Made available in DSpace on 2015-04-14T13:39:05Z (GMT). No. of bitstreams: 1 454108 parte 1.pdf: 6067971 bytes, checksum: dbe3b03c4d15361743b81120d3661489 (MD5) Previous issue date: 2013-08-30 / This thesis research consists of primary sources of and about Moyses Vellinho s intellectual work (1901-1980), which are availableat the DELFOS Institute PUCRS Documentation and Cultural Memory Archive and from correspondences, journals, articles, books and academic work in public historical centers in Brazil and Portugal. The main objective is to understand hisrole as an intellectual, in the development and promotion in Brazil and Portugal of the Rio Grande do Sul s culture and literature. This study intends to emphasize, through Moyses Vellinho s writings, his own perspective about literature made in Rio Grande do Sul. Considering The influence of Machado de Assis, the author of Dom Casmurro, in Moyses Vellinho s work can be noted by the latteropinions aboutthe Brazilian southern state literature and culture, while an expert of the writer s body of work.The method of research consists of a qualitative document analysis, aimingdata collection, identification, categorization and analysis of primary written records, following Paul Ricoeur s approach about practical historiography and the study of bibliographical material. Documents about Moyses Vellinho s work are included as an attachment, in order to contribute to the availability of materials about the author of Brazil South and to promote his participation in literary and cultural environment. / A investiga??o consiste em pesquisa de fontes prim?rias de e sobre a produ??o cr?tica de Moys?s de Moraes Vellinho (1901-1980), dispon?veis no DELFOS Espa?o de Documenta??o e Mem?ria Cultural da PUCRS, e em correspond?ncias, peri?dicos, artigos, livros e trabalhos acad?micos depositados em arquivos p?blicos no Brasil e em Portugal, com o objetivo central de compreender a atua??o do intelectual no desenvolvimento e na divulga??o da literatura e da cultura do Rio Grande do Sul, nos cen?rios brasileiro e portugu?s, buscando salientar, por meio de seu exerc?cio cr?tico, sua perspectiva sobre a literatura produzida no Estado. Considerando a import?ncia destinada ? obra de Machado de Assis em seus textos, verifica-se a influ?ncia do pensamento do autor de Dom Casmurro em seu posicionamento sobre a literatura e a cultura sulinas, ao ser um estudioso do escritor. A pesquisa caracteriza-se pelo m?todo de procedimento da an?lise documental, de car?ter qualitativo, visando ao levantamento, ? identifica??o, ? fixa??o e ? an?lise de documenta??o prim?ria, orientando-se pela abordagem de Paul Ricoeur sobre pr?tica historiogr?fica e o estudo de fontes. Re?nem-se, sob a forma de Anexos, documentos sobre a obra de Moys?s Vellinho, no intuito de contribuir para o acesso a materiais sobre o intelectual e divulgar sua participa??o nos cen?rios liter?rio e cultural.

Made available in DSpace on 2015-04-14T13:39:05Z (GMT). No. of bitstreams: 1 454609.pdf: 1169478 bytes, checksum: 7b87bfbb06d85611316bd9ea1e4020dd (MD5) Previous issue date: 2014-01-08 / This dissertation is about the relationship between literature and history, focusing on the work Ga?chos no obelisco, published in 1984 by the writer and psychoanalyst Cyro Martins. Among its objectives are to analyze the interweaving of literature and history in the work of Cyro Martins, to uncover the techniques used for the history's insertion in the novel and to examine the literary elements present in the narrative. In 1980, Cyro presented, at the Simp?sio sobre a Revolu??o de 1930, a literary text about the historical event. From this theme, this paper is built. At first, thre is an analysis about the presence of history within the narrative through referential aspects such as dates, places, entities and historical characters. After, divided into nucleus, fictional characters are observed. Some of the theorists who subsidize this study are Maria Teresa de Freitas, Alcmeno Bastos, K?te Hamburger, Antonio Candido, Sandra Jatahy Pesavento and Luiz Costa Lima / Esta disserta??o trata das rela??es entre literatura e hist?ria, com enfoque na obra Ga?chos no obelisco, publicada em 1984 pelo escritor e psicanalista sul-rio-grandense Cyro Martins. Entre seus objetivos est?o o de analisar o entrela?amento de literatura e hist?ria na obra de Cyro Martins, o de constatar as t?cnicas utilizadas para a inser??o da hist?ria no romance e o de examinar os elementos liter?rios presentes na narrativa. No ano de 1980, Cyro apresentou, no Simp?sio sobre a Revolu??o de 1930, um texto liter?rio sobre o evento hist?rico. A partir desse mote, o presente trabalho se constr?i. Em um primeiro momento, ? analisada a presen?a da hist?ria dentro da narrativa atrav?s de aspectos referenciais como as datas, os espa?os, as entidades e as personagens hist?ricas. Na sequ?ncia, divididas em n?cleos, s?o observadas as personagens ficcionais. Alguns dos te?ricos que subsidiam este estudo s?o Maria Teresa de Freitas, Alcmeno Bastos, K?te Hamburger, Antonio Candido, Sandra Jatahy Pesavento e Luiz Costa Lima

Made available in DSpace on 2015-04-14T13:39:07Z (GMT). No. of bitstreams: 1 456579.pdf: 2100707 bytes, checksum: 279623607cb475d3a54ed510f99e6b8f (MD5) Previous issue date: 2014-02-28 / A presente tese analisa a literatura contempor?nea da Irlanda do Norte de l?ngua inglesa com apoio teorico dos Estudos Irlandeses. Tem como objetivo introduzir e criticar a poesia escrita por Tom Paulin, poeta brit?nico contempor?neo, considerado um dos grandes escritores irlandeses protestantes surgidos na prov?ncia de Ulster. A linha percorrida nesta an?lise diz respeito ? investiga??o de como os discursos ideol?gicos e as quest?es de identidade s?o representados no trabalho do poeta. Uma avalia??o cr?tica do autor sobre ideologias e identidades existentes na Irlanda do Norte e sua tentativa de responder a elas tamb?m ser?o analisadas. Para realizar esta an?lise, a tese est? dividida em tr?s cap?tulos. O primeiro apresenta um relato de eventos hist?ricos na Irlanda desde sua conquista pelo Imp?rio Brit?nico at? o presente momento, concentrando-se na Irlanda do Norte depois da Parti??o gerada pelo Tratado Anglo-Irland?s de 1922. O segundo cap?tulo dedica-se a uma reflex?o sobre a cria??o da literatura nacional irlandesa escrita em ingl?s e sua estreita rela??o com a hist?ria social e pol?tica do pa?s. Finalmente, o terceiro cap?tulo constr?i uma an?lise detalhada de poemas selecionados de cinco cole??es diferentes: State of Justice (1977), The Strange Museum (1980) Liberty Tree (1983), Fivemiletown (1987) e The Wind Dog (1999). A fim de investigar as quest?es de identidade e ideologia, este cap?tulo est? dividido em tr?s subcap?tulos de acordo com tr?s importantes temas recorrentes. A primeira parte analisa poesia e pol?tica, a segunda investiga poesia e hist?ria, e o terceiro subcap?tulo examina poesia e linguagem. Entre os diversos autores consultados para fundamenta??o do estudo sobre a poesia de Tom Paulin destacam-se Terry Eagleton, Edward Said, Elmer Andrews, Norman Vance, Peter MacDonald, Sara Broom, Patr?cia Craig e Neil Corcoran. Grande parte destes te?ricos pertencem a uma corrente espec?fica da literatura p?s-colonial, denominada Estudos Irlandeses . / This dissertation examines contemporary Northern Irish Literature written in English with the help of the theoretical approach of Irish Studies. It aims to introduce and make a critique of poetry written by Tom Paulin, a contemporary British poet who is regarded one of the major Protestant Irish writers to emerge from Ulster province. The thread pursued in this analysis relates to an investigation of how ideological discourses and the issues of identity are represented in the poet s work. The author s critical evaluation of existing ideologies and identities and his attempt to respond to them will also be analyzed. To perform this analysis, this dissertation is divided into three chapters. The first chapter presents an account of historical events in Ireland from its conquest to the present focusing in Northern Ireland after partition by the Anglo-Irish Treaty of 1922. The second chapter is dedicated to a reflection on the establishment of Irish national literature written in English and its close relation to Irish social and political history. Finally, the third chapter is dedicated to a detailed analysis of selected poems from five different collections: State of Justice (1977), The Strange Museum (1980) Liberty Tree (1983), Fivemiletown (1987) and The Wind Dog (1999). In order to investigate the issues of identity and ideology, this chapter is divided in three sections according to three important recurring themes. The first section analyzes poetry and politics; the second investigates poetry and history and the third evaluates poetry and Language. Among the authors consulted to form the basis of the discussion are Terry Eagleton, Edward Said, Seamus Deane, Elmer Andrews, Norman Vance, Peter MacDonald, Sara Broom, Patr?cia Craig, Neil Corcoran, and John Goodby. Most of them belong to this specific line of Postcolonial literature that is called Irish Studies.

Made available in DSpace on 2015-04-14T13:39:13Z (GMT). No. of bitstreams: 1 460149.pdf: 698283 bytes, checksum: 09b1b88964bea0ea869efaf7aa5cb9e7 (MD5) Previous issue date: 2014-02-28 / The eroticism always has been present in written culture once it is an essential element of the human condition and appears even when it is absent. However, this universe is composed from elements that cause discomfort, not just pragmatic, but theoretical. This dissertation aims to enter this obscure and marginal field. So, considering the eroticism as part of the text s structure and also a representation of a social and individual phenomenon, it was analyzed the Erotica of Ana?s Nin. For this, the approach was based on the philosophical conception of Bataille, with an intersection of the concepts of body (Le Breton) and sexuality (Foucault). After, it was made a brief introduction of the eroticism in literature, in order to legitimize and consolidate the erotic literary tradition, in which is inserted the writer Ana?s Nin. Finally, the literary corpus is compound by tales of the collections Delta of Venus and Little birds, and it was analyzed from the theoretical framework developed with the thinkers above cited. / O erotismo sempre esteve presente na cultura escrita, uma vez que, sendo um elemento essencial da condi??o humana, manifesta-se mesmo na sua aus?ncia. Contudo, esse universo ? constru?do a partir de elementos que geram um desconforto, n?o apenas pragm?tico, mas te?rico. Nessa perspectiva, esta disserta??o tenciona adentrar esse campo ainda t?o obscuro e marginal. Considerando o erotismo tanto como parte da tessitura textual de uma obra liter?ria, quanto como representa??o de um fen?meno social e pessoal, objetivou-se analisar a constru??o do erotismo na literatura er?tica de Ana?s Nin. Para isso, o erotismo foi abordado atrav?s da concep??o filos?fica de Georges Bataille, em uma intersec??o com os conceitos de corpo (David Le Breton) e sexualidade (Michel Foucault). No segundo momento, realizou-se uma breve introdu??o da presen?a do erotismo na literatura, com objetivo de legitimar e consolidar a exist?ncia de uma tradi??o liter?ria er?tica, na qual se insere a escritora Ana?s Nin. Por fim, o corpus liter?rio, composto por contos selecionados das colet?neas Delta de V?nus e Passarinhos, foi analisado a partir do quadro te?rico desenvolvido com os pensadores supracitados.

Made available in DSpace on 2015-04-14T13:39:14Z (GMT). No. of bitstreams: 1 460549.pdf: 570272 bytes, checksum: d1e45078091fc28d2aab55a0a643a618 (MD5) Previous issue date: 2013-03-19 / The theoretical study concerning the Brazilian play-writing from the last decade is imposed as it contributes to the rescue of national memory and identity. Nonetheless, once we analyze the 20th century productions, we can observe the expressive number of men who write for the theater. Ever since early times, women's play-writing has been reduced due to the socially instituted condition of marginalization of the female figure. In general, it is compared to the writing of men, being, hence, analyzed in light of the canon of male domination. When tracking the drama production from the period in question, we can identify the work of some important writers, especially Consuelo de Castro. Her texts express the concern about the female's social condition in Brazil along different periods of the country's history .Thus, the playwright reveals the transformations suffered by women along the years. This dissertation has focus on the study of Consuelo de Castro, in at least three distinct moments of sir career, focusing the image of the woman represented in ? flor da pele (1969), Louco Circo do Desejo (1983) e Only You (2001). / O estudo te?rico acerca da dramaturgia brasileira das ?ltimas d?cadas atribuise na medida em que contribui para o resgate da mem?ria e da identidade nacional. Contudo, quando analisamos as produ??es do s?culo XX, observamos o expressivo n?mero de homens escrevendo para o teatro. Desde os tempos mais recuados, a dramaturgia produzida por mulheres ? reduzida pela condi??o institu?da socialmente de marginaliza??o da figura feminina. Em geral, ? comparada ? escrita dos homens, sendo, pois, analisada a partir dos c?nones de domina??o masculina. Ao rastrear a produ??o dramat?rgica do per?odo em quest?o, identificamos o trabalho de algumas importantes escritoras, destacando-se Consuelo de Castro. Seus textos expressam a preocupa??o relativa ? condi??o social feminina no Brasil, em diferentes per?odos da hist?ria do pa?s. Assim, a dramaturga revela as transforma??es vividas pelas mulheres ao longo dos anos. Esta disserta??o tem como foco o estudo da produ??o de Consuelo de Castro, em pelo menos tr?s momentos distintos de sua carreira, focalizando a imagem da mulher representada em ? flor da pele (1969), Louco Circo do Desejo (1983) e Only You (2001).

Made available in DSpace on 2015-04-14T13:39:16Z (GMT). No. of bitstreams: 1 461224.pdf: 1145927 bytes, checksum: 0f09cda30a4705d2c4f7d36daa6a7a48 (MD5) Previous issue date: 2014-04-30 / This thesis was born from the desire to investigate the images of men and their ways of narrating themselves as a remedy to the insatiable thirst of identities, whose theme is the literary field, prime matter by the novelistic genre. The present study is a proposal to reading from the contemporary building strategies romance character. The fictional figure is focused here, as a phenomenon, conditioned by temporality inherent in the narrative setup process, highlights the constitutive nature of oneself, enabling the reader to formulate images of man being in full swing. Given the goals formulated by the thematic cross between character, identity and memory, were elected as corpus of work two novels of fiction of the post-colonial African Literatures, Sleepwalking Earth (1992) and A river called time, a house called land (2002), Mia Couto, whose narratives, possibly due to the historical, social and cultural conditions there is the common themes, that question now more acute than in other literary spaces, the formulation of identities. The constitution of the person who designs the narrative discourse in these works leads to the fictional figure approach as being-in-the-world, as Heidegger's concept that implies the existence of temporal experience by activity in the world. With the target of achieving recognition itself and thus encompass the meaning of life, oneself appears then, as a subjective dimension articulated by the difficulty to establish truth in our mind. / Esta tese nasce do desejo de investigar as imagens do homem e suas formas de narrar a si mesmo como rem?dio ? insaci?vel sede de identidades, cuja tem?tica ?, no campo liter?rio, mat?ria privilegiada pelo g?nero romanesco. O presente estudo consiste numa proposta de leitura do romance contempor?neo a partir das estrat?gias de constru??o da personagem. A figura ficcional ? focalizada, aqui, como fen?meno que, condicionado pela temporaliza??o inerente ao processo de configura??o narrativa, p?e em evid?ncia a natureza constitutiva do eu, possibilitando ao leitor a formula??o de imagens do homem em plena atividade de ser. Tendo em vista os objetivos a serem cumpridosmediante o cruzamento tem?tico entre personagem, identidade e mem?ria, foram eleitos como corpusdo trabalho dois romances da fic??o p?s-colonial das Literaturas Africanas, Terra son?mbula(1992) e Um rio chamado tempo, uma casa chamada terra(2002), de Mia Couto, em cujas narrativas, devido ?s condi??es hist?ricas, sociais e culturais, observa-sea incid?ncia de temas que problematizam, hoje de forma mais aguda que em outros espa?os liter?rios, a formula??o dasidentidades. A constitui??o da pessoa que se projeta pelo discurso narrativo nessas obras conduz ? abordagem da figura ficcional como ser-no-mundo, conceitoheideggeriano cujano??o implica a exist?ncia pela atividade da experi?ncia temporal no mundo. Como destino de alcan?ar o pr?prio reconhecimento e, assim, abarcar o sentido da pr?pria vida, o eu aparece como uma dimens?o subjetiva articulada pelas aporias da mem?ria.

Made available in DSpace on 2015-04-14T13:39:18Z (GMT). No. of bitstreams: 1 462116.pdf: 1482130 bytes, checksum: 5db5ac497c9ff6bb0ae1f461cf9b9c4a (MD5) Previous issue date: 2014-08-20 / Playing the role of a prayerful reader, whether a member of the Catholic Church or not, the individual elaborates his own speech (free prayers) and/or uses the texts that are already done and available for use (canonical prayers). In the later case, he identifies himself as the self in the prayer, and make use of the text as if it were his own, and while enunciates it, gives the speech his own unique meaning. From this view, issues concerning the linguistic phenomena of enunciation, more specifically, the enunciation of Catholic Church s canonic prayer are raise and we aim to access how these enunciative approaches may be designed (elements and concepts); in a way we can perceive the otherness manifestation in the process; which may be understood as repeatable or unrepeatable in this kind of enunciation, which differentiates this kind of enunciation from an ordinary one. All this reflection is based on the principles of the theory developed by Oswald Ducrot Teoria da Argumenta??o na L?ngua (ANL) as it concerns to this matter, so as in the fundaments found on the base of his studies (Saussure and Benveniste) and texts from his pupils i.e. the researcher Carrel. This theory was chosen as the starting point for our investigation due to its objectivity, coherence, and precision the language aspects study, dismissing the need of resorting to aspects external to it. The corpus selected to our discussion is limited to canonic prayers from the Catholic Church, such as the Our Father and Hail Mary, among others aimed to the saints. After considering the occurrence of this enunciation, comparing to the ideas of the scholars presented on the theoretical basis of this work, we noticed that: the concept of the elements from the catholic enunciation distinguishes in some aspect from those that are nor present in the ordinary enunciation; the speaker and the structure of the praying texts respond for the otherness which rises in the enunciative approach; we notice and explain the repeatability and unrepeatability process in the enunciation of this kind of text; we argue the speaker s discursive attitudes and the impossibility of a reversibility process between speaker and the one he is reaching for, and, finally we propose other investigations on the subject hereby studied: the enunciation of texts elaborated and put into use in the language. / Desempenhando o papel de locutor orante, membro ou n?o da Igreja Cat?lica, o indiv?duo elabora seu pr?prio discurso (ora??es abertas) e/ou faz uso de textos j? prontos e dispon?veis para uso (ora??es can?nicas). Nesse ?ltimo caso, ele se identifica com o eu da ora??o, apropria-se do texto como se fosse elabora??o sua, e ao enunci?-lo atribui ao discurso um sentido pr?prio, ?nico. Sob esse olhar, levantamos inquieta??es acerca do fen?meno lingu?stico da enuncia??o, mais especificamente, a enuncia??o de ora??es can?nicas da Igreja Cat?lica, a fim de verificarmos o seguinte: como essa abordagem enunciativa pode ser delineada (elementos e conceitos); de que maneira percebemos a manifesta??o da alteridade nesse processo; o que entendemos como repet?vel ou irrepet?vel nesse tipo de enuncia??o; e o que diferencia esse tipo de enuncia??o de uma enuncia??o ordin?ria. Toda essa reflex?o ? alicer?ada em princ?pios da teoria desenvolvida por Oswald Ducrot Teoria da Argumenta??o na L?ngua (ANL), no que diz respeito ? quest?o, como tamb?m em fundamentos encontrados na base de seus estudos (Saussure e Benveniste) e estudos de disc?pulos seus, a exemplo da pesquisadora Carel. Escolhemos essa teoria como ponto de partida para nossa investiga??o pela sua objetividade, coer?ncia, precis?o no estudo de aspectos da linguagem, sem termos que recorrer a aspectos externos a essa. O corpus selecionado para nossas discuss?es ? restrito a ora??es can?nicas da Igreja Cat?lica, como: Pai-Nosso, Ave-Maria, entre outras direcionadas a santos. Ap?s pensarmos na ocorr?ncia dessa forma de enuncia??o, comparando-a com as ideias dos estudiosos apresentados na fundamenta??o te?rica deste trabalho, constatamos que: os conceitos dos elementos da enuncia??o de ora??es can?nicas se distinguem em algum aspecto dos que s?o apresentados para uma enuncia??o ordin?ria; o locutor e a estrutura dos textos oracionais respondem pela alteridade que se manifesta nessa abordagem enunciativa; percebemos e explicamos o processo de repetibilidade e irrepetibilidade na enuncia??o desse tipo de texto; discorremos sobre as atitudes discursivas do locutor e a impossibilidade do processo de reversibilidade de papeis entre locutor e alocut?rio; e por fim apresentamos propostas para outras investiga??es sobre o tema aqui em estudo: a enuncia??o de textos prontos e postos na l?ngua para uso.

Made available in DSpace on 2015-04-14T13:39:19Z (GMT). No. of bitstreams: 1 462296.pdf: 15380938 bytes, checksum: f9eace3defe0866b190f1ae8582913db (MD5) Previous issue date: 2014-08-22 / The memorialistic writing by Isa?as Alves in Vida e obra do Bar?o de Macahubas (1942), Voca??o pedag?gica de Rui Barbosa (1959) and Matas do Sert?o de Baixo (1967) has made a significant contribution to the discussion of stylistic boundaries, as well as to the analysis of rhetorical narrative of which he has made use, in a state of memorious narrator, intending to relate the memory report and the story writing. It is possible to observe the impressionist details of the narrator in his attempt to understand how Isa?as Alves articulates his narrative production, considered memorialistic, reaching out to different text formats biography, autobiography, and memoir but always giving priority to the inscription of the self. This study has tried to map the stylistic boundaries among Literature, Social History, Social and Collective Memory, present in texts, considered hybrid, revisiting History, Literary Theory and concepts employed in genres such as (auto) biography, memoir and others in order to reconsider the paths which confirm the assertion that the presence of memory in Isa?as Alves and his (auto) biographical variations adjust to an interdisciplinary dialogue that, although displaying a nostalgic slant, also commits to historiography, while signing a pact with himself. This suggests an intimate engagement marked by the place and position of the author/narrator. It is possible to observe in Isa?as Alves an organic and positivist intellectual, who performed several public functions, without reaching the representativeness that others did, and which he rightly thought he deserved, in establishing relevant relations between history and memory through biographical and autobiographical reports. We defend, firstly, the initiative of placing the works mentioned here in the context of Brazilian literature, removing the classification wrappings mistakenly placed by scholars; reviewing the journey of a forgotten, or silenced, intellectual by virtue of his political choices, but admittedly a memorialist narrator who, mapping his sentimental impressions, could review the historic path of education in a tone which reminds us of the epics, in addition to the author s concerns about organizing files raising him to the category of guardian the memories of Rec?ncavo Sul Baiano and his own. To establish the analytical dialogue, theoreticians such as Philipe Lejeune (2008) Leonor Arfuch (2010), Francoise Dosse (2009), Diana Klinger (2012), Roland Barthes (1984), Luiz Costa Lima (1991) and Daniel P?caut (1990), among others, have been examined. / A escrita memorial?stica de Isa?as Alves em Vida e obra do Bar?o de Macahubas (1942), Voca??o pedag?gica de Rui Barbosa (1959) e Matas do Sert?o de Baixo (1967), contribui decisivamente para a discuss?o de fronteiras estil?sticas e para analisar as ret?ricas narrativas por ele utilizadas, na condi??o de narrador memorioso, com o intuito de relacionar o relato memorial?stico e a escrita da hist?ria, observamos os detalhes impressionistas desse narrador exatamente na tentativa de compreender de que forma Isa?as Alves articula a sua produ??o narrativa, considerada memorial?stica, dialogando com diferentes formatos textuais - biografia, autobiografia e mem?ria - mas sempre priorizando a inscri??o de si. Este estudo investiu seus esfor?os no mapeando de fronteiras estil?sticas entre Literatura, Hist?ria Social, Mem?ria Social e Coletiva, presentes em textos, considerados h?bridos, revisitando a hist?ria, a teoria da literatura e conceitos empregados para g?neros como a (auto)biografia, a mem?ria e outras ci?ncias a fim de reconsiderar caminhos que assegurassem a afirma??o de que a presen?a do memorialismo em Isa?as Alves e suas variantes (auto/memo)biogr?ficas ajustam-se num di?logo interdisciplinar que, embora demonstre um vi?s saudosista, cantor de si, tamb?m assume compromisso com a historiografia, ao tempo em que firma um pacto consigo, o que sup?e um engajamento ?ntimo demarcado pela fun??o e pelo lugar do autor/narrador. Observa-se, aqui em Isa?as Alves um intelectual org?nico, considerado por alguns cr?ticos, como positivista, que desempenhou diversas fun??es p?blicas, sem ter alcan?ado a representatividade que outros tiveram, e que ele, muito acertadamente, julgava merecer, ao estabelecer rela??es importantes entre hist?ria e mem?ria mediante o relato biogr?fico e autobiogr?fico. Defendemos, portanto, a iniciativa de, primeiro, situar as obras aqui elencadas no contexto da literatura brasileira, retirando-lhes os inv?lucros de classifica??o postos por estudiosos, bem como rever o percurso de um intelectual esquecido ou silenciado, em virtude da escolha pol?tica por ele assumida, mas reconhecidamente um narrador memorialista que, mapeando suas impress?es sentimentais p?de rever o percurso hist?rico da educa??o, num tom que nos lembra o das narrativas ?picas, somados ? preocupa??o do autor em organizar arquivos, o que o eleva ? condi??o de guardi?o de suas e das mem?rias do Rec?ncavo Sul Baiano. Para estabelecermos o di?logo anal?tico convocamos te?ricos como: Philipe Lejeune (2008) Leonor Arfuch (2010), Francoise Dosse ( 2009), Diana Klinger (2012), Roland Barthes (1984), Luiz Costa Lima (1991) e Daniel P?caut (1990) dentre outros tamb?m convidados.

Made available in DSpace on 2015-04-14T13:39:20Z (GMT). No. of bitstreams: 1 462366.pdf: 1205024 bytes, checksum: a192c255c0e4ee676223958733f8a89a (MD5) Previous issue date: 2014-08-29 / This research consists of a recovery of the life and work of Brazilian, born in the state of Bahia, chronicler Jehov? de Carvalho, his relationship with the city of Salvador and the people who passed or lived there, transformed into characters of his stories. For a better understanding of his story and his critical look over the urban, we went over the chronicles published on the Brazilian newspapers Di?rio de Not?cias, A Tarde and the book A cidade que n?o dorme: cr?nicas noturnas de S?o Salvador da Bahia (The city that does not sleep: nocturnal chronicles of S?o Salvador of Bahia). This paper contemplates readings about the story of the state of Bahia in books and primary sources, which offer information about the urban and social changes of the city of Salvador, with the purpose of understanding the urban metamorphosis and contextualizing the facts narrated by the author. Similarly, we proceeded towards a study of the genre of chronicle itself, in order to support the proposed study. This research consists of a recovery of the life and work of Brazilian, born in the state of Bahia, chronicler Jehov? de Carvalho, his relationship with the city of Salvador and the people who passed or lived there, transformed into characters of his stories. For a better understanding of his story and his critical look over the urban, we went over the chronicles published on the Brazilian newspapers Di?rio de Not?cias, A Tarde and the book A cidade que n?o dorme: cr?nicas noturnas de S?o Salvador da Bahia (The city that does not sleep: nocturnal chronicles of S?o Salvador of Bahia). This paper contemplates readings about the story of the state of Bahia in books and primary sources, which offer information about the urban and social changes of the city of Salvador, with the purpose of understanding the urban metamorphosis and contextualizing the facts narrated by the author. Similarly, we proceeded towards a study of the genre of chronicle itself, in order to support the proposed study / Esta pesquisa consiste em recuperar a vida e obra do cronista baiano Jehov? de Carvalho, na sua rela??o com a cidade de Salvador e com as figuras que por ela transitavam, transformadas em personagens de suas cr?nicas. Para melhor entendermos sua hist?ria e o seu olhar critico sobre o urbano, recorremos ?s cr?nicas publicadas nos jornais Di?rio de Not?cias, A Tarde e ao livro A cidade que n?o dorme: cr?nicas noturnas de S?o Salvador da Bahia. O trabalho contempla leituras sobre a hist?ria da Bahia em livros e fontes prim?rias, que oferecem informa??es sobre as mudan?as urbanas e sociais de Salvador, com a inten??o de entender a metamorfose urbana e contextualizar os fatos narrados pelo cronista. Da mesma forma, procedemos a um estudo do g?nero cr?nica, propriamente dito, para melhor fundamentar o estudo proposto. A relev?ncia desse trabalho reside no seu ineditismo, uma vez que, pela primeira vez na hist?ria da literatura baiana, o percurso de Jehov? de Carvalho ? reconstitu?do e analisado. Assim, a pesquisa resgata as cr?nicas produzidas pelo autor, desconhecidas, inclusive, por muitos baianos. Escrever sobre essa figura do mundo das letras baiano ? reconstruir um caminho de entendimento, express?o e sensibilidade acerca da cidade de Salvador, que n?o pode ser ignorado por quem se interessa pela cultura baiana.

Made available in DSpace on 2015-04-14T13:39:22Z (GMT). No. of bitstreams: 1 462673.pdf: 19569084 bytes, checksum: 306f28621fb60add22e25183d4851c3d (MD5) Previous issue date: 2014-08-28 / Nowadays the children live in a society with strong consumer appeal and since they are bombarded by advertising, they early develop the desire to buy superfluous goods that in their imagination will have the power to transform their life in a much better way. In this context, lipsticks, eye shadows, nail polishes, clothes and shoes appropriate for adult women are offered for very young girls as if these things were necessary for them. In the present research we analyze printed reports, which circulated in a special magazine called Recreio Girls, whose target audience is girls from six to eleven years. From the amount of five copies of this magazine, we selected three pieces of advertisment to make up the corpus of this research. The overall objective is to analyze how the advertising discourse is engendered in the discursive building of reports of the mentioned magazine and what effects of meaning are produced in relation to early adultization of girls. The study starts with considerations about the child in a socio-historical perspective and develops reflections on mass communication, general advertising and advertising to children, including also a discussion of the specific legislation. As a theoretical background, the research is supported in the assumptions of the Bakhtin Circle. The analyses are developed qualitatively by observing the various verbal and verbal-visual elements that constitute the selected reports. From such analysis, it is concluded that the reports show several characteristics of advertising discourse, such as presenting brands and product prices. It was observed that there has been a commitment of the speaker to approach the children and to gain their trust through using a change of tone to achieve his goal, sometimes performing as a child speaker, sometimes as an adult who wants to - apparently - take care and protect the children. Early adultization of girls is discursively constructed and can be seen through the strategy to present adults as reference models to girls, showing how they should choose what to dress , how they should wear makeup , have their hair combed as well as how they should behave and be. We also acknowledged that all advertising inserts in the analyzed reports disobey the Code of Consumer Protection (CDC) and the Code of Advertising Self-Regulation of Conar. From this study, one comes to the thesis that the advertising discourse, not completely explicit, engenders in different discursive materialities and encourages, through verbal and non-verbal utterances, the process of early adultization of girls, in order to promote and encourage the consumption of products that in fact are unnecessary for a child. / As crian?as vivem em uma sociedade com forte apelo ao consumo e, bombardeadas pela publicidade, passam a ter desejos de aquisi??o de bens sup?rfluos que em sua imagina??o ir?o transformar a sua vida para melhor. Nesse contexto, batons, sombras, esmaltes, roupas e sapatos apropriados para a mulher adulta s?o oferecidos para as meninas como sendo algo necess?rio para a vida delas. No presente trabalho analisam-se reportagens impressas, veiculadas na revista especial Recreio Girls, que tem como p?blico-alvo meninas de seis a onze anos. Do montante de cinco exemplares publicados da revista, selecionaram-se tr?s reportagens, que constituem o corpus de investiga??o. O objetivo geral do trabalho ? analisar como o discurso publicit?rio se engendra na tessitura discursiva de reportagens da Revista Recreio Girls e que efeitos de sentidos produz no que se refere ? adultiza??o precoce da menina. O estudo parte de considera??es a respeito da crian?a em uma perspectiva s?ciohist?rica e desenvolve reflex?es sobre a comunica??o de massa, publicidade em geral e publicidade para crian?as, incluindo-se tamb?m uma abordagem sobre a legisla??o espec?fica. Como embasamento te?rico, a pesquisa busca respaldo nos pressupostos do C?rculo de Bakhtin. As an?lises s?o desenvolvidas qualitativamente, observando os diversos elementos verbais e verbo-visuais que constituem as reportagens selecionadas. A partir da an?lise, conclui-se que as reportagens apresentam diversas caracter?sticas do discurso publicit?rio, como apresenta??o de marcas e pre?os de produtos. Observa-se um empenho do locutor em se aproximar da crian?a e conquistar sua confian?a, usando para isso uma varia??o de tom, ora de um locutor infantil, ora de um adulto que quer aparentemente cuidar e proteger. A adultiza??o precoce da menina ? constru?da discursivamente e pode ser observada pelos modelos adultos apresentados como refer?ncia de como a menina/interlocutora deve se vestir, se maquiar, se pentear e do modo como ela deve agir e ser. Constatamos ainda que as inser??es publicit?rias nas reportagens analisadas desobedecem o C?digo de Defesa do Consumidor (CDC), bem como o C?digo de Autorregulamenta??o Publicit?ria do Conar. A partir do trabalho desenvolvido, chega-se ? tese de que o discurso publicit?rio, mais ou menos aparente, se engendra em diferentes materialidades discursivas e estimula, por meio de enunciados verbais e n?o-verbais, o processo de adultiza??o precoce da menina, a fim de promover e incentivar o consumo de produtos normalmente desnecess?rios para uma crian?a.