Bakalauro darbe „GOD IS A DJ“ nagrinėjamas šiuolaikinės šokių muzikos atlikėjų sceninis įvaizdis, kaip muzika įtakoja, užgožia ar padeda atlikėjui išsiskirti iš minios šokių aikštelėse. Aiškinamasi, kaip šiuolaikiniai diskžokėjai ir aprangos dizaineriai sprendžia šią problemą. Bakalauro darbą sudaro dvi dalys: teorinis aprašas ir vyriškų drabužių kolekcija bei jos fotosesija. Pirmame teorinio aprašo skyriuje analizuojama, koki poveikį daro šiuolaikinė muzika asmenybės formavimuisi, kaip žmogus reguoja į harmoninius ir disharmoninius garsus ir kokios gali būti jų pasekmės. Antrame skyriuje analizuojama naujoji šokių muzika ir jos atlikėjai. Aiškinamasi, kokie yra klubinės muzikos stiliai bei Dj‘ėjų atsiradimo istorija ir nagrinėjami diskžokėjų sceninio įvaizdžio ypatumai. Trečiajame skyriuje pristatomos įvairių dizainerių drabužių kolekcijos muzikos tema, apžvelgiama elektroninių parduotuvių išskirtiniai aprangos pasiūlymai šiuolaikinės klubinės muzikos scenos žmonėms. Ketvirtajame skyriuje aptariami kūrybinės darbo dalies - kuriamos kolekcijos realizavimo etapai, pagrindžiama idėja, pateikiami eskizai, projektai, technologijos. Aprašomos drabužių kolekcijos kūrimo procesai – konstravimas, modeliavimas, siuvimas. Taip pat pateikiamos įvykdytų drabužių modelių fotografijos ir numatomas kolekcijos pristatymo planas. Penktame skyriuje aptariamos sukurtos drabužių kolekcijos realizavimo galimybės, pateikiama kolekcijos sąmata. Ši kolekcija skirta užsakovui bei ateityje planuojama... [toliau žr. visą tekstą] / In this bachelor work theme „GOD IS A DJ“ it is investigated scene image of contemporary dance music artists. How can the music have an influence, does it helps for an artist stand out of the crowd or other way round. Also it finds out how the deejays and designers are solving this problem in these our modern days. This bachelor work is made of two main points: theoretical description and menswear collection. In the first theoretical description chapter, it is analysed what influence the modern music has on human’s personality and how a person reacts to a disharmonious and harmonic sounds, and also what their consequences might be. In the second chapter, it is analysed nowadays dance music and its artists. There is an information about club music styles, moreover deejay’s history and it is examined their scene image features. The third chapter presents a music theme clothing collection of various designers, also an overview of special and unusual offers for modern club music artist in electric shops. In the fourth part of bachelor creativity part chapter, it is discussed the development of collections realization stages, justified an ideas, presented sketches, projects, and technologies described. What is more described clothing collections development processes – making and designing, modelling, sewing. It also includes clothing patterns pictures and the presentation of expected collection. The fifth chapter deals with clothing collections realisation possibility and... [to full text]

Affective haptic research is a rapidly growing field. Today, more smart haptic clothes are being studied and implemented which are aimed to effect its users emotionally. However, they have some limitations. This research intends to improve the existing literature and contribute by involving consumers directly in the design of a smart haptic jacket by adding heat, vibration actuators, and by enhancing portability. In this thesis, we are interested in six basic emotions: love, joy, surprise, anger, sadness, and fear. An online survey was designed and conducted on 92 respondents that gave feedback of what it is expected from an affective haptic jacket. The results of this survey assisted in the general design, and the feedback helped to build a prototype. 86% of the respondents expressed interest in the system and are willing to try it when it is ready. A detailed design architecture is provided along with details on the hardware and software used for the implementation. Finally, the prototype was evaluated on 14 participants using the actual prototype haptic jacket based on a QoE comparison between the absence and the presence of haptic actuation. The proposed system showed improvement over a similar system that is designed for the same purpose.

Thesis (M.F.A.)--Ohio State University, 2008. / Title from first page of PDF file. Includes bibliographical references (p. 165-180).

Thesis (M.S.)--Oregon State University, 2010. / Printout. Includes bibliographical references (leaves 102-105). Also available on the World Wide Web.

Thesis (M.S.)--Oregon State University, 2010. / Printout. Includes bibliographical references (leaves 77-80). Also available on the World Wide Web.

Made available in DSpace on 2014-06-11T19:28:04Z (GMT). No. of bitstreams: 0 Previous issue date: 2006-01-31Bitstream added on 2014-06-13T20:57:41Z : No. of bitstreams: 1 souza_pm_me_bauru.pdf: 907859 bytes, checksum: b98682457254c5034fde8ac03ff92b52 (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / A presente pesquisa verifica a eficiência da modelagem tridimensional, moulage, como instrumento de otimização do processo de desenvolvimento do produto de moda/vestuário. Para tanto, enfoca as etapas de criação e materialização nas quais a referida técnica encontra-se inserida, onde constata a dicotomia entre as áreas de criação e modelagem. Aborda as qualidades técnicas, construtivas, ergonômicas e estéticas envolvidas no projeto da modelagem do produto, enfatizando os aspectos de conforto, caimento e inovação formal. De abordagem qualitativa, tem seus dados coletados por meio de observações sistemáticas, no âmbito acadêmico, numa variedade de situações-problemas, em momentos diversos, com variadas fontes de informação - cenários criados para reproduzir, considerando as devidas proporções e especificidades - situações industriais análogas. Estabelece as seguintes linhas guias de observação: criar e materializar; materializar a criação do outro; a criação constitui-se na própria materialização. Indicadores previstos na estruturação da pesquisa - adequação dimensional, vestibilidade, inovação formal, tempo, retrabalho, consumo de matéria-prima, soluções de montagem - conduzem aos resultados, numa comparação dos dados obtidos quando a técnica da modelagem tridimensional encontra-se ou não inserida no processo de desenvolvimento do produto de moda. É constatada a eficiência da técnica no processo. / The purpose of this research is to verify the efficiency of the three-dimensional modeling, draping, as a way to achieve a better development of the fashion/clothing products. For that, it focus the creation and the materialization steps, in which the draping technique is found, where is found a dichotomy between the creation and the modeling areas. It also approaches the technical, constructive, ergonomic and esthetic qualities involved on the modeling project, emphasizing the comfort, adjustment and innovation of the shape. This qualitative research got the data collection by methodological academic observation, with a variety of problem situations, in different moments with distinctive information sources - created reproduction scenes, considering the propositions and specialties - such as industrial situations. It establishes the following observation guide: to create and materialize; to materialize the other s creation; the creation constitutes in the materialization itself. The indicators used in this research are the dimensional fitness, adjustment, innovation of the shape, time, rework, material raw, assembling solutions. They conduct to the findings, comparing obtained data when the three-dimensional modeling is found in development of the fashion/clothing products and it proves the efficiency of the technique in the process.

Made available in DSpace on 2014-06-11T19:28:33Z (GMT). No. of bitstreams: 0 Previous issue date: 2003-10-13Bitstream added on 2014-06-13T19:16:35Z : No. of bitstreams: 1 montemezzo_mcfs_me_bauru.pdf: 892244 bytes, checksum: 9c35a1ed16c474ae77ec4d2b4696cc3b (MD5) / Para identificar uma estruturação adequada ao processo de desenvolvimento de produtos de moda/vestuário no âmbito acadêmico, a presente pesquisa buscou fundamentos nas bases teóricas das metodologias de projeto do design, abordando a organização do processo criativo sob os parâmetros do pensamento projetual. Realizou um estudo qualitativo em ambiente acadêmico, com o propósito de constatar a relevância dos princípios projetuais de design para a estruturação do processo de criação em moda. Identificou-se que, após o contato com tais princípios, os estudantes demonstraram mudanças significativas na organização do pensamento sobre o processo de elaboração de produtos. Integrou os resultados obtidos na pesquisa do ambiente acadêmico às análises construídas na pesquisa bibliográfica, para a estruturação de uma proposta de diretrizes metodológicas para o processo projetual de design de moda na academia / To identify the correct organization to the development process of fashion products in the academic field, this research established foundation in the theoretical basis of design methodologies, broaching the organization of the creative process under the concepts of the project thoughts. A qualitative study was accomplished in the academic field on purpose to check the importance of the design principles to the organization of the creation process in fashion. It was noticed that after the contact with such principles, students demonstrated relevant changes in the thoughts organization about the creation process of products. The results obtained in the academic field research was integrated to the analysis built in the bibliographic research, in way to organize an offer of methodological directives to the fashion design in academy

Orientador: Ivan De Domenico Valarelli / Banca: João Candido Fernandes / Banca: Virginia Kistmann / Para identificar uma estruturação adequada ao processo de desenvolvimento de produtos de moda/vestuário no âmbito acadêmico, a presente pesquisa buscou fundamentos nas bases teóricas das metodologias de projeto do design, abordando a organização do processo criativo sob os parâmetros do pensamento projetual. Realizou um estudo qualitativo em ambiente acadêmico, com o propósito de constatar a relevância dos princípios projetuais de design para a estruturação do processo de criação em moda. Identificou-se que, após o contato com tais princípios, os estudantes demonstraram mudanças significativas na organização do pensamento sobre o processo de elaboração de produtos. Integrou os resultados obtidos na pesquisa do ambiente acadêmico às análises construídas na pesquisa bibliográfica, para a estruturação de uma proposta de diretrizes metodológicas para o processo projetual de design de moda na academia / To identify the correct organization to the development process of fashion products in the academic field, this research established foundation in the theoretical basis of design methodologies, broaching the organization of the creative process under the concepts of the project thoughts. A qualitative study was accomplished in the academic field on purpose to check the importance of the design principles to the organization of the creation process in fashion. It was noticed that after the contact with such principles, students demonstrated relevant changes in the thoughts organization about the creation process of products. The results obtained in the academic field research was integrated to the analysis built in the bibliographic research, in way to organize an offer of methodological directives to the fashion design in academy / Mestre

Esta pesquisa realiza um estudo sobre a função da roupa mortuária em nossa cultura. O objetivo desta investigação é identificar a função que a roupa dos mortos exerce em nossa cultura. A importância deste estudo está em aumentar a compreensão sobre nossas atitudes e nosso comportamento em relação à roupa. A teoria funcionalista desenvolvida por Malinowski foi adotada como referencial teórico-metodológico e a entrevista livre não organizada foi empregada como instrumento de pesquisa. As entrevistas foram realizadas com costureiras que nasceram entre as décadas de 20 e 40 e que residem atualmente na cidade de Ituverava - interior de São Paulo. A escolha por este grupo social se deu,- em primeiro lugar, devido à percepção diferenciada que esta categoria possui em relação à roupa: a atuação profissional destas mulheres permitiu-lhes adquirir um conhecimento especializado sobre tecidos, estampas, técnicas de corte, técnicas de costura, técnicas de acabamento, nomenclatura de peças e processos de modelagem, conhecimento considerado indispensável para o aprofundamento das entrevistas. A data de nascimento e a localidade estipulados visaram à identificação de mulheres que se tornaram economicamente ativas durante uma época e em uma região em que a grande maioria das roupas eram produzidas por costureiras locais devido à ausência de indústrias de confecção na região. Os dados coletados durante a entrevista foram registrados com a ajuda de um gravador e analisados segundo a perspectiva funcionalista / This research conducts a study on the function of burial clothes in our culture. The purpose of this research is to identify the role that clothing plays dead in our culture. The importance of this study is to increase understanding of our attitudes and our behavior in relation to clothing. The functionalist theory developed by Malinowski was adopted as theoretical framework and the non-organized free interview was employed as a research tool. Interviews were conducted with seamstresses who were born between the 20s and 40s and who now reside in the city of Ituverava - São Paulo. The choice of this social group was given - in the first place - because of different perception that this category has in relation to clothing: the professional performance of these women allowed them to acquire a specialized knowledge of fabrics, prints, cutting techniques, sewing techniques , finishing techniques, naming parts and modeling processes; knowledge considered essential for the further development of interviews. The date of birth and place stipulated aimed at the identification of women who became economically active during a time and in a region where the vast majority of the clothes were produced by local seamstresses in the absence of manufacturing industries in the region. The data collected during the interview were recorded with the help of a tape recorder and analyzed according to the functionalist perspective

Problem: The risk of online shopping differs from consumer to consumer. Previous scienceshow that consumers experience a higher risk related to online shopping, compared topurchase in traditional stores. The reason behind this is that there is no possibility to physically inspect the product before the purchase is completed, and most people want to try and feel the clothes before they decide to buy it. Also there is no opportunity to create an opinion about the seller, since there is no physical interaction between the customer and the ecommerce, which creates difficulty in assessing whether it is a reliable seller or not. An actionto reduce the consumers perceived risk is by creating a trustworthy impression. Purpose: The purpose of this study is to investigate consumers perceive risks related buy ingclothes online, and if confidence in the e-commerce affects the risk level. Method: The research method for this study was qualitative, with a deductive approach. Data collection was developed through eight semi- structured interviews, in which participant werechosen from a convenience selection from the Stockholm area. Focusing on individuals between the age of 20- 45. Result: The study found that consumers who purchase clothes more often experience a lower risk related to online shopping, compared to those who do it rarely. The two distinct risks that respondents experienced in online shopping were the risk related to the clothes and the financial transaction. Results also showed that trust towards e-commerce has a decisive impact on the degree of risk, and how confident a consumer feels ahead of buying clothes online. It was found that the most effective trust-creating approach was contently information about the clothes, and several payment options. Additionally the results shows that consumers reduce the perceived risk level of online purchase through viral marketing, which is word-of mouth.