Made available in DSpace on 2015-05-14T13:27:10Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 570100 bytes, checksum: b66e6798633f8d45e615b033e2c29557 (MD5) Previous issue date: 2009-04-06 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / It is research in which we analyze the interaction and change of daily life in the city of Sand at the completion of the Festival of Arts in council in the 70s. To make this analysis based on social relations in the small town, with its codes and symbols, and uses the theoretical and social Norbert Elias and Michel de Certeau to understand the webs in the chain of events, which includes a Festival of Arts, though a short period of time, elements hitherto alien to the residents living in Sand. We refer also to the "Age of Festivals" and the troubled military regime in Brazil to understand the historical context in which the Festival happen and fight for the youth of the time free speech. We analyze reports of artists and residents of the city, together with based on social theories, to identify the interference of the individual in relation Festivals / Areia. We are of daily life in the city during our research that the council has already considered, in the nineteenth century, important cultural itinerary traders who came to the States of Pernambuco and Rio Grande do Norte and the festivals held in the 1970s to nurture cultural openness and some improvement of knowledge to others, involving the local population, been losing strength in the 1980s revival and with other characteristics in mid 90s, giving rise to the festivals of brega music that characterizes the city today. / Trata-se de pesquisa em que analisamos a interação e mudança de cotidiano da cidade de Areia por ocasião da realização dos Festivais de Arte naquele município na década de 70. Para fazer esta análise tomamos como base as relações sociais na pequena cidade, com seus códigos e símbolos, e recorremos a teóricos sociais como Norbert Elias e Michel de Certeau para compreender as teias dessa cadeia de acontecimentos, onde um Festival de Artes incorpora, ainda que por pequeno período de tempo, elementos até então estranhos à convivência dos moradores de Areia. Nos reportamos também à "Era dos Festivais" e ao conturbado regime militar no Brasil para entender o contexto histórico em que aconteciam os Festivais e a luta da juventude da época por liberdade de expressão.Analisamos relatos de artistas e também de moradores da cidade para, com base em teorias sociais, identificar a interferência dos Festivais na relação indivíduo/cotidiano na cidade de Areia.Constatamos durante nossa pesquisa que o município já foi considerado, no século XIX, importante roteiro cultural para comerciantes que vinham dos Estados de Pernambuco e Rio Grande do Norte e que os Festivais realizados na década de 1970 oportunizaram abertura cultural para uns e aprimoramento de conhecimentos para outros, envolvendo a população local, vindo a perder força na década de 1980 e ressurgindo com outras características em meados anos 90, dando lugar aos festivais de música brega que caracterizam a cidade hoje.

Uma reportagem de tema amazônico o Festival Folclórico de Parintins abre caminho para investigar as possibilidades pragmáticas de uma proposta que evita o distanciamento objetivo ou a objetividade possível tal como dito nos manuais de redação jornalística. A tese busca uma estratégia, nomeada de transubjetividade, que intensifica o diálogo e tenta articular, na construção da reportagem, os aspectos: objetivo, subjetivo, intersubjetivo, e normativo (como indica Habermas). Para alcançar essa meta é preciso reconhecer o impulso subjetivo que leva à gênese da reportagem mas sem que o autor se torne o centro da narrativa; respeitar o próximo além de seguir as normas éticas da profissão; fazer referência ao real aprofundando nas questões Quem? O quê? Quando? Onde? Como? Por quê?; e praticar a intersubjetividade na mediação social, para compreender aqueles que atuam na experiência coletiva do presente. / A story behind an Amazonian theme Parintins Folk Festival leads a way toward the investigation of the pragmatic possibilities of a proposal that avoids the objective and distant posture or the possible objectivity such as said in the journalistic stylebooks. This thesis searches a strategy, named transubjectivity, which reinforces the dialogue and tries to articulate in the report the objective, subjective, intersubjective and normative aspects (as Habermas points). To achieve this goal it is needed to recognize the subjective impulse which leads to the genesis of the report without the author becoming the center of the narrative; being respectful beyond the ethical/normative rules of the profession; making reference to the real by deepening the questions Who? What? When? Where? How? Why? and practicing intersubjectivity in social mediation, in order to comprehend the ones who act in the current collective experience.

The thesis is focuses on "Theatre Fair" opened air cultural project which took place in the second half of nineteen eighties in Prague, where different art groups connected and integrated their performances. The goal is to introduce Theatre Fair and, concentrating specifically on theatre, examine how Theatre Fair participated in the new era of "non-concrete theatre" in The Czech Republic. There is a focus on the birth and structure of Theatre Fair, which is based on factual information. The text centres attention on each individual art group and its performances. It will bee seen that these performances are characterized by, and based on, historical theatrical inspiration. The thesis also addresses non-theatre areas such as music, visual arts and photography, which influenced the final shape of the project. It also reflects the activities that Theatre Fair engaged in on foreign tours. A considerable part of the thesis focuses on the characteristics of Theatre Fair and its theoretical basis. The project "Theatre Island", which followed the original Theatre Fair, is also considered in this thesis. In considerations of the distinctive visual art style of the project, a picture appendix is included in the thesis.

El tema de la presente investigación se centra en el desarrollo de identidad de marca en los festivales musicales en Lima metropolitana en relación a la intensión de compra de estos. Para poder analizar dicha relación se descompuso la identidad de marca en 3 indicadores: Credibilidad, confianza e Imagen. Así mismo, para medir esta correlación se realizaron entrevistas a expertos y a usuarios, pero también se realizó un estudio cualitativo que se apalanco en 250 encuestas digitales al público objetivo. Es necesario mencionar que este estudio se inició antes de la pandemia del covid-19, por lo cual la etapa cualitativa de la investigación se realizó de manera digital. Así mismo, la discusión final incluye un nuevo panorama virtual, pues es una nueva tendencia en este rubro. Este estudio permitirá a las productoras y a sus stakeholders tener un panorama más claro de lo que es relevante para el consumidor y, además, en cómo se podrían afinar las estrategias para pasar de ser un festival musical a una experiencia atractiva para el cliente. / The subject of this research focuses on the development of brand identity in music festivals in metropolitan Lima in relation to the intention of buying them. In order to analyze this relationship, the brand identity was broken down into 3 indicators: Credibility, trust and Image. Likewise, to measure this correlation, interviews were conducted with experts and users, but a qualitative study was also carried out, which was leveraged in 250 digital surveys of the target audience. It is necessary to mention that this study began before the covid-19 pandemic, therefore the qualitative stage of the research was carried out digitally. Likewise, the final discussion includes a new virtual panorama, as it is a new trend in this area. This study will allow producers and their stakeholders to have a clearer picture of what is relevant to the consumer and, furthermore, how strategies could be refined to go from being a music festival to an attractive experience for the client. / Trabajo de investigación

This diploma thesis deals with the origin and evolution of Bohuslav Martinů Philharmonic Orchestra which belongs to the most famous orchestras nowdays in the Czech Republic. The abstract contains also informations about city Zlín, its history, present days and the evolution of music and city´s musical life.

[No Abstract]

Texte remanié de: Th. Ph. D.--University of Michigan, 1998. Titre de soutenance : The autobiography of a nation : the 1951 festival of Britain, representing Britain in the post-war era. / Bibliogr. p. 239-255. Index.

I denna C-uppsats har vi undersökt hur ideella arrangemang av svenska festivaler går till. Vi har valt ut Hultsfredsfestivalen i Hultsfredskommun och Skogsröjet i Finspångskommun för att kunna analysera debatten kring festivaler i det lokala och nationella medianätverken samt även hur samarbetet mellan kommun och festival har utvecklats. Vi utgick från teorier av Andy Bennett där han diskuterar vikten av festivaler kopplat till ungdomskultur och att en festival är så mycket mer än bara en plats att lyssna på musik, som även stöttades upp av andra teorier av bland annat Kirstie Jamieson. Vi genomförde en analys och jämförde de teorier vi utgick ifrån med den historiska utvecklingen av festivalerna, för att sedan kunna se vad festivalerna har bidragit till i respektive ort som de äger rum på. En fråga som vi har utgått ifrån är om festivaler har utvecklats till den grad att de idag kan ses som kulturarv. Materialet i uppsatsen är till stor del intervjubaserad där vi har intervjuat Stefan Arvidsson festivalgeneral på Skogsröjet, Mårten Hafström kulturutvecklingschef för Finspångskommun och Thorbjörn Svan journalist och informationsstrateg på utvecklingskontoret inom Hultsfredskommun. När intervjuerna var klara jämfördes resultatet från intervjuerna med de tidningsartiklar som funnits kring respektive festival. Resultatet blev att en festival har en väldigt stor betydelse för de två kommunerna som Skogsröjet och Hultsfredsfestivalen ägt rum på. Samarbetet mellan bägge dessa festivaler och kommunerna har inte varit optimalt men försök har genomförts att stärka samarbetet. Slutsatsen är att ett samarbete mellan kommunen och en festival kan vara avgörande för en festivals existens. Festivaler bidrar till så mycket mer än bara musik, det ger bland annat en ort möjligheten att visa upp sig och bidrar till näringslivet. I Hultsfredsfestivalens fall så kom majoriteten av kommunens stöd under slutskedet av festivalens existens då de insåg hur pass betydelsefull festivalen var för dem. Idag hyllas festivalen i Hultsfred och man försöker bevara upplevelsen av festivalen. I Skogsröjets fall så återstår arbete att genomföra för att stärka samarbetet till kommunen, men ett intresse finns att göra mer än att bara vara ett ekonomiskt stöd. Vår förhoppning är med denna uppsats att belysa hur pass viktigt samarbetet är mellan kommun och festival. Ett bra samarbete kan vara avgörande i en festivals existens, men även media kan ha en betydande roll då de bidrar med berättelser kring festivaler i medieformer.

Based on the author's thesis, Universidade Federal Fluminense. / Includes bibliographical references (p. [183]-194).

Thesis (M.A. (Tourism))--North-West University, Potchefstroom Campus, 2009.