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Analyse ludique de la franchise SawBrien, Janie 12 1900 (has links)
La saga Saw est une franchise qui a marqué le cinéma d’horreur des années 2000. Le présent mémoire tâchera d’en faire une étude détaillée et rigoureuse en utilisant la notion de jeu. En élaborant tout d’abord un survol du cinéma d’horreur contemporain et en observant la réception critique de la saga à travers l’étude de différents articles, ce travail tentera en majeure partie d’analyser la franchise Saw en rapport avec l’approche ludique du cinéma en général et celle adoptée par Bernard Perron. Cette étude, qui s’élaborera tant au niveau diégétique que spectatoriel, aura pour but de montrer l’importance de la place qu’occupe la notion de jeu dans cette série de films. / The Saw saga is a franchise that marked the horror film industry in the 2000’s. This report will try and give a thorough and detailled study while using the idea of a game. At the same time taking a cursory glance at contemporary horror films and observing how the critics were received by studying different articles. This assignment will in majority analyse the Saw saga using a recreational approach of movies in general as well as the one adopted by Bernard Perron. This study will be elaborated on a "diegetique" and "spectatoriel" level – the goal being to show the importance that games occupy in this film series.
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THE HORRORS OF : a physical study in horror and abjection.Jakobsson Potenciano, Evelina January 2023 (has links)
This essay contains a discussion of my influences for making the choreographic work The Horrors of:, which was the practical part of an examination for the degree work of the bachelor’s Programme in Dance Performance at Stockholms Konstnärliga Högskola in the fall of 2022. The horrors of: is an exploration of women in horror and the potentiality of the monstrous feminine. Inspired by Julia Kristeva’s concept of abjection, Barbara Creed’s concept of the monstrous-feminine as well as films in the body horror genre, a search to represent the subjectivity of the women depicted in horror through dance emerged. In the body horror genre, the female characters are neither villains nor heroes, but complex characters who possess the capacity to both do good and destroy. The text is divided in two parts: The first part dissects how the process was generated from researching the topics of femininity and abjection into a staged choreographic work and the second part contains a collage of poems along with other material collected from the artistic research process.
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Le féminin et le diable : possessions et exorcismes comme manifestation de la répression sexuelle féminineDagenais, Alexandra 10 1900 (has links)
No description available.
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Totalitarismo y ficción. Goya y sus espectros en el cine de Guillermo del ToroPonce Tarre, Jorge Esteban 10 July 2023 (has links)
[ES] El mexicano Guillermo del Toro, ha contribuido a enriquecer la estética y mitología del
cine fantástico y de terror. Gracias a los seres dentro de sus filmes, e inspirados en los
espectros de las pinturas y grabados de Francisco de Goya y Lucientes, el realizador
presenta, mediante ensoñaciones maravillosas, los traumas y conflictos que se han
arrastrado durante la historia; sobre todo en épocas de conflictos bélicos y sociales. La
investigación que aquí se plantea, busca reivindicar el valor estético y ético de la obra de
Goya dentro del cine contemporáneo. Así se propone un recorrido iconológico
comparativo que rescata la influencia del arte del aragonés en los largometrajes del
latinoamericano. / [CA] El director mexicà Guillermo del Toro, ha contribuït a enriquir l'estètica i la mitologia del
cinema fantàstic i de terror. Gràcies als éssers dins dels seus films, i inspirats en els
espectres pictòrics de les pintures i gravats de Francisco de Goya y Lucientes, el
realitzador presenta, mitjançant ensomnis meravellosos, els traumes i conflictes que s'han
arrossegat durant la història; sobretot en èpoques de conflictes bèl·lics i socials. La
investigació que ací es planteja, vol reivindicar el valor estètic i ètic de l'obra de Goya
dins del cinema contemporani. Així es proposa un recorregut iconològic comparatiu que
rescata la influència de l'art de l'aragonés en els llargmetratges del llatinoamericà. / [EN] Guillermo del Toro, the Latin American director, has contributed to enriching the
aesthetics and mythology of fantasy and horror films. Thanks to the beings in his films,
inspired by the pictorial spectrums of the paintings and engravings of Francisco de Goya
y Lucientes, the director presents, through fantastic reveries, the traumas and conflicts
that have dragged through history, especially in times of war and social conflicts. The
research proposed here seeks to vindicate the aesthetic and ethical value of Goya's work
within contemporary cinema. Thus, a comparative iconological tour is proposed that
rescues the influence of the art of the Aragonese in the Latin-American movies. / Ponce Tarre, JE. (2023). Totalitarismo y ficción. Goya y sus espectros en el cine de Guillermo del Toro [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/194753
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