Dans ce travail nous cherchons à comprendre comment les conditions de projet du renouvellement périurbain modifient les structures de la production de l'habitat périurbain. Le développement durable qui a progressivement gagné toutes les sphères de l'action publique s'attache plus récemment à reconsidérer les modèles de développement d'habitat du périurbain. Dans ce contexte, nous comparons deux pratiques professionnelles récentes, française et américaine, qui reconfigurent le système de production de l'habitat périurbain. Pour mettre cette reconfiguration en évidence nous déployons une réflexion en trois temps. D'abord, nous constatons que ces deux pratiques entrainent une évolution effective des formes urbaines et architecturales. Au prisme de la notion de transition, introduite par la théorie des systèmes sociotechniques, nous montrons qu'au-delà de l'évolution typomorphologique constatée, les logiques de projet de Bimby et du New Urbanism sous-tendent l'implication d'un pluralisme d’acteurs bénéfique. Ensuite, nous présentons et analysons les processus de design charrette et de micro-conception par lesquels les deux pratiques étudiées visent à répondre aux besoins d'une collectivité locale en impliquant une variété d'acteurs. Dans cette partie nous évaluons le degré d'influence des participants sur l'évolution des formes constatée plus tôt. Enfin, par la comparaison nous caractérisons des logiques de projet, des logiques de contrôle ainsi que des figures de l'appropriation par lesquelles le jeu d'acteurs que nous mettons en évidence poursuit une vision durable du périurbain. Nous précisons également les définitions de la co-conception et de la coproduction comme des approches de la médiation situées en amont et en aval des structures de production classiques. Les résultats de cette recherche contiennent plus particulièrement la modélisation des logiques de projet de Bimby et du New Urbanism, la modélisation du système de production de l'habitat périurbain durable, et la modélisation du renouvellement périurbain. / This doctoral research aims to understand how different priorities and actions in the process of suburban renewal can change the ways suburbs are built. Sustainable development, which has increasingly gained acceptance in various venues of public thought and action, has recently entailed the reconsideration of suburban models. In this context, we compare two recent professional practices from France and the United States — Bimby and New Urbanism — that reconfigure the ways suburbs are designed and built. To substantiate this premise we have organized our demonstration in three steps. First, we observe that these two professional practices lead to an effective evolution of urban and architectural forms, and through the sociotechnical lens that examines the interaction between the structures of society and the human behavior of the residents we show that beyond this evolution of urban types and patterns, Bimby and New Urbanism both require a diversity of stakeholders that is beneficial to the design and delivery of an urban project. Then, we present and analyze both processes of the design charrette and micro-conception through which New Urbanism and Bimby expect to formulate better solutions, according to the needs of public and private stakeholders and participants. This enables us to evaluate the level of influence of participants on the whole project. Finally, the comparison allows us to characterize the concepts, processes and delivery mechanisms through which the stakeholders involved can create and follow a sustainable vision of suburban developments. We explain the meanings of specialist terms such as co-conception and coproduction as ways of involving diverse groups of stakeholders and residents before, during and after the conventional systems of suburban development. Our results more specifically include the conceptual models of Bimby and the New Urbanism, as models of sustainable suburb production and of suburban renewal.

No description available.

The current communicative planning paradigm appears to lack the ability to include the voices of the voiceless and is stuck in practices that continue to confirm the status-quo through technocratic quick fixes, which do not solve underlying problems causing climate change. This thesis is an exploration of how two unconventional methods, storytelling and co-created speculative design, can contribute to a change in paradigm, specifically improve the inclusiveness of coproduction, where nonhumans are involved in the decision-making processes. This thesis takes the reader on a journey through the embodiment of water in Slussen, by an analysis of semi-structured interviews and a critical discourse, a story from the perspective of water with the title Suorssá, and two alternative designs of Slussen if water were in charge. The applied lense in this thesis is a combination of Latour’s perspective on actants, Bell’s studies of the future, storytelling, critical utopianism, and ecocentrism. The methods and lense are embedded in a case study of water in Slussen, which is a major urban development in Sweden where water plays a considerable role. Through this journey an alternative perspective is attempted to be shared with the participants and an increasing openness towards ecocentrism, where all organisms on the planet have an intrinsic value irrespective of humans, is created. The results suggest that a truly inclusive planning paradigm, especially for megaprojects like Slussen, seems to be a utopian thought. Nonetheless, storytelling and co-created speculative designs turn out to be an effective step towards realizing this vision.

Submitted by Silvana Teresinha Dornelles Studzinski (sstudzinski) on 2015-10-21T15:40:14Z No. of bitstreams: 1 WESLEY LACERDA E SILVA_.pdf: 653332 bytes, checksum: 2d0fc8bce4e0c028ac9e742f61d288ca (MD5) / Made available in DSpace on 2015-10-21T15:40:14Z (GMT). No. of bitstreams: 1 WESLEY LACERDA E SILVA_.pdf: 653332 bytes, checksum: 2d0fc8bce4e0c028ac9e742f61d288ca (MD5) Previous issue date: 2014-12-21 / Nenhuma / A capacidade de coprodução de serviços terceirizados de Tecnologia da Informação - TI é um tema pouco debatido de modo geral, com poucos trabalhos acadêmicos específicos e desconhecido no meio profissional. Esse estudo apresenta uma proposta de constructo sobre as capacidades dos clientes de coprodução de serviços terceirizados de manutenção de aplicativos. Esta pesquisa qualitativa foi desenvolvida a partir da análise detalhada de uma empresa multinacional brasileira reconhecida pela sua estratégia de terceirização de atividades fora do seu core business, como é o caso das atividades de TI. Utilizando a abordagem metodológica de Estudo de Caso foi feita a confirmação de um modelo de capacidades dos clientes de coprodução de serviços terceirizados de manutenção de aplicativos, definindo também as dimensões que compõem essas capacidades. Chegou-se à conclusão que existem três grandes capacidades de coprodução dos clientes para esses serviços: a capacidade de Gestão Tecnológica, a capacidade de Relacionamento Organizacional e a capacidade de Gestão e Desenvolvimento de Fornecedores. Esse estudo, a partir de uma revisão teórica dos temas envolvidos, propõe um modelo teórico que foi confirmado e refinado a partir das entrevistas de campo em profundidade, realizadas com profissionais diretamente ligados com a gestão e execução das atividades de manutenção de aplicativos desta empresa multinacional brasileira. / The IT outsourcing coproduction capability, in general, is not a well explored and studied matter, with few specific academic studies and even less efforts in the professional market. This study presents a construct proposal about the application management outsourced services coproduction capability. This qualitative research was based in a detailed analysis of a multinational Brazilian company, recognized by its outsourcing strategies. With a Case Study approach, it was confirmed the application management outsourcing services coproduction capability model, defining also this capabilities dimensions. This study concludes that there are three major customer coproduction capabilities: Technological Management capability, Organizational Relationship capability and Suppliers Management and Development capability. This study, based in theoretical references, proposes a model that was confirmed and refined through in-depth interviews with application management professionals, both managers and technicians that work directly with these activities as employees of this Brazilian multinational company.

This dissertation focuses on film co-productions of the East German film studio DEFA (Deutsche Film-Aktiengesellschaft) with East and West European partners. It revisits patterns of institutional and transnational collaboration during the Cold War in order to challenge the predominant cliché of the isolation of East European film industries. The project seeks to re-position East German cinema within evolving debates on European film, deriving its argument from archival research on production histories and contemporaneous press releases, as well as from correspondence and personal testimonials such as interviews with former East German and East European filmmakers. The discussion is structured around three categories that focus attention on the interplay between the East German studio’s co-production agenda and state-imposed film policy: cultural prestige, popular entertainment, and international solidarity. I devote a chapter to each category in my study, and show how co-productions, as collective enterprises at the intersection of national cinemas, allowed DEFA to compete for internationally renowned film stars and to re-appropriate Hollywood genres by forming multinational film collectives and sharing sets, talent, and production costs, while simultaneously negotiating complex economic, political, and market conditions in each host country. This project moves beyond previous approaches to East German film as European cinema’s ‘other.’ DEFA co-productions provide a privileged route into the examination of socialist film production as a state-controlled and ideologically compliant cultural domain, and, at the same time, as a venue for artistic collaborations that challenged the limitations of state censorship and sponsorship. Undoubtedly, East German and East European films were influenced by international developments and responded to them. Focusing on DEFA as a case study, I shed light on the negotiation of cultural policies not only within a discrete film studio, but also among the various institutions involved in filmmaking in Eastern Europe. / text

Submitted by Aelson Maciera (aelsoncm@terra.com.br) on 2017-09-06T17:30:32Z No. of bitstreams: 1 DissBBF.pdf: 4762650 bytes, checksum: ee450ef2acd05de18f0211d5d77826f0 (MD5) / Approved for entry into archive by Ronildo Prado (ronisp@ufscar.br) on 2017-09-06T19:01:42Z (GMT) No. of bitstreams: 1 DissBBF.pdf: 4762650 bytes, checksum: ee450ef2acd05de18f0211d5d77826f0 (MD5) / Approved for entry into archive by Ronildo Prado (ronisp@ufscar.br) on 2017-09-06T19:02:00Z (GMT) No. of bitstreams: 1 DissBBF.pdf: 4762650 bytes, checksum: ee450ef2acd05de18f0211d5d77826f0 (MD5) / Made available in DSpace on 2017-09-06T19:07:02Z (GMT). No. of bitstreams: 1 DissBBF.pdf: 4762650 bytes, checksum: ee450ef2acd05de18f0211d5d77826f0 (MD5) Previous issue date: 2017-05-25 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / This research investigates movie coproductions between Brazil and France, made between 1998 and 2014, trying to assess the percourse from the international co-elaboration to the distribution of such movies in the French circuit theaters. The analysis begins with the historical antecedents of cooperation, with the French protagonism in establishing policies to integrate and disseminate its culture, a model that influences countries around the world to this day. Next, we examine the attempts by Brazilian governments to reach the external market, the beginning of the historical approximation to France, the first official co-production agreement (1969) and the current one, signed in 2010. This study also presents a wide assessment of the Brazilian movies that were released in France, using data from Brazilian and French primary sources, and looks in depth at the release and repercussion in France of four study cases: Central do Brasil (1998), Abril despedaçado (2003), both by Walter Salles; O outro lado da rua (2006) and Meu pé de laranja lima (2013), both by Marcos Bernstein. The key questions this dissertation tries to answer are: how much coproduction in fact contributes to the opening of new markets; whether French coproductors influence in the distribution of the movie in their territory; and whether Brazilian policies have advanced beyond promotion and diffusion of movies in international festivals. / Esta pesquisa investiga as coproduções cinematográficas realizadas entre o Brasil e a França, no período de 1998 a 2014, buscando compreender desde a coelaboração internacional até a distribuição desses filmes nas salas de cinema do circuito francês. A análise se inicia com os antecedentes históricos de cooperação a partir do protagonismo da França em estabelecer políticas de integração e irradiação da sua cultura, cujo modelo até hoje influencia países do mundo inteiro. Em seguida, examina as tentativas dos governos brasileiros para alcançar o mercado externo, o início da aproximação histórica com a França, o primeiro acordo oficial de coprodução de 1969 e o texto que foi ratificado em 2010. Este estudo apresenta um amplo levantamento dos filmes majoritários brasileiros que estrearam na França com base nos dados de fontes primárias nacionais e estrangeiras, e destrincha o lançamento e a repercussão francesa de quatro estudos de caso: Central do Brasil (1998), Abril despedaçado (2003), ambos do cineasta Walter Salles; O outro lado da rua (2006) e Meu pé de laranja lima (2013), dirigidos por Marcos Bernstein. Sendo assim, esta dissertação tem o intuito de avaliar até que ponto a coprodução de fato contribui para a abertura de novos mercados, se o coprodutor francês influencia na distribuição do filme em seu território, e se as políticas públicas brasileiras avançaram para além da mera promoção e difusão dos filmes nos festivais.

No description available.

「社基保育」（Community-Based Conservation）是強調「由下到上」（bottom-up）的自然資源管理模式。透過在地民眾的參與（participation），不僅減少政府在自然資源管理的支出，形成為社區居民認可的資源管理模式；更重要的，透過居民參與，社基保育連結地方自治（self-governance）與民主（democracy），實踐公共財合產（coproduction）與增效（synergy）的效果。因此社基保育不僅有生態保育的優勢，更有政治與經濟面的討論意義。 以往對社基保育的研究，多以鄉村或原住民地區的資源管理為研究範例，這些地區藉由居民的共議或傳統文化，獲得居民認同，刺激居民主動參與。然而若將研究焦點轉向都市地區，社基保育能否發揮相同功效？透過本研究的兩個案例—台北市富陽自然生態公園與台南市巴克禮紀念公園，社基保育在都市社區中仍有實行的可能。但相較鄉村與原民社區，都市社基保育的參與者更多，彼此溝通協調需要更多成本，形成集體行動也更不容易。本研究兩個案例中的里長，皆發揮動員居民的功能，並代表居民和其他參與者如政府、非營利組織溝通，降低居民參與的成本，營造居民集體行動的雛形。而政府、非營利組織與居民在社基保育過程中的關係，將影響社基保育能否達成在地落實的目標。 / Community-Based Conservation is the model emphasizing “bottom-up” power of managing natural resources. It reduces the government’s cost of resource management, and becomes a widely accepted model by the locals through their participation. Furthermore, it combines Coproduction, Synergy, local Self-Governance, and Democracy Governance through the locals’ direct participation. Therefore, Community-Based Conservation not only has advantage in ecological conservation, but also shows importance in politics and economics. Previously, the researches on Community-Based Conservation often take resource management models in rural and indigenous areas as their cases. These models obtain the residents’ identity and stimulate their active participation by their discussion or the influence of traditional culture. But if we transfer the researches’ focus to urban areas, can Community-Based Conservation play the same role? Through the two cases in this thesis: Fuyang Eco Park in Taipei and Barclay Memorial Park in Tainan, it is possible to implement Community-Based Conservation in urban areas. However, compared with rural and indigenous areas, there are more participators in urban areas. It costs more to make them coordinate and communicate with each other well. Consequently, it is very important to inspire the locals to participate in Community-Based Conservation. In these two cases, both Neighborhood magistrates construct the model by mobilizing the residents, communicating with different participators such as the government, non-profit organizations, and reducing the cost of their participation. The relationship between the government, non-profit organizations and the residents in the process of Community-Based Conservation will affect the fulfillment in urban areas.

D'après sa déjà longue carrière professionnelle, l'auteur s'interrogea sur le sens du management de la connaissance dans les entreprises de services informatiques où on avait traditionnellement tendance à appréhender les connaissances plutôt comme des objets au lieu de les penser en termes de processus. Au travers de trois expériences successives de recherche-intervention - à la tête d'une software house, orientant un éditeur de logiciel ou dirigeant un centre de services partagés - l'auteur a démontré qu'en privilégiant le knowing sur le knowledge, ainsi que son articulation avec les processus stratégiques et organisationnels, il est possible de donner un contenu au KBV (Knowledge-Based View) dans le secteur des sociétés de services informatiques.En effet, la première de ces expériences montrait qu'en articulant la stratégie et les processus organisationnels d'Eurociber de façon adéquate le partage de la connaissance contribuait pour un vrai contenu du KBV tandis que lors de la deuxième expérience - chez I2S - ce contenu se concrétisait par la coproduction en étroite interaction avec les clients. Finalement, au CA Serviços on a reconnu l'importance de la création de connaissance comme un outil pour le changement stratégique étant donné le besoin fondamental de générer des connaissances sur les interfaces requises par le développement d'une nouvelle vision partagée.

Submitted by Maicon Juliano Schmidt (maicons) on 2015-04-24T15:27:39Z No. of bitstreams: 1 Renato Przyczynski.pdf: 2517179 bytes, checksum: e844b080b56ae169db7db8ac58436525 (MD5) / Made available in DSpace on 2015-04-24T15:27:39Z (GMT). No. of bitstreams: 1 Renato Przyczynski.pdf: 2517179 bytes, checksum: e844b080b56ae169db7db8ac58436525 (MD5) Previous issue date: 2013-12-10 / Nenhuma / A produção de serviços depende de uma capacidade coprodutiva que considera a interferência dos clientes usuários na prestação, no consumo e no desempenho dos serviços. Investigações empíricas com o objetivo de mensurar as capacidades de coprodução não encontram-se bem desenvolvidos na literatura de gestão de operações de serviços. O objetivo principal desta tese é investigar empiricamente as Capacidades Organizacionais (CORS) e as Capacidades Operacionais (COPS) para a coprodução de serviços de telecomunicações em um contexto B2B, considerando as dimensões antecedentes e os efeitos no desempenho dos serviços. O instrumento inicial com 77 indicadores foi submetido aos procedimentos de item-sorting, validade de conteúdo e validade de construto. Análises adicionais foram realizadas por especialistas em TI e o instrumento foi submetido a teste piloto com gerentes de TI de 37 agências do Banco do Brasil S.A. O coeficiente alpha de Cronbach foi adotado como medida de confiabilidade. Os procedimentos de pré-teste excluíram 33 questões do instrumento e reduziram para 39 o número de indicadores. O modelo de mensuração ficou estruturado através de quatro construtos operacionalizados como CORS: normas e procedimentos, qualidade da integração com fornecedores, planejamento estratégico de serviços e habilidade em serviços; e quatro construtos operacionalizados como COPS: gerenciamento dos equipamentos, gerenciamento das instalações, segurança dos equipamentos e capacitação dos funcionários. O modelo foi testado em uma amostra de 300 empresas usuárias de serviços de telecomunicações (100 matrizes e 200 filiais). Após a etapa de teste, o modelo foi ajustado durante a técnica de modelagem de equações estruturais e análise fatorial confirmatória. Os índices de ajuste, de confiabilidade composta e de média de variância extraída atingiram os valores recomendados. A validade discriminante foi verificada pelos métodos de Fornell e Larcker (1981) e de Bagozzi e Phillips (1982). Os construtos obtiveram valores significativos (P<0,001) de Critical Ratio (CR) o que sugere validade convergente dos indicadores. Após a verificação de validade e confiabilidade o modelo de mensuração ficou estruturado com 20 indicadores válidos e confiáveis distribuídos em sete variáveis independentes e uma variável dependente. O teste t para amostras independentes revelou diferenças significativas em dois construtos (planejamento estratégico de serviços e segurança dos equipamentos) entre as matrizes e filiais. A análise de regressão linear hierárquica com quatro blocos de variáveis revelou que o modelo proposto é capaz de explicar 23,9% do desempenho dos serviços. Dois construtos formadores das CORS (normas e procedimentos e qualidade da integração com fornecedores) obtiveram valores estatisticamente significativos (P<0,05) o que sugere influência dessas duas CORS no desempenho dos serviços de telecomunicações. Procedimentos estatísticos adicionais de multicolinearidade e de homoscedasticidade mostram evidência de normalidade e consistência na distribuição dos dados. / Service coproduction depends on capabilities that focus on the users interference in the provision, consumption and service performance. Empirical investigations in the production and operations management area aimed at measuring coproduction organizational and operational capabilities are not well developed in the literature. The aim of this paper is to empirically test and investigate the Organizational Capabilities (ORCAPS) and the Operational Capabilities (OPCAPS) for the coproduction of telecommunication services in B2B environments considering their antecedent dimensions and the effects on service performance. The initial instrument consisting of 77 items was submitted to procedures such as item-sorting, content validity and construct validity. Further analysis by IT experts were conducted before the pilot experiment with IT managers from 37 branches of Banco do Brasil S.A. Cronbach’s alpha was adopted as a reliability measure. The pretesting procedures excluded 33 questions from the instrument. For the structuring of the measurement model four constructs were operationalized as ORCAPS (rules and procedures, quality of interaction with suppliers, service strategic planning, and service ability); and four constructs were operationalized as OPCAPS (equipment management, installations management, information security, and staff capacity). The model was tested in a sample of 300 companies, users of telecommunication services (100 headquarters and 200 business units). After testing, the model fit was verified through the structural equations modeling technique and confirmatory factor analysis. The model fit, composite reliability and average variance extracted scores achieved all the recommended cutoff values. Discriminant validity was assessed following the methodology by Fornell and Larcker (1981) and Bagozzi and Phillips (1982). All the constructs were significant (p<0,001) in the assessment of critical ratio suggesting convergent validity of the items. After the validity and reliability tests, the measurement model consisted of 20 valid and reliable items distributed in seven independent variables and one dependent variable. The t test for independent samples revealed significant differences among IT managers from headquarters and business units in two constructs (service strategic planning and equipment safety). The hierarchical linear regression analysis organized in four groups of variables revealed that the proposed model is capable of explaining 23.9% of service performance. Two of the four ORCAP constructs (rules and procedures and quality of interaction with suppliers) were significant (p<0,05) suggesting influence on telecommunication service performance. Additional statistical procedures of multicollinearity and homoscedasticity provided evidence of consistency and normality in the distribution of data.