Made available in DSpace on 2015-04-20T12:32:39Z (GMT). No. of bitstreams: 1 maria carvalho.pdf: 5647161 bytes, checksum: 936fe37d9bd429c567f88e7f92c86f5c (MD5) Previous issue date: 2012-12-20 / The research seeks to analyze the children´s expressions contained in their drawings. The perspective is to understand the processes of symbolic construction in the cultural and subjective dimensions. The drawings are seen as particular forms of expressions of children expressions cultures; as means of communication with their peers and with adults; as forms of representation of their knowledge and worldviews; and also as an expression of their creative imagination and esthetic sensibility. In this direction, the research moves through different fields of knowledge construed about childhood from a critical perspective in which are questioned the bases proposed for the awakening of childhood awareness in modern times; they point out, as well the economic, political, and social contradictions generated from the principles formulated by the Enlightenment authors. The study observes that in the capitalist society development children have been deprived of their sacred flutes (toys) and imagination. The modernity brought about the visibility of childhood as labor force and produced great inequalities, even under the guardianship of the laws. These inequalities were put in evidence by the men of numbers and their account of childhood in the modern times. In the second chapter (The architects of childhood sociology) the author explains the ideas developed by the adepts of realism, functionalism, interactionism and the theories of the imaginary, tracing from these bases, parallels between the models of sociological analysis and the issue of childhood in society. In the fields of Psychology and Psychoanalysis (Chapter 3: The garden of images and the valuing of symbolic field), the author uses approaches from Psychology , Psychoanalysis, organicism, constructivism and those dealing with the imaginary (Bachelard) to undertake the analysis about the drawings produced by a child (6 to 7 years old) coming from social background which allowed it to have access to the material conditions of production. The research seeks to ascertain in the limits and epistemic difficulties presented in each of theories which support the analysis of children´s drawings according to different interpretations. It concludes that to understand childhood expressions, the approach should be oriented by different perspective and fields of knowledge to permit the understanding of the process of the constitution of childhood culture and the breaking of traditionalist schemes of analysis based on the directivist and interventionist tendencies which still influence the imagination and the creativity of childhood universe. / A pesquisa visa analisar as expressões infantis configuradas nos desenhos. A perspectiva é compreender os processos de construção simbólica nas dimensões culturais e subjetivas. Os desenhos são vistos como: formas particulares de inscrição das culturas da infância; meios de comunicação das crianças com os seus pares e com os adultos; formas de representação de seus saberes e concepções de mundo; e, também, como expressão de sua imaginação criativa e de sua sensibilidade estética. Nessa direção, a pesquisa, por diferentes campos do conhecimento, construídos sobre a infância, a partir de uma perspectiva crítica onde se questiona os fundamentos propostos sobre o despertar da percepção da infância na modernidade e identifica as contradições econômicas, políticas e sociais geradas a partir dos princípios construídos pelos Iluministas. Observa que no desenvolvimento da sociedade capitalista, as crianças foram desapropriadas de suas flautas sagradas (os brinquedos) e, também, da sua imaginação. A modernidade colocou a visibilidade da infância como força de trabalho, mesmo sob tutela das leis as desigualdades foram multiplicadas. Essas desigualdades foram postas em evidência pelos homens dos números e sua contabilidade sobre a infância na modernidade. No segundo capítulo; (Os arquitetos da Sociologia da Infância) a autora expõe as ideias construídas pelos adeptos do realismo, funcionalismo, interacionismo e das teorias do imaginário, traçando, a partir desses eixos, paralelos entre modelos de análise sociológica e a questão da infância na sociedade. No campo da Psicologia e da Psicanálise (Capítulo 3: O jardim das imagens e a valorização do campo simbólico), a autora utiliza-se das abordagens psicanalista, organicista, construtivista e as que versam sobre o imaginário (Bachelard), para realizar as análises sobre os desenhos produzidos, ora espontaneamente por uma criança (6 a 7 anos) procedente de um estrato social considerado médio, que permite a ela acesso às condições materiais de produção. A pesquisa procura verificar os limites e as dificuldades epistêmicas apresentadas em cada uma das teorias que dão suporte às análises dos desenhos infantis, abordando diferentes interpretações. Conclui que, para compreender as expressões infantis, o olhar orientado por diferentes perspectivas e campos do conhecimento, permite uma maior aproximação dos processos de constituição das culturas da infância e, também permite romper com os esquemas tradicionalistas de análise fundados nas tendências diretivistas e intervencionistas, que ainda pesam sobre a imaginação e a criatividade do universo da infância.

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Submitted by admin tede (tede@pucgoias.edu.br) on 2017-03-06T18:01:57Z No. of bitstreams: 1 PAULA CAMILA PIRES CABRAL.pdf: 4740834 bytes, checksum: 2b877f4f775b50e9cdf873192835ec8d (MD5) / Made available in DSpace on 2017-03-06T18:01:57Z (GMT). No. of bitstreams: 1 PAULA CAMILA PIRES CABRAL.pdf: 4740834 bytes, checksum: 2b877f4f775b50e9cdf873192835ec8d (MD5) Previous issue date: 2014-08-28 / The present essay, inscribed in the Education, Society and Culture research line, has as object of study the culture of childhood represented in some of the Brazilian filmmaking. Therefore, its seeks to elucidate the problem of research starting from the following central question: Taking some Brazilian productions, what aspects of the culture of childhood were represented in them? In general, the objective is to understand the aspects represented by the film industry like the culture of the childhood and identify how these elements have been used in films. The first point to be emphasized is the understanding of the object of study in its conceptual terms, highlighted primarily by authors like Sarmento and Corsaro, based on four structural axes of the cultures of childhood (interactivity, playfulness, the fantasy of reality and reiteration), which this study aims to elucidate, together with other elements that mark the lives of children and the ways they relate to contemporary society. The second point refers to the way the cinematographic representation in Brazil apprehends this culture. Despite the numerous possibilities of reading a movie, movies will be taken here as the field of apprehension of representations of the culture of childhood from a critical perspective, that is, of understanding them as ways of orchestration of reality. Academic studies, such as thesis and dissertations, registered in the thesis database of Capes in the past 10 years (2002-2012) have been analyzed so we could have a considerable idea at what had been produced in Brazil on the subject. With this survey, we have decided to research films produced in Brazil that addressed somehow the universe of children and their childhood. According to pre-established criteria, we have encountered four movies that made up the universe of this research: The Story of Me (O Contador de Histórias), The Year My Parents Went on Vacation (O Ano em que Meus Pais Sairam de Férias), In the Middle of the Street (No Meio da Rua) and Mutum (Mutum). So as to achieve the objectives defined in this work, we proceeded to the analysis of the content in the light of theoretical matrix of historical and dialectical materialism, which is based on the discussions of human production and its constituent links in history, movement, class contradictions and human action/activity. In general terms, the chapters of the dissertation go about topics that, articulated and situated in the historical, social and cultural human context, give a foundation to the proposed theme. The themes of the discussions of the chapters are: Human Culture and Culture of Childhood, Processes of Social Interaction of Children, Social Relations and Processes of Reiteration, and Playfulness and Fantasy of Reality. / O presente trabalho, inscrito na linha de pesquisa Educação, Sociedade e Cultura, tem como objeto de estudo a cultura da infância representada em algumas obras da produção cinematográfica brasileira. Portanto, procura elucidar o problema de pesquisa a partir da seguinte questão central: Tomando algumas produções cinematográficas brasileiras, que aspectos da cultura da infância foram nelas representadas? De modo geral, objetiva-se compreender os aspectos representados pelas produções cinematográficas como cultura da infância e identificar como esses elementos foram utilizados nos filmes. Um primeiro ponto a ser ressaltado é a compreensão do objeto de estudo em seus termos conceituais, salientados prioritariamente por autores como Sarmento e Corsaro, com base em quatro eixos estruturadores das culturas da infância (a interactividade, a ludicidade, a fantasia do real e a reiteração), os quais o presente trabalho pretende elucidar, junto a outros elementos que marcam a vida e os modos das crianças de se relacionarem na sociedade contemporânea. O segundo ponto refere-se à forma de apreensão dessa cultura pela representação cinematográfica. A despeito das inúmeras possibilidades de leitura do cinema, este será tomado aqui como campo de apreensão das representações da cultura da infância numa perspectiva crítica, isto é, de compreendê- las como formas de instrumentalização da realidade. Foram analisadas produções acadêmicas (teses e dissertações) inscritas no banco de teses da Capes nos últimos dez anos (2002-2012) com o intuito de observar o que já havia sido produzido no Brasil sobre a temática. Feito esse levantamento, partiu-se para as pesquisas referentes aos filmes produzidos no Brasil que abordaram, de alguma forma, o universo das crianças e sua infância. De acordo com critérios preestabelecidos, foram encontrados os quatro filmes que compuseram o universo de estudo desta pesquisa: O contador de histórias, O ano em que meus pais saíram de férias, No meio da rua e Mutum. Para alcançar os objetivos definidos neste trabalho, procedeu-se às análises de conteúdo à luz da matriz teórica do materialismo histórico-dialético, que se baseia nas discussões da produção humana e seus nexos constitutivos na história, no movimento, nas contradições de classe e na ação/atividade humana. De forma geral, os capítulos que compõem a dissertação discorreram sobre temáticas que, articuladas e situadas no contexto humano histórico, social e cultural dão tessitura ao tema proposto. As discussões dos capítulos estão assim tematizadas: Cultura Humana e Cultura da Infância, os Processos de Interação Social da Criança, as Relações Sociais e os Processos de Reiteração, e Ludicidade e a Fantasia do Real.

Submitted by Leonardo Lima (leonardoperlim@gmail.com) on 2016-04-11T14:22:36Z No. of bitstreams: 2 Não é de verdade, é só um desenho.pdf: 3293847 bytes, checksum: 5058497db4811fe5905f720348ccab29 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2016-04-11T14:57:56Z (GMT) No. of bitstreams: 2 Não é de verdade, é só um desenho.pdf: 3293847 bytes, checksum: 5058497db4811fe5905f720348ccab29 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2016-04-11T15:01:31Z (GMT) No. of bitstreams: 2 Não é de verdade, é só um desenho.pdf: 3293847 bytes, checksum: 5058497db4811fe5905f720348ccab29 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2016-04-11T15:02:12Z (GMT). No. of bitstreams: 2 Não é de verdade, é só um desenho.pdf: 3293847 bytes, checksum: 5058497db4811fe5905f720348ccab29 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2014-02-14 / Sem bolsa / Este trabalho investiga os desenhos infantis enquanto objeto de pesquisa educacional e está centrado nos desenhos produzidos por alunos de educação infantil de uma escola de arte e infância da cidade de Pelotas. A temática foca-se na discussão sobre desenhos infantis a partir da sociologia da infância no diálogo com a educação. Como objetivo geral, pretendemos identificar os diferentes elementos representados pelas crianças nos seus desenhos, no que tange aos temas da educação (escolar ou não), sociedade, cultura e escola, a fim de possibilitar repensar a educação e a infância na contemporaneidade, de acordo com as próprias crianças. Como conceitos principais parte dos de cultura da infância e reprodução interpretativa. Nossa hipótese é de que os desenhos podem representar a infância enquanto crítica da cultura, carregada de valores culturais e características das culturas da infância, questionando o lugar do pesquisador e do adulto e revendo suas certezas. Espera- se com esse trabalho, colaborar com a educação infantil e com a compreensão das crianças enquanto atores sociais capazes de refletir sobre a realidade em que vivem e a sua capacidade de influenciar o ambiente social que compõem. / This study investigates the children's drawings as an educational research object and it is focused on drawings produced by students of the Early Childhood Education from an art and childhood school from the city of Pelotas. The theme focuses on the discussion of children?s drawings from the Sociology of Childhood in a dialogue with the Education. As a general goal, we intend to identify the different elements represented by the children in their drawings, in relation to the themes of education (scholar or not), society, culture and school, to enable rethink education and childhood in contemporaneity, according to children themselves. As main concepts are included the childhood culture and the interpretive reproduction. Our hypothesis is that the drawings may represent childhood as a culture review, laden with cultural values and characteristics of childhood cultures, questioning the researcher?s and adult?s places and reviewing their certainties. It is hoped that this work collaborate with the Early Childhood Education and with the understanding of children as social actors able to reflect on the reality in which they live and capable to influence the social environment they compose.

Made available in DSpace on 2016-12-08T16:35:07Z (GMT). No. of bitstreams: 1 116958.pdf: 4922626 bytes, checksum: 4613a3f280c665a1cc2851cf9999d2cc (MD5) Previous issue date: 2014-04-24 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / This research belongs to the field of History of Education and Cultural History, and its central object is childhood education of Municipal School District of Florianópolis. The objective is the construction of a historical interpretation of the concepts of architecture, space, time and materials, from 1976 to 2012. It assumes that such conceptions are socially and historically constructed and contribute to the production of a specific culture in the field of early childhood education. It uses the theoretical concepts of strategy, tactics and creative consumers of Michel de Certeau and the schoolar culture of Antonio Viñao Frago to elucidate the existence of a culture of Early Childhood Education. With regard to the methodological approach, this study favors the analysis of printed primary sources, as well as iconographic documents, oral history and case studies. It collects directions about space, time and materiality in the five curriculum documents produced by the municipal network between 1976 and 1996, which are analyzed in interface with testimonials from coordinators and with some researches and theories in the area of childhood. It provides an overview of the constructions carried out by the county of Florianópolis and architectural plans of municipal kindergartens built by different municipal managers. It investigates the continuities, ruptures and innovations about their material culture, probing the analysis of the architectural model proposed by the Institute of Urban Planning of Florianópolis standard - Ipuf - characterized as the first pattern of network construction, and in a case study, it investigates the day nursery of Nossa Senhora Aparecida, one of the four institutions that follows the pattern during the decade of 1980. It analyzes the use of space, time and materiality of that institution, interfaced with the curricular and architectural requirements, the photographic records, the memories of principals, teachers, mothers and children of yesterday. It concludes that the transformation of educational spaces is an unique experience and it is not only related to the curricular orientations, but especially to the experiences and views of their protagonists, and it is therefore related to how subjects make use of the curriculum and architectural requirements the material resources that are available to them. Everything leads to a concept of culture of early childhood education that was created here and based on this study, I understand how the meanings and the senses were produced in the pedagogical action. It expands the understanding that architecture and materiality that comprise the educational spaces for small children need to be considered as important elements of the curriculum and that either one or the other, show the educational project put into action in the institutions. / Esta pesquisa se insere no campo da História da Educação e da História Cultural e tem por objeto central a educação infantil da Rede Municipal de Ensino de Florianópolis. Objetiva construir uma interpretação histórica das concepções de arquitetura, espaço, tempo e materiais dessa rede, de 1976 a 2012. Parte do pressuposto de que tais concepções são construídas social e historicamente e contribuem para a produção de uma cultura específica no campo da educação infantil. Utiliza como bases teóricas os conceitos de estratégia, táticas e consumidores criativos, de Michel de Certeau, e o de cultura escolar, de Antonio Viñao Frago, ressignificado-o na tentativa de elucidar a existência de uma cultura da Educação Infantil. No que se refere às bases metodológicas, privilegia a análise de documentos impressos e iconográficos, a história oral e o estudo de caso. Recolhe indicações sobre espaço, tempo e materialidades nos 5 documentos curriculares produzidos pela rede municipal entre 1976 e 1996, analisados em interface com depoimentos de coordenadores, com algumas pesquisas e teorias da área da infância. Oferece uma panorâmica das construções realizadas pelo município de Florianópolis e das plantas arquitetônicas das creches construídas por diferentes gestores municipais. Investiga as permanências, rupturas e inovações sobre a sua cultura material, aprofundando a análise do modelo arquitetônico proposto pelo Instituto de Planejamento Urbano de Florianópolis - padrão Ipuf -, caracterizado como o primeiro padrão de construção da rede e, num estudo de caso, investiga a creche Nossa Senhora Aparecida, uma das quatro instituições que seguem o padrão na década de 1980. Analisa o processo de utilização de espaços, tempos e materialidades dessa instituição, em interface com as orientações curriculares e arquitetônicas, os registros fotográficos, as memórias de diretores, professores, mães e crianças de ontem. Conclui que a transformação dos espaços educativos é uma experiência singular e não está apenas relacionada às orientações curriculares, mas, sobretudo, às experiências e concepções de seus protagonistas, estando, portanto, relacionada à forma como os sujeitos fazem uso das orientações curriculares, arquitetônicas e das materialidades que lhes são oferecidas. Tudo conduz a um conceito de cultura da educação infantil que é o que aqui se construiu e que, pelo estudo, entendo como os significados e os sentidos produzidos na ação pedagógica. Amplia a compreensão de que a arquitetura e as materialidades que compõem os espaços educativos para crianças pequenas precisam ser consideradas como importantes elementos do currículo e que, tanto uma como as outras, mostram o projeto educativo posto em ação nas instituições.

The purpose of the research was to look critically at the language development of the young second-language learner within their social context, in relation to theory and practice (praxis), using as a ‘lens’, “the right to participation” (UNCRC General Comment No 12, 2009). Language and communication were seen by the researcher as fundamental to the child’s ‘right to participate’ as ‘agents of their own life’ (General Comment No 7, 2005) as they engage in meaning-making with others, both at home and at school. The research was conducted as a Case Study within a Pre-Primary School over a three month period, with the lead-researcher involving the teachers as co-researchers. A Participatory Action Research methodology was used, within a praxeological conceptual framework. Parents and their young children (between the ages of 2 – 6 years) were participants in the research. Ways were explored to build ‘bridges’ to overcome perceived ‘barriers’ to the children’s participation. Various data collection techniques were used, including the Persona Doll approach, the Mosaic Approach, Documentation of Learning and Learning Story Books. The results of the research were increased awareness of the value of inclusive practices that place a value on diversity and which actively support and promote the use of the mother tongue, as well as the learning of English as a second language. In the course of the research, it was seen as important for adults (parents or teachers) to support the learning of concepts in the mother tongue or in English by verbalizing for the child, while engaging in the process of meaning-making. The ‘choice’ to use English in preference over the mother tongue became apparent. Therefore the research methodology was seen as an important way to develop ‘critical, reflective practice’ amongst the teachers and to create partnerships with the parents. The aim was to strive towards ‘phronesis’ or wise practice, using as a ‘lens’ for critical reflection, the child’s ‘right to participation’ (UNCRC General Comment No 12, 2009). / Psychology of Education / M. Ed. (Educational Psychology)

The purpose of the research was to look critically at the language development of the young second-language learner within their social context, in relation to theory and practice (praxis), using as a ‘lens’, “the right to participation” (UNCRC General Comment No 12, 2009). Language and communication were seen by the researcher as fundamental to the child’s ‘right to participate’ as ‘agents of their own life’ (General Comment No 7, 2005) as they engage in meaning-making with others, both at home and at school. The research was conducted as a Case Study within a Pre-Primary School over a three month period, with the lead-researcher involving the teachers as co-researchers. A Participatory Action Research methodology was used, within a praxeological conceptual framework. Parents and their young children (between the ages of 2 – 6 years) were participants in the research. Ways were explored to build ‘bridges’ to overcome perceived ‘barriers’ to the children’s participation. Various data collection techniques were used, including the Persona Doll approach, the Mosaic Approach, Documentation of Learning and Learning Story Books. The results of the research were increased awareness of the value of inclusive practices that place a value on diversity and which actively support and promote the use of the mother tongue, as well as the learning of English as a second language. In the course of the research, it was seen as important for adults (parents or teachers) to support the learning of concepts in the mother tongue or in English by verbalizing for the child, while engaging in the process of meaning-making. The ‘choice’ to use English in preference over the mother tongue became apparent. Therefore the research methodology was seen as an important way to develop ‘critical, reflective practice’ amongst the teachers and to create partnerships with the parents. The aim was to strive towards ‘phronesis’ or wise practice, using as a ‘lens’ for critical reflection, the child’s ‘right to participation’ (UNCRC General Comment No 12, 2009). / Psychology of Education / M. Ed. (Educational Psychology)