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1	Gud är fruktansvärd : Betyder ordet fruktan att Gud ska vördas och respekteras eller att han är skrämmande? / God is Fearful : Does the word fear mean that God is awesome and is to be revered or does it mean that he is frightening? Bellander, Christina January 2016 (has links) No description available. Gudsfruktan Frukta Gud Servil fruktan Filial fruktan Initial fruktan Fruktan och bävan Vördnad Respekt Fruktan Den grekiska roten  Översättning Bibel 2000 Bibelkommissionen.
2	"Not your darlings – but their mother's!" : Interpretative Difficulties with "Love" in Euripides' Medea / "Vem? Du? Det var modern, som älskade dem!" : Tolkningsmässiga svårigheter med "kärlek" i Euripides Medea Green, Felicia January 2024 (has links) The aim of this Master’s thesis is to achieve philosophical clarity on an interpretative problem I have been struggle with in Euripides’ Medea: That Medea murders her own children, while claimingto love them. Situated within the philosophical and literary tradition of ordinary language philosophy and ordinary language criticism, the thesis draws on ideas, theoretical discussions, and concepts from Ludwig Wittgenstein, Toril Moi, Stanley Cavell, Cora Diamond, and Niklas Forsberg – but also Søren Kierkegaard. The analysis is divided in two parts. The first is anarticulation of the grammar of my problem through Cora Diamond’s conception of the phenomenon “a difficulty of reality”, and an emulation of a hermeneutical strategy to deal with such problems, which I identify in Søren Kierkegaard’s Fear and Trembling. I reach the conclusion that the co-existence of Medea’s murder och love is a paradox, which cannot be thought. The second part of the analysis is an attempt to step out of this paradox. Here, I compare Medea to Stanley Cavell’s readings on the Shakespearean tragedies Othello and King Lear, and Cavell’s ideas on “lived scepticism”, “avoidance of love” and “best case of acknowledgment”. By doing this, I am able to form the hypothesis that Medea’s understanding of “love” has been severely damagedafter Jason’s betrayal, and that she actually fails to sensically mean that she loves her children. In its use of my own confusion as a starting point and in employing Toril Moi’s views on reading, this thesis continuously stresses the individual reader’s responsibility in literary interpretation, as well as the importance of daring to voice or personal struggles, questions, and interests – even (or especially) when reading great classics. Medea love Stanley Cavell Ludwig Wittgenstein Toril Moi Cora Diamond Søren Kierkegaard ordinary language philosophy ordinary language criticism best case of acknowledgment lived scepticism the difficulty of reality Fear and Trembling avoidance of love meaning Medea kärlek Stanley Cavell Ludwig Wittgenstein Toril Moi Cora Diamond Søren Kierkegaard vardagsspråkfilosofi litteraturteori Fruktan och bävan levd skepticism verklighetens svårigheter mening Humanities and the Arts Humaniora och konst

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Gud är fruktansvärd : Betyder ordet fruktan att Gud ska vördas och respekteras eller att han är skrämmande? / God is Fearful : Does the word fear mean that God is awesome and is to be revered or does it mean that he is frightening?

"Not your darlings – but their mother's!" : Interpretative Difficulties with "Love" in Euripides' Medea / "Vem? Du? Det var modern, som älskade dem!" : Tolkningsmässiga svårigheter med "kärlek" i Euripides Medea