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The Austrian army played a crucial role in Napoleon's decisive defeat during the War of the Sixth Coalition. Often considered a staid, hidebound institution, the army showed considerable adaptation in a time that witnessed a revolution in the art of war. In particular, changes made after defeat in the War of the Fifth Coalition demonstrate the modernity of the army. It embraced the key features of the new revolutionary way of war, including mass mobilization, a strategy of annihilation, and tactics based on deep echelonment, mobility, and the flexible use of varied formations. While the Austrians did not achieve the compromise peace they desired in 1814, this represented a political failing rather than a military one. Nevertheless, the Austrian army was critical in securing the century of general European peace that lasted until the dawn of the Great War.

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The Luftwaffe Field Divisions have remained on the periphery of World War II historiography for over seventy years, overshadowed by the myth of German military excellence during the conflict. The Heer is still known for lightning-quick attacks, brutal firepower, ably trained soldiers, and formidable success on the battlefield; an army of almost faceless, remorseless pain that grimly and efficiently faced down the Allies until the very end. Only recently, flaws have begun opening in this pristine picture as historians have examined how quickly the quality of the German army deteriorated from 1942-onward. Despite the vast landscape of scholarship on the war and the recent historical analysis of the weaknesses the Germans suffered, serious study on the creation and management of the Luftwaffe Field Divisions has been sparse. What has been written about them since 1945 has done little to offer a full picture of the units, their creation, or their significance to the German war effort. The purpose of this study was to fulfill this need by answering the necessary questions about the divisions, provide a complete history of the units, and place the LwFDs properly within the historiography of the Second World War.

This dissertation analyzes the relationship that developed between the British Army and the United States Army between 1917 and 1941. Although those two forces operated as allies during World War I, both nations’ leaders grew frustrated with each other following the Armistice and the Treaty of Versailles. Officers in both armies built on their positive wartime experiences, however, to ensure their armies viewed each other as prospective allies should a future global conflict arise. In the two decades after World War I, personal exchanges initiated by individual officers and information sharing between these two armies improved relations and encouraged cooperation in a number of areas. The resulting cordiality that spread to a majority of the officers in both armies manifested itself in their socializing, reports, war plans, professional journals, and personal papers. Long before President Franklin Roosevelt and Prime Minister Winston Churchill took steps toward forming the Anglo-American alliance during World War II, their nations’ armies laid the military foundation for the special relationship. / History

In her autobiography, Isadora Duncan recalled an assertion made by Karl Federn: "Only by Nietzsche, he said, will you come to the full revelation of dancing expression as you seek it" (Duncan 1995, 104). Duncan also told her students to read Nietzsche's The Birth of Tragedy, as if it was their "Bible" (Duncan 1928, 108). These statements justify an examination of Nietzsche's The Birth of Tragedy as an imperative source for understanding the depth of her dance philosophy. This dissertation asks what it means to see Duncan's philosophy of dance and its practice in the context of this nineteenth-century German philosopher. It examines Nietzsche's words and ideas about the birth of tragedy and how they become body in the writings and dance of Isadora Duncan. This dissertation focuses on the philosophical idea of the "tragic idea" according to Nietzsche's and Duncan's interpretations and applications of philosophy bodied forth in dance. This tragic idea comes from an emerging idea in intellectual history initiated by followers of Kant. The idea of drawing from Greek tragedy a philosophy that could be used in philosophical thought to debate the meaning and function of art and even life was particular to German thinkers, philosophers and literati. While it drew from Greek tragic plays a philosophy, German thought on tragedy differed from the ancients in that it was applied as a philosophy for life. The ideas on Greek tragedy that Nietzsche situates his own within were developed within and against the Romantic aesthetic. The characteristics of Romantics provide context for understanding the use of tragedy as a source for thought and art. Although Nietzsche came to oppose aspects of Romanticism, his first book was in part a dialogue with German Romantic thought and aesthetics. Nietzsche's idea of tragic philosophy in his The Birth of Tragedy is examined in precedence to Duncan's use of his book. This dissertation provides an historical contextualization of the idea of a tragic philosophy to show that Duncan's choice to base her dance philosophy on Nietzsche's tragic philosophy follows this historical philosophical thread. As Nietzsche both dedicated The Birth of Tragedy to Wagner and based the book on Wagner's interpretation of Greek tragedy (Williamson 2004, 238), and Duncan wrote on and danced to Wagner, Wagner is relevant within the specific context of understanding Duncan's dance as a philosophical practice of The Birth of Tragedy. This dissertation, then, looks into Duncan's writings as a way to read Nietzsche's The Birth of Tragedy, and through these texts to interpret some aspects alive within the Romantic mood. In addition, this dissertation incorporates as part of both the literature and the analysis of Duncan's moving image, an embodied voice of personal experience from its writer, who has practiced this dance intimately. I weave my personal experience into the dissertation, using my experience in dancing within this dance form to reflect on the ideas presented here. The tragic idea as I see it within this movement drives the dancer's ideas about dance as an expressive art form. A tragic philosophy/wisdom motivates the imagination, the range of emotional expression and the physical body as it shapes and moves itself in, through and around space. A tragic sensibility represents a quality of investigation about the range of human experience that happens in and from out of the body. It comes from deep within the body's inner space and emotional and physical aliveness. It is an idea that the dancer is conscious of and actively engaged in as a process of dancing (for oneself) and making dance (as performative). / Dance

At the beginning of the sixteenth century, the Muslims of the newly conquered territory of Granada rebelled against their Catholic Castilian and Aragonese masters. The Muslims of Granada were subsequently given the choice of expulsion or conversion, with many choosing to remain and convert to Catholicism. Beginning with these initial conversions, the question of Morisco Muslim-ness is one that has historians for years. For many scholars, Morisco religiosity represents a form of syncretic religion that blends both the Catholic and the Muslim in specific instantiations of religious practice. For others, the Moriscos represent a crypto-Islamic community that practiced a form of taqiyya, or the Islamic practice allowing Muslims to conceal their religious affiliation under duress or the threat of death. What these analyses fail to take into account is the performative aspects of Morisco religious practice at the boundaries of Catholicism and Islam. This dissertation intends to look at Moriscos as a suspect community from the perspective of the Spanish state, but also from the vantage point of the Moriscos themselves, who attempted to navigate the boundaries of Catholicism as articulated in legislation, polemical texts, and inquisitorial trials, while framing their religious practice in terms of cultural preservation. Similarly, this dissertation will examine the methods employed by the Moriscos in their performance of an oppositional Muslim identity set in direct contrast to a developing Spanish nationalism. Performance here is being employed to investigate how Moriscos, who represented a “fifth column” for the nascent Spanish state, constructed fluid identities that fluctuated in response to the socio-cultural and/or political context. / Religion

This dissertation investigates the reasons behind combined military and naval offensive expeditions that Great Britain conducted outside of Europe during the Great War. It argues that they were not unnecessary adjuncts to the war in Europe, but they fulfilled an important strategic purpose by protecting British trade where it was most vulnerable. Trade was not a luxury for the British; it was essential for maintaining the island nation's way of life, a vital interest and a matter of national survival. Great Britain required freedom of the seas in order to maintain its global trade. A general war in Europe threatened Great Britain's economic independence with the potential of losing its continental trading partners. The German High Seas Fleet constituted a serious threat that also placed the British coast at grave risk forcing the Royal Navy to concentrate in home waters. This dissertation argues that the several combined military and naval operations against overseas territories constituted parts of an overarching strategy designed to facilitate the Royal Navy's gaining command of the seas. Using documents from the Cabinet, the Foreign and Colonial Offices, the War Office, and the Admiralty, plus personal correspondence and papers of high-ranking government officials, this dissertation demonstrates that the Offensive Sub-committee of the Committee of Imperial Defense drafted the campaign plan. Subsequently, the plan received Cabinet approval, and then the Foreign Office, the Admiralty, and the Colonial Office coordinated with allies and colonies to execute the operations necessary to prosecute the campaign. In Mesopotamia, overseas expeditions directed against the Ottoman Empire protected communications with India and British oil concessions in Persia. The combined operations against German territories exterminated the logistics and intelligence hubs that supported Germany's commerce raiders thereby protecting Britain's world-wide trade and its overseas possessions. / History