[pt] O presente estudo tem como objetivo a análise discursiva de narrativas geradas na interação entre mulheres migrantes e a obra literária A hora da estrela, de Clarice Lispector, que possui como temática central a migração. O ambiente de geração dos dados, assim, é contextualizado pela literatura, que é pano de fundo para as interações; e pela temática da migração, que tangencia as histórias de vida dessas mulheres – Cássia, Taís, eu mesma e Macabéa – protagonista da obra literária escolhida. O foco da pesquisa está voltado para o acontece na interação entre as participantes e para a (re)elaboração de experiências nas narrativas, quando temas ligados à construção de identidades, estigmas e instituições emergiram de forma recorrente. Sendo assim, de forma mais específica, os objetivos são: (i) analisar o discurso narrativo das participantes no que diz respeito às suas experiências migratórias; (ii) analisar como as participantes avaliam suas experiências vividas a partir da interação com a obra literária e (iii) analisar que identidades, estigmas e instituições emergem nessa prática discursiva avaliativa que as participantes elaboram acerca de seu processo migratório. Esta pesquisa insere-se no âmbito da Linguística Aplicada (MOITA LOPES, 2006; 2013) e propõe uma investigação de cunho interdisciplinar entre os Estudos da Linguagem e a Literatura. Para fundamentar as análises, o arcabouço teórico-metodológico dialoga com teorias de linguagem de base social, a saber as áreas de análise de narrativa e os estudos de identidade (BASTOS, 2008); da sociolinguística interacional, a partir de alguns conceitos cunhados por Goffman (1961; 1963; 1979); e da Linguística Sistêmico-Funcional (HALLIDAY, 1994; GOUVEIA, 2009; NÓBREGA, 2009), especialmente, o Sistema de Avaliatividade (MARTIN; WHITE, 2005). No âmbito dos Estudos Literários, recorro à estética da recepção à teoria do efeito estético, principalmente aos postulados de Jaus (1994 (1969)) e de Iser (1996 (1976)), que se preocupam com a relação entre texto e leitor. Dessa forma, o alinhamento metodológico se dá com a pesquisa qualitativa (DENZIN; LINCOLN, 2006), por ser uma investigação situada em teorias de bases sociais. A pesquisa também possui um cunho autoetnográfico (ELLIS, ADAMS; BOCHNER, 2010), visto que se desenvolve em um contexto familiar, em que uma das participantes possui uma relação direta de parentesco com a pesquisadora. Os resultados das análises sugerem que as interlocutoras, por meio de suas histórias de vida, (re)constroem identidades e afetos pela diferenciação de Macabéa, personagem da obra literária. Os momentos avaliativos se mostram fundamentais para (re)construção das narrativas, que dialogam com o contexto de leitura da obra de Clarice. Sendo assim, Cássia e Taís (co)constroem e (re)constroem identidades para migrante nordestina, recontextualizando uma mulher crédula e ingênua na figura de uma mulher batalhadora, estudiosa, que busca e conquista sua ascensão social apesar dos estigmas sofridos e das vivências de abuso nas chamadas casas de famílias, entendidas como instituições totais. Esta tese pode contribuir de forma original para a área de Linguística Aplicada, que incentiva pesquisas de caráter inter/transdisciplinar. Além disso, mostra-se um ato de (re)existência – e de resistência – de tantas histórias de mulheres nordestinas e migrantes. / [en] The present study aims at analyzing narratives generated in the interaction between migrant women and the literary work The hour of the star, by Clarice Lispector, whose main theme is migration. Thus, the environment of data generation is contextualized by the literature, which is the background for interactions; and by migration, topic that touches the life stories of these women – Cassia, Taís, myself and Macabéa – protagonist of the chosen literary work. The focus of the research is on what happens in the interaction between the participants and the (re)elaboration of narrative experiences, when themes related to the construction of identities, stigmas and institutions emerged in a recurrent way. Hence the objectives are: (i) to analyze the narrative discourse of the participants regarding their migratory experiences; (ii) to investigate how the participants evaluate their lived experiences in the interaction with the literary work and (iii) to observe which identities, stigmas and institutions emerge in this evaluative discursive practice that the participants made about their migratory process. This research is developed within the scope of Applied Linguistics (MOITA LOPES, 2006; 2013) and proposes an interdisciplinary investigation between Language Studies and Literature. To support the analysis, the theoretical-methodological framework dialogues with socially based language theories, namely the areas of Narrative Analysis and Identity Studies (BASTOS, 2008); of Sociointeractional Perspective of Discourse, based on some concepts from Goffman (1961; 1963; 1979); and of SFL (HALLIDAY, 1994; GOUVEIA, 2009; NÓBREGA, 2009), especially the Appraisal Theory (MARTIN; WHITE, 2005). In the context of Literary Studies, I refer to the Aesthetic of Reception and the Theory of Aesthetic Effect, especially to the postulates of Jauss ((1969) 1994) and Iser ((1976) 1996), that concern with the relationship between text and reader. The methodological framework aligns with qualitative research (DENZIN; LINCOLN, 2006), as it is an investigation situated on socially based theories. The research also has an auto-ethnographic aspect (ELLIS, ADAMS; BOCHNER, 2010), since it is carried out in a familiar context, in which one of the participants has a direct relationship with the researcher. Results suggest that interlocutors, through their life stories, (re)construct identities and emotions through the differentiation of Macabéa, character of the literary work. The evaluative moments are fundamental for the (re)construction of narratives, which dialogues with the reading context of Clarice s work. Cassia and Taís (co)construct and (re)construct identities for the migrant from northeastern of Brazil, recontextualizing a gullible and naive woman in the figure of a struggling, studious woman who seeks and conquers her social ascension despite the stigmas suffered and experiences of abuse in the so-called family homes, understood here as total institutions. This thesis may contribute in an original way to the area of Applied Linguistics, encouraging inter and transdisciplinary research. Moreover, it is shown an act of (re)existence – and resistance – of so many stories of migrant women from northeastern of Brazil.

This thesis is dealing with town side recreation. Natural environment, with forest as a dominating factor, is very important in this issue. Forests attract their visitors thanks to specific atmosphere and mostly they don{\crq}t need any additional equipment to fulfill their purpose within the frame of tourism. This doesn{\crq}t apply on smaller forest stands, so-called small-scale forest units, that attract just minimal attention by themselves. Small-scale forest units are offering relax potential, but this potential need to be developed. Through the use of convenient ground shaping, equipping and promotion of these small-scale forest units is possible to gain new recreation localities. This thesis is dealing with development of small-scale forest units nearby city Tábor.

The subject of the diploma thesis is to design a project study and a building program that would become a compromise between the requirements of the city of Brno and BUT in the area of Kraví hora in the Brno city center. The city of Brno would like to transform the area into a public park. But BUT considers it as its "family silver" because they realize its extraordinary value. Options of a constructions are really limited because of many area regulations. My proposal counts on the demolition of all existing buildings in the area, respects property area relations , protection zone, continuity with existing traffic roads, height regulation, imaginary raster of surrounding buildings, slope of terrain and orientation to the cardinal points. My suggest represents a study of five groups of objects which creating a rectangular raster. As a compromise solution, I chose the presentation and promotional areas of the individual faculties of BUT for the content of the buildings. Faculties have spaces for hobby groups for the public comprise all age groups included. I also designed the BUT Museum of History, a multimedia hall, a cafeteria, studios, a student leisure center and an observation tower with a climbing wall.

The thesis has been written on the basis of main architectural concepts and their application in real life within a historical context investigation. Main architectural concepts are represented in a harmony of architectural composition that deals with relations among form, structure and space in the unique art work. Genius loci play very important role in the architectural creation - it represents a special and extra-ordinary urban locality and its architectural value in the historical, geographical and cultural context. The origin of Ostravice village within the historical frame concept of Moravia domain is the topic of this thesis. Other historical documents gave information about Bruneswerde as the Brno Castle. That means Brno Castle had to be founded not in Brno (as it has been consid-ered for many years) but it was located in Beskydy at Ostravice. The sacred city – Civitas Dei had been located in Bruneswerde region in early ages as the centre of European culture, education and spiritual life. Civitas Dei – divine Jerusalem in the transcription of St. Augustine's book De civitate Dei – is not only glorification of God and religious fantasy. It is also one of significant clues for recognition of historical architecture. The depiction of unknown settlement from the book of unde-fined origin is a superb testimony about extinct architectural works. They are legible from cadastral maps. Brno Castle - residence of nobility and power served shelter to St. Vojtěch, St. Prokop, St. Václav and St. Ludmila as it is obvious for the mentioned picture. Three major temples, three com-position axes symbolized by three towers on coins are in analogical relation to Brno triangle of four saints - the Saint family of Brno temples. Powerful ambitions of Brno City principals and clergy are inscribed into the urban structure in the way of composition relations which are legible to them who devoted themselves to the mystery of harmony. The absence of historical continuity affects personal attitudes and also identity of the whole community. The architecture truly reflects the past state of polis and it is eloquent even after its death. The architectural composition relations influence the natural environment for long time, longer than the architectural work existence. The geometric order of Renaissance Brno existence has not been in attention of architects so far. The features were discovered in characteristic paintings by Albrecht Durer. They are evidently secret works of the genius. A meaningful collaborator and follower in the extensive project was also his friend Jan Čert from Brno and lately from Vienna. His noble genealogy played a significant role in history of Silesia and Moravia for centuries. It is tendency to consider him as Austrian or even German architect. It is because of the fact that the genealogy tree of his noble family had roots in Moravia. It is supposed that Durer with Jan Čert´s support created the extraordinarily monumental architectural and urban works in Brno. A remarkable consensus in the urban composition of two squares and transition of traditional urban structure of Ostravice Civitas Dei into the modern Brno is also confirmed due to the identification of noble creators and owners, who were at the foundation, transformation and extinction of elements of the Moravian urban structure.