Esta dissertação apresenta uma investigação cujo objetivo é examinar criticamente a historiografia sobre Gregório de Tours nos séculos XIX e XX. Busca-se tal objetivo através da análise de autores, principalmente da tradição germânica, que estudaram Gregório de Tours como historiador dos francos, historiador nacional ou como historiador da sociedade cristã (historiador da Igreja). Mapeando o século VI, a biografia de Gregório de Tours e sua obra Decem Libri Historiarum na historiografia, pretende-se identificar e analisar essa mudança de enfoque sobre a obra do principal historiador do período merovíngio. / This work consists of an investigation which aims to critically examine the historiography about Gregory of Tours in XIX and XX centuries through the study of authors, specially of the germanic tradition, which studied Gregory of Tours as historian of the franks, national historian or as historian of the church and historian of christian society. Analyzing the VI century, Gregory of Tours biography and his work Decem libri Historiarum, it is intended to identify and analyze the change of focus on the work of the most important Merovingian historian.

Ainda pouco conhecida e estudada, a pintura retabular O Juízo Final e a Missa de São Gregório é uma das raras obras tardo-medievais existentes no Brasil, fazendo parte do acervo do Museu de Arte de São Paulo (MASP). Essa obra foi produzida em Valência para ser o painel central de uma abadia na Borgonha, França. Apesar da excelente oportunidade de estudos que ela apresenta para os historiadores da arte medieval, ela não fora até agora objeto de pesquisas detalhadas. O nosso objetivo, portanto, é analisar tal peça, atentando-nos particularmente aos diversos elementos que nela remetem à Eucaristia, e que fazem dela um objeto fértil de estudos sobre esse sacramento no final da Idade Média. Para realizar essa tarefa, fundamentamos o nosso trabalho na análise e na interpretação da obra seguindo os métodos de leitura formal, estilística e iconográfica utilizados na História da Arte, relacionando também o nosso objeto ao contexto histórico de produção e recepção, através de uma revisão da documentação e da sua história até chegar ao acervo do MASP. Para atender esse objetivo, dividimos o nosso trabalho em dois eixos principais. No primeiro, versaremos sobre a imagem enquanto objeto material e estudaremos a sua história e o seu suporte. Já no segundo, analisaremos a sua iconografia em relação ao sacramento eucarístico e sua dimensão salvífica e, desse modo, investigaremos como esse painel se relaciona com o processo de legitimação do realismo eucarístico no contexto no qual a imagem foi produzida e exposta no final da Idade Média. / Still little known and studied, the altarpiece painting The Last Judgment and the Mass of Saint Gregory is one of the rare late-medieval works in Brazil as part of the collection in the Museum of Art of São Paulo (MASP). This work was produced in Valencia to be the central panel of an abbey in Burgundy, France. Despite the excellent opportunity to study it presents for historians of medieval art, it has not been, so far, a detailed research object. Our goal, therefore, is to analyse such piece, paying attention in particular to the various elements in it that refer to the Eucharist, and that makes it a fertile object of study about this sacrament in the late Middle Ages. To accomplish this task, we based our work on the analysis and interpretation of the piece following the formal, stylistic and iconographic reading methods used in Art History, also relating our object to the historical context of production and reception, through a review of the documentation and of its history until it reaches the MASP collection. To reach this goal, we divided our work in two main axes. In the first one, we will discuss about the image as a material object and we study its history and its support. In the second one, we will analyse its iconography relating to the Eucharistic sacrament and its saving characteristic and thereby we will investigate how this panel relates to the process of legitimation of the Eucharistic realism in the context in which the picture was produced and exposed in the late Middle Ages.

Ce travail de thèse présente la pensée de Grégoire de Nysse sur la corrélation entre le cosmos et l’homme. La recherche a pour ambition d’expliquer et de comprendre la conception grégorienne de la création et l’interprétation du rôle de l’homme dans la création pour voir si elle apporte ou non un complément potentiel au débat contemporain sur la crise écologique. Il s’avère que cette problématique contemporaine conduit à renouveler notre regard sur les textes de Grégoire et à dégager ses réflexions sur un mode de comportement envers la création, propre à sa vision théologique de Grégoire. L’analyse des concepts concernant le cosmos et l’homme démontre une bipolarité de leurs relations possibles, qui s’exprime dans l’idée d’ontologie et d’éthique cosmique. L’éthique semble alors être la liberté vécue de l’homme sur cette terre, avec pour résultat le principe agissant de son rapport avec le reste de la création au cours de sa vie. D’après Grégoire, l’approche humaine en ce qui concerne l’environnement n’est qu’une question de liberté de choix qui pourtant marque le cheminement de l’homme vers la nouvelle création, celle créée par le Christ. / This thesis presents Gregory of Nyssa’s point of view about the relation between man and the cosmos. The current analysis aims to understand and explain Gregory’s concept of creation and the way this concept perceives the role of the human in the creation; this is in order to verify if it makes any eventual addition to the contemporary debate on ecological crises. Actually, this contemporary problematic contributes in renewing our view on Gregorian texts and shows a way of behaviour towards the nature/creation itself in accordance with the theological vision of Gregory. The analysis of concepts concerning the human and the cosmos stresses a twofold relation between them, expressed through the idea of ontology and cosmic ethics. In this case ethics seem to be the experimental liberty of man on this earth and as a consequence, the active principle of the relation with the rest of the creation in the frame of life. According to Gregory, the human approach towards the environment is only a question of free will which nevertheless determines the way of man to the new creation established by Christ.

Ainda pouco conhecida e estudada, a pintura retabular O Juízo Final e a Missa de São Gregório é uma das raras obras tardo-medievais existentes no Brasil, fazendo parte do acervo do Museu de Arte de São Paulo (MASP). Essa obra foi produzida em Valência para ser o painel central de uma abadia na Borgonha, França. Apesar da excelente oportunidade de estudos que ela apresenta para os historiadores da arte medieval, ela não fora até agora objeto de pesquisas detalhadas. O nosso objetivo, portanto, é analisar tal peça, atentando-nos particularmente aos diversos elementos que nela remetem à Eucaristia, e que fazem dela um objeto fértil de estudos sobre esse sacramento no final da Idade Média. Para realizar essa tarefa, fundamentamos o nosso trabalho na análise e na interpretação da obra seguindo os métodos de leitura formal, estilística e iconográfica utilizados na História da Arte, relacionando também o nosso objeto ao contexto histórico de produção e recepção, através de uma revisão da documentação e da sua história até chegar ao acervo do MASP. Para atender esse objetivo, dividimos o nosso trabalho em dois eixos principais. No primeiro, versaremos sobre a imagem enquanto objeto material e estudaremos a sua história e o seu suporte. Já no segundo, analisaremos a sua iconografia em relação ao sacramento eucarístico e sua dimensão salvífica e, desse modo, investigaremos como esse painel se relaciona com o processo de legitimação do realismo eucarístico no contexto no qual a imagem foi produzida e exposta no final da Idade Média. / Still little known and studied, the altarpiece painting The Last Judgment and the Mass of Saint Gregory is one of the rare late-medieval works in Brazil as part of the collection in the Museum of Art of São Paulo (MASP). This work was produced in Valencia to be the central panel of an abbey in Burgundy, France. Despite the excellent opportunity to study it presents for historians of medieval art, it has not been, so far, a detailed research object. Our goal, therefore, is to analyse such piece, paying attention in particular to the various elements in it that refer to the Eucharist, and that makes it a fertile object of study about this sacrament in the late Middle Ages. To accomplish this task, we based our work on the analysis and interpretation of the piece following the formal, stylistic and iconographic reading methods used in Art History, also relating our object to the historical context of production and reception, through a review of the documentation and of its history until it reaches the MASP collection. To reach this goal, we divided our work in two main axes. In the first one, we will discuss about the image as a material object and we study its history and its support. In the second one, we will analyse its iconography relating to the Eucharistic sacrament and its saving characteristic and thereby we will investigate how this panel relates to the process of legitimation of the Eucharistic realism in the context in which the picture was produced and exposed in the late Middle Ages.

Resulting from the deregulation and prosperity of the economic and financial sectors in Asia during 1980s, a significant increase in cross-bordered financial transactions ultimately accelerated the region of Southeast Asia to be on a process of financial integration and consequently diminished opportunities for portfolio diversification. Financial Integration is a multidimensional process through which allocation of financial assets becomes lastly borderless. This purpose of this paper is to examine a progress thus far in capital market integration or preferentially, the co-movement of the equity markets between the U.S. and the Southeast Asian nations: Thailand, Indonesia, Malaysia, and the Philippines by employing the methodology of Gregory and Hansen Cointegration and Error Correction Analysis (ECM). The consequence of the U.S. market performance on each Southeast Asian national markets are extensively analyzed by decomposing monthly price-index time series into three distinct sub-periods based on an occurrence of the Subprime Mortgage Financial Crisis in 2007. The results indicate that these four emerging markets had been considerable influenced by the U.S. market performance, regardless of crisis or non-crisis periods. Nevertheless, some countries like Indonesia and the Philippines acted differently during the pre-crisis and crisis sub-periods respectively due to their domestic market infrastructure and regulation adjustment. However, these two markets had eventually turned to share an interdependent long-run relationship with the U.S. equity market since the ending of the Subprime financial downturn. Moreover, this finding suggests that ongoing capital market integration in the Southeast Asian region would mitigate portfolio diversification benefits for investors by virtue of increasing in correlation among securities and assets. Therefore, more exhaustive investigation about equity market integration is significantly beneficial in macroeconomic and financial perspective.

Thesis (M.A.) (Hons.) -- University of Western Sydney, Nepean, 2001. / Thesis submitted for the degree of Master of Arts (Honours) Contemporary Arts, University of Western Sydney (Nepean) 2001. Spine title : Expressing change in values with illusionary objects. Bibliography : leaves 58-60.

Thesis (doctoral)--Universität, Bonn, 2008. / Includes bibliographical references.

Thesis (doctoral)--Universität, Bonn, 2008. / Includes bibliographical references.

Esta dissertação apresenta uma investigação cujo objetivo é examinar criticamente a historiografia sobre Gregório de Tours nos séculos XIX e XX. Busca-se tal objetivo através da análise de autores, principalmente da tradição germânica, que estudaram Gregório de Tours como historiador dos francos, historiador nacional ou como historiador da sociedade cristã (historiador da Igreja). Mapeando o século VI, a biografia de Gregório de Tours e sua obra Decem Libri Historiarum na historiografia, pretende-se identificar e analisar essa mudança de enfoque sobre a obra do principal historiador do período merovíngio. / This work consists of an investigation which aims to critically examine the historiography about Gregory of Tours in XIX and XX centuries through the study of authors, specially of the germanic tradition, which studied Gregory of Tours as historian of the franks, national historian or as historian of the church and historian of christian society. Analyzing the VI century, Gregory of Tours biography and his work Decem libri Historiarum, it is intended to identify and analyze the change of focus on the work of the most important Merovingian historian.

Orientador: Etienne Ghislain Samain / Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-06T18:44:54Z (GMT). No. of bitstreams: 1 Machado_Murilod'Almeida_D.pdf: 6088465 bytes, checksum: 567dbfceb9179f2c81c8c3d791131b5e (MD5) Previous issue date: 2005 / Resumo: Este trabalho consiste em uma análise, do ponto de vista antropológico e semiológico, da comunicação ritual que ocorre nos estádios de futebol, tendo como foco a observação do processo de ação indutor das experiências rituais dos torcedores, em particular as experiências do êxtase. A análise incidiu sobre a observação de um material gravado da mídia eletrônica durante o Campeonato Paulista, Campeonato Brasileiro, Copa do Brasil e Copa ¿Libertadores da América¿, entre 2001 e 2004, do qual foram produzidas 135 fotografias, em que a gestualidade e a expressão facial dos torcedor: tornaram-se importantes referências / Doutorado / Doutor em Multimeios