No description available.

No description available.

<p>This thesis examines the metaphorical expressions of Robert Southwell and John Donne in light of the instability created in metaphorical thought by Reformational debates. I argue that the theological doctrines regarding the Eucharist and Biblical interpretation had associated consequences for figurative thought and that the violence with which these doctrines were interrogated in early modern England created a crisis of figurative representation that contributed to the elaborate experimentation of metaphor (layerings, argued conceits, rapid transitions between tropes, etc.) found within the poetry of Southwell and Donne.</p> <p>My first chapter traces the theological landscape of early modern England, noting the continental Catholic and Protestant positions which defined the Reformational debates, as well as roughly locating the position of the English Church in the centre of these debates. While each of these doctrinal positions contains certain understandings about metaphorical thought, this chapter argues that it is the general uncertainty and the society-wide fluctuations between these ideas that defines my concept of the “theological aesthetic.” In my final two chapters I look at specific metaphors in the works of Robert Southwell (“Saint Peter’s Complaint,” “Christ’s bloody sweat,” and “The prodigal childs soule wracke”) and John Donne (“The Cross,” “Holy Sonnet 10: Batter my heart, three- personed God,” and “Holy Sonnet 2: I am a little world made cunningly”). Close analysis of these poems reveals that Southwell’s poetry often combines imagery and tropes in complicated ways to form multifaceted metaphors, while Donne’s poetry often functions as a meditation upon the possibilities of figurative language to create meaning.</p> <p>This thesis does not attempt to form a comprehensive theory of early modern metaphor, but rather examines how the theological debates of the Reformation questioned the representational efficacy of figurative language, allowing metaphor to be redefined by the experiments of early modern poets like Southwell and Donne.</p> / Master of English

This dissertation proposes a new method of studying pragmatic language use in autism spectrum disorder (ASD). The existing research into pragmatic language use in ASD has predominantly used interviews and experiments in clinical environments to gather data from participants with ASD. These research methods focus heavily on comprehension, on comparing the performance of the participant with ASD to their non-autistic interlocutor. The methodology proposed in this thesis involves using observation and a naturalistic environment to gather conversational data that can be used to fill several gaps in the current research on pragmatic language use in ASD. In this study, people with ASD interacted with either non-autistic people or other people with ASD in triadic conversation sessions. These sessions were recorded, transcribed, and analysed for various pragmatic uses of language that previous research had observed were impaired, such as types of non-literal language and conversational turn taking. The pragmatic language use of three participants with ASD, representing three different levels of language ability, was analysed. The results showed that some participants used types of pragmatic language differently based on with whom they were communicating and also that some purported pragmatic impairments in ASD may not be as ‘impaired’ as they seemed based on previous research. For example, while all participants in this study used more interruptions when interacting with others with ASD compared to when interacting with non- autistic people, the rates of interruption were far less than what has been observed between non-autistic speakers (Hancock & Rubin, 2014), even though people with ASD have been described in the research literature as interrupting frequently (Ochs, Kremer-Sadlik, Sirota, & Solomon, 2004). The research presented in this dissertation has implications for future clinical research into pragmatic language impairments in any speech community and provides an additional methodology that can be used, expanding on the types of research questions that can be investigated in this area. / Thesis / Doctor of Philosophy (PhD) / This thesis proposes a new method of studying pragmatic language use in people with autism spectrum disorder (ASD). This methodology involves using observation and the data that can be gathered using it can fill several gaps in the current research on pragmatic language use in ASD. In this study, people with ASD interacted with either non-autistic people or other people with ASD in triadic conversation sessions. These sessions were recorded, transcribed, and analysed for various aspects of pragmatic uses of language. The pragmatic language use of three participants with ASD, representing three different levels of language ability, was analysed. The results showed that some participants used types of pragmatic language differently based on with whom they were communicating and also that some purported pragmatic impairments in ASD may not be as ‘impaired’ as they seemed based on previous research.

A wide variety of aspects of Machaka's poetry was treated. His poetry which is meaningful when viewed against his traditional culture brings inspiration and a formal mode of literary expression. Death was never accepted by the Tlokwa as an end to life. Machaka has succeeded in blending the ancestral worship with Christian faith. He has used euphemism to modify pain. He makes use of imagery to execute cruelty and bluntness of death. Machaka's protest poetry echoes the same protest of those of other protesters. These refer to the injustice the Blacks experienced from the white regime prior to independence. From his love poems, it is noticed that Machaka is a great lover. When he is in love, he becomes a slave. Machaka uses traditional and modem praise poetry techniques. This made him manage to produce poetry which made a definite impact on Northern Sotho literature and contributed to its depth / African Languages / M.A. (African languages)

This essay compares the figurative language of Bob Dylan’s albums The Times They Are A-Changin’ (1964) and Highway 61 Revisited (1965), with a focus on how Dylan remained engaged with societal injustices and human rights as he switched from acoustic to fronting a rock ‘n’ roll band. The essay argues that Dylan kept his critical stance on social issues, and that the poet’s usage of figurative language became more expressive and complex in the later album. In the earlier album Dylan’s critique, as seen in his use of figurative language, is presented in a more obvious manner in comparison to Highway 61 Revisited, where the figurative language is more vivid, and with a more embedded critical stance. / Uppsatsen jämför det figurativa språket i Bob Dylans skivor The Times They Are A-Changin’ (1964) och Highway 61 Revisited (1965), med ett fokus på hur Dylan fortsatte vara engagerad inom samhällsfrågor och mänskliga rättigheter när han gick över från akustisk solomusik till att leda ett rockband. Uppsatsen argumenterar för att Dylan behöll sin kritiska syn på samhällsfrågor, och att poetens användning av figurativt språk blev mer expressivt och komplext i det senare albumet. I det tidigare albumet är Dylans kritik, som den framstår i hans användning av figurativt språk, presenterad mer direkt i jämförelse med Highway 61 Revisited, där det figurativa språket är mer levande och innehåller en mer förtäckt kritik.

Il presente lavoro prende in considerazione la comprensione dell'ironia verbale in bambini di età prescolastica e scolastica alla luce del suo legame con la teoria della mente (capacità di attribuire stati mentali a se' e agli altri e di prevederne il comportamento sulla base di tali stati) e con le abilità linguistiche dei soggetti. L'obiettivo è verificare quali fattori di tipo relazionale, contestuale e informativo aiutano i bambini nell'interpretare l'ironia verbale prima e dopo l'acquisizione di abilità mentalistiche complesse. Il primo studio si sofferma sulla differenza di status tra gli interlocutori (rapporto simmetrico e asimmetrico) e sulla qualità del legame di attaccamento del bambino con i suoi caregiver. La seconda ricerca approfondisce il ruolo delle conoscenze pregresse che i soggetti hanno a disposizione per comprendere l'enunciato ironico (conoscenze enciclopediche o episodiche) e il tipo di affermazione ironica (costituita da eco o allusione) in rapporto alle abilità mentalistiche e linguistiche. I risultati mostrano che i bambini si avvalgono di alcuni dei fattori individuati per comprendere l'ironia verbale anche prima dell'acquisizione di abilità mentalistiche complesse. / This work considers the verbal irony comprehension in school and preschool age children in the light of its link with theory of mind (the ability to impute mental states to the self and to the others as a way of making sense and predicting behaviour) and linguistic competences of subjects. The aim is to identify the relational, contextual and informative factors helping children to interpret verbal irony before and after the complex mentalistic abilities acquisition. The first study deals with status difference between talkers (symmetric and asymmetric relation) and characteristics of children relationship attachment with their caregivers. The second research elaborates on the role of previous knowledge of subjects to understand irony statement (encyclopaedic or episodic knowledge) and of ironic claim type (echoic or allusional) and the link with mentalistic and linguistic abilities. The results show that children use some of the detected factors to understand verbal irony also before the acquisition of complex theory of mind.

<p>Abstract</p><p>The purpose of this thesis is to investigate the way George W. Bush used moral metaphors to intensify the language in his statements on Operation Iraqi Freedom. Three moral metaphors are presented within two different models that are applied on the data.</p><p>The collected material for the metaphors is constituted of cognitive linguistic books from prominent linguists, such as George Lakoff, Alan Cruse and William Croft, and the data is collected from the official White House website. The scientific method used in this study has been qualitative text analysis where the hermeneutic approach has been an essential part of it.</p><p>The main question: In what way did George W. Bush use moral metaphors in his statements to justify Operation Iraqi Freedom?, resulted in use of moral metaphors that sermons people’s moral values, depict Saddam Hussein’s characteristics as immoral, activate people’s moral priorities to help the Iraqi people, and addresses both conservatives and liberals in America.</p><p>The conclusion of my study is that President Bush deliberately intensified the language in his statements through moral metaphors to justify Operation Iraqi Freedom.</p><p>Keywords: Cognitive Linguistics, Metaphor, Figurative Language, Operation Iraqi Freedom, War on Terror, George W. Bush, Saddam Hussein, USA, Iraq, Qualitative Text Analysis, Hermeneutics.</p>

Denna uppsats undersöker de metaforer som används i svenska för att benämna känslan sorg. Den metafordefinition som tillämpas är den konceptuella, myntad av Lakoff &amp; Johnson (1980), där metaforer ses som språklig evidens för kognitiva mappningar och består av en så kallas måldomän och källdomän. Uppsatsens syfte är att beskriva och kartlägga de olika sorgemetaforernas källdomäner och att anknyta dessa till tre metaforer på övergripande nivå, som i tidigare studier visat vara viktiga för figurativt känslospråk; PSYKET SOM KROPP-METAFOREN (Sweetser 1990), METAFOREN FÖR HÄNDELSESTRUKTUR (Lakoff &amp; Johnson 1999 och Kövecses 2000) och KRAFTMETAFOREN (Kövecses 2000), varav den sistnämnda i tidigare studier av Kövecses (2000) lyfts fram som en för känslospråk dominerande metafor. Metoderna som tillämpas utgörs av en textanalys och en korpusstudie, där metaforer först manuellt extraheras och analyseras från böcker och hemsidor med sorgetema för att sedan uppsökas i korpora. Resultatet uppvisar en stor variation i de metaforer som används och 21 metaforer noteras, med 14 undergrupper. Alla tre tidigare metaforer förekommer. KRAFTMETAFOREN utgör dock inte en dominerande övergrupp, vilket tros kunna bero på att forskning kring metaforen främst skett inom engelska, men även det faktum att sorgen som definierad i studien inte utgör en prototypisk känsla. / This study examines metaphors used in Swedish for the emotion grief. The definition of metaphor applied is the one of the conceptual metaphor, as presented by Lakoff &amp; Johnson (1980), where metaphors are considered to be linguistic evidence of cognitive mappings and consist of a target and source domain. The aim of the study is to describe and map the different source domains, as well as to relate them to three basic level metaphors, that earlier research has shown to be of importance to emotional language; THE BODY AS MIND METAPHOR (Sweetser 1990), THE EVENT STRUCTURE METAPHOR (Lakoff &amp; Johnson 1999 and Kövecses 2000) and THE FORCE METAPHOR (Kövecses 2000). Previous studies by Kövecses (2000) have treated the latter one as a dominating metaphor for more specific level emotion metaphors. The adopted methods consist of a text analysis and a corpus study, where metaphors are extracted from grief themed books and webpages and analyzed manually to later be sought up in corpora. The results show diversity in source domain and a total of 21 superordinate metaphors and 14 subordinate ones are observed. All three basic level metaphors feature. THE FORCE METAPHOR does however not qualify as a dominating metaphor which can function as a superordinate metaphor for all others. This is believed to be due to the fact that most earlier research has focused on English, as well as that the definition of grief used throughout the study does not constitute a prototypical emotion.

A wide variety of aspects of Machaka's poetry was treated. His poetry which is meaningful when viewed against his traditional culture brings inspiration and a formal mode of literary expression. Death was never accepted by the Tlokwa as an end to life. Machaka has succeeded in blending the ancestral worship with Christian faith. He has used euphemism to modify pain. He makes use of imagery to execute cruelty and bluntness of death. Machaka's protest poetry echoes the same protest of those of other protesters. These refer to the injustice the Blacks experienced from the white regime prior to independence. From his love poems, it is noticed that Machaka is a great lover. When he is in love, he becomes a slave. Machaka uses traditional and modem praise poetry techniques. This made him manage to produce poetry which made a definite impact on Northern Sotho literature and contributed to its depth / African Languages / M.A. (African languages)