Submitted by Morgana Silva (morgana_linhares@yahoo.com.br) on 2016-07-04T18:30:14Z No. of bitstreams: 1 arquivototal.pdf: 1269583 bytes, checksum: 82b0fddbfc93b778256ff664e216293d (MD5) / Made available in DSpace on 2016-07-04T18:30:14Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 1269583 bytes, checksum: 82b0fddbfc93b778256ff664e216293d (MD5) Previous issue date: 2015-03-24 / The legal certainty principle is the expression of certainty and order in judicial affairs. The principle can be a synonym of stability, foreseeability and immutability of written legislation and decisions taken by judiciary power. It is through the respect towards the law and the sentences that the State maintains social order. With the respect of the law or, in another word, legal certainty, the State can assure life security and individual liberties to its citizens. Therefore, legal certainty is as assuring element of one of the main goals of the State – public security. In that manner it is justified the preoccupation of the law in maintaining and promoting the legal certainty principle. However, is it possible to verify that it exists in such terms of immutability and foreseeability? The initial response of this work agrees with the theoretical reference of Jerome Frank, to who law id ruled by uncertainty. The insistence on the idea of legal certainty has trained the experienced jurist to deal with the flexibility of reality using rational constructions that allow to ratify legal certainty so he corroborates it, and legal certainty helps maintaining social order itself. / O princípio da segurança jurídica é a expressão de certeza e ordem nas relações jurídicas. O princípio pode ser sinônimo de estabilidade, previsibilidade ou imutabilidade da legislação escrita e das decisões tomadas pelo poder judiciário. É através desse respeito às leis e decisões que o Estado mantem a ordem social. Com o respeito à norma ou, em outras palavras, a segurança jurídica, o Estado consegue garantir a segurança da vida e liberdades individuais dos cidadãos. Assim, a segurança jurídica é elemento assegurador de um dos principais objetivos do Estado – a segurança pública. Dessa forma, justifica-se a preocupação do direito em manter e promover o princípio da segurança jurídica. No entanto, é possível constatar que ele existe nesses termos de imutabilidade e previsibilidade? A resposta inicial deste trabalho concorda com o referencial teórico de Jerome Frank, para quem o direito é regido pela incerteza. A insistência na ideia de certeza jurídica treinou o jurista experiente para lidar com a flexibilidade da realidade usando locuções e construções racionais que permitem ratificar a segurança jurídica, de modo que ele corrobora a segurança e essa, por sua vez, mantem a própria ordem social.

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Der französische Choreograph Jérôme Bel setzt in seinem biographischen Zyklus von 2004-2009 das Verhältnis von Werk und Autor, von Choreographie und Choreograph in Szene, vor deren Hintergrund die Geschichten und Namen des Tanzes anders lesbar werden: Die Stücke Bels tragen als Titel die Namen der Tänzer, die in ihnen auftreten. Die Geschichte der Namensgebung in der Arbeit Bels ist auch eine Geschichte, in der sein Name als Choreograph und Autor verschwindet, wenn er erscheint und erscheint, wenn er verschwindet. Von diesem Grenz-Ort aus wäre jene Geste zu befragen, die Jérome Bel vollzieht, wenn er den Stücken, für die sein Name steht, als Titel den Namen der Tänzer gibt, die in ihnen auftreten.

Der französische Choreograph Jérôme Bel setzt in seinem biographischen Zyklus von 2004-2009 das Verhältnis von Werk und Autor, von Choreographie und Choreograph in Szene, vor deren Hintergrund die Geschichten und Namen des Tanzes anders lesbar werden: Die Stücke Bels tragen als Titel die Namen der Tänzer, die in ihnen auftreten. Die Geschichte der Namensgebung in der Arbeit Bels ist auch eine Geschichte, in der sein Name als Choreograph und Autor verschwindet, wenn er erscheint und erscheint, wenn er verschwindet. Von diesem Grenz-Ort aus wäre jene Geste zu befragen, die Jérome Bel vollzieht, wenn er den Stücken, für die sein Name steht, als Titel den Namen der Tänzer gibt, die in ihnen auftreten.

The acquisition of the Indian land by the Cherokee Commission between 1890 to 1892 was a series of events that changed the future of many indian nations and parts of american history. In the midst of these great changes, Kiowa interpreter for the Cherokee commission: Joshua H Given, ended up in a controversial position. He was accused of having deliberately cheated and mislead the Indians to get them to sign the agreements to allot their land to the goverment. This led to several attempts by the Indian tribes to annul the agreements with the commission and the condemnation of Joshua Given by many Kiowas. This essay is an attempt to clarify parts of Joshua H Givens life, actions and death through a source-critical analysis of the sources used in the research of Joshua Given. The views of two historians, C. Blue Clark and William T. Hagan, is used to contrast and compare the actions and life of Given to get a fuller view of the complicity of this individual. Hagans views is more focused on the image of a trying mediator, while Clark focuses on the images of a deceiving interpreter, By the work and theories of Nancy L. Hagedorn and Margaret Connell Szasz on the cultural broker as an cultural intermediate, Givens complexe relation to the clashing cultures and tradition of his own Kiowa nation and his newly learned western and Christian culture can be undersood as a failiure to gain the extremely important trust required for such mediation between the parties.

Made available in DSpace on 2016-04-25T19:20:57Z (GMT). No. of bitstreams: 1 Adriana Buarque.pdf: 6014129 bytes, checksum: 708c15c22f1ca5497b92f7d694c55f24 (MD5) Previous issue date: 2005-09-20 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / Compassion as redemption of the human being. The aim of this work is to show how Holden Caulfield, the character of The catcher in the rye, returns from his isolation of the world by means of his altruistic love, considering 'the other' more important than himself. From the hypothesis that Holden's grief in maintaining innocence leads him to depression, as compassion leads him to the answer for such conflict, the methodological procedures were based on the inductive method for elaborating theses: historical procedures, such as contextualizing the novel, bibliographical research, text selection, analysis, interpretation, organization and composition of the theoretical approach. Contextualizing J. D. Salinger and his narrative leads to a more accurate comprehension of Holden Caulfield. The anguish of being lonely makes him want to die, something that changes when he realizes, benevolently, that the answer to his question is to seek 'the other'. Then, compassion, the need to love, silences his inner pain / A compaixão como redenção do ser humano. O objetivo desta pesquisa é mostrar como Holden Caulfield, a personagem de O apanhador no campo de centeio, retorna de seu isolamento do mundo por intermédio de seu amor altruísta, considerando o 'outro' mais importante que si mesmo. Partindo da hipótese de que a angústia de Holden em querer perpetuar a inocência 0 leva à depressão, bem como a compaixão 0 leva até a resposta para tal conflito, foram traçados os procedimentos metodológicos a partir do método indutivo para a elaboração da dissertação: procedimento histórico, como a contextualização do romance, levantamento bibliográfico, seleção de textos, análise, interpretação, organização e composição do quadro teórico. Contextualizar J. D. Salinger e sua narrativa leva a uma compreensão melhor apurada do adolescente Holden Caulfield. A angústia da solidão o faz desejar a morte, quadro que é revertido quando percebe de modo compassivo que a resposta de seu questionamento está em olhar o 'outro'. Assim, a compaixão, a necessidade de amar cala a dor que o jovem traz consigo

Ma Chun-Lung. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2004. / Includes bibliographical references (leaves 121-127). / Abstracts in English and Chinese. / Abstract --- p.i / 論文提要 --- p.iii / Acknowledgements --- p.iv / Introduction --- p.1 / Chapter Chapter One: --- J.D. Salinger's The Catcher in the Rye --- p.22 / Chapter Chapter Two: --- Ken Kesey's One Flew Over the Cuckoo's Nest --- p.49 / Chapter Chapter Three: --- Douglas Coupland's Generation X --- p.80 / Final Remarks --- p.110 / Selected Bibliography --- p.121

No abstract available. / Thesis (M.Mus.)-University of Natal, 1987.

This thesis investigates the influences on Jerome's translation of the Psalter from the Hebrew (IH Psalter) that came from the three major socio-religious spheres with which Jerome was acquainted. It argues that the results offer insights into Jerome's conception of the nature of Hebrew text itself, of the relationship between it and the Christian faith, and of his role as translator. The thesis argues and demonstrates that the language of the IH Psalter reveals influences that derive from Jerome's classical background, from his contact with rabbinic scholars in Palestine, and, especially, from his adopted Christian faith. These influences are subtle, but their combined effect is considerable. Care is taken to demonstrate that Jerome was a competent translator, and that he deliberately intended the classical, Jewish or Christian nuances that are discussed. This is achieved, first, by comparing the IH Psalter with the Hebrew as an initial step, then with Jerome's translation of the Psalter from the Hexaplaric Septuagint, and with the various Greek versions where they are extant; and second, by evaluating the relationship between Jerome's translations and his exegetical material on the Psalter. The fact that Jerome is both translator and exegete of the Psalter allows clear insight into the impact of his understanding of the Psalms on his translation of them. The Conclusion argues that the issues can be focussed on and find their resolution in Jerome's conception of the nature and function of the Hebrew text. By imputing to Jerome a belief in the divine inspiration of the Hebrew text, and a belief that the Hebrew text properly understood and properly translated reveals Jesus Christ, the character of the IH Psalter can best be explained. Jerome's translations often exploited available linguistic space, but they rarely went beyond what hebraica veritas could reasonably signify.

Thesis (Ph. D.)--Lehigh University, 1998. / Includes vita. Includes bibliographical references (leaves 256-271).