Jesse Owens was the star of the Berlin Olympics in 1936. His four gold medals in Hitler's Germany, as an African American, had far reaching implications back in the United States. Despite segregation and a social hierarchy that was an impasse to both black opportunity and achievement, Owens created a lasting legacy that drastically impacted race relations. The purpose of this thesis was to examine what the Olympic glory of Owens represented for society. Owens as an Olympian in 1936 manufactured a brand of social capital that tied people together in commonality—as Americans. As well, in both myth and deed, Owens has been traditionally credited with challenging Hitler's beliefs of Aryan Supremacy. Yet, Owens was also a race pioneer, as his athletic feats were read in newspapers all over the country, and as a result, helped shift the consciousness of Southerners who were historically ignorant of black achievement.

This essay aims to examine what the figure of the witch as a motif in art has looked like and how it has changed through history. The study focuses on witches in the iconography of the renaissance, the 19th century and contemporary art. Two artworks are chosen from each period, one typical for the witchcraft iconography of that specific era and one atypical. The artworks are then analyzed in relation to literary sources concerning the role of the witch in the time period they were made. By doing this, the essay also examines how the witch-hunts of the 1400-1600s affected the iconography of that period, and how in later epochs other societal shifts and situations such as the widespread prostitution of the 19th century and our own struggles today with issues such as the climate crisis can be related to the witch through the lens of art. The essay argues that the witch as a motif has changed throughout art history, from being depicted as a mostly dangerous or at best satirical figure during the renaissance, to a seductive femme fatale in the 19th century, and at last a symbol of feminist, post-colonial and environmental resistance in contemporary art. It is also argued that some aspects of the witch have survived thoughout these five hundred years, such as the idea of the witch as a disruptor of the norm and her ability to create a new world that is an upside-down version of our own.

This work presents the development and analysis of a system that combines the concepts of light field microscopy and particle image velocimetry (PIV) to measure three-dimensional velocities within a microvolume. Rectanglar microchannels were fabricated with dimensions on the order of 350-950 micrometers using a photolithographic process and polydimethylsiloxane (PDMS). The flow was seeded with fluorescent particles and pumped through microchannels at Reynolds numbers ranging from 0.016 to 0.028. Flow at Reynolds numbers in the range of 0.02 to 0.03 was seeded with fluorescent particles and pumped through microchannels. A light field microscope with a lateral resolution of 6.25 micrometers and an axial resolution of 15.5 micrometers was designed and built based on the concepts described by Levoy et al. Light field images were captured continuously at a frame rate of 3.9 frames per second using a Canon 5D Mark II DSLR camera. Each image was post processed to render a stack of two-dimensional images. The focal stacks were further post processed using various methods including bandpass filtering, 3D deconvolution, and intensity-based thresholding, to remove effects of diffraction and blurring. Subsequently, a multi-pass, three-dimensional PIV algorithm was used to measure channel velocities. Results from PIV analysis were compared with an analytical solution for fully-developed cases, and with CFD simulations for developing flows. Relative errors for fully-developed flow measurements, within the light field microscope refocusing range, were approximately 5% or less. Overall, the main limitations are the reduction in lateral resolution, and the somewhat low axial resolution. Advantages include the relatively low cost, ease of incorporation into existing micro-PIV systems, simple self-calibration process, and potential for resolving instantaneous three-dimensional velocities in a microvolume.

The development of the downtown business district of Provo, Utah has closely followed the orderly growth envisioned by its founders. However, one early change in the city's layout had a profound effect on the direction of Provo's development. In 1852, Brigham Young moved the site of the Provo tabernacle from its original location in the designated public square to a location on the fringes of the earliest city boundaries. The result of this action was a sometimes heated controversy among residents regarding the city's true public center. As commercial development reached a peak between 1896 and 1915, the controversy erupted into a rivalry between east-side and west-side residents. Jesse Knight and Thomas Nicholls Taylor, two of the city's most prominent citizens and businessmen, became opponents in advocating opposite sides of the city for development. The strong emotions generated by the rivalry reached a peak with the election to decide the location of Provo's Union Passenger Depot in 1909.Throughout the period of their rivalry, the opposing efforts of Knight and Taylor to establish a commercial center in Provo played a key role in the location and style of the city's most important commercial and residential buildings. These structures are an important focus of study since they represent the playing pieces in a competition that was almost single-handedly responsible for the growth and composition of central Provo. This thesis evaluates the effect of the Knight-Taylor rivalry on architecture in Provo between 1896 and 1915, and examines some of the buildings that resulted from the controversy within the context of contemporary architectural trends.

This master's thesis project is the first half of a historical novel concerning the involvement of Elvira Field Strang Baker, the first plural wife of James Jesse Strang, with the "Beaver Island Mormons" who followed Strang from Nauvoo shortly after the death of Joseph Smith in 1844. The events portrayed are historical, although fictionalized. This portion of the novel contains a brief introduction to her childhood in Chapter One and follows her involvement with the Strangite movement beginning in April 1847 to the coronation of her husband in. Elvira was the first plural wife of James Jesse Strang who to this day is the only crowned American king. She married Strang in July 1849 and kept her marriage a secret for one year until Strang announced her as his wife during the above-mentioned coronation ceremony. Elvira was a woman ahead of her time. She was educated and had the opportunity to enjoy professional success which was rare for a woman of the mid-eighteenth century. She was a teacher, a trained tailor, an author of articles for her husband's newspapers, and one of his most capable administrators. While this portion of the novel focuses primarily on the early days of Elvira's acquaintance with James, his subsequent courtship, and the early days of their marriage, it also follows Elvira's movement within this unorthodox community that was supposed to be Zion.

This thesis is an approximation of several years spent in the studio. It represents an equitable exercise of memory and speculation.

Made available in DSpace on 2016-04-25T19:20:29Z (GMT). No. of bitstreams: 1 Andreia Rocha de Vasconcellos.pdf: 559228 bytes, checksum: 5f32c1c378c1a0818903831f8e61a444 (MD5) Previous issue date: 2013-11-27 / This thesis analyses the silence of God throughout the movie The seventh seal (1957), by Ingmar Bergman, from two fundamental concepts developed by the critic Jesse Kalin: ontological reduction and geography of the soul. The moral vacuity which bursts from the dismantling of the Medieval world grounded over the image and the similarity of a crescently silent God is eschatologically lived by the characters of Bergman's consecrated film. We analyse The seventh seal in order to apprehend the ways the protomodern narrative conflicts help us understand our own times / Esta dissertação analisa o silêncio de Deus no filme O sétimo selo (1957), de Ingmar Bergman, a partir de dois conceitos fundamentais desenvolvidos pelo crítico Jesse Kalin: redução ontológica e geografia da alma. A vacuidade moral que irrompe com a desestruturação do mundo medieval alicerçado segundo a imagem e semelhança de um Deus cada vez mais silencioso é vivenciada escatologicamente pelas personagens do consagrado filme de Bergman. Analisamos O sétimo selo a fim de apreender como os conflitos narrativos protomodernos nos ajudam a compreender nossa própria época

L'influence du président de la commission du Sénat américain sur les Relations extérieures (Senate Foreign Relations Committee ou CSRE) a-t-elle inéluctablement diminué depuis 1945? Le président de la CSRE joue-t-il toujours un rôle déterminant dans la formulation et la conduite de la politique étrangère américaine? Ces questions animent plusieurs experts du Congrès des États-Unis et guident notre thèse. Décrivant l'expérience de quatre sénateurs qui ont occupé la tête de la CSRE depuis la fin de la Seconde Guerre mondiale, soit Arthur Vandenberg (1947-1949), J. William Fulbright (1959-1975), Jesse Helms (1995-2001) et Joe Biden (2007-présent), nous recourons à une approche récente de la politique intérieure américaine - l'étude du développement politique américain (American Political Development) - pour formuler trois conclusions à propos de l'influence du président de la CSRE sur la politique étrangère américaine après 1945. D'abord, les experts du Congrès ont tort d'affirmer que l'impact du président de la CSRE sur la politique étrangère n'a cessé de diminuer depuis 1945. Non seulement ces experts n'offrent-ils pas d'indicateurs précis pour mesurer le déclin du président de la CSRE, mais nos propres indicateurs et observations contredisent leur thèse linéaire et simpliste. Vandenberg, Fulbright, Helms et Biden se sont effectivement démarqués par rapport aux autres sénateurs qui ont occupé la tête de la CSRE depuis 1945, ce qui mine l'argument voulant que l'influence du président de la CSRE a décru de manière inéluctable. Ensuite, à l'aide d'une approche à trois niveaux d'analyse, nous utilisons les cas de Vandenberg, Fulbright, Helms et Biden pour développer une théorie de l'influence du président de la CSRE. À notre avis, les expériences de ces quatre sénateurs sont comparables et démontrent que les présidents de la CSRE qui marquent le plus l'histoire possèdent les trois caractéristiques suivantes, sans exception: a) ils dirigent la CSRE lors d'une période cruciale de la politique étrangère américaine, c'est-à-dire lorsqu'un événement international d'envergure les incite à s'imposer dans les débats à Washington (niveau international); b) ils oeuvrent dans un environnement institutionnel et sociétal qui favorise leur réussite (niveau national); et c) ils ont les intérêts, les aptitudes et les convictions nécessaires pour exercer un fort leadership au Congrès et face au président américain (niveau individuel). À notre avis, l'histoire se souvient moins des autres présidents de la CSRE parce qu'ils ne répondaient pas à un ou à plusieurs de ces critères. Qui plus est, notre thèse porte à croire que les présidents de la CSRE qui risquent le plus de marquer la politique étrangère à l'avenir sont également ceux qui rempliront ces trois conditions. Enfin, faisant la distinction entre les actions législatives (introduction de projets de loi et d'amendements, adoption des budgets, votes législatifs, etc.) et non législatives (apparitions télévisuelles, lettres au président américain, conférences publiques, etc.) du président de la CSRE, nous démontrons que les experts du Congrès ont tort de croire que l'influence législative des sénateurs est plus importante que leur influence non législative. Certes, l'influence législative permet au président de la CSRE d'exercer un poids plus significatif et direct sur la politique étrangère que les apparitions télévisuelles, sites Internet ou encore discours au Sénat. Or, les présidents de la CSRE n'ont pas le choix de recourir aux outils non législatifs pour garantir l'adoption de leurs projets de loi. L'influence non législative est donc un préalable à l'influence législative. À ce titre, Fulbright, Helms et Biden ont marqué l'histoire parce qu'ils ont su faire preuve d'innovation: ils ont créé de nouveaux outils non législatifs qui, comme les apparitions télévisuelles, les manoeuvres dilatoires et les apparitions sur Internet, ont permis au président de la CSRE de continuer à s'imposer dans les débats à Washington malgré l'avènement de la « présidence impériale » et l'évolution du contexte socio-politique américain. ______________________________________________________________________________ MOTS-CLÉS DE L’AUTEUR : Congrès des États-Unis, Sénat des États-Unis, Commission du Sénat sur les Relations extérieures, Politique étrangère des États-Unis, Politique intérieure des États-Unis, Arthur Vandenberg, J. William Fulbright, Jesse Helms, Joe Biden.

This study builds on Jesse Mugambi's post-Cold War proposal for a paradigm shift, from liberation to reconstruction. Mugambi's line of reasoning is based upon his understanding of the post-Cold War period in Africa, and the need for a shift from the "dominant" paradigm of liberation, in articulating African theology, to reconstruction. The Cold War had divided Africa (and the rest of the world) into two ideological blocks, namely, the East Bloc nations (i.e., Warsaw Pact) vs. the nations in the West (NATO). With the destruction of the Berlin Wall, the end of western colonial rule in Africa, and the demise of apartheid, Mugambi prods that, there is a need to shift the theological emphasis from the Exodus motif to that of a Reconstructive motif. While the former motif was biblically modelled on Moses, and the Exodus from Egypt and the Journey to the Promised Land, the latter is biblically modelled on Nehemiah who led the Jews in the rebuilding of the wall of Jerusalem following their return from Exile after seventy years of Babylonian captivity. Thus Mugambi sets the stage for the debate in this study, by his proposal that the post-Cold War Africa should now shift its paradigm in theo-social discourses. / Thesis (Ph.D.)-University of KwaZulu-Natal, Pietermaritzburg, 2007.

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