Centro de Difusión Cultural de Lima Norte, es un proyecto localizado en el distrito de Carabayllo; cuya finalidad es difundir y concientizar al usuario con su historia y cultura, ayudando a reconstruir la identidad perdida de los pobladores y la preservación del patrimonio cultural existente. El proyecto se emplaza en la Av. José Saco Rojas, que conecta a los distritos de Puente Piedra y Carabayllo. Además se escoge este terreno debido a la cercanía de ambientes históricos del distrito, como lo son la Plaza de San Pedro de Carabayllo, la iglesia de San Pedro de Carabayllo, y la Casa Hacienda “El Fortín”; lo cual ayuda a reforzar la idea de “identidad” en la población. Está dirigido al público en general, de todas las edades, pero con un énfasis en el rango de edad entre 1- 30 años, ya que éstos son los que conforman con mayor porcentaje la población del distrito. El programa arquitectónico responde a las necesidades de la problemática identificada, usuario, y tipo de edificio que se plantea; por esta razón se ha dividido en 10 paquetes funcionales a los diferentes ambientes planteados. Para el diseño del proyecto se han tomado en cuentas diversas condicionantes que se han ido identificando a lo largo del trabajo de investigación, como las necesidades y características del lugar y el usuario. / Center of Cultural Difussion of North Lima, is a project located at the district of Carabayllo; whose purpose is to disseminate and raise awareness among the user with its history and culture, helping to reconstruct the lost identity of the inhabitants and the preservation of the existing cultural heritage. The project is located at Av. José Saco Rojas, which connects the districts of Puente Piedra and Carabayllo. In addition this land is chosen due to the proximity of the district's historical environments, such as the Plaza de San Pedro de Carabayllo, the church of San Pedro de Carabayllo, and the Hacienda "The Fortín"; which helps to reinforce the idea of "identity" in the population. It is aimed at the general public, of all ages, but with an emphasis on the age range between 1-30 years, since these are the ones that make up the population of the district with the highest percentage. The architectural program responds to the needs of the identified problem, user, and type of building that suggested; for this reason it has been divided into 10 functional packages to the different areas proposed. For the design of the project, several factors that have been identified during the research work have been taken into account, such as the needs and characteristics of the place and the user. / Tesis

El Perú tiene en el turismo un sector con enorme potencial de desarrollo, no sólo cuenta con importantes recursos naturales, sino también con una gran cultura diversa para atender todos los segmentos del mercado, porque en su cultura tradicional y variada ofrece una amplia gama de posibilidades y actividades para los turistas que lo visitan. El Centro Cultural Etnográfico en el Distrito de Morales, Provincia de San Martín, integrante del Departamento San Martín, y forma parte de la conurbación de los distritos Tarapoto, La Banda de Shilcayo, Cacatachi, Distrito de Juan Guerra. Expresa el carácter social de un tema tan importante como lo es el servicio cultural, dentro de un marco de arquitectura eficiente y busca salvaguardar el patrimonio socio-cultural en la región selva, reforzando el carácter de atractivo turístico y creador de identidad local que sirva como un modelo para ser muestra principal de la historia, tradición y folklor de la selva peruana. Como base principal de diseño del Centro Cultural, éste se adapta plenamente a las condiciones del lugar, desde la forma y función de la misma, respetando el contexto natural y las características constructivas de la selva peruana. Del mismo modo, el Centro Cultural aprovecha al máximo las condiciones climáticas de la zona (como las lluvias y los rayos solares) además el Río Cumbaza (potencial turístico de la ciudad ubicado en la parte posterior del centro) cumple un papel fundamental en concepto del diseño del Centro Cultural. / Peru has in tourism a sector with enormous development potential, not only has important natural resources, but also a great diverse culture to meet all market segments, because in its traditional and varied culture it offers a wide range of possibilities and activities for tourists who visit it. The Ethnographic Cultural Center in the District of Morales, Province of San Martín, a member of the San Martín Department, and is part of the conurbation of the Tarapoto, La Banda de Shilcayo, Cacatachi, Juan Guerra District districts. It expresses the social character of an issue as important as the cultural service, within an efficient architecture framework and seeks to safeguard the socio-cultural heritage in the jungle region, reinforcing the character of tourist attraction and creator of local identity that serves as A model to be a main example of the history, tradition and folklore of the Peruvian jungle. As the main design base of the Cultural Center, it fully adapts to the conditions of the place, from the form and function of it, respecting the natural context and the constructive characteristics of the Peruvian jungle. Similarly, the Cultural Center takes full advantage of the climatic conditions of the area (such as rains and sunrays) and the Cumbaza River (tourist potential of the city located in the back of the center) plays a fundamental role in the concept of Cultural Center design. / Tesis

The area is located in Kohoutovice on Libušina trida street. The location of socio-cultural center with townhall is at the site of the largest concentration of people and intensive traffic in the area. The concept is based on the attempt to create an architecture blending into the surrounding landscape , respecting the context of space and favorably affect the environment. The building consists of two spaces and its dispositions forms a clearly defined exterior space - the new square. The main entrance and the main pedestrian axis are oriented to the square. Externally, the timber building is distinguished by the interplay of wood cladding and vertical louvres, variable light and shadow.

THE NORTH WEST SIDE OF THE LAND IS NOT LOADED BY TRAFFIC OPERATION, THEREFORE THAT SITUATION WAS PRIMARY IN THE PROPOSAL DESIGNED FOR THE LOCATION OF CROPS WHICH REQUIRE MAXIMUM SAFETY IN THE ENVIRONMENT. THE CONNECTION BETWEEN THE FACILITIES AND THE FAMILY BUILDING IS A MEETING IN THE BUILDING. THESE TWO PARAMETERS FOLLOW THE LOCATION OF THE CULTURAL CENTER IN THE MEDITERRANEAN THROUGH THE BUILDING, WHERE THE INSIDE IS FROM THE SOUTH SIDE. TO 2ND, ON THE CENTER OF MEDITERRANEAN MOTORCYCLE, MISSY CHILDREN CENTER WHICH HAS A RELATIONSHIP WITH THE CULTURAL CENTER. THESE TWO PROGRAMS TOGETHER TOGETHER TOGETHER, THEIR CONNECTION IS LOGICAL. THE EASTERNESS I HAVE LOOKED FOR THE LOCATION OF THE BUILDING PROGRAM OF THE CLUB IN THEIR 9TH REQUIREMENTS IS ALSO INCLUDED IN THE INTERNAL AND EXTERNAL AREAS THAT ARE THROUGH JESUS. THE ROOMS AROUND THE BUILDINGS ARE FILLED BY THE BUILDINGS, THEY WERE USED BY THE USERS THROUGH THAT BUILDING TO GO TO 2ND, WHERE THEY ARE PRESENTED FOR THE USE OF THE BUILDINGS. THE LARGE AREAS OF THE LAND ARE IN THE NORTH OF THE COUNTRY TREATED AS A PUBLIC AREA DESIGNED FOR REMOVAL OR RELAXATION. Yet, in the southern part, there is a pavilion for the public to various sports. THERAPEUTICAL ADJUSTMENTS OF THE SOUTH PART MAKES THE OPPORTUNITY OF CULTURAL PROJECTS FOR THE PUBLIC.

Viticulture has long belonged to Bratislava. It has been mentioned in archival reports since the middle of the 13th century. The vineyards stretched from Bratislava Castle to Rača and Vajnor. Especially in the last century, large-scale construction of apartment and family houses began to replace vineyards. This trend still persists and developers attract people to live with a view of the city and the proximity of nature, from which, however, they take themselves. The vineyards have been receding for the centuries of the developing city and this historic heritage is falling into oblivion. however, vineyards are not only a reminder of the glorious past, but also of irreplaceable creators of biodiversity and contribute to a better climate for the city. The aim of the diploma thesis is to analyze the retreat of vineyards expanding in Bratislava. Conditions for vine growing and its processing in Bratislava and its surroundings. Subsequently, finding a suitable form and applying the outputs from the analytical part in a specific architectural design.

The hint of this project was to find the way to transform the cultural buildings from 70`s and 80`s. Espaccialy its the group of buildings in the center of the sity Kopřivnice: cultural house, cinema and museum of technology, which are inapropriatte for its purpose. This transformation also shows new ways to change the whole central part of the city, which is in very insufficient conditions these days.

Entering this thesis was to design a building for the Brno Philharmonic. Brno Philharmonic is still housed in the Fellowship House, which for this purpose does not. Place for the design of the new building of the Brno Philharmonic Orchestra was chosen plot where the current parking lot, which is close to the Guildhall. In 1992 he founded the Association for the construction of a concert hall, which has since been seeking to build Janáček Cultural Centre. Concert hall with excellent acoustics, which is missing in Brno. The first attempt was in 1989, when it was announced architectural competition for a new building project was just prior to the commencement of construction works dropped. In 2003, the Statutory City of Brno announces an urban-architectural competition for the design of the building Janáček Cultural Centre, whose subject was the urban design of the entire area between the streets Besední, cheerful and Hotel International. Entering the competition was also the draft annex of the hotel International. The reasons for choosing this property was the strongest ties to the Meeting House., Position in the city center in a neighborhood with other major institutions, well-connected to public transport, the opportunity to realize the capacity underground parking. This year were started construction work on this place that has become a new building. The overall implementation takes place in two stages. In the first phase are carried out underground three underground floors used for parking. In the second phase confronts Janáček Cultural Centre. This competition for JKC winning studio M1. In the first round of the competition envisaged the demolition substation at the International Hotel and expanding the plot. In the second round it was only a plot parking spot without significant interference with the surrounding space. This version is valid to this day.

This study is an examination of the theatre project at Tsa La Gi, a Cherokee cultural center in Tahlequah, Oklahoma. The thesis is organized into three areas: the drama, the theatre design, and the production techniques. Chapter I reports the process of the formulation of Trail of Tears and analyzes its success. Chapter II describes and interprets the process of the design of the physical theatre. Chapter III reports the techniques used in play production at Tsa La Gi and interprets their effects. Chapter IV presents conclusions about the success of the theatre project. This report accepts evidence that the theatre project at Tsa La Gi is a highly successful one, both economically and artistically.

Trata do processo de criação e desenvolvimento do Centro Cultural da Juventude Ruth Cardoso (CCJ) e do impacto causado por suas ações junto à comunidade, particularmente junto ao seu público-alvo, utilizando para esta reflexão os conceitos de desenvolvimento cultural e de direitos culturais. O CCJ foi criado em 2006 com objetivo de atender as demandas dos jovens moradores das regiões de Brasilândia, Cachoeirinha, Freguesia do Ó e de toda a cidade de São Paulo. Partiu da criação de um equipamento cultural que tem como público-alvo os jovens entre 18 a 29 anos, que em geral não são o foco principal dos outros equipamentos mantidos pela prefeitura da cidade de São Paulo. Foi analisada a relação entre a cultura e a cidade, a partir da presença e distribuição dos equipamentos culturais no âmbito da Secretaria de Cultura da cidade de São Paulo, descritos aqui como pano de fundo. Apresenta o histórico do CCJ, sua criação, suas redes, objetivos, propostas e funcionamento, tendo como fonte de informação depoimentos colhidos junto aos gestores do CCJ, documentos e observação. Para analisar o público-alvo do CCJ, aborda-se o conceito de juventude, seus valores e suas expectativas. Traz uma pesquisa de usuários do CCJ que ajuda a traçar seu perfil, analisar o uso que fazem do equipamento e avaliar sua satisfação com as atividades e os acessos oferecidos. Os resultados obtidos demonstraram mudanças no perfil cultural destes jovens, a partir da freqüência ao CCJ, podendo-se admitir que espaços culturais próximos à comunidade contribuem de forma eficaz para o desenvolvimento cultural de seu público e para a democratização do acesso aos bens culturais. / This dissertation aims to analyze the process of creation and development of the Cultural Center for Youth Ruth Cardoso (Centro Cultural para a Juventude Ruth Cardoso, CCJ) and the impact caused by the actions of the CCJ in the community, particularly among its target audience, using in this reflection the concepts of \"cultural development\" and \"cultural rights\". The CCJ was established in 2006 in order to meet the demands of the young residents of the regions of Brasilândia, Cachoeirinha, Freguesia do Ó and of the city of São Paulo as a whole. The CCJ involved the creation of differentiated cultural facilities, focusing on the population aged 18 to 29 years, the general public that is not the main focus of the other facilities maintained by the Municipal Government of São Paulo. We analyze initially the relationship between culture and cities, focusing specially on the presence and distribution of cultural facilities within the Department of Culture (Secretaria de Cultura) of São Paulo, in order to achieve an overview of the characteristics of each of them. Subsequently we present the history of the CCJ, its creation, its networks, objectives and operation. These information were obtained from testimonies collected from the managers of the CCJ, documents and observation. Afterwards we make a discussion on the concept of youth and its expectations, and finally we deal with the analysis of the interviews applied to users of the CCJ, checking its characteristics, the uses of the facilities, and the evaluation of satisfaction, which indicates changes in the cultural profile of these young people in relation to their attendance of the CCJ. The results showed that differentiated cultural spaces and decentralization contribute effectively to the cultural development of its public and to the democratization of the access to cultural goods.

Memoria para optar al título de Arquitecta / La identidad cultural es fundamental para el desarrollo de una comunidad, ésta permite que se consolide como agrupación, además, tengan la iniciativa de fortalecerse principalmente las tradiciones y costumbres, siendo transmitidas de generación en generación. La pérdida de identidad y la falta de reconocimiento del patrimonio, es la principal razón que la comunidad pierda el interés en proteger los inmuebles con las zonas de relevancia histórica del territorio. Un caso de esto, es en la comuna de San Esteban, ubicada en la región de Valparaíso, en donde se encuentra el parque y casona La Ermita, un inmueble ícono y único en su estilo, que está en un estado de deterioro avanzado, trayendo como consecuencia el olvido de una parte de la historia comunal. El proceso metodológico del proyecto se dividió en tres etapas, la primera de reconocimiento de una problemática general, un tema de importancia a nivel nacional y el terreno donde aplican estas. La segunda, es una profundización del lugar por medio de análisis que abarca de lo territorial a lo micro del terreno, determinación de FODA a través de conclusiones, problemáticas secundarias y elección de usuarios basados en carencias comunales. Finalizando en una tercera etapa de master plan y luego el diseño del proyecto. Como resultado de este proceso se observó el avanzado deterioro del patrimonio comunal y la falta de equipamiento tanto cultural como comercial para la comuna. Para lograr entregar soluciones a la comunidad se realiza el proyecto de rehabilitación de la ZCH más importante de la comuna, el parque La Ermita, permitiendo contar con servicios básicos y nuevos áreas verdes recreativas. Este proyecto actúa como un conector de áreas verdes y de la trama urbana, permite la autonomía y consolidación de la zona central de San Esteban, rescatar las costumbres y tradiciones rurales chilenas y valorizar el patrimonio. / The cultural identity is fundamental for the development of a community, this allows it to be consolidated as a group, besides, they have the initiative to strengthen for chiefly the traditions and customs, being transmitted from generation to generation. The loss of identity and the lack of recognition of heritage, is the main reason whence the community loses interest in protecting the buildings with the zones of historical relevance of the territory. A case of this is in the San Esteban commune, located in the region of Valparaíso, where La Ermita park and house is located, an iconic and unique property in its style, which is in a state of advanced deterioration, bringing as a consequence the forgetting of a part of the communal history. The methodological process of the project was divided into three stages, the first to recognize a general problem, a topic of importance at the national level and the terrain where they apply. The second is a deepening of the place by means of analysis that covers from the territorial to the micro level of the terrain, determination of FODA through conclusions, secondary problems and the selection of users based on communal deficiencies. Finishing in a third stage of master plan and then the design of the project. As a result of this process we observed the advanced deterioration of the communal heritage and the lack of both cultural and commercial equipment for the commune. In order to deliver solutions to the community, the rehabilitation project of the most important HCZ of the commune is carried out, the La Ermita Park, allowing to have basic services and new recreational green areas. This project acts as a connector for the green areas and the urban scene, allows the autonomy and consolidation of the urban area of San Esteban, rescue the Chilean customs and rural traditions and appraise the heritage.