Lau, Leung Kwok Prudence. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves ). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts also in Chinese.

In April 1927, National Southeast University of Nanjing was taken over and reorganized by the Kuomingtang. In June, Educational Administration Committee of Nanjing National Government combined the former National Southeast University and the other eight official colleges and vocational schools in Nanjing, Shanghai and Suzhou, in order to set up the National Fourth Sun Yat-sen University. In May 1928, the new school was named National Central University confirmedly. By August 1949, the Nanjing Martial Administration Committee of Chinese Communist Party changed the National Central University to Nanjing University. Therefore, the National Central University, the former National Southeast University and the subsequent Nanjing University retained the historical continuousness. But also form 1927 to 1949, the National Central University had its unique features of intellectual and politics. That was an integrated history of school. With the foundation of the Nanking National Government, the National Central University had being turning into the super academy of China. Not only the scale of education or academic prestige but also given political resources, the National Central University held the most important status. At the same time, the relationship between the universty and politics was more and more much closed. The thesis focuses on the history of National Central University form 1927 to 1949, mainly including educational system, academic research, political culture in campus and so on. The items reflected the complex relation between state and intellectual. Besides, the thesis looks into some Chinese universities' issues, about the connotation and reality of nationalization of university, education by partification, academic freedom and faculty governance in context of Republican China. / 蔣宝麟. / Adviser: Yuen Sang Leung. / Source: Dissertation Abstracts International, Volume: 73-03, Section: A, page: . / Thesis (Ph.D.)--Chinese University of Hong Kong, 2010. / Includes bibliographical references (p. 276-288). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. [Ann Arbor, MI] : ProQuest Information and Learning, [201-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Jiang Baolin.

Yeung Shuk Man. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2005. / Includes bibliographical references (leaves 150-162). / Abstracts in English and Chinese. / Abstract --- p.i / 論文摘要 --- p.ii / Acknowledgements --- p.iii / Transliteration --- p.iv / Table of Contents --- p.v / Chapter Chapter 1 --- Introduction: Sending the women back home --- p.1 / Chapter Chapter 2 --- Connections between Germany and China --- p.20 / Post-First World War experience --- p.22 / Sino-German relationship --- p.28 / Similar characteristics in nationalistic leadership and political ideology …… --- p.36 / Chapter Chapter 3 --- "´ب´بNew women, liberated women"": The 1920s" --- p.44 / New roles and images --- p.46 / New sexualities and moralities --- p.61 / The “old´ح values --- p.70 / Chapter Chapter 4 --- Women under NSDAP and GMD --- p.76 / Home and family --- p.78 / Employment --- p.97 / War years --- p.105 / Chapter Chapter 5 --- Women leaders in NSDAP and GMD --- p.114 / The profile of the women leaders --- p.115 / Women organizations --- p.124 / Viewpoints of the women leaders --- p.132 / Chapter Chapter 6 --- Conclusion: Nationalism and women --- p.141 / Bibliography --- p.150

張慧眞. / 論文(博士)--香港中文大學, 1999. / 參考文獻 (p. 245-260) / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Zhang Huizhen. / Lun wen (Bo shi)--Xianggang Zhong wen da xue, 1999. / Can kao wen xian (p. 245-260) / Zhong Ying wen zhai yao.

自1989 年以来，中国独立电影在国家电影体制的管控之下，已经发展二十余年。随着数字摄影、非线性编辑、互联网应用等技术的不断提升，今天的独立电影与以往相比，拍摄成本更低、制作方式更便捷、影像质量更高、传播手段多样化；但其创作力和艺术水准并没有大幅提升，反而呈现停滞，甚至下降趋势。究其原因，当然包括官方压制、国内电影市场冲击、海外影展关注度降低等多方面外界因素的影响，但中国独立电影内部环境和中国独立电影人自身所存在的问题则往往被人们忽略掉了。本研究正是通过对中国独立电影二十余年历史的梳理，力图描述其内部生态环境的变化，提出中国独立电影在原有国家电影体制之外建构了一个新的体制--"亚体制"，并分析"亚体制"对于当前独立电影创作和独立电影评论的影响。 / 国家电影体制对中国独立电影的管控由来已久，尤其表现在对其传播、发行、放映的控制上。在此情况下，"前DV 时代（1989-2000 年）的独立电影人经历了从体制中逃离、与体制合作、回归体制的路线。而同时，一些民间电影放映社团逐渐搭建起了自己的独立电影放映管道，并培养了一批帮助独立作者进行影片推广的"中间人"。在"后DV 时代"（2000 至今），各地放映社团发展壮大，开始举办独立电影节，"中间人"也由此获得了更多的权力和威信，变为具有较强话语权的“关键人。就这样，以民间放映社团为单位，独立电影节为支柱，"关键人"为核心，独立电影基金、学校、资料馆、公司为分支的独立电影"亚体制"框架基本形成。本研究主要通过人物采访、田野考察、影像文本分析等方法，结合布迪厄（Pierre Bourdieu）"场域"的相关理论分析这一"亚体制"的结构关系、经济链条和体制化表象。 / 经过论证，本研究认为在独立电影"亚体制"的场域中，"关键人"通过积累文化资本、经济资本和社会资本的方式来获得权力，并在此基础之上建立其评价体系，形成“非主流"中的主流标准。如果这种状况得不到改善，"阶级"、"霸权"、"垄断"等问题将会愈演愈烈，独立电影界也会重蹈原有体制的覆辙，其内部会逐渐丧失"独立性"，最终导致抑制独立电影多元化发展的结果。 / Since 1989, the independent film in China, under the control of national cinema institution, has already had a history of more than 20-year development. With the continuous improvement of technology in the fields of photography, editing and internet application, today's Chinese independent film has lower producing cost, quicker production methods, higher image quality, and more diversified transmission methods. However, instead of a substantial improvement, the creativity and theartistic criteria of the films tend to stagnate and even have a tendency to decline, for which the main reasons might be government control, the impact of the domestic film market, the reduced attention of abroad film festivals and other external factors, but we cannot ignore the internal problems in the ecosystems of the independent film and the filmmaker themselves. This study, through sorting the over-20-year development history of independent films in China, strives to describe the changes of the internal ecological environment and put forward institutionalization of the independent film outside the national institution. / The national cinema institution has a long-time control over the Chinese independent film, especially over its distribution and exhibition. Under such a circumstance, the independent filmmakers in the "former DV era" (1989-2000) have shifted from the paths of fleeing from the national institution, cooperating and returning. In the meantime, some "film viewing social organizations" (we call them "film clubs") gradually have set up their own exhibition channel of films and have cultivated a group of “intermediator" who could help promote the independent film. In the "later DV era" (2000 up to the present), film clubs in various regions developed and expanded to hold some independent film festivals. Consequently, while gained more power and prestige, the "intermediator" became the "key person" who has a greater discourse power. In this way, with the film club as the unit, independent film festival the pillar, the "key person" the centre, the independent film fund, school, archive and company the branch, the frame of institution was basically formed. This study, mainly through interview, field observation, analysis of image and text and other methods, and by combining with the related "field" theory of Pierre Bourdieu, analyzes the structural relation, economic chain and the representation of institutionalization in the independent film. / Through the demonstration, the study concludes that, in the field of independent film, if the situation ("the key person" gains power through accumulating cultural capital, economical capital and social capital, and on this base establishes a review system to form a mainstream standard among the "non mainstream") cannot be improved, the problems, like "social classes", "hegemony" and "monopoly" will become more and more serious. As a result, the Chinese independent film will follow the same road of national cinema institution, and the films will gradually lose its "independence", which eventually would restrain the diversified development of the film. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / Detailed summary in vernacular field only. / 李铁成. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2012. / Includes bibliographical references (leaves 242-265). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Li Tiecheng. / 摘要 --- p.i / Abstract of thesis entitled: --- p.iii / 致谢 --- p.v / 目录 --- p.vii / 绪论 --- p.1 / 中国独立电影评论回顾 --- p.2 / 体制与独立电影 --- p.16 / 亚体制 --- p.26 / Chapter 第一章 --- “体制"vs.“独立" / 独立剧情片──被迫逃离体制 --- p.32 / 独立纪录片──与体制的合作 --- p.40 / 影视体制市场化 --- p.52 / Chapter 第二章 --- “前DV时代"独立电影的去向 --- p.60 / 香港──最早的“中间人" --- p.61 / 贾樟柯的香港经历 --- p.69 / 民间放映社团学习期（1996-2000） --- p.77 / 本土中间人的身份及成长 --- p.87 / Chapter 第三章 --- 亚体制独立影展的创办 --- p.94 / “后DV时代"初期──爆发后的困惑 --- p.94 / 影展试探期（2000-2002） --- p.101 / 影展创办期（2003-2007） --- p.115 / 云之南人类学影像展 --- p.116 / 中国独立纪录片交流周 --- p.122 / 中国独立影像年度展 --- p.127 / Chapter 第四章 --- 关键人与独立电影的生态链条 --- p.136 / “关键人"和“场域" --- p.137 / “资本生态链条" --- p.143 / “生态链条"的经济命脉 --- p.145 / 放映联盟 --- p.157 / 独立电影学校 --- p.160 / Chapter 第五章 --- “亚体制"vs.“独立" --- p.164 / “独立性"的选择 --- p.165 / 2011年CIFF“萨满·动物宣言" --- p.185 / 话语权不断失衡 --- p.187 / 独立作者受到的影响 --- p.193 / Chapter 第六章 --- 个案分析 --- p.196 / 创作路程原初与现状 --- p.199 / 亚体制的主流美学 --- p.204 / 自媚与猎奇 --- p.214 / 结论 --- p.219 / Chapter 附文一： --- 贾樟柯娄烨王小帅等联名上书电影局（全文） --- p.227 / Chapter 附文二： --- “萨满 动物"（南京宣言） --- p.229 / Chapter 附表一： --- 1990-2011年 柏林电影节展映之中国大陆影片 --- p.232 / Chapter 附图一： --- 中国独立电影生态图 --- p.235 / Chapter 附图二： --- 2010年 国际青年艺术电影高峰论坛 宣传手册封面 --- p.236 / Chapter 附图三： --- 2010年 国际青年艺术电影高峰论坛 第1页 --- p.237 / Chapter 附图四： --- 2010年 国际青年艺术电影高峰论坛 第2页 --- p.238 / 采访记录： --- p.239 / 英文文献： --- p.242 / 中文文献： --- p.246 / 网络文献： --- p.251 / 电影（本文中涉及到的）： --- p.259

張秉權. / 論文(博士)--香港中文大學, 1999. / 參考文獻 (p. i-xvi) / 中英文摘要. / Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong. / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Mode of access: World Wide Web. / Zhang Bingquan. / Lun wen (bo shi)--Xianggang Zhong wen da xue, 1999. / Can kao wen xian (p. i-xvi) / Zhong Ying wen zhai yao.

Wang, Xueju. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2011. / Includes bibliographical references (leaves 255-269). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstract also in Chinese; some appendixes in Chinese.

published_or_final_version / History / Master / Master of Philosophy

This study explores some of the urban visions inherent in Japanese colonial modernity in Manchuria and how they represented important aspects of the self-consciously modernizing Japanese state. Perceiving the northeastern Chinese city of Changchun as a tabula rasa upon which to erect new and sweeping conceptions of the built environment, Japanese used the city as a practical laboratory to create two distinct and idealized urban milieus, each appropriate to a particular era. From 1905 to 1932 Changchun served as a key railway town through which the Japanese orchestrated informal empire; between 1932 and 1945 the city became home to a grandiose, new Asian capital. Yet while the facades the town and later the capital—as well as the attitudes of the state they upheld—contrasted markedly, the shifting styles of planning and architecture consistently attempted to represent Japanese rule as progressive, beneficent, and modern. More than an attempt to legitimize empire through paternalistic care, however, Japanese perceptions of these built environments demonstrate deeper significance. Although Japanese intended Changchun's two built environments to appeal to subject populations, more fundamentally they were designed to appeal to Japanese sensibilities in order to effect change in Japan itself. Imperialism in the late nineteenth and early twentieth centuries involved policies of dominance and exploitation that included a range of endeavors central to the creation of contemporary societies. It is in part because Japanese believed they were acting progressively in places like Changchun that many Japanese in the postwar era have had difficulty acknowledging the entirety of Japanese activities on the mainland in the first half of the twentieth century.

本論文以民國初年六本通俗文學雜誌的翻譯文本為研究對象，首先根據雜誌翻譯文本及其歷史資料，勾勒雜誌翻譯活動的輪廓，繼而從雜誌翻譯追溯雜誌文人的思考與互動過程，展現當時文化場域的動態場景。論文嘗試回歸雜誌翻譯之歷史語境，從中觀察二十世紀初的中國文化圖景；研究的視野，與翻譯研究中以系統為研究對象的理論有共通之處。論文借助系統理論中「規範」、「經典」等概念來探討雜誌翻譯，同時亦注重文本與概念之歷史淵源；相關文本解讀與概念分析，皆以雜誌原始語境為背景。此外，論文以該時期新文化刊物的翻譯現象為參照，追溯通俗與精英文人通過翻譯而進行的對話與互動，藉此反思雜誌翻譯之於文化場域演變的作用。所涉之對比分析，有助把通俗文學雜誌的翻譯活動重置於民初文化版圖，既為近代翻譯史填補一點空白，亦可在目前以新文化精英為主線的現代文學史論之外，提供另一種敍述歷史的角度。 / Based on a historical study of the translation in six popular literary magazines published in early Republican Shanghai, the thesis attempts to explore dynamic cultural landscape of early modern China by reconstructing the ecology and patterns of magazine translation. In line with the perspectives of system theories in Translation Studies, translation is viewed as both functional constituent and shaping force in its cultural settings. With a keen interest in the historicity of texts and notions, the thesis examines magazine translation by analyzing key concepts in system theories such as ‘norm’ and ‘canon’ in the context of early Republican printed media. Translated texts in the magazines under study are also analyzed in comparison with those published in May-fourth journals in the same period. Magazine translation is then presented as a site of conversation, competition and mutual positioning between popular and elite intellectuals. Offering to fill a gap in Chinese translation history with its reconstructive efforts, the thesis proposes an alternative delineation of cultural history against the ‘grand narrative’ that dismisses the literary practices in Shanghai popular magazines as mere residues of the late Imperial era. / Detailed summary in vernacular field only. / 叶嘉. / Thesis submitted: November 2012. / Thesis (Ph.D.)--Chinese University of Hong Kong, 2013. / Includes bibliographical references (leaves 208-214). / Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web. / Abstracts in Chinese and English. / Ye Jia. / 緒 論 --- p.1 / Chapter 第一節 --- 課題緣起 --- p.1 / Chapter 第二節 --- 理論架構 --- p.4 / Chapter 第三節 --- 研究範圍 --- p.8 / Chapter 第一章 --- 清末民初「通俗」的流變 --- p.13 / Chapter 第一節 --- 「通俗」的定義 --- p.13 / Chapter 第二節 --- 清末到民元：平民教育的初衷 --- p.16 / Chapter 第三節 --- 袁世凱復辟：以「通俗」為名的言論控制 --- p.18 / Chapter 第四節 --- 文學革命之後的「通俗」：从中性到貶義 --- p.20 / Chapter 第五節 --- 上海雜誌界的「通俗」：從啓蒙到暢銷 --- p.22 / Chapter 第六節 --- 解讀「精英」與「通俗」：從對立到互動 --- p.32 / Chapter 第二章 --- 雜誌的外在環境 --- p.37 / Chapter 第一節 --- 雜誌的出版環境 --- p.37 / Chapter 第二節 --- 雜誌的文人圈子 --- p.45 / Chapter 第三章 --- 從雜誌文本看翻譯規範：譯者形象 --- p.55 / Chapter 第一節 --- 從譯書廣告看譯者 --- p.58 / Chapter 第二節 --- 從譯作刊登格式看譯者 --- p.69 / Chapter 第三節 --- 從譯序和譯後記看譯者 --- p.75 / Chapter 第四節 --- 早期《新青年》的譯者形象及其啓示 --- p.82 / Chapter 第四章 --- 從雜誌文本看翻譯規範：從「不忠」到「忠實」 --- p.87 / Chapter 第一節 --- 1910年代：「不忠」為常 --- p.89 / Chapter 第二節 --- 1910年代：抗拒「直譯」 --- p.94 / Chapter 第三節 --- 《新青年》：「忠實」的提出 --- p.99 / Chapter 第四節 --- 1920年代：「忠實」的流行 --- p.102 / Chapter 第五章 --- 從雜誌文本看翻譯規範：「時效」與「實用」 --- p.109 / Chapter 第一節 --- 緣起晚清 --- p.109 / Chapter 第二節 --- 演入民初 --- p.112 / Chapter 第三節 --- 譯叢：獵奇的「時效」與「實用」 --- p.115 / Chapter 第四節 --- 西笑：諧趣的「時效」與「實用」 --- p.126 / Chapter 第六章 --- 「時效」的延續：視覺文本的翻譯 --- p.135 / Chapter 第一節 --- 雜誌插圖：西方世界視覺化 --- p.135 / Chapter 第二節 --- 影戲小：電影時代的先聲 --- p.142 / Chapter 第三節 --- 「雜誌翻譯」：規範與定義重構 --- p.153 / Chapter 第七章 --- 翻譯規範及經典與文化場域之互動 --- p.159 / Chapter 第一節 --- 不拒「經典」，不要「主義」 --- p.160 / Chapter 第二節 --- 重釋林紓：「新」「舊」的對立 --- p.173 / Chapter 第三節 --- 熱議《娜拉》：「新」「舊」的對話 --- p.190 / 結 語 --- p.197 / 後 記 --- p.202 / 徵引書目 --- p.208