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1	Narratiewe terapie en eksternalisering in Durant Sihlali se Kliptown- en Pimmevillereekse / Elani Lena Willemse Willemse, Elani Lena January 2014 (has links) This study explores Durant Sihlali’s documentation of traumatic events during apartheid in South Africa, with specific focus on his watercolour paintings documenting the forced removals and demolitions that took place in Kliptown and Pimville during the seventies of the previous century. The argument can be made that Sihlali used the process of creating art as a type of narrative therapy, and that each artwork functions as a form of externalisation. Based on the assumption that each artwork is representative of a specific narrative in the broader context of the forced removals and demolitions, it is argued that the problem which Sihlali experienced, namely the trauma caused by the forced removals, is separated from himself through the process of creating an artwork. This made it possible for him to assume a more objective and external perspective towards the oppression afflicted by apartheid. Furthermore it is argued that Sihlali could not only manifest his emotions in an external format, namely the artwork, but that he also assumed a positive and optimistic position towards the conflict and oppression suffered during this time. The idea that he would have liked to open a museum of his artworks, where the South African community could learn more about him and the real “truth” of South African history, did not only suggest that his work harboured the potential to bring his own trauma to resolution, but could also bring peace to other South Africans, albeit as victim or oppressor. The cathartic characteristics of his artworks are conveyed through the delicate handling of his subject matter through his watercolour medium. This is not only reinforced by the delicate and sensitive brushwork in his paintings, but also by the nostalgic characteristics of his paintings, where memories are remembered without pain. / MA (History of Art), North-West University, Potchefstroom Campus, 2014 Durant Sihlali Eksternalisering Narratiewe terapie Nostalgie Trauma Traumaresolusie Externalisation Narrative therapy Nostalgia Trauma resolution
2	Narratiewe terapie en eksternalisering in Durant Sihlali se Kliptown- en Pimmevillereekse / Elani Lena Willemse Willemse, Elani Lena January 2014 (has links) This study explores Durant Sihlali’s documentation of traumatic events during apartheid in South Africa, with specific focus on his watercolour paintings documenting the forced removals and demolitions that took place in Kliptown and Pimville during the seventies of the previous century. The argument can be made that Sihlali used the process of creating art as a type of narrative therapy, and that each artwork functions as a form of externalisation. Based on the assumption that each artwork is representative of a specific narrative in the broader context of the forced removals and demolitions, it is argued that the problem which Sihlali experienced, namely the trauma caused by the forced removals, is separated from himself through the process of creating an artwork. This made it possible for him to assume a more objective and external perspective towards the oppression afflicted by apartheid. Furthermore it is argued that Sihlali could not only manifest his emotions in an external format, namely the artwork, but that he also assumed a positive and optimistic position towards the conflict and oppression suffered during this time. The idea that he would have liked to open a museum of his artworks, where the South African community could learn more about him and the real “truth” of South African history, did not only suggest that his work harboured the potential to bring his own trauma to resolution, but could also bring peace to other South Africans, albeit as victim or oppressor. The cathartic characteristics of his artworks are conveyed through the delicate handling of his subject matter through his watercolour medium. This is not only reinforced by the delicate and sensitive brushwork in his paintings, but also by the nostalgic characteristics of his paintings, where memories are remembered without pain. / MA (History of Art), North-West University, Potchefstroom Campus, 2014 Durant Sihlali Eksternalisering Narratiewe terapie Nostalgie Trauma Traumaresolusie Externalisation Narrative therapy Nostalgia Trauma resolution
3	Dekonstruksie van die teologiese diskoers liefde Pretorius, Hendrik Erasmus Sterrenberg 01 1900 (has links) Text in Afrikaans / Die Wetenskap filosofiese en prakties teologiese posisionering word deur 'n postmoderne benadering bepaal. Met die doel van die studie naamlik, dekonstruksie van die teologiese diskoers, liefde, in die oog, volg 'n blik op kwalitatiewe navorsing. Sosiale konstruksie diskoers word as epistemologiese vertrekpunt bespreek. Metodologies het die keuse op 'n narratiewe benadering geval. Voortvloeiend hieruit volg die gebruik van metafore, eksternalisering en dekonstruksie van die gesprekke. Die doel van die studie vereis ook bestudering van verskeie sienings oor liefde. Die literatuurstudie word bespreek onder die volgende metafore, naamlik algemene sienings, 'n historiese oorsig en teologiese sienings. Die relevansie van die gekose inligting word weerspieel in die gesprekke. Met behulp van veelvuldige reflekterende gesprekke word saam met gesinne gekonstrueer aan 'n nuwe verstaan van liefde. / Both the Scientific Philosophical and the practical theological positioning are determined by a postmodemistic approach. Keeping in mind the aim of this study, namely the deconstruction of the theological discourse, iove, a view on qualitative research is given. A review of social construction discourse as epistemological starting point is given. Methodologically a narrative approach was used. Emanating from this follows the use of metaphors, externalization and deconstruction of the interviews. The aim of this study also demands the study of various views on love. The study is arranged under the following metaphors, namely general views, a historic review and theological views. The relevance of the chosen information is reflected in the interviews, and new understanding of love is constructed in collaboration with the families. / M.Th.(Practical theology) Modernistic Postmodernistic Scientific Theology Practical theology Love Externalisation Deconstruction Social construction discourse Construct Multiple reflective Narrative Modernisties Postmodernisties Wetenskap Teologie Praktiese teologie Liefde Eksternalisering, Dekonstruksie Sosiale konstruksie diskoers Konstrueer Veelvuldig reflekterend Narratief 230.01 Theology, Practical. Love -- Biblical teaching.
4	Dekonstruksie van die teologiese diskoers liefde Pretorius, Hendrik Erasmus Sterrenberg 01 1900 (has links) Text in Afrikaans / Die Wetenskap filosofiese en prakties teologiese posisionering word deur 'n postmoderne benadering bepaal. Met die doel van die studie naamlik, dekonstruksie van die teologiese diskoers, liefde, in die oog, volg 'n blik op kwalitatiewe navorsing. Sosiale konstruksie diskoers word as epistemologiese vertrekpunt bespreek. Metodologies het die keuse op 'n narratiewe benadering geval. Voortvloeiend hieruit volg die gebruik van metafore, eksternalisering en dekonstruksie van die gesprekke. Die doel van die studie vereis ook bestudering van verskeie sienings oor liefde. Die literatuurstudie word bespreek onder die volgende metafore, naamlik algemene sienings, 'n historiese oorsig en teologiese sienings. Die relevansie van die gekose inligting word weerspieel in die gesprekke. Met behulp van veelvuldige reflekterende gesprekke word saam met gesinne gekonstrueer aan 'n nuwe verstaan van liefde. / Both the Scientific Philosophical and the practical theological positioning are determined by a postmodemistic approach. Keeping in mind the aim of this study, namely the deconstruction of the theological discourse, iove, a view on qualitative research is given. A review of social construction discourse as epistemological starting point is given. Methodologically a narrative approach was used. Emanating from this follows the use of metaphors, externalization and deconstruction of the interviews. The aim of this study also demands the study of various views on love. The study is arranged under the following metaphors, namely general views, a historic review and theological views. The relevance of the chosen information is reflected in the interviews, and new understanding of love is constructed in collaboration with the families. / M.Th.(Practical theology) Modernistic Postmodernistic Scientific Theology Practical theology Love Externalisation Deconstruction Social construction discourse Construct Multiple reflective Narrative Modernisties Postmodernisties Wetenskap Teologie Praktiese teologie Liefde Eksternalisering, Dekonstruksie Sosiale konstruksie diskoers Konstrueer Veelvuldig reflekterend Narratief 230.01 Theology, Practical. Love -- Biblical teaching.

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