Disputats, Wiens universitet 2007. / Litteraturfortegnelse s. 99-101.

Th. Doct.--Etudes allemandes--Paris 4, 1994. / Bibliogr. p. 391-398. Index.

Th. doct.--Berlin--Humboldt Universität, 1997. / Bibliogr. p. 179-191.

Akademische abhandlung--Department of German--Uppsala, 1993.

No description available.

No description available.

A história da Alemanha foi profundamente marcada por fatos como a queda do Muro de Berlim (1989) e a Reunificação do país (1990). Desde então, as representações artísticas não poderiam deixar de retratar esses acontecimentos e suas consequências. Entre elas, a literatura e o cinema alemães têm se ocupado em vários momentos de tais fatos históricos e das mudanças deles decorrentes. De todas as vertentes literárias e cinematográficas que se destacaram nestas últimas duas décadas, a memorialística, ou seja, a preocupação em resgatar e preservar a memória nacional e pessoal as lembranças coletivas e individuais, e também familiares tem se mostrado presente e significativa em suas produções. Relembrar o passado pode ser uma forma não apenas de analisá-lo e compreendê-lo melhor como também de manter vivas certas figuras (entes queridos) através das lembranças. A narrativa assume, portanto, um importante papel ao combater a morte e tudo o que ela representa: superando a perda, procurando evitar o esquecimento e ensinando a aceitar as transformações, a fim de realizar o trabalho do luto. As obras analisadas nesta tese se encaixam de algum modo na categoria acima e oferecem elementos históricos e narrativos que estabelecem um diálogo entre elas, tornando possível um estudo comparativo. Embora se trate de duas obras independentes: um livro de Jakob Hein Vielleicht ist es sogar schön (2004) e de um filme de Wolfgang Becker Good bye, Lenin! (2003) os quais não originaram um ao outro, é possível encontrar pontes (elementos comuns) que as aproximam. Deste modo, o objetivo desta tese é analisar a estrutura narrativa das obras, verificando o papel do narrador, as questões históricas e o tema da morte no livro e no filme. Para tanto, foram usados como fundamento teórico essencialmente os textos de Todorov, Genette, Bordwell, Bandeira, Freud. / The history of Germany was deeply marked by facts like the fall of the Berlin Wall (1989) and the Reunification of the country (1990). Since then, the depicting of these events and their consequences has not been left out by artistic representations. Among those, German literature and cinema, at various moments, have been concerned with such historical facts and the changes originated with them. Of all the literary and cinematographic trends which have stood out in the last two decades, the memorialistic one, i.e. the concern with retrieving and preserving both national and personal memory the collective and individual recollections, and family ones as well has been present and significant in its productions. Remembering the past may be a way to analyze and better understand it as well as keeping certain figures (beloved ones) alive through memories. Therefore, narrative takes a very important part in fighting death and everything it represents: overcoming loss, trying to avoid oblivion, and teaching how to accept changes, in order to fulfill the elaboration of mourning. The works analyzed in this thesis somehow fit the category above and provide historical and narrative elements which establish a dialogue between them, making a comparative study possible. Although these are two independent works: a book by Jakob Hein Vielleicht ist es sogar schön (2004) and a film by Wolfgang Becker Good bye, Lenin! (2003) which have not originated each other, it is possible to find bridges (common elements) which bring them close together. Thus, the objective of this thesis is to analyze the narrative structure of the works, studying the role of the narrator, the historical questions, and the theme of death in both the book and the film. To achieve that, texts by Todorov, Genette, Bordwell, Bandeira, Freud were used as theoretical basis.

A história da Alemanha foi profundamente marcada por fatos como a queda do Muro de Berlim (1989) e a Reunificação do país (1990). Desde então, as representações artísticas não poderiam deixar de retratar esses acontecimentos e suas consequências. Entre elas, a literatura e o cinema alemães têm se ocupado em vários momentos de tais fatos históricos e das mudanças deles decorrentes. De todas as vertentes literárias e cinematográficas que se destacaram nestas últimas duas décadas, a memorialística, ou seja, a preocupação em resgatar e preservar a memória nacional e pessoal as lembranças coletivas e individuais, e também familiares tem se mostrado presente e significativa em suas produções. Relembrar o passado pode ser uma forma não apenas de analisá-lo e compreendê-lo melhor como também de manter vivas certas figuras (entes queridos) através das lembranças. A narrativa assume, portanto, um importante papel ao combater a morte e tudo o que ela representa: superando a perda, procurando evitar o esquecimento e ensinando a aceitar as transformações, a fim de realizar o trabalho do luto. As obras analisadas nesta tese se encaixam de algum modo na categoria acima e oferecem elementos históricos e narrativos que estabelecem um diálogo entre elas, tornando possível um estudo comparativo. Embora se trate de duas obras independentes: um livro de Jakob Hein Vielleicht ist es sogar schön (2004) e de um filme de Wolfgang Becker Good bye, Lenin! (2003) os quais não originaram um ao outro, é possível encontrar pontes (elementos comuns) que as aproximam. Deste modo, o objetivo desta tese é analisar a estrutura narrativa das obras, verificando o papel do narrador, as questões históricas e o tema da morte no livro e no filme. Para tanto, foram usados como fundamento teórico essencialmente os textos de Todorov, Genette, Bordwell, Bandeira, Freud. / The history of Germany was deeply marked by facts like the fall of the Berlin Wall (1989) and the Reunification of the country (1990). Since then, the depicting of these events and their consequences has not been left out by artistic representations. Among those, German literature and cinema, at various moments, have been concerned with such historical facts and the changes originated with them. Of all the literary and cinematographic trends which have stood out in the last two decades, the memorialistic one, i.e. the concern with retrieving and preserving both national and personal memory the collective and individual recollections, and family ones as well has been present and significant in its productions. Remembering the past may be a way to analyze and better understand it as well as keeping certain figures (beloved ones) alive through memories. Therefore, narrative takes a very important part in fighting death and everything it represents: overcoming loss, trying to avoid oblivion, and teaching how to accept changes, in order to fulfill the elaboration of mourning. The works analyzed in this thesis somehow fit the category above and provide historical and narrative elements which establish a dialogue between them, making a comparative study possible. Although these are two independent works: a book by Jakob Hein Vielleicht ist es sogar schön (2004) and a film by Wolfgang Becker Good bye, Lenin! (2003) which have not originated each other, it is possible to find bridges (common elements) which bring them close together. Thus, the objective of this thesis is to analyze the narrative structure of the works, studying the role of the narrator, the historical questions, and the theme of death in both the book and the film. To achieve that, texts by Todorov, Genette, Bordwell, Bandeira, Freud were used as theoretical basis.

In Caroline Enges Analyse von Weiblichkeit im Kontext der Entfremdungserfahrung am Beispiel von Christoph Heins Novelle Der fremde Freund (1982) liegt der Fokus primär auf dem persönlichen Diskurs der Ich-Erzählerin, in dem sich durch eine Gegenüberstellung von Verdrängen und Begehren die Widersprüche zwischen erzähltem und erzählendem Ich manifestieren. Caroline Enge arbeitet heraus, wie durch die Einbettung dieses Monologs in den Kontext der DDR das Spannungsverhältnis zwischen politischem System und dem eigenen Empfinden von Entfremdung deutlich wird und wie die Problematik anhand der Auseinandersetzung mit einem traditionellen Frauenbild zugespitzt wird; mit einem Frauenbild, das auch im sozialistischen Staat keine Alternativen für individuelle Bestimmungen des Frau-Seins bietet und so die Konstitution einer eigenen Subjektivität der Protagonistin unmöglich macht. Der Beitrag analysiert das Scheitern dieser weiblichen Selbstidentifikation mithilfe feministischer und psychoanalytischer Literaturtheorie und zeigt, dass die Identitätsproblematik dabei nicht allein als Folge individuell-biographischer Erlebnisse zu verstehen ist, sondern dass die stillschweigende Anpassung der Ich-Erzählerin an patriarchale Herrschaftsverhältnisse in Zusammenwirkung mit den (Gewalt-)Erfahrungen in der funktionalen Gesellschaft erfolgt.

Im Rahmen eines grossangelegten Modernisierungsprogramms des CERN Beschleunigerkomplexes zur Steigerung der Intensität der Protonenstrahlen wird in einer ersten Phase der Protonenbeschleuniger Linac2 durch einen H− Ionen Beschleuniger Linac4 ersetzt. Um den Ionenstrahl an die einzelnen Beschleunigerelemente des Linac4 anzupassen sind drei Strahltransportsektionen notwendig. Diese sind aufgrund ihrer strahldynamischen Eigenschaften sensitive Stellen für ungewolltes Emittanzwachstum und Teilchenverluste und sind im Schwerpunkt dieser Thesis. Die erste Strahltransportsektion, „Low Energy Beam Transport”(LEBT), befindet sich zwischen der Teilchenquelle und dem ersten Beschleunigerelement, den Radiofrequency Quadrupole (RFQ). Im Rahmen dieser Thesis wurde das LEBT in Betrieb genommen, dessen Strahldynamik rekonstruiert und die Leistungslimitierungen experimentell bestimmt. Der zweite Teil der Thesis ist auf die Auslegung und Strahldynamik der Transfer Linie zwischen Linac4 und dem Proton Synchrotron Booster(PS-Booster) konzentriert. Die Strahldynamik der Transferlinie wurde optimiert und teilweise komplett überarbeitet. Die neue Transferlinie zeichnet sich durch eine verbesserte Emittanzerhaltung, höhere Stabilität der Strahldynamik gegenüber Aufstellungsfehlern und Feldjittern der Magnete und durch eine optimale Anpassung der Strahlparameter an die verschiedenen Injektionsschemata des PS-Boosters aus. Für eine abschließenden „Start-To-End” Simulationen wurden die Strahlcharakteristiken, die bei der Inbetriebnahme des LEBTs bestimmt worden sind, als Anfangsbedingungen für die strahldynamische Simulation von Linac4 einschließlich Transferlinie genutzt. Mit Hilfe dieser „Start-To-End” Simulationen werden kritische Positionen der Strahldynamik identifiziert, die durch Teilchenverluste oder Emittanzwachstum gekennzeichnet sind. Eine besonders kritische Sektion stellt das „Medium Energy Beam Transport” da, dessen Optik auf die neuen Strahlparameter angepasst werden musste. / In the first phase of the upgrade program of the CERN accelerator complex the proton injector Linac2 will be replaced by a new, normal-conducting H− ion Linac, Linac4, allowing a significant increase of the proton flux intensity along the downstream accelerator complex. In the design of Linac4 three beam transport sections are implemented to match the beam between the different accelerator elements and to model the longitudinal pulse structure. These three beam transport sections, which are the most critical locations in terms of beam quality preservation, are in the focus of this thesis. During the work of this thesis the Low Energy Beam Transport (LEBT), which is required to match the source beam to the radiofrequency quadrupole (RFQ), has been commissioned and its beam dynamics re-constructed. The measurement campaign used to reconstruct the LEBT beam dynamics was performed with the aim to prepare the RFQ commissioning and to maximise the LEBT performance. Downstream of the Linac4 accelerator the beam is transported along a 180m long transfer line to the Proton Synchrotron Booster (PS-Booster). The transfer line optics was studied, optimised and sections were completely re-designed. The new transfer line optics is characterised by an improved preservation of the beam emittance, higher stability of the optical solution with respect to alignment errors and field jitters of the transfer line magnets and it is matched to each of the PS-Booster injection schemes. In a concluding ”Start-To-End” simulation based on the measured beam characteristics at the LEBT exit the beam dynamics of the downstream Linac, including the transfer line, was calculated. To minimise particle losses within acceptable emittance preservation the beam optics of the Medium Energy Beam Transport (MEBT) was adapted to the measured beam parameters. This ”Start-To-End” simulation was performed to identify critical sections of the Linac4 beam dynamics and to adjust the commissioning strategies.