所受之影響 --- p.173 / Chapter 第四節 --- 風格選擇的成因：表現主義與中國“現實" --- p.180 / Chapter 第四章 --- 重訪香江（1947-1949） --- p.189 / Chapter 第一節 --- 再度居港與文化人南下潮 --- p.188 / Chapter 第二節 --- 人間畫會：組織結構及主要活動 --- p.193 / Chapter 第三節 --- 左翼文藝標準的強化 --- p.202 / Chapter 第四節 --- “國畫"：代表性風格以外的藝術嘗試 --- p.210 / Chapter 第五節 --- 短暫的美國夢 --- p.218 / Chapter 第六節 --- 迎接新中國 --- p.226 / Chapter 第五章 --- 政治氣候的轉變（1949-1971） --- p.235 / Chapter 第一節 --- 從體制外到體制内 --- p.235 / Chapter 第二節 --- 過渡時期：以舊風格唱新語句 --- p.241 / Chapter 第三節 --- 代表性畫風的瓶頸 --- p.249 / Chapter 第四節 --- 描繪新生活 --- p.257 / Chapter 第五節 --- 傳奇落幕 --- p.265 / Chapter 結語 --- 自畫像：個人命運與時代洪流 --- p.271 / 中文參考文獻 --- p.294 / 外文參考文獻 --- p.304 / Chapter 附錄一 --- 符羅飛藝術活動年表 --- p.308 / Chapter 附錄二 --- 人名索引 --- p.321 / 圖版目錄 --- p.329 / 圖版 --- p.351

Peng, Handa. / "August 2011." / Thesis (M.Phil.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (p. 81-83). / Abstracts in English and Chinese. / Abstract --- p.1 / 摘要 --- p.2 / Acknowledgements --- p.3 / Introduction --- p.6 / Chapter Section I --- Literature Review --- p.11 / Theories on Sovereign Default --- p.11 / Historical Case Studies on Sovereign Default --- p.15 / Brief Summary on the Existing Theories and Empirical Cases --- p.16 / Chapter Section II --- Historical Backgrounds --- p.21 / Political Instability and Military Expenditures --- p.21 / Fiscal Status during the rule of the Nanking Government --- p.22 / Silver Standard and Currency Reform in 1935 --- p.26 / Chapter Section III --- Sovereign Default and Restructuring Episodes of the Nanking Government --- p.29 / Data --- p.29 / Sovereign Debt as a Heritage --- p.30 / Background Information of the Debts --- p.34 / The Restructuring Episode --- p.37 / Market Reactions --- p.42 / Chapter Section IV --- Capital Market Access and Reputational Theories in the Restructuring Episode --- p.45 / Access to the International Capital Market --- p.45 / Relevance of the Traditional Reputational Model --- p.48 / Signaling Model and Role of Reputation --- p.51 / Chapter Section V --- Role of Sanctions in the Restructuring Episode --- p.57 / Analytical Framework of the Sanctions Model --- p.57 / Three Possible Channels of Direct Sanctions --- p.60 / Chapter Section VI --- Informational Explanation of the Restructuring Episode --- p.64 / A Practical Analytical Framework for the Informational Model --- p.64 / Issue of Credibility and Currency Reform --- p.66 / The Need for the Settlement of Old Debts --- p.68 / Outcomes --- p.73 / Summary --- p.77 / Conclusion --- p.79 / References --- p.81 / Chapter Appendix I --- Basic information on Chinese sovereign bonds traded in the London Stock Exchange --- p.84 / Chapter Appendix II --- Price of Chinese Sovereign Bonds traded in the London Stock Exchange --- p.86 / Chapter Appendix III --- Price level change around the settlement of two Tienstin-Pukow loans --- p.93 / Chapter Appendix IV --- "Price levels and yield to maturities of the Chinese sovereign bonds on November 1，1935 and June 25, 1937" --- p.94 / Chapter Table I --- Classification of Literatures on Cost of Sovereign Defaults --- p.17 / Chapter Graph I --- Fiscal Status of China in the Nanking Decade --- p.22 / Chapter Graph II --- Breakdown of Revenue --- p.23 / Chapter Graph III --- Breakdown of Expenditures --- p.24 / Chapter Graph IV --- Financing Methods of Government Deficit --- p.25 / Chapter Graph V --- Time Distribution of Borrowing and Defaulting of Old Debts --- p.32 / Chapter Table II --- Purpose of the Old Debts --- p.35 / Chapter Table III --- Lending Countries of the Old Debts --- p.35 / Chapter Table IV --- Collateral of the Old Debts --- p.36 / Chapter Table V --- Currency Denomination of the Old Debs --- p.37 / Chapter Graph VI --- Restructuring Time Distributions --- p.39 / Chapter Graph VII --- Time distribution of new debts obtained during the Nanjing government --- p.46 / Chapter Graph VIII --- Exports and Imports of China in 1921-1937 --- p.61 / Chapter Graph IX --- "Wholesale Price Index in Shanghai, 1929-1937" --- p.74 / Chapter Graph X --- Monthly Exchange Rate of Chinese Currency to U.S. Dollar (Indirect Quotation) --- p.74 / Chapter Graph XI --- "Net Domestic Capital Formation in China, 1931-1936" --- p.76 / Chapter Graph XII --- "Industrial Product and Its Growth Rate in China, 1928-1936" --- p.76

李傑泉. / 論文(博士)--香港中文大學歷史學部, 1997. / 參考文獻: p. 318-340 / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Li Jiequan. / Lun wen (Bo shi)--Xianggang Zhong wen da xue li shi xue bu, 1997. / Can kao wen xian: p. 318-340 / Zhong Ying wen zhai yao.

This extended case analysis thus demonstrates the intricate relationship between complex state capacities and cultural hegemony. It aims to deepen our understanding of the cultural history and state nature of Mao's China; theoretically, it aims to bring the state back into the cultural analysis based on a more solid foundation of state theory and provide a reference case for applying state theory to analyze cultural and other issues. / This research is an empirical analysis of the cultural hegemony pursued by Mao's China (1949-1966) in the field of mass culture. Based on the empirical research of this study, and inspired by the perspective of "Bringing the State back in" School, and the "State in Society" theory as well, this research put forth the theoretical perspective of "Complex Vision of State Capacities", which highlights the uneven-ness of state capacities in different fields and different aspects of the same field, and emphasizes that we should pay attention to both the strong state capacities, weak state capacities, the paradox of strong state capacities, the conflict between different state projects and the influence of "policy feedback" on state capacities. Based on the Extended Case Method, this research selects the Dashijie Amusement Center in Shanghai as the subject of research. It analyzes how the new regime effectively took over and transformed Dashijie, and meanwhile, demonstrates that under the influence of the complex state capacities, Dashijie gradually lost its original characteristics as an amusement center, and became more and more similar with Workers' Club. This phenomenon is called as cultural isomorphism. Negotiational hegemony to some extent alleviated this situation of cultural isomorphism, while zero-sum hegemony exacerbated it. With this development, the number of audience of Dashijie dropped a lot, which implies the predicament of cultural hegemony in the field of mass culture pursued by the totalistic state. Following the methodological perspective of the Extended Case Method, and also inspired by Bourdieu's theory of cultural field, this research further analyzes the evolution of Shanghai Bureau of Cultural Affairs. It demonstrated that, compared with the Nationalist Government, the new regime took further step in state building in the field of mass culture, advancing the bureaucratization of cultural administrative apparatuses and penetrating the state power into the cultural field at the grass-roots level. On the other hand, this research also reveals that the new regime is constrained by the weak state capacities in financial resources, human capital, sufficient bureaucratization, and the limitation of state capacities in the heterogeneity of the masses and the asynchronous-ness of structural transformation. As a result, the state capacity of the totalistic state in eradicating the production and circulation of the old mass cultural products is relatively strong and thus relatively successful, while the state capacity in constructing a new socialist mass culture, which was expected to be widely accepted by the masses, is relatively weak and thus relatively unsuccessful. In the view of "Complex Vision of State Capacities", negotiational hegemony reflected the recognition of complex state capacities, and it was thus necessary and beneficial for the state project of cultural hegemony; while the zero-sum hegemony reflected lack of recognition of or even did not accept the situation of complex state capacities, and thus exacerbated the situation of cultural isomorphism, leading to the final predicatement of cultural hegemony. / 肖文明. / Adviser: Hoi-man Chan. / Source: Dissertation Abstracts International, Volume: 73-04, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (p. 323-339). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [201-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Xiao Wenming.

The central argument of this thesis is that a series of China's state policies, before and during the reform era, were conducive to the rise of the 1989 Chinese Student Movement (CSM). The most important of these were (1) leftist policies during Mao's era which fostered the formation of pro-democratic yet impractical intellectuals and created a university ecology that was remarkably conducive to student movements, and (2) the state-led reform which over produced students on the one hand, and blocked upward mobility channels for intellectuals and students on the other hand. These and other conducive factors to the rise of the 1989 CSM were not simply state mistakes. To a large extent, they were characteristic of the regime. / The thesis does not reject non-state centered factors such as anomic feelings toward uncertainties brought by the reform, the conflict between reformers and hardliners within the Chinese Communist Party (CCP), the rise of civil society during the eighties, the impact of Western ideologies following the open door policy or the intrinsic character of Chinese culture, that have all been hitherto proposed to explain the rise of the CSM. Rather, it incorporates these explanations under a state-centered paradigm in light of a general model (the DSSI model) that I am proposing to explain the general causes, and to a lesser extent, the dynamics of large scale social movements.

No description available.

published_or_final_version / abstract / History / Master / Master of Philosophy

葉菁華. / 論文(神學碩士) -- 香港中文大學院宗敎及神學學部, 1995. / 參考文獻: leaves 121-138. / Ye Jinghua. / Chapter 一、 --- 導論 --- p.1 / Chapter A. --- 引言 --- p.1 / Chapter B. --- 旨趣與取向 --- p.3 / Chapter C. --- 探討對象的界定 --- p.7 / Chapter 1. --- 「建制更正敎會」 --- p.7 / Chapter 2. --- 「當代中國」 --- p.14 / Chapter D. --- 資料取材 --- p.16 / Chapter 1. --- 資料來源 --- p.16 / Chapter 2. --- 取捨標準 --- p.18 / Chapter E. --- 理論與方法 --- p.19 / Chapter 1. --- 理論視野 --- p.19 / Chapter 2. --- 探討方法與全文流程 --- p.26 / Chapter F. --- 一些澄清 --- p.28 / Chapter 1. --- 代表性問題 --- p.28 / Chapter 2. --- 語文問題 --- p.29 / Chapter 二、 --- 中國建制更正敎會神學的形成處境 --- p.31 / Chapter A. --- 政治處境 --- p.33 / Chapter 1. --- 從國家-社會關係看政敎關係 --- p.33 / Chapter 2. --- 建制敎會在統一戰線中 --- p.36 / Chapter 3. --- 微妙的政敎關係 --- p.42 / Chapter B. --- 教會脈絡 --- p.45 / Chapter C. --- 神學話語與兩大處境 --- p.50 / Chapter 三、 --- 當代中國建制更正敎會的主導神學話語 --- p.55 / Chapter A. --- 引論 --- p.55 / Chapter 1. --- 主導神學的前提與方法 --- p.56 / Chapter 2. --- 主導神學的議題與重點 --- p.63 / Chapter B. --- 上帝與人世的關係 --- p.66 / Chapter 1. --- 宇宙的基督 --- p.67 / Chapter 2. --- 全愛的上帝 --- p.73 / Chapter C. --- 上帝在人世的作爲 --- p.77 / Chapter 1. --- 遍在的聖靈 --- p.77 / Chapter 2. --- 中國的基督事件 --- p.79 / Chapter 3. --- 上帝在歷史進程中 --- p.82 / Chapter a) --- 由創造至終末 --- p.82 / Chapter b) --- 對國家、 敎會的顧 佑 --- p.84 / Chapter 四、 --- 當代中國建制更正敎會的另類神學話語 --- p.87 / Chapter A. --- 引論 --- p.87 / Chapter B. --- 國外神學的引介 --- p.89 / Chapter C. --- 「文革後」神學反省 --- p.91 / Chapter D. --- 先知傳統與社會政治批判 --- p.96 / Chapter 1. --- 先知傳統的冒現 --- p.96 / Chapter 2. --- 社會責任與先知作用 --- p.97 / Chapter 3. --- 社會政治批判 --- p.101 / Chapter E. --- 對主導話語的挑戰 --- p.106 / Chapter 五、 --- 結論 --- p.109 / Chapter A. --- 當代中國建制更正敎會神學的特色及趨勢 --- p.109 / Chapter B. --- 討論 --- p.113 / Chapter 六、 --- 資料及書目 --- p.121 / Chapter A. --- 主要資料 --- p.121 / Chapter B. --- 中文書目 --- p.131 / Chapter C. --- 英文書目 --- p.134

by Wai-leung, Chan. / Publication date from spine. / Thesis (M.Phil.)--Chinese University of Hong Kong, 1995. / Includes bibliographical references (leaves 238-245). / Abstract / Acknowledgements / Chapter Chapter I --- Introduction --- p.1 / Context --- p.1 / Methodological Foundation --- p.8 / The Significance of Culture --- p.15 / Religion as Cultural Discourse --- p.29 / Chinese Protestantism in a Cultural Perspective --- p.38 / Sources and Organization of This Study --- p.41 / Chapter Chapter II --- The Social Historical Contexts of Chinese Protestantism --- p.47 / Nationalism in Republican China --- p.47 / The Church-State Relationshipin Republican China --- p.61 / The Institution of the Chinese Protestant Church --- p.73 / Chapter Chapter III --- Discourse on the Ideal of indigenous Church --- p.81 / Introduction --- p.81 / Indigenous Church as Self- Supporting Church Organization --- p.84 / Indigenization as Transformation of Organizational Practice --- p.94 / Indigenization as an Adaption in the Chinese Culture --- p.100 / Remarks on the Discourse on the Ideal of Indigenous Church --- p.115 / Chapter Chapter IV --- Discourse on Church Institution --- p.121 / Introduction --- p.121 / Church as a Community Centre --- p.122 / Church as a United Organization --- p.131 / Church as an Apolitical Institution --- p.147 / Remarks on the Discourse on Church Institution --- p.161 / Chapter Chapter V --- Discourse on Social Morality --- p.163 / Introduction --- p.163 / The Historical Circumstances and the Problematics of Crisis --- p.168 / Protestantism as the Moral Foundation of Republican Society --- p.172 / Implication --- p.194 / Chapter Chapter VI --- Conclusion: Religion as a Cultural Discourse --- p.198 / The Understandings on the Failure of Chinese Protestantism --- p.198 / Chinese Protestantism in a Cultural Perspective --- p.202 / Epilogue --- p.216 / Appendix --- p.223 / Bibliography --- p.238