Global ETD Search

1	Rudolf Daniel: Housle a kůň. Historická analýza rukopisu se zřetelem k autorovu společenskému působeni v poválečném romském etnoemancipačním hnutí v Československu / Rudolf Daniel: The Violin and the Horse. Historical analysis of the manuscript with regard to social acitivities of the author in the post-war Romani ethno-emancipatory movement in Czechoslovakia Závodská, Milada January 2016 (has links) This thesis focuses on the manuscript entitled The Violin and the Horse, and pursues two approaches: one is based on the Romani studies, the other on the methods of the history science. Its aim is to verify historical facts contained in the manuscript. The main presumption of the thesis is the attribution of the text to Rudolf Daniel - the thesis verifies autobiographical data and its cultural and social context. The paper systematically concentrates on the figure of Rudolf Daniel (born 1911 in Oslavany - died in 1978 in Brno) and his biography (entirely unknown so far). The context of the manuscript The Violin and the Horse is framed by the post-war Roma ethno-emancipatory movement, and Rudolf Daniel is a newly discovered figure of its history. Keywords: the Roma, horse trade, the Holocaust, ethno-emancipatory movement, history of the Roma
2	The Responsibilities and Limitations of Holocaust Storytelling: Understanding the Structure and Usage of the Master Narrative in Holocaust Film MacGregor, Fianna Raven 01 January 2011 (has links) When we speak of historical events, we do so with a certain amount of perceived knowledge; that is, we come to believe we know specific, individual 'truths' about the event. Since historical works are never unembellished lists of documented facts, the knowledge of how we conceive of factual events, how we document events we did not witness, is important in understanding the resulting storytelling process, not just in fictional literary constructs such as novels, short stories, poetry or film, but in the formulation of history itself. For written history must be seen, at least in part, as a constructed or representational reality and this construction generally takes place organically, that is, there are no architects of such histories. Instead, they come together as a result of public acceptance of the individual elements of the narrative. Over time, historical data and anecdotal narrative solidify into a cohesive whole made up of both hard fact and individual response to those facts, a blended whole that can be termed the master narrative of the historical event and which serves as the basis on which we construct the fictional narratives of literature and film. Holocaust History Holocaust Literature Holocaust Film Genocide -- Historiography Motion pictures and history
3	All the World’s a Stage: Paula Vogel’s Indecent & How Theatre Serves a Community Cann, Audrey Jane January 2022 (has links) No description available. Art Criticism Art Education Art History Arts Management Behavioral Psychology Communication Curricula Curriculum Development Dance Demographics Design East European Studies Education Education Philosophy Educational Evaluation Educational Sociology Educational Psychology Educational Theory Ethics European Studies European History Fine Arts Folklore Foreign Language Gender Gender Studies Higher Education Higher Education Administration History Holocaust Studies Industrial Arts Education Intellectual Property Judaic Studies Marketing Minority and Ethnic Groups Modern History Modern Literature Music Music Education Performing Arts Personal Relationships Social Work Social Research Teacher Education Teaching Theater Theater History Theater Studies Theology Womens Studies

Search results

The Responsibilities and Limitations of Holocaust Storytelling: Understanding the Structure and Usage of the Master Narrative in Holocaust Film

All the World’s a Stage: Paula Vogel’s Indecent & How Theatre Serves a Community