Mitt arbete handlar om redan från de att jag startade mitt eget band Ridge fram tills dess att vi släppte vår debutskiva Same Ground. Om att våga göra musik från sitt hjärta,att tveka,kämpa,repa,spela in och att släppa skiva på eget bolag. Det handlar också om min uppväxt och hur det påverkat mig. Jag skriver reflekterande om processen. / <p>Bilaga: 1 CD</p>

Dissertação (mestrado)—Universidade de Brasília, Departamento de Matemática, Programa de Pós-Graduação em Matemática, 2016. / Submitted by Camila Duarte (camiladias@bce.unb.br) on 2016-07-22T13:06:30Z No. of bitstreams: 1 2016_GláuciaLenitaDierings.pdf: 832262 bytes, checksum: 59bd3301500a0e4a8205c6252820c291 (MD5) / Approved for entry into archive by Patrícia Nunes da Silva(patricia@bce.unb.br) on 2017-02-19T19:58:02Z (GMT) No. of bitstreams: 1 2016_GláuciaLenitaDierings.pdf: 832262 bytes, checksum: 59bd3301500a0e4a8205c6252820c291 (MD5) / Made available in DSpace on 2017-02-19T19:58:02Z (GMT). No. of bitstreams: 1 2016_GláuciaLenitaDierings.pdf: 832262 bytes, checksum: 59bd3301500a0e4a8205c6252820c291 (MD5) / O objetivo desse trabalho é estudar a Conjectura de Hanna Neumann, que surgiu a partir do conhecido resultado provado por Howson e fornece um limitante para o posto da interseção de dois subgrupos finitamente gerados de um grupo livre. Serão apresentados alguns resultados intermediários desde 1957, ano em que a conjectura foi proposta, até sua demonstração em 2011. Apresentaremos a demonstração feita por Igor Mineyev em [18] e a versão de Warren Dicks, a qual simplificou a primeira prova dada por Mineyev em [17]. Além disso, será apresentado um resultado que garante que o limite proposto por Hanna Neumann é o melhor possível. / The purpose of this work is studying the Hanna Neumann Conjecture, that came from the theorem proved by Howson and gives a upper bound for the rank of the intersection of two finitely generated subgroups of a free group. We shall present some intermediate results since 1957, year in which the conjecture was proposed, until be proved in 2011. We shall give the proof presented by Igor Mineyev in [18] and the version of Warren Dicks that simplified the first Mineyev's proof in [17]. Moreover, we shall present a result that says the upper bound suggested by the Hanna Neumann conjecture cannot be improved.

Polish composer Hanna Kulenty (1961- ) is considered a doyen among twenty-first century composers. Her compositions span over 30 years and comprise a wide range of works including solo instrumental works, operas, small and large chamber works, orchestral works and film scores. She experiments and incorporates various post-tonal era elements and devices into her compositions, often creating permanent tension and extreme emotional intensity. This study provides a detailed biography of Kulenty, a brief discussion pertaining to the development of music during the tonal and post-tonal eras and investigates Kulenty's approach to key musical traits (including melody, rhythm and harmony) in the selected string ensemble works in order to determine her musical idiom. Furthermore, this study serves as an essential reference for Kulenty's string quartets and quintet composed between 1984 and 2013. A style transformation pertaining to the selected string ensemble works is discussed. In her early compositions, Kulenty made use of 'polyphony of arches' comprising layers of arches within a large arch structure. Her more recent contributions make use of a single arch moving through different time dimensions, referred to as 'polyphony of time dimensions'. Ultimately, this study serves as a primary foundation for researchers who wish to investigate and discuss any stylistic aspects of the composer's oeuvre. / Mini Dissertation (MMus)--University of Pretoria, 2017. / Music / MMus / Unrestricted

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Zugl.: Frankfurt (Main), Univ., Diss.

Originally presented as the author's thesis (Umeå Universitet). / Includes bibliographical references (p. 281-298) and index.

Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2016-01-28T11:34:00Z No. of bitstreams: 2 Dissertação - Bruno Abnner Lourenzatto Silveira - 2014.pdf: 754705 bytes, checksum: 1380d0f6a8719773711a6f2db8af6059 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-01-28T11:36:34Z (GMT) No. of bitstreams: 2 Dissertação - Bruno Abnner Lourenzatto Silveira - 2014.pdf: 754705 bytes, checksum: 1380d0f6a8719773711a6f2db8af6059 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2016-01-28T11:36:34Z (GMT). No. of bitstreams: 2 Dissertação - Bruno Abnner Lourenzatto Silveira - 2014.pdf: 754705 bytes, checksum: 1380d0f6a8719773711a6f2db8af6059 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2014-02-25 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES / In 1993 with the establishment of the Nazis regime in Germany, Hannah Arendt joined the Zionism to face the totalitarian regime. Yet in 1933, fleeing from persecutions against Jews, she went to Paris and after that to the United States of America (place where she established her new residence later). In the 60’s Arendt returned to Jerusalem as a reporter to cover the judgment of the Nazi’s ex-bureaucrat, Adolf Eichmann, found by the secret police of Israel living in Argentina. On this occasion, as the correspondent of the North-American magazine The New Yorker, she published her impressions about the judgment. Thereafter, her articles are reunited and published it the book Eichmann in Jerusalem: A Report on the Banality of Evil. This dissertation work aims to solve the complexity which involved the elaboration of these texts, taking into consideration the relation of Hannah Arendt with the Zionists, as well as the categories and concepts previously presented in her works, which oriented her reflection during the judgment. In order to accomplish this comprehensive exercise, a dialogue was established between Eichmann in Jerusalem and other works as The Origins of Totalitarianism, as well as other articles and texts of Hannah Arendt. / Em 1933, com o estabelecimento do regime nazista na Alemanha, Hannah Arendt se filiou ao sionismo para enfrentar o regime totalitário. No mesmo ano, fugindo de perseguições contra os judeus, ela segue para Paris e, posteriormente, para os Estados Unidos da América, onde estabeleceu nova residência. Na década de 1960, Arendt vai para Jerusalém como repórter para cobrir o julgamento do ex-burocrata nazista, Adolf Eichmann, encontrado pela polícia secreta de Israel vivendo na Argentina. Nesta ocasião, trabalhacomo correspondente da revista norte-americana The New Yorker, onde publica seus artigos sobre o julgamento. Futuramente, esses artigos seriam reunidos e publicados no livro Eichmann em Jerusalém: um relato sobre a banalidade do mal. Esta dissertação procura analisar a elaboração destes textos, levando em consideração a relação de Hannah Arendt com os sionistas, assim como as categorias e conceitos que nortearam sua reflexão durante o julgamento. Para a realização desse objetivo, estabeleceu-se um diálogo entre Eichmann em Jerusalém e outras obras da autora, como, por exemplo, Origens do totalitarismo.

Informe de Seminario de grado para optar al Grado de Licenciada en Lengua y Literatura Hispánica / Facultad de Filosofía y Humanidades / El siguiente trabajo tiene por objeto analizar cuentos de escritores de ascendencia árabe y judía que se han establecido durante años en Chile y exponen en su obra la situación del migrante: individuo situado entre la tradición cultural de su origen y el establecimiento en la cultura latinoamericana y chilena en particular Estos cruces entre la biografía de los autores y el desarrollo de sus temáticas en los cuentos que han creado, permite pensar, y así lo ha hecho una abundante crítica frente a su obra, en que hay mucho de ellos mismos presente en los personajes de sus relatos. Con frecuencia resulta difícil no relacionar a las protagonistas de lo cuentos de Las Alfareras1, de la escritora de origen judío Marjorie Agosín, con su autora, puesto que sus obras autobiográficas nos dan claras señales de que las vivencias de sus narradoras son las propias de la escritora, a saber, la infancia de una niña judía en Chile que experimenta las problemáticas de su tradición semita con la idiosincrasia de este país, o la revelación de un sentirse desarraigado por parte del sujeto, puesto que de tanto migrar no logra establecer sus raíces en ninguna parte